Rakefire and Other Stories’ Sum Is Greater Than Its Parts

Rakefire and Other Stories’ Sum Is Greater Than Its Parts

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Rakefire and Other Stories released July 2020 via Pulp Hero Press

Nine weird adventures span the 216 pages of this grimoire. Penned by emerging thaumaturgist Jason Ray Carney, Rakefire promises to corrupt any reader. So let us get this disclaimer out of the way: the mere reading of this tome may thicken your blood with wonder. Red turning to black, your blood will never bleed the same. Read this review at your own risk.

The book blurb labels this “Fever Dreams of Sword & Sorcery in an Eld Realm of Unfathomable Beauty and Cruelty” and it also contains “enigmatic tales of horror and fantasy in the pulp tradition.” That summary is spot on. Most of the tales focus on the sorcery end of the spectrum. Jason Ray Carney’s writing style is reminiscent of Lord Dunsany and Clark Ashton Smith (full of pregnant shadows and intellectual skullduggery!). Excerpts throughout this review reinforce what to expect.

The majority of the stories (6/9) have been published in various magazines, but reading them piece-meal is like eating random snacks instead of a five-course meal. The confluence amplifies the lore threading them all together (lore discussed below). Plus, the three newly published tales extend the impact. Each is recapped below, and most have excerpts that emphasize the style and common milieu (while avoiding spoilers). This serves as a tour guide into Jason Ray Carney’s strange world.

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Uncanny X-Men, Part 27: Act II of the Dark Phoenix Saga

Uncanny X-Men, Part 27: Act II of the Dark Phoenix Saga

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1979’s Uncanny X-Men #129-131 began the legendary Dark Phoenix Saga, which runs to issue #137. In those first three issues, we saw far more clearly the hooks that Jason Wyngarde got into Jean Grey, the Phoenix, and we saw more dramatically how Phoenix had been changing. She’d become more violent, sensual, tempted by emotions and desires she’d suppressed all her life. In the fictitious dream world that Wyngarde had been constructing in Jean’s mind, as a means to control her for the Hellfire Club, he’d been giving her unlimited power in a setting without moral restraint. Today I’m diving into the year 1980, with issues #132 – #134: the middle of the Dark Phoenix Saga and the progression of the corruption of Phoenix by the Hellfire Club.

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Vintage Treasures: Judgment Night by C.L. Moore

Vintage Treasures: Judgment Night by C.L. Moore

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Judgment Night (Dell, 1979). Cover uncredited

Every new generation of SF readers has to put up with old timers lecturing them about how much better science fiction was decades ago. I had to endure it when I was growing up, my kids sure as hell did, and I expect twenty years from now my grandkids will have to cope with the same annoyance, as they try to peacefully enjoy their favorite manga by the pool while grandad angrily shouts at them to read a damn book once in a while. I hope they ignore him.

From time to time some curious young reader will ask me for a recommendation from the pulp era of science fiction I’m always going on about, “You know, something actually good.” It’s a fair enough request. Sometimes I point them towards Charles Tanner’s Tumithak stories, or Robert E. Howard, or Clark Ashton Smith. But recently I’ve been suggesting C.L. Moore. And especially her 1979 paperback Judgment Night, which collects five tales from the pulp era of Astounding. Here’s Paul Di Filippo’s review of the title story, published here at Black Gate a decade ago,

A primal space opera, it concerns the star empire of the Lyonese, whose central world is Ericon, where ancient patron gods live, remote from day-to-day affairs of the empire.

But now the vast holdings of the Lyonese are crumbling under the assault of a younger race, the H’vani. The Emperor’s heir is Juille, a daughter, and she’s determined her dynasty will continue. She wages a one-woman campaign against the wishes of her doddering father to save all that her ancestors built.

But she doesn’t count on falling in love with the H’vani ruler — or the machinations of Ericon’s living deities.

“Judgment Night,” published in the August 1943 issue of Astounding, is a complete short novel in itself, but that lovely paperback also contains the novella “Paradise Street” and three long novelettes. It’s a delightful introduction to what pulp science was all about — and one of its finest practitioners.

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Call for Backers! Dragons by the Yard

Call for Backers! Dragons by the Yard

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I’ll confess I have always loved the concept behind Dragons by the Yard. Written by Debbie Daughetee and adapted for comics by Kelly Swails, it’s the story of Anna, a girl who sews dragons to sell at the Rose Bowl Swap Meet. One day she meets a mysterious woman who sells her an unusual fabric, and Anna makes seven little dragons out of it. Then the magic happens.

Currently, four issues of this wonderful tale exist, but Swails has four more scripts ready to go. Kymera Press is currently running a Kickstarter to turn those scripts into finished comics. Most of the money from the Kickstarter will go to the international team of artists, women who’ve worked for Marvel, DC, IDW, Dynamite or other big houses. They are featured in the brief video below.

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Into the Quantum with H. Beam Piper

Into the Quantum with H. Beam Piper

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Four covers featuring Piper's Paratime stories

H. Beam Piper wrote a great deal about Time. His books and stories seem split into two types: travel via mechanical means, such as in the Paratime Police stories, and consciousness travel, such as in “The Edge of a Knife.” This article will look at both.

Piper wasn’t the first to write science fiction about parallel realities. Murray Leinster was the groundbreaker for that in “Sideways in Time” (1934). In 1947, Fredric Brown brought us his delightful parallel reality story, What Mad Universe. That same year, H. Beam Piper published his first time travel story, “Time and Again.” This was not a tale about purposeful travel but accidental, through a hellacious explosion. And it wasn’t about physical time travel at all, but consciousness travel. We’ll return to this type of time travel later in the article.

Paratime

Verkan Vall is the hero of most of the Paratime police stories. His official title is Special Chief’s Assistant to the chief of the Paratime Police — Tortha Karf. Through his adventures we learn about the Home timeline of the First Probability Level and get a look at the complex spider web of realities that the Paratime Police oversee.

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Goth Chick News: Zombie Takes on The Munsters

Goth Chick News: Zombie Takes on The Munsters

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I’m not sure how I feel about this.

Normally there are always mixed feelings when a beloved sitcom heads to the big screen. Will a movie with high production values ruin the original charm? Will what seemed incredibly entertaining on the small screen, come off as cheesy on the big one? And maybe most importantly, what actors could possibly do justice to the characters we grew up with?

And honestly, the results here are extremely mixed. On the positive end of the spectrum, you have the 1964 show The Addams Family, whose movie iterations (1991 & 1995) were very artfully translated, charm intact, from the source material. In the middle you have shows like Lost in Space (1965) and Star Trek (1966) whose big screen iterations were fun, if a bit uneven. But then you have the complete “OMG why???” examples such as Dark Shadows (1966), whose 2012 remake was a hot mess, at least in my opinion.

But this week we learned about a new film adaptation of The Munsters (1964) that comes with a whole lot of mixed emotions. On the one hand, this does seem long overdue. There was a Munsters movie back in 1966 starring the original cast, which was released directly following the cancellation of the TV show. And though there have been three other revivals of the characters, with the last one being in 1996, all were made for television. So, it seems like the time had come to see The Munsters get the Hollywood treatment.

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Future Treasures: The Alien Stars And Other Novellas by Tim Pratt

Future Treasures: The Alien Stars And Other Novellas by Tim Pratt

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Tim Pratt has been nominated for the Nebula, World Fantasy, Sturgeon, Stoker, and Mythopoeic Awards, and he won the Hugo Award for his short story “Impossible Dreams.” His latest — and most ambitious — work is the Axiom space opera trilogy, which Tor.com called “a witty, heartfelt sci-fi romp.” The first volume, The Wrong Stars, was nominated for the Philip K. Dick Award; we covered the whole series back in 2019.

His latest is a collection of three previously unpublished novellas set in the Axiom universe, and they sound terrific. The Alien Stars and Other Novellas was originally funded by a successful Kickstarter campaign, but the end result was successful enough that Angry Robot picked it up for reissue in paperback. Locus calls the collection a “Compelling, fun, explosive work of space opera pulp. It’s delightful,” and Publishers Weekly said,

With these three exciting novellas, Pratt explores and expands the lively pulp world of his Axiom space opera trilogy… “The Augmented Stars” finds cyborg engineer Ashok captaining his own wormhole generator–equipped vessel. He and his crew contend with ancient alien artifacts from Axiom facilities and cosplaying space pirates… In the epistolary title story, alien Lantern risks her life to prevent her own treacherous people from destroying humanity and save the human woman she loves… each of these tales delivers the buoyant humor and adventure of the Axiom novels.

The book arrives in paperback next week. Here’s the publisher’s description.

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In 500 Words or Less: Alias Space and Other Stories by Kelly Robson

In 500 Words or Less: Alias Space and Other Stories by Kelly Robson

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Alias Space and Other Stories
By Kelly Robson
Subterranean Press (400 pages, $40 hardcover/$4.99 eBook, April 30, 2021)
Cover by Lauren Saint-Onge

If there’s one thing that characterizes Kelly Robson’s stories, I think it’s the love and care that you can see in each one. It’s hard to describe in words, but it’s like I can see how she’s built each world around her characters in a way that either supports or challenges them, oftentimes both. Take Zhang Lei in “A Study in Oils,” surrounded by strangers he can’t trust but who are best placed to understand the pain he’s running from and his need to hide from an interconnected world, and to support him when he’s finally free. Or creche manager Jules, who has to face her past on Luna, no matter how much she wants to forget it, because of the choices everyone else makes around her in “Intervention.” Even fleeing a dragon in “La Vitesse” forces mother-daughter duo Bea and Rosie to understand each other better. Plus dragons!

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Ellsworth’s Cinema of Swords: Hu’s On First

Ellsworth’s Cinema of Swords: Hu’s On First

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Come Drink With Me (Hong Kong, 1966)

Even if you’re not a big fan of wuxia, or Chinese historical martial arts films, you’ve certainly seen Crouching Tiger, Hidden Dragon, so you’re aware of their distinctive visual style. That style, of course, didn’t come out of nowhere, it developed over time, and can be traced back to the work of one man, writer-director King Hu, the creator of the modern wuxia movie. This week we’re looking at Hu’s first three hugely influential films, which established the tropes, look, and feel of the genre in the Asian cinema of the late Sixties.

Come Drink With Me

Rating: *****
Origin: Hong Kong, 1966
Director: King Hu
Source: 88 Films Blu-ray

Sometime during the Ming Dynasty, a government official commands a file of troops who are escorting wheeled cages bearing captive bandits to prison. Suddenly they’re stopped by a white-robed man with a petition, demanding the release of the leader of the Five Tigers criminal gang. The petition is refused, and the response of the Five Tigers is instant: the troops are slain in a bloody massacre and their commander, the son of the local governor, is captured as a hostage. What can the governor do but send the Golden Swallow to rescue him?

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New Treasures: The Complete Ivy Frost by Donald Wandrei

New Treasures: The Complete Ivy Frost by Donald Wandrei

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The Complete Ivy Frost (Haffner Books, December 2020). Cover by Raymond Swanland

No one else is doing the kind of superb work Stephen Haffner is, bringing pulp authors back into print in gorgeous archival-quality hardcovers that are within reach of the average collector. His latest release is The Complete Ivy Frost, which gathers together all eighteen stories of Donald Wandrei’s pulp supersleuth Professor I. V. “Ivy” Frost, one of the most popular characters to ever appear in Clues Detective Stories.

Are these classic tales still of interest to modern readers? Don’t take my word for it — here’s an excerpt from Steven R. Harbin’s Amazon review of Frost, the 2000 Fedogan and Bremer collection that gathered the first eight stories.

Donald Wandrei was one of the great pulp writers of the late 20’s and early 30’s. He’s best known for his cosmic science fiction and his macabre horror stories, and indeed was a Weird Tales Magazine and Astounding Stories regular. The eight stories in this collection show that he could also write pulp detective fiction with the best of them. His investigator Professor I. V. “Ivy” Frost is a mix of supersleuth, inventor, scientist, and master fighter all rolled into one. Deadly, logical, courageous, and stoic like the more famous denizen of Baker Street, he is also a man with a super gadget or two up his sleeve. In addition he just happens to have a beautiful, brainy, gutsy, blonde assistant named Jean Moray, who has her own advanced degrees AND a garter belt thigh holster complete with pearl handled .25. The slyly humorous romantic/sexual tension between Frost and Moray made the stories as far as I was concerned.

The editors of Clue Magazine asked Wandrei to develop a series character in an effort to compete with the more well known hard boiled fiction of Black Mask Magazine. Wandrei’s ratiocinative adventurer quickly became one of the most popular series characters in Clue‘s history…

Here’s publisher Stephen Haffner’s book description.
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