Black Gate – Page 343 – Adventures in Fantasy Literature

Future Treasures: Fog Season, Book II of Tales of Port Saint Frey by Patrice Sarath

Monday, January 14, 2019 John ONeill Comments 4 comments

The Sisters Mederos Patrice Sarath-small

I was proud to publish Patrice Sarath’s short story “A Prayer for Captain LaHire” in Black Gate 4, and see it reprinted in Year’s Best Fantasy 3 (2003). She turned to novels with the popular Gordath Wood trilogy (Gordath Wood, Red Gold Bridge, and The Crow God’s Girl). But her real breakthrough came last year with her first release from Angry Robot, The Sisters Mederos, the tale of a once-great family fallen on hard times, and the two sisters — one a masked bandit, and another with secret supernatural powers — who reverse their family’s downfall. Louisa Morgan (A Secret History of Witches) called it:

A colorful Dickensian fantasy that leads the reader on an unpredictable path of murder, intrigue, and mystery… It’s a tale of magic lost and recovered, fortunes made and squandered, and broken lives healed, all of it engineered by Yvienne and Tesara, two resourceful and delightful protagonists, in the company of some charming and often dangerous sidekicks.

Publishers Weekly gave it a rousing review saying,

The young women, newly returned from boarding school to a fantasy version of a preindustrial European port city, are determined to restore their family’s fortune and revenge themselves on the corrupt Merchant’s Guild, whose machinations lie behind House Mederos’s downfall. Yvienne, “the smartest girl in Port Saint Frey,” provokes through newspaper editorials, takes a governess job as an entrée into the houses of the powerful, and eventually discovers the excitement of committing armed robbery. Tesara, who conceals supernatural powers that she blames for the shipwreck that ruined her family, ingratiates herself with the upper classes at gambling tables… [The] heroines are entertaining company, and the dynamic between the two sisters — occasionally contentious, often secretive, always loving — is the most enjoyable part of this effervescent tale.

I’m delighted to see the sequel, Fog Season, scheduled to arrive February 5, less than a year after the release of the first, and I hope it’s the sign of more to come. Here’s the description.

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Hither Came Conan: Bobby Derie – “The Phoenix on the Sword”

Monday, January 14, 2019 Bob Byrne Comments 24 comments

Our Hither Came Conan series gets well and truly underway this week with Bobby Derie presenting the case for “The Phoenix on the Sword.” Grab your loin cloth and tulwar (or zhaibar knife, if you prefer…) and tread upon some jeweled thrones!

“Know, oh prince…”

The Texas pulpster sat at his typewriter, pounding away at the keys, talking the story out loud as he typed. The long novella of King Kull, “By This Axe I Rule!” written some years earlier remained unsold, rejected by Argosy and Adventure. Already the Texan was working over the history in his mind, weaving together bits of fact and legend of the “Age undreamed of.”

Thinking back to just months ago when he had been down south, in a dusty little border town of the Rio Grande valley, and a character had come into his mind…a raw conception with an old Celtic name, and…

“Hither came Conan, the Cimmerian, black-haired, sullen-eyed, sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth, to tread the jeweled thrones of the Earth under his sandalled feet.”

The opening to “The Phoenix on the Sword” is the greatest incipit in pulp fiction, an invocation to the muse of artificial mythology, a sketch of a world and a character all at once. It ran as the banner across the Marvel Conan comics for decades, and an abbreviated version opened the 1982 film which introduced the Cimmerian to a whole new audience. It almost didn’t happen.

“But “The Phoenix on the Sword” has points of real excellence. I hope you will see your way clear to touch it up and resubmit it. It is the first two chapters that do not click. The story opens rather uninterestingly, it seems to me, and the reader has difficulty in orienting himself. The first chapter ends well, and the second chapter begins superbly; but after King Conan’s personality is well established, the chapter sags from too much writing.”
—Farnsworth Wright to Robert E. Howard, 10 Mar 1932

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The Golden Age of Science Fiction: Lou Tabakow

Monday, January 14, 2019 Steven H Silver Comments 2 comments

Peter Graham is often quoted as saying that the Golden Age of Science Fiction is 12. I was reminded of this quote last year while reading Jo Walton’s An Informal History of the Hugo Awards (Tor Books) when Rich Horton commented that based on Graham’s statement, for him, the Golden Age of Science Fiction was 1972. It got me thinking about what science fiction (and fantasy) looked like the year I turned twelve and so this year, I’ll be looking at the year 1979 through a lens of the works and people who won science fiction awards in 1980, ostensibly for works that were published in 1979. I’ve also invited Rich to join me on the journey and he’ll be posting articles looking at the 1973 award year.

The E. Everett Evans Big Heart Award was founded in 1959 and the first recipient was E.E. “Doc” Smith. The award was originally named in honor of E. Everett Evans, a fan who helped run the first Westercon and was active in publishing a fanzine in FAPA as well as participating in activities for LASFS (The Los Angeles Science Fiction Society). He helped found the N3F (National Fantasy Fan Federation). From is founding until 2000, the award was administered by Forrest J Ackerman and was one of the awards traditionally presented as part of the Hugo Award ceremony at Worldcon. In 2000, Ackerman stepped down as the administrator with David A. Kyle taking over. In 2006, Kyle renamed the award the Forrest J Ackerman Big Heart Award. The award was renamed a second time in 2018 and is currently the David A. Kyle Big Heart Award.

Lou Tabakow was born on January 14, 1915. He owned a dry cleaner in Cincinnati when Dale Tarr introduced him to science fiction fandom in the 1930s. When Tarr, Charles Tanner, and Ross Rocklynne founded the Cincinnati Fantasy Group (CFG) in 1935, Tabakow became the organization’s founding Secretary/Treasurer. Within a few years, Tabakow was functioning as the group’s President, a position he retained until his death, when he was succeeded by Bill Cavin.

Through his position within CFG, Tabakow helped found several long-running conventions, including Midwestcon, in 1949. Midwestcon is widely considered to have been the first relaxacon held. It has long drawn from the greater Midwest and over the years has been attended by pros as well as fans, despite its lack of programming.

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A Gritty Medieval Fantasy of Battles, Treachery, and Monsters: The Tales of Durand by David Keck

Sunday, January 13, 2019 John ONeill Comments 5 comments

The Christmas break, traditionally my longest reading holiday of the year, is over, and it’ll be a month or two at least before I can contemplate tackling another epic fantasy trilogy. But it’s not too early to start stacking by my bedside in preparation.

I’ve already picked out a promising series to start the new stack: David Keck’s Tales of Durand. Publishers Weekly praised the first book, In the Eye of Heaven (2006) as a “winning debut, a gritty medieval fantasy full of enchantment… deftly told,” and called the sequel, In a Time of Treason (2008) “grand-scale storytelling.” But they reserve their strongest praise for the long-awaited concluding volume A King in Cobwebs, saying

Keck concludes his Tales of Durand trilogy with this superlative fantasy epic, which sees the warrior Durand Col take his place among battles and treachery that threaten the kingdom of Errest the Old. Durand stands as champion to Abravanal, Duke of Gireth and holder of the Duchy of Yrlac. Although the Yrlacies are restless under Abravanal’s rule, the duke is commanded to ride with his household to the Fellwood Marches by his unhinged king, Ragnal. Yrlaci rebels harry the soldiers of Gireth on the road to the Fellwood, and, once there, they are chased by the inhuman host of maragrim, “hideous in their innumerable deformities.” … Keck sends the stalwart Durand through darkness and a lost land, facing terrors and beset by the dead. Human politics and dreadful foes are combined in this tale that stands with the very best fantasies.

A King in Cobwebs was published by Tor Books on December 4, 2018. It is 444 pages, priced at $28.99 in hardcover, $17.99 in trade paperback, and $9.99 for the digital edition. The cover is by David Grove. Read an excerpt from In the Eye of Heaven here, and see all our recent coverage of the best in new fantasy series here.

New Treasures: Occupy Me by Tricia Sullivan

Saturday, January 12, 2019 John ONeill Comments 0 Comment

Tricia Sullivan is the author of Lethe (1995), a Locus Award nominee for Best First Novel, Someone to Watch Over Me (1997), and the Clarke Award-winning Dreaming in Smoke (1998). Her latest novel is something different — the tale of an angel on Earth who gets caught up in a tale of international intrigue, and much more. Here’s the description.

A woman with wings that exist in another dimension. A man trapped in his own body by a killer. A briefcase that is a door to hell. A conspiracy that reaches beyond our world. Breathtaking SF from a Clarke Award-winning author.

Tricia Sullivan has written an extraordinary, genre defining novel that begins with the mystery of a woman who barely knows herself and ends with a discovery that transcends space and time. On the way we follow our heroine as she attempts to track down a killer in the body of another man, and the man who has been taken over, his will trapped inside the mind of the being that has taken him over.

And at the centre of it all a briefcase that contains countless possible realities.

It was Mahvesh Murad’s Tor.com review of the original Gollancz UK edition that first intrigued me. Here’s the money quote.

Occupy Me is full to bursting with intriguing ideas and concepts, philosophy and complex physics. It’s high concept and heady. It’s also got a lot of humour… Sullivan takes the whole ‘strong female protagonist’ to a literal level too, giving Pearl massive physical strength (she can lift a truck!), the ability to fly and pure, brute will to survive and make things right. She’s a likeable character, easy to relate to even though her origins are mysterious and shrouded.

Occupy Me is… clever and complex and forces you to think outside of your comfort zone. It’s a thriller, complete with international hijinks, corporate corruption and an evil megalomaniac. What it isn’t is a standard paranormal fantasy featuring angels — it’s much more compelling in its originality.

Occupy Me was published by Titan Books on September 4, 2018. It is 361 pages, priced at $14.95 in trade paperback and $8.99 in digital formats. The cover is by Sidonie Beresford-Browne. See all our recent New Treasures here.

Godzilla: The Planet Eater (2018) Brings the Anime Trilogy to a Dreary End

Saturday, January 12, 2019 Ryan Harvey Comments 3 comments

This whole thing has been a lot of pixels over nothing.

Interesting possibilities glimmered in the first two films of the animated Godzilla trilogy, Godzilla: The Planet of Monsters and Godzilla: City on the Edge of Battle. But the final installment has arrived, premiering on Netflix this Wednesday, and now the whole enterprise reveals itself as a water-treading, self-proselytizing, character-inhibited, medium-wasting drag. This hasn’t been a bit of fun. There are no moments of elation or astonishment. In fact, Godzilla has hardly moved. I think the monster budged about ten feet the entirety of this last movie — and that includes during the climactic clash with Ghidorah, the only other kaiju to wander into the trilogy.

Godzilla fought Ghidorah — and for the first time ever, I didn’t care.

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Vintage Treasures: Stories of the Supernatural by Dorothy L. Sayers

Friday, January 11, 2019 John ONeill Comments 5 comments

Stories of the Supernatural Dorothy Sayers-small

Stories of the Supernatural Dorothy Sayers-back-small

I stumbled across a copy of Stories of the Supernatural in a paperback collection I acquired a few months ago, and fell in love with it immediately. Partly it’s the great table of contents — eleven classic tales of supernatural horror by E. F. Benson, Arthur Machen, Saki, Charles Dickens, W. W. Jacobs, and others. And partly it’s the early 60s, breathlessly over-the-top marketing copy (“Read it in the daytime… and hope your blood will unfreeze by the time the terrors of the night steal in.”)

But chiefly it’s the knockout cover by Richard Powers. Huge swatches of color, giant staring faces, and a dark backdrop reminiscent of deep space… that’s classic Powers all right. I don’t know what it is I find so deeply satisfying about settling down in my big green chair with a vintage paperback anthology from a great editor, but whatever it is, the feeling is significantly amplified by a Powers cover.

Speaking of great editors, the one on duty here is Dorothy L. Sayers. She had a surprising assortment of genre anthologies to her credit, such as Great Short Stories of Detection, Mystery and Horror (1928) and its two follow-on volumes. Two of her later paperback anthologies, Human and Inhuman Stories (1963) and Stories of the Supernatural (1963), both released posthumously, were selections from her massive 1929 anthology The Omnibus of Crime, a 1,177-page Harcourt hardcover. I’m very glad I found Stories of the Supernatural, but I’m even more pleased that it led me to discover The Omnibus of Crime, which is a truly monumental survey of early crime fiction (even if it doesn’t have a Power cover).

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The Top Five Books I Read in 2018

Friday, January 11, 2019 Brandon Crilly Comments 2 comments

Gods, Monsters and the Lucky Peach-medium

Okay, so maybe I’m one of those people who thinks, “Wow, how is it already a new year?” But then I think about everything I got up to in those 365 days and realize that time flies because I tend to keep myself pretty busy. Most relevant to my column here, that includes a ton of reading – and once again I’ve given myself the challenge of choosing my favorites, with a Top Five Books I Read in 2018.

In previous years, I’ve given myself the wiggle room that it didn’t matter what year the book was published in. I’m taking that away this time, forcing myself to choose from 2018 publications because, quite frankly, more recent titles need the signal boost more than something like Stephen King’s The Gunslinger. And I’ve managed to select a life-on-the-line, absolutely-have-to-choose #1 pick. For 2016, that title was An Inheritance of Ashes; for 2017, I went with The Nine by Tracy Townsend. But for 2018…

Life-on-the-Line Pick: Gods, Monsters and the Lucky Peach

The first time I saw Kelly Robson after reading her novella, I might have gone on a bit about a) how amazing it was and b) how there had better be a sequel in the works. (There is.) Lucky Peach is an action-packed, feels-jerking hopepunk story that somehow combines time travel, post-cataclysm environmentalism, transhumanism, tight character development AND a gut-punch of an ending. Seriously, go read this gods-damned book. Right now. Or if you’re not convinced, read my full review here.

And in alphabetical order, my other four picks for 2018 are…

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Goth Chick News: Bats and Bacardi… These Are a Few of My Favorite Things

Thursday, January 10, 2019 Sue Granquist Comments 2 comments

I love bats.

True, this may seem like an obvious statement, but goth chick stereotypes aside, I have always found bats fascinating, not for the least reason that many species look a lot like puppies with wings, and contrary to what Bram Stoker may have taught us, only three of the more than 1300 types of bats actually drink blood. In fact, those bat species which do, rarely try to do it on humans and only require about a tablespoon of blood per meal.

I also love rum.

Now this may sound like a non sequitur. Unless you’ve taken a close look at a Bacardi bottle; then you’ll notice Bacardi’s logo is indeed a bat. Why? Because the company’s first commercial distillery in Cuba was full of fruit bats hanging from the ceiling and, considering the high illiteracy rate back in 1862, it was an easy way for customers to identify their favorite adult beverage.

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The Silent Garden: A Journal of Esoteric Fabulism is a Beautiful New Fantasy Magazine

Thursday, January 10, 2019 John ONeill Comments 0 Comment

I don’t usually buy books or magazines sight unseen. But I made an exception for the inaugural volume of The Silent Garden, a beautiful new “Journal of Esoteric Fabulism.”

Part of the reason was the publisher. Mike Kelly’s Undertow Publications has produced some of the most memorable dark fantasy and horror of the past few years, including the anthology Aickman’s Heirs, Simon Strantzas’s new collection Nothing is Everything, and five volumes of Year’s Best Weird Fiction. To be honest the list price, $50 for a deluxe full color hardcover on 70lb. paper, gave me sticker shock, but the list of contributors — V.H. Leslie, Nick Mamatas, Helen Marshall, Brian Evenson, D.P. Watt, and many more — and the discounted 4-volume “The Year in Weird” bundle pricing on their website eventually won me over.

I’m very glad it did. At 249 pages, there’s a whole lot of content crammed into this journal, including eleven short stories, poems, book reviews, articles, and a 24-page full-color gallery devoted to the work of Manchester artist David Whitlam. But just describing the contents doesn’t do it justice. The real strength of The Silent Garden is its top-notch design. It looks fantastic, and every piece is accompanied by at least one striking visual or full-color work of art. Here’s a few pics of the gorgeous interiors.

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