Heroscape Master Set 3: Dungeons and Dragons Battle for the Underdark Wizards of the Coast ($21.99, Jan 2010)
Reviewed by Howard Andrew Jones
Here at the Jones household we have the new Heroscape Master Set 3. Judging by the amount of Heroscape I’ve been playing with the kids, the game may have us.
The new master set is smaller than either of the first two, although its 50 interlocking terrain pieces can simulate a variety of battlefields — and can add in to any existing terrain sets a Heroscape gamer already owns. If you’re a relative newcomer to the concept of Heroscape, like I was until just recently, it’s a do-it-yourself game board of surprisingly sturdy interlocking hexagonal tiles. Some of the tiles are part of larger platforms, and some are merely a hexagon. Different colors suggest grass, or rock, or sand, or swamp — or even swamp water or regular water. They can be combined in an almost endless array of patterns, limited only by imagination and the amount of tiles.
Well, entering the year (both in terms of typing the title and having lived to see it) was a little weird to write. The first chapter of The Martian Chronicles is January 1999, which from the vantage point of the middle of the 20th century, when the German V-rockets had landed not on another planet, but London, that seemed about right for when humanity might be “reaching for the stars” as it was called. The book ends in April 2026 which, with luck, proper diet and exercise, and health care reform I might actually still be alive to see. And which more than likely humankind, assuming it hasn’t blown itself up, will remain earthbound.
So much for the fantasies of the Golden Age of science fiction writers.
As some of you may know, I’ve been talking and thinking and blogging (not necessarily in that order) about reading more, and reading better over the course of the last year. Today being New Year’s Day, the day of resolutions and goal-setting, I thought I’d link to some of the posts I’ve written on the subject for those interested in focusing on ratcheting up their reading in the coming year.
Firstly, something of a summary of my reading posts can be found in a three part article that has recently gone up at Grasping For the Wind called ‘Ramp Up Your Reading.’ In the first part, ‘More and Faster‘ I go over ways to try to get more reading hours shoehorned into the day. In ‘Do It Better‘ I focus more on the quality of one’s reading, and how slowing things down can often be a more efficient use of time than trying to skim through a lot of books. Finally, in ‘Expand Your Horizons,’ I talk a bit about challenging yourself to read outside your comfort zone or in a more focused way. That post grew out of starting my own experiment in the form of a Five Book Challenge, in which a friend of mine and I each assigned one another five books to read in the coming year.
Regular readers of the Black Gate blog will have read some of my posts on reading in the past that pertain to increasing one’s reading output. Both my post on keeping reading lists and “speed reading” focus on trying to get more read over time. I’ve also talked about reading ruts and obsession in Specialist and Generalist Readers. Beyond the practical, my paen On Bookmarks may be of interest, as might my celebration of browsing in a brick-and-mortar bookstore: Books Best Appreciated in Their Natural Habitat. Any way you slice it, a nice, fresh, new year is the perfect time to decide you are going to read that fat classic or epic series you always wanted to, or set some goal for yourself like reading a book a week or shooting for 100 books in a year. Whatever your personal goals, it’s always satisfying to to do something different and new — after all, it is a New Year, and I think it’s worth trying to keep it ‘new’ as long as we can.
__________ BILL WARD is a genre writer, editor, and blogger wanted across the Outer Colonies for crimes against the written word. His fiction has appeared in numerous magazines and anthologies, as well as gaming supplements and websites. He is a Contributing Editor and reviewer for Black Gate Magazine, and 423rd in line for the throne of Lost Lemuria. Read more at BILL’s blog, DEEP DOWN GENRE HOUND.
As 2009 comes to an end I find the events of the last twelve months firing past my sub-conscious like the recap sequence before one of those lame “it was all a dream” mini-series endings.
Unfortunately any list of highlights from 2009, besides proving that reality is far more frightening than fiction, would also be intensely boring. I’ll leave that to CNN and NPR.
Instead, here are a few random thoughts – on Dacre Stoker’s Dracula the Un-Dead, the Travel Channel’s Ghost Adventures show, HBO’s True Blood and the new Sookie Stackhouse novel, the upcoming film version of Elizabeth Kostova’s The Historian, the return of the Halloween, Costume and Party Show to Chicago, and more.
Back when BlackGate‘s editor John O’Neill lived in Ottawa in the early 80s, he was a member of a small SF fan club. His first meeting featured a reading from the editor of an excellent local fanzine, Stardock, who had just completed his first novel. The author was Charles Saunders, the novel was Imaro, and the reading he never forgot.
DAW released the first three Imaro novels between 1981 and 1985, then dropped the series for reasons arising from textbook bad marketing decisions, a lawsuit from the Edgar Rice Burroughs estate over a poorly chosen cover quote (“The Epic Novel of a Black Tarzan”), and publishing delays.
For the whole sordid tale, read Charles de Lint’s introduction to the Night Shade edition of the first novel.
Night Shade books released the first two books, Imaro and The Quest for Cush, in handsome new editions in 2006 & 2007, and Saunders self-published the third volume, The Trail of Bohu, through his Sword & Soul Media press last year.
The true tragedy of the saga of Imaro is that the fourth novel has never been published – until now.
SOARING ON THE WINGS OF MYTH:
James Cameron’s AVATAR revels in the grand traditions of fantasy
The other day I slipped on a pair of 3-D glasses and was transported to a primordial world of alien beauty and high adventure. I was watching James Cameron’s new film AVATAR, which has become a full-fledged cultural phenomenon. Much has been made of the film’s absolute perfection of special effects because Cameron creates a fantasy world that is truly believable. Thanks to his breakthroughs in computer-generated imagery and sheer breadth of imagination, AVATAR is more than a mere film… it’s an EXPERIENCE.
SKULLS starts right here at blackgate.com on Jan. 6
Comparisons to other blockbuster fantasy/sci-fi films are inevitable. Everything George Lucas attempted to do in his three STAR WARS prequels, Cameron actually succeeds at, i.e. building a fully realized and eminently believable fantasy world that is breathtaking in scope and packed with sheer wonder. But that perfection of simulated reality, that ability to make the fantastical seem genuine was NOT what I enjoyed most about this movie.
All the visual flair would be meaningless if the film didn’t draw upon the classic power and inspiration of the great fantasy tales. AVATAR is a fantasy fan’s ultimate cinematic experience. The fact that this fantasy is wrapped in the guise of science fiction only makes it more appealing and marktable to the average moviegoing audience. Both sci-fi and fantasy fans will be enraptured by the AVATAR experience.
Cameron’s inspirations for AVATAR span the gamut of everything from Edgar Rice Burroughs’ BARSOOM (John Carter of Mars) stories to Lucas’ STAR WARS (which were inspired by FLASH GORDON comic strips, among others), to the deep myths of the Old West, stone-age adventures, Jungle Tales comics, American Indian mythology, and wraps it all in a lush visual style worthy of the master Frank Frazetta himself.
One of the tropes Cameron plays with in this story–to great visual and emotional effect–is the riding of winged creatures by the Na’vi alien warriors.
It’s strange that Robert E. Howard’s most famous female character is one he didn’t actually create: Red Sonja, the work of comic book writer Roy Thomas and artist Barry Windsor-Smith, based on the historic adventuress Red Sonya from the story “The Shadow of the Vulture.” Red Sonja has been erroneously credited to Howard for years; even the movie Red Sonja lists him as the creator on the main credits.
This accidental attribution might explain the scant attention given to a fierce, red-haired, sword-swinging woman that Howard did create: Dark Agnes of Chastillon, sometimes called Agnes de le Fere. She appears in two stories and a fragment, and if Howard had sold the stories during his lifetime he might have written far more about her. She’s much-neglected in discussions of the author, and none of her stories have been in print since Ace’s 1986 printing of Sword Woman, which was first published by Zebra in 1977 and then re-printed by Berkley in 1979.
Another reason for the general obscurity of the abbreviated Dark Agnes cycle is that the stories are lesser pieces that feel rough alongside Howard’s classics. But their content is worth examining to see the author exploring the first-person female point of view. Detractors who consider Robert E. Howard—and sword-and-sorcery in general—misogynistic will discover a genuine surprise in Dark Agnes.
Luke Forney reviews the latest issue of Black Gate at his blog.
Black Gate kept my attention far better than any other fiction magazine… Almost all of the stories I found immediately wonderful, engaging, and very easy to lose oneself in. The quality was beyond impressive, and the extras (reviews sections) were brilliant.
Luke compares John C. Hocking to Robert E. Howard:
“The Face in the Sea” by John C. Hocking: This wonderful story tells of Viking-like people returning from a raid on their enemy’s stronghold to recover their princess, and one shaman’s all-out assault to stop them. A very well told story, reminiscent of Robert E. Howard. I’ll be looking for more by Hocking.
And was equally impressed by L. Blunt Jackson:
“Spider Friend” by L. Blunt Jackson: A brilliant fable-like tale, with an ending that I didn’t see coming, but that didn’t interrupt the wonderful style that Jackson worked throughout. One of the best “modern fables” I have read.
He also comments favorably on our non-fiction:
This issue also contained a number of comic strips, and two brilliant review sections. I have never seen a magazine have such a detailed, extensive reviews section that covered so many books. It was a wonderful surprise… The fiction reviews section was lovely, and covered far more than the large press magazines do.
He closes with a fine suggestion:
Anyone who is a fan of adventure or fantasy should immediately check out Black Gate… it contains a LOT of content (224 pages, full magazine size, not digest), good stories, interesting essays, wonderful departments, even an illustration for each story, which is a feature sadly missing in most other magazines. Grab issue 13 while you can, and keep your eyes peeled for the next issue!
Mr. Goth Chick is a civil war buff and two summers ago on a road trip, we stopped off to tour the battlefield at Shiloh, spending the night at a gorgeous old southern mansion a few towns away, called Magnolia Manor. I found the place on a web search by Googling “haunted hotel Shiloh” (would you expect any less?). When I called for the reservations, the owner informed me that we would need to stay in the guest house behind the main building as the main house was reserved by a ghost hunting group filming a documentary.
Of course through a series of particularly smarmy tactics, I negotiated an invitation for us to join the ghost hunt.
On this trip we were already armed with some of our own equipment such as a digital voice recorder and a high speed video camera, but the leader of the group called Memphis Mid-South Ghost Hunters, was kind enough to provide me with an EMF detector as well.
It’s the end of another year which means everybody’s thinking up “best of lists.” Partially, that’s a marketing thing — and it apparently works because I’ve just finished ordering a couple of albums that were on various critics “best of list” that I hadn’t heard. As a DJ for a local radio station, I’m supposed to be up on these things. Also as a DJ, I was supposed to have submitted my own “best of list,” but haven’t. Maybe as the short fiction guy hereabouts, I’m also supposed to come up with a list of top short stories. But, I won’t. I just have a hard time with this exercise. There’s a lot of stuff that I’ve found interesting, but whether that qualifies as “best of” I’m not sure. And, then, whatever I come up with will invariably leave out stuff that I simply didn’t get to, or didn’t even know existed, which doesn’t seem fair.
Worse, as the end of a decade, there’s also these best of the decade lists. Again, this is largely to fill traditionally slow periods in the news cycle, but it is a conversation starter, which can be fun. I’m not going to provide a list (mainly because I just don’t want to spend the time thinking about it; I’d rather catch up on my to-be-read and to-listen pile), but here’s one by Jonathan Strahan that caught my eye. I like to think I’m fairly well-read and stay on top of these things, but of the ten “best of the decade” short fiction collections cited by Strahan, I’ve only actually read two, though I own two others that I never got around to (yet, I hope). At least, I’ve read all these authors, even if I haven’t made it through all the collections. If you haven’t already jumped, here’s Strahan’s list:
Beluthahatchie and Other Stories, Andy Duncan (2000)
Stories of Your Life and Others, Ted Chiang (2002)
Black Juice, Margo Lanagan (2005)
20th Century Ghosts, Joe Hill (2005)
Magic for Beginners, Kelly Link (2005)
The Empire of Ice Cream, Jeffrey Ford (2006)
Map of Dreams, M. Rickert (2006)
Pump Six and Other Stories, Paolo Bacigalupi (2008)