The Art of Things to Come, Part 1: 1953-1957

The Art of Things to Come, Part 1: 1953-1957

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The Science Fiction Book Club’s Things to Come bulletin, March-April 1957

Like tens of thousands of science fiction fans before and after me, I was at one time a member of the Science Fiction Book Club (or SFBC for short). I joined just as I entered my teen years, in the fall of 1976, shortly after I discovered the wonder of science fiction digests.

I remember the bulletin of the SFBC, Things to Come, arriving in our mailbox every month, and eagerly perusing the offerings to see if I wanted grab any of the featured selections or alternates, or something from the backlist. The SFBC purchase I most vividly recall reading was the Isaac Asimov edited anthology, Before the Golden Age, which was filled with great stories as well as fascinating biographical material by Asimov on his early days as a fan. Other favorite volumes include Leigh Brackett’s The Book of Skaith, Damon Knight’s Science Fiction of the Thirties and The Futurians, Frederik Pohl’s The Early Pohl, Frank Herbert’s Dune series and Edgar Rice Burroughs’ Mars books, among many others. I remained a member through college before finally letting my membership lapse.

One of the benefits of being a member of the SFBC was receiving their bulletin, Things to Come. While the art inside sometimes just reproduced the dust jacket art, in many cases the art was created solely for the bulletin, and was not used in the book or anywhere else. Because one can never collect enough things, I gradually started collecting back issues of Things to Come for the art, particularly for the art of Virgil Finlay which began appearing in the bulletin in 1959. In 2005, I gathered those Finlay illos from the bulletins that I’d collected and published a small press booklet, Virgil Finlay: The Art of Things to Come.

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Vintage Treasures: New Voices I: The Campbell Award Nominees edited by George R.R. Martin

Vintage Treasures: New Voices I: The Campbell Award Nominees edited by George R.R. Martin

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New Voices I (Jove/HBJ, 1978). Cover by Tripshur

The Campbell Award anthologies, published between 1977-84 by Macmillan, Jove / HBJ, Berkley, and Bluejay Books, were intended to help promote neglected and overlooked SF and fantasy writers whose careers were just getting started. In that regard they were a huge success. Just check out the list of struggling and underappreciated contributors: George R. R. Martin, John Varley, C. J. Cherryh, Stephen R. Donaldson, Bruce Sterling, Jerry Pournelle, Suzy McKee Charnas, George Alec Effinger, Joan D. Vinge, Tom Reamy, Jack L. Chalker, Felix C. Gotschalk, Lisa Tuttle, Ruth Berman, Arsen Darnay, M. A. Foster, Carter Scholz, Elizabeth A. Lynn, Thomas F. Monteleone, Spider Robinson, and many others.

I don’t know about you, but the idea of returning to the late 70s and early 80s to read early stories from “promising young writers” like George R. R. Martin, C. J. Cherryh, Bruce Sterling, Suzy McKee Charnas, Tom Reamy, and Felix C. Gotschalk is pretty exciting. Unfortunately, while the series was artistically successful, it struggled commercially, and after just five volumes was finally killed by the collapse of Bluejay Books. (Except for an ultra-rare sixth volume that we’ll get to in a minute.)

But we still have those five volumes, and I’m sure it will come as no surprise to hear that they’re well worth a look today. The first, edited by George R.R. Martin and published in hardcover in 1977 by Macmillan, included stories by George R. R. Martin, Ruth Berman, George Alec Effinger, and Robert Thurston — plus a long novella by Lisa Tuttle and a Falkenberg’s Legion novella by Jerry Pournelle. Here’s Ben Bova, from his introduction.

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Uncanny X-Men, Part 23: 1979 – Chaos in Canada with Alpha Flight!

Uncanny X-Men, Part 23: 1979 – Chaos in Canada with Alpha Flight!

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Welcome to my 23rd blog post detailing my epic reread of The Uncanny X-Men. I started in 1963 and had reached the classic Claremont-Byrne-Austin period that ran from 1977-1980. From Giant-Size X-Men #1 with thirteen team members, the creative team pared them down to seven by issue #111, peeled off Jean Grey and Professor X by issue #117 and in issue #119 injured Banshee so gravely that essentially these new X-Men are down to five effectives: Cyclops, Colossus, Storm, Nightcrawler and Wolverine.

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Gizmodo on November’s New Sci-Fi and Fantasy Books

Gizmodo on November’s New Sci-Fi and Fantasy Books

The Rush’s Edge by Ginger Smith-small This Virtual Night by C.S. Friedman-small Fishing for Dinosaurs and Other Stories by Joe R. Lansdale-small

Covers by Kieryn Tyler, Adam Auerbach, and Timothy Truman

We’re getting close to the holiday season, and you know what that means. 2020 will finally be over. But also! Many of us will have enough vacation time to catch up on our reading.

The new flurry of November releases hasn’t made that any easier. What we need is a roadmap to the most interesting destinations in this publishing wilderness. Something like Cheryl Eddy’s comprehensive list of November New Sci-Fi and Fantasy Books to Help You Make It Through 2020’s Home Stretch at Gizmodo, which includes new titles from Brandon Sanderson, E.E. Knight, Joe R. Lansdale, Tamsyn Muir, Connie Willis, Peter F. Hamilton, Harry Turtledove, Ernest Cline, Bernard Cornwell, Caitlín R. Kiernan, Jonathan Lethem, C.S. Friedman, Charlie Holmberg, W. Michael Gear, Diana Gabaldon and John Joseph Adams, Tim Lebbon, Jonathan Maberry, Kiersten White, Christopher Hinz, P.D. Cacek, James Lovegrove, Greg Cox, R.F. Kuang, Tochi Onyebuchi, R.J. Barker, Benedict Jacka, Holly Black, Mercedes Lackey, and lots more. Here’s a look at some of the highlights.

The Rush’s Edge by Ginger Smith (Angry Robot, 328 pages, $14.99 paperback/$6.99 digital, November 10, 2020) — cover by Kieryn Tyler

A past-his-prime “genetically-engineered and technology implanted” former soldier is discarded by the government that created him, so he takes a salvage gig to pass the time. Things get complicated when the ship’s computer is overtaken by an alien invader.

Deep space salvage, rogue computers, aliens…. This debut novel is headed to the top of my TBR pile for November.

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Take Advantage of the Thanksgiving Sale at Dark City Games

Take Advantage of the Thanksgiving Sale at Dark City Games

Dark CIty Games

If you’ve been paying attention, you know we’re big fans of solo role playing games here at Black Gate. Whenever someone asks me for a superior modern example, I point them without hesitation to Dark City Games.

George Dew and his talented team of writers and artists at Dark City Games have been producing high quality solitaire fantasy and science fiction games for nearly two decades. They started with programmed adventures in the mold of The Fantasy Trip classics like Death Test, and soon graduated to much more sophisticated fare. Their games include ambitious fantasy epics likes The Island of Lost Spells (which I reviewed as Todd McAulty in Black Gate 10), and The Sewers of Redpoint, exciting SF fare like Void Station 57 and At Empire’s End, a line of Untamed West western adventures, and even tactical wargames set in WWII. Howard Andrew Jones took a fond look at their early catalog back in 2008, and we even published a free Dark City sample adventure titled S.O.S. in 2010.

That’s why I was so excited to see they have a Thanksgiving Sale. Every game in stock is discounted to $10. I ordered four — the SF horror title Into Chaos, dark fantasy Punisher’s Keep, Battle of the Bulge, first in their Combat Boots series of tactical wargames, and the SF mystery tale The Dark Star Incident.

Whether you’re a new gamer curious about role playing who wants to dip your toe in at your own pace, an experienced player looking for a real challenge, or just someone looking for a great bargain, Dark City has a game for you. Have a look at their catalog here, and try a game or two for just ten bucks each. And tell them Black Gate sent you!

Future Treasures: Memoria by Kristyn Merbeth

Future Treasures: Memoria by Kristyn Merbeth

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The Nova Vita Protocol: Fortuna and Memoria by Kristyn Merbeth.
Orbit Books, November 2019 and December 2020. Cover design by Lisa Marie Pompilio

Kristyn Merbeth’s first series, The Wastelanders (published under the name K.S. Merbeth), was described as a “no-holds-barred ride through a Mad Max-style wasteland.” Her most recent is a full-throttled space opera, and a successful one at that. It opened with Fortuna last year, which Kirkus Reviews called “a wild ride.”

Merbeth’s (Raid, 2017, etc.) latest — the first installment of an SF adventure trilogy — follows a family of smugglers as they unknowingly become entangled in a grand-scale conspiracy that could ignite an interstellar war and kill millions.

It’s been three years since Scorpia Kaiser’s older brother, Corvus, left the family business to enlist and fight in a bloody conflict on his war-torn home planet of Titan. But, with Corvus’ service officially ended, Scorpia — at the behest of her mother, the Kaiser matriarch — is piloting the family ship, Fortuna, to Titan to reunite her brother with the family. Picking up Corvus wasn’t the only mission, however. Her mother is completing a deal with government officials involving highly illegal alien biological weapons that could potentially end the war. As Corvus, Scorpia, and their siblings wait for their mother to return to the ship, they discover that a cataclysm is sweeping the planet, wiping out entire human populations. Forced to leave their mother behind, the siblings barely escape with their lives…. The nonstop action and varying levels of tension make this an unarguable page-turner, and the ending, while satisfying, is a perfect jumping-off point to another much larger adventure to come. A wild SF ride — alcohol and family dysfunction not included.

The second volume in The Nova Vita Protocol, Memoria, arrives in paperback from Orbit early next month. Here’s the description.

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Catch-22 in Space: The Small Colonial War Series by Robert Frezza

Catch-22 in Space: The Small Colonial War Series by Robert Frezza

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A Small Colonial War, Fire in a Faraway Place, and Cain’s Land by Robert Frezza
(Del Rey/Ballantine, 1990-96). Covers by Stephen Hickman and Peter Peebles

Anyone else out there read stray book comments on the internet that send them off in search of 30-year old paperbacks? No? Yeah, that figures. Well, that’s what happened to me when I stumbled on this brief mention of Robert Frezza’s 1990 military SF novel A Small Colonial War on Reddit last night.

Anyone read A Small Colonial War? Catch-22 in space. Need to find my copy, it was dad’s favorite SF and he was very well read. Had to send my paperback to his widow.

It’s a total cluster-f**k of an empire trying to impose their will on a rebellious colony, told mainly from the point-of-view of the invaders. And it’s hilarious. And brutal. And hilarious.

A Small Colonial War was the first novel in a trilogy published between 1990-96. I’ve never read it, and I’m not 100% even sure I’ve ever seen a copy. But that small mention pinged around in my head because someone else had recommended A Small Colonial War recently, and it took some mental gymnastics to remember who and when. (Cut me some slack — I read about a lot of books).

But I remembered eventually. It was James Nicoll, in his July post Five Doomed Armies in Science Fiction at Tor.com. Here’s his more involved take.

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Mission Impossible with Dragons: The Kingdom of Grit Trilogy by Tyler Whitesides

Mission Impossible with Dragons: The Kingdom of Grit Trilogy by Tyler Whitesides

The Thousand Deaths of Ardor Benn-small The Shattered Realm of Ardor Benn-small The Last Lies of Ardor Benn

The Kingdom of Grit trilogy by Tyler Whitesides (Orbit Books). Covers by Ben Zweifel

I was in Barnes & Noble on Saturday and I found a fat fantasy with a striking cover, and all the hallmarks of a good read — starting with this cover quote by David Dalglish, author of the bestselling Shadowdance series:

Mission Impossible, but with magic, dragons, and a series of heists that go from stealing a crown to saving the world.

The book was The Shattered Realm of Ardor Benn by Tyler Whitesides, and I was surprised to find it was the second volume in a trilogy. How had I missed the first one? Because it was released only two weeks ago, that’s how. And the final volume? It’s due in less than a month. That’s over 2,000 pages of epic fantasy, served up on a platter by Orbit Books.

The Thousand Deaths of Ardor Benn (752 pages, $17.99 paperback/$9.99 digital, October 22, 2020)
The Shattered Realm of Ardor Benn (704 pages, $17.99 paperback/$9.99 digital, November 3, 2020)
The Last Lies of Ardor Benn (672 pages, $17.99 paperback/$9.99 digital, December 1, 2020)

Okay, technically the first book was originally published two years ago, but still. Orbit has repackaged the first volume (with a brand new cover by Ben Zweifel), and side-by-side these books look very striking indeed. Reviewers have been kind as well (the British Fantasy Society says, “There is something a little Locke Lamora about Ardor Benn which fans will delight in… The pace in this first book is excellent and holds up from start to finish, and it looks like we have a very desirable series to devour in Kingdom of Grit“). If you’re looking for a substantial new fantasy series to get you through the fall, look no further.

See all our recent coverage of the best new fantasy series here.

Ellsworth’s Cinema of Swords: Louis Hayward, Everyman with a Sword (Part 1 of 2)

Ellsworth’s Cinema of Swords: Louis Hayward, Everyman with a Sword (Part 1 of 2)

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The Man in the Iron Mask (1939)

Independent Hollywood producer Edward Small had his biggest hit in 1934 with a version of The Count of Monte Cristo and was determined to follow it up with more swashbucklers. But he needed a leading man, and after several years’ delay finally found him in Louis Hayward, an actor trained on the British stage who’d come to America in the early Thirties, where he mainly played romantic leads in light comedies and the occasional prestige drama. Hayward was charming, well-spoken, looked good in period costume, and had a deft hand with sword, so Small signed him to a three-film contract. Small’s new star ending up making half a dozen swashbucklers for him and several more for other producers. Some of these are forgettable, but most of them are pretty good or better and are nowadays unfairly overlooked. Let’s start with the earliest and most successful.

The Man in the Iron Mask

Rating: ****
Origin: USA, 1939
Director: James Whale
Source: Hen’s Tooth Video DVD

This is the first sound version of Iron Mask and stars Louis Hayward in the dual role of King Louis XIV/Prince Philippe. Hayward was a leading man who appeared in a variety of parts, heroic and romantic, from the late 1930s to the early ‘50s, but if he’s remembered today, it’s as the star of eight or nine small to medium-budget swashbucklers made mainly for independent producer Edward Small (of which this is the first). The genial Hayward didn’t have the compelling screen presence of Errol Flynn or Tyrone Power, but he was likeable and determined, with enough handsome charm to carry off the romances.

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The Return of Fantasy Magazine

The Return of Fantasy Magazine

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Fantasy Magazine is back! Nearly ten years since publisher John Joseph Adams merged it with Lightspeed, Fantasy has returned as a standalone digital magazine co-edited by Christie Yant and Arley Sorg and published by Adamant Press.

The magazine has a rich history. It originally appeared in 2005, publishing six print issues before moving online in 2007. Its editors have included Sean Wallace, Paul Tremblay, and Cat Rambo; John Joseph Adams took the reins in March 2011, and bought the magazine from Sean Wallace’s Prime Books in November of that year. We last covered Fantasy Magazine in April 2011 with issue #49 — an issue that included Peter S. Beagle, Jonathan L. Howard, and Carrie Vaughn.

What’s in the first issue of the new Fantasy? Here’s Arley and Christie from their editorial.

In this issue we have Shingai Njeri Kagunda’s heartbreaking tale of a time-skipping sister told with a dash of poetry, “And This Is How to Stay Alive”; a surreal tale of perspective, “An Introduction” by Reina Hardy; May Chong’s wildly fun and sensual werewolf fantasy poem, “things i love about my werewolf girlfriend”; “The Secret Ingredient is Always the Same,” by Sarah Grey, a poem of heartbreak, survival, and friendship; Osahon Ize-Iyamu brings us a story of personal truth and potential in “To Look Forward”; Tamoha Sengupta gives a brief, vivid account of young love and pure rebellion in “Love Laws and a Locked Heart”; and we have an interview with Burning Roses author S.L. Huang.

It’s enormously exciting to see Fantasy reappear, and in such capable hands. Check it out here, and buy digital issues for just $2.99 at Amazon and other fine online venues. See all our recent magazine coverage here.