Lost in the Halls at Gen Con 2019

Lost in the Halls at Gen Con 2019

Gen Con 2019-small

I’m here on site at Gen Con for the first time in…. wow, I don’t even remember. Fifteen years, at least. Last time I visited Gen Con it was in Milwaukee, if that’s any clue. It now fills (and substantially overfills) the spacious halls of the Indiana Convention Center in downtown Indianapolis, where tens of thousands of gamers meet friends, play games, try out new games, play the legendary NASCRAG tournament, and wander through the jaw-dropping Exhibit Hall.

I’m here for the first time in over a decade because I was invited to speak at the Writers Symposium, on topics like Submitting Short Fiction, What Happens to a Story After You Submit it, and Does Advertising Work? I’ve been very impressed at how well organized the Symposium is — it’s run like an excellent mini-convention just for writers, inside a much larger enterprise. And it’s attracted some top-notch speakers, including Howard Andrew Jones, Bradley P. Beaulieu — whose talk on Tension on Every Page was really terrific — the charming Anna Smith Spark, Black Gate blogger Clarence Young, writer and interviewer Seth Lindberg, Tor.com editor Diana Pho, and many, many others.

Of course, we’re here in the name of games, and games new and old were everywhere. The enormous Exhibit Hall (pictured above) was filled with hundreds and hundreds (and hundreds) of game companies showing off their wares. I didn’t get to spend nearly as much time in the Hall as I wanted — and you could spend weeks in there, believe me — but I did find countless treasures, many in the generously stocked Goodman Games booth at the far end. Over the next few weeks I’ll share the details here. But in the meantime, I have to run to my next panel, Reviews and Reviewers: How to Find Them, How to Keep Them. Wish me luck!

Read More Read More

Blogging Marvel’s Master of Kung Fu, Part Four

Blogging Marvel’s Master of Kung Fu, Part Four

61Wi5uAwkoL._SX323_BO1,204,203,200_Giant-Size Master of Kung Fu #3 continues the run of excellent issues from writer Doug Moench and artist Paul Gulacy. While the early cycle of stories suffer from an over-reliance on Fu Manchu as the villain (to levels that rival Baron Mordo in the early Lee-Diko Dr. Strange stories), there was a method to their madness. The blowback from Sax Rohmer fans (which started in the pages of The Rohmer Review fanzine) was followed by the author’s widow filing a complaint with The Society of Authors over Marvel’s mismanagement of her husband’s property.

Steve Englehart and Jim Starlin had no way of knowing that killing off an old character in Shang-Chi’s debut would constitute not keeping to the tone and content of the originals. They were a writer and artist assigned to a property and were more interested in creating a Marvel variation on the successful Kung Fu television series than they were in reviving Fu Manchu. Moench and Gulacy were determined to avoid further legal hassles by showing something approaching fidelity to Rohmer while carefully positioning the storyline to more closely model Ian Fleming and Len Deighton spy thrillers than Rohmer.

Read More Read More

The Definition of a Long Game: The Raven’s Mark Trilogy by Ed McDonald

The Definition of a Long Game: The Raven’s Mark Trilogy by Ed McDonald

Blackwing-smaller Ravencry-smaller Crowfall-small

When I wrote about Ed McDonald’s Raven’s Mark trilogy back in November, in the comments reader H.P. shared a review of the opening novel from his blog. He said in part:

Blackwing has a lot going for it. The worldbuilding is tremendous, the action scenes bloody, the human interaction surprisingly poignant. The plot is well crafted. One of my favorite aspects is the depiction of the Nameless and Deep Kings. They are almost entirely offstage, but always near to mind. McDonald really dives into what it means to get caught in a struggle between immortals. It is the definition of a long game, and not one where you worry too much about the odd pawn.

That piqued my interest, to say the least. I don’t have time to read a lot of trilogies, but I think I’ll make an exception in this case — especially now that the final volume, Crowfall, has arrived. In his survey of The Best Science Fiction & Fantasy Books of July, Jeff Somers sums it all up nicely:

The third book in the Raven’s Mark series finds the Deep Kings close to a final victory, as the Range — the last line of defense between them and the republic — and the Nameless — the gods who have long protected it — are both broken. Without the strength of the Nameless, the Blackwing captains are toppling one after another as the Deep Kings ready one final, decisive blow. Ryhalt Galharrow has been in the wasteland known as the Misery for so long it has become a part of him, and the Blackwing captains line up behind him for one last mission that will decide the fate of the republic for once and for all. McDonald’s talent for creating characters you’ll love and then showing them no mercy has not abated as he brings his trilogy to a rousing close.

Crowfall was published by Ace Books on July 2. It is 416 pages, priced at $18 in paperback and $9.99 in digital formats. See all our recent coverage of the best new Series Fantasy here.

The Golden Age of Science Fiction: “Encased in the Amber of Eternity,” by Robert Frazier

The Golden Age of Science Fiction: “Encased in the Amber of Eternity,” by Robert Frazier

Cover by Vincent di Fate
Cover by Vincent di Fate

Cover by Tim Mullins
Cover by Tim Mullins

The Rhysling Awards, named for Robert A. Heinlein’s poet from The Green Hills of Earth, were established by the Science Fiction Poetry Association in 1978. Both the association and the award were founded by Suzette Haden Elgin. Each year, awards are given for Short Form poetry and Long Form poetry. The first three years of the award resulted in ties, with three poems tying in the first year, and two each tying in the second and third year.

Robert Frazier’s poem “Encased in the Amber of Eternity” depicts a Pacific Northwest in the aftermath of a nuclear war that has depopulated the North American continent (and presumably most of the rest of the world). His imagery moves briskly from descriptions of various objects associated with lights and fire representing the falling missiles, to the bone-like remnants of human civilization, represented by Portland. The poem’s narrator, who seems to be a survivalist type, has managed to come through the catastrophe and offers a glimpse of hope that he will be able to find other survivors to rebuilt some sort of civilization, or, even if it is only him, at least he is still around.

Read More Read More

Goth Chick News: Feeling at Home at the Oddities and Curiosities Expo

Goth Chick News: Feeling at Home at the Oddities and Curiosities Expo

image003

We here at Goth Chick News have the pleasure of covering several trade shows annually, dealing with a variety of topics on and near the horror industry. Many of these concern haunters both professional and amateur who pour their money and talent into one month a year when the U.S. embraces all things scary.

But as the band Ministry told us in 1986, for some every day is Halloween, and in 2018 a show came through Chicago which catered to this crowd in particular. Unfortunately, I was unable to attend its premier in the Windy City but corrected that in late July when the Oddities and Curiosities Expo came back through town, drawing together precisely what its name implied; two show-floor levels of artists specializing in the odd and curious.

Targeted toward “the lovers of the strange and unusual,” the O&CE describes itself as…

The first and Original Traveling Oddities event. We have expanded from 2 cities in 2017 to 8 cities in 2018 and now for 2019 we have 16 cities! We want to support local/national vendors, dealers and small businesses by giving them a place to sell and feel welcome. We have vendors on all spectrums of weird, creepy and unusual. Our goal is to bring like-minded people together and have events that people truly enjoy.

Organizers Tony and Michelle have partnered with Ripley’s Believe It or Not, a taxidermy school, suspension artists (read, people hanging from their piercings) and over a hundred vendors and craftspeople to put on an exposition which more than lives up to its name.

Read More Read More

Vintage Treasures: Machines & Men by Keith Roberts

Vintage Treasures: Machines & Men by Keith Roberts

Men & Machines Keith Roberts-small Men & Machines Keith Roberts-back-small

Cover by Anthony Roberts

I love discovering British vintage SF paperbacks. There’s a lot to discover, they’re relatively inexpensive, and they’re virtually unknown here in the US. Recently I’ve been accumulating British short story collections by John Wyndham and Keith Roberts, and they’ve been well worth tracking down. I admit I enjoy the covers as well — especially the ones featuring exotic spaceships.

My latest discovery is Machines and Men, the second collection by Keith Roberts, published by Panther in 1973 and which was never reprinted in the US. It’s a slender volume, yet packed with tales of UFOs, wary submariners, a 24th-Century film crew, a synthetic human getting a divorce, and much more. And lo! There’s an exotic spaceship on the cover, which sorta looks like a futuristic curling iron.

The fiction within originally appeared between 1964-69, in places like SF Impulse magazine and John Carnell’s long-running New Writings in SF anthology series. Here’s the complete Table of Contents.

Read More Read More

The Money Where the Mouth Is – Derek Writes an Ongoing Webcomic

The Money Where the Mouth Is – Derek Writes an Ongoing Webcomic

Briarworld-Bright-Red-Logo-on-Black-small

In my four or five years blogging for Black Gate, readers have probably become used to me interviewing comic creators and editors, reviewing new comic books and webcomics, small press and large, as well as revisiting classic comic runs and discovering new podcasts that dig into how the sausage is made.

It was becoming increasingly obvious to me that it was time for me to ante up and join the game rather than sitting on the sidelines. And it is a lot different than writing short stories and novels! But, in the last year, I had two 16-page comic book stories published by Markosia Press in the UK.

Gorillas in the Ring (with artist Wendy Muldon and letterer Ian Sharman) appeared in the anthology FLIP (Dec 2018), and Frankenpuppy (with artist Trevor Markwart) will appear in the anthology FLIP 2 (Jan 2020), although our story is being released digitally as a stand-alone preview to the anthology and is at Comixology now for $1.99.

Read More Read More

Arok the Robot

Arok the Robot

Arok vacuuming

Arok the robot first hit the national news in June 1975 when it married Linda Hoffman, the president of the Allan Kemp Fan Club, at the annual convention of fan club presidents in Chicago.

I’ve long ago concluded that the modern world is one long real-time game of MadLibs. Even so, if that sentence doesn’t make you sit bolt upright in front of your screen then my whole career as a chronicler of robot history is a failure.

Read More Read More

The B&N Sci-Fi and Fantasy Blog on The Best Science Fiction & Fantasy Books of July 2019

The B&N Sci-Fi and Fantasy Blog on The Best Science Fiction & Fantasy Books of July 2019

Salvation Day Kali Wallace-small Gods of Jade and Shadow Silvia Moreno-Garcia-small The Hound of Justice Claire O’Dell-small

There’s a phenomenon in software development known as feature creep. As you design and build a new product, you can’t resist adding just one more cool feature… until pretty soon your shiny new product is 12 months late, due mostly to a laundry lists of new features that go way beyond the original spec.

Sometimes I think the same thing is happening to Jeff Somers’ monthly Best New Science Fiction and Fantasy list. His May list was packed 24 titles, more than I recall the lists having last year. And his July rundown contains a whopping 28 books.

Not that I’m complaining. It’s  fantastic list, with brand new novels by Bradley P. Beaulieu, Peter McLean, Chuck Wendig, Mercedes Lackey, Amal El-Mohtar and Max Gladstone, Molly Gloss, Christopher Ruocchio, C.S.E. Cooney, Fonda Lee, Timothy Zahn, JY Yang, and many others. Jeff’s not padding the list — there really are that many books this month that deserve your attention. Here’s a look at some of my favorites.

Read More Read More

An Uncomfortable Truth

An Uncomfortable Truth

Good morning, Readers!

A fair warning, I’m attempting to tackle a topic that is currently at the center of a great deal of controversy in the realm. Because speculative fiction is a realm. This is especially of issue in the YA community.

A further disclaimer: despite my struggles to get noticed in a marketplace flooded with writers, I am fully aware that as a white, cis-het woman, I have a lot of privilege in this field. That will unavoidably impact what I’m trying to say here a little. If you belong to a minority, feel free to correct me where I misstep. I am always looking to learn, and I never mean to offend.

pixabay spellbook.

Literal magic.

Novels are incredible things. They are, frankly, magical. They are the conduits to adventure, to wonders unheard of. They are a means to explore truth via outlandish lies. They grapple with grief and loss, danger, and rage. Through the magic of books, we can face our greatest fears, from the safety of our comfiest nooks, and emerge triumphant. Novels, particularly the speculative, allow us to experience things we normally would be denied.

This includes the experiences of people we could never be.

As writers, it is our job to inhabit these lives that are not our own and bring them to life on the page. Oft times, these people are not folks that look, act or sound like us. They are people whose lives differ vastly from our own. Still, we write their experiences and pray that we are doing well. At risk of raising some fury, there is a limit to what we can do, and, I firmly believe, what we should do.

Read More Read More