Vincent N. Darlage Reviews Blackdirge’s Dungeon Denizens

Vincent N. Darlage Reviews Blackdirge’s Dungeon Denizens

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blackdirge1I’ve had the privilege of reviewing several excellent supplements from Goodman Games over the years, but this particular one somehow slipped by me. Fortunately, Vincent N. Darlage provided a wonderful review of it in Black Gate #14, making the case that this supplement is superior to the official D&D 4th edition Monster Manual:

Blackdirge’s Dungeon Denizens

Aeryn Rudel
Goodman Games (144 pages, hardcover, $24.99)
Reviewed by Vincent N. Darlage

Laid out in easy to read black and white, this book was reminiscent of old school 1st edition AD&D. The artwork was evocative and not overblown like so much modern role-playing art. Dungeon Denizens is well- organized and easier to use than the 4th edition core monster book. The fonts are easier to read, the artwork more interesting, and the monsters are easier to find and understand. In the front, a list of different ways to look up the monsters is offered, giving lists of monsters by origin, type, and by keyword.

The book’s full of good stuff. The monsters are interesting and come with more background and information than the core monster book offers. One of my biggest complaints about the core book is the lack of information – this book has information in spades and is a real top notch effort. I could see these monsters in games I might run.

Aside from not knowing (or really caring) who or what Blackdirge is, I found this a superior monster volume. If I were to stick with 4th Edition, I would probably use this book more often than the core book. It has my unqualified recommendation.

Writers of the Future: I Got an Illustration . . . and an Interpretive Dance!

Writers of the Future: I Got an Illustration . . . and an Interpretive Dance!

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with-framed-acolyte-illustration1chelsea-as-hallett-1I have returned after a two-week hiatus from Black Gate. It was a — busy time.

To get this out of the way first: Yes, I gave a shout out to Black Gate in general, with John O’Neill, Howard Andrew Jones, and Bill Ward in particular, when I accepted my award at the Writers of the Future Ceremony on 15 May 2011 at the Hollywood Roosevelt Hotel. (Here is the video of my section of the event, starting with the dance.)

When I started to write with the aim of publication — I don’t remember the exact moment when my love of writing began to seem like a possible profession, but it occurred about fifteen years ago — I liked to imagine a time when a professional artist would make an illustration of one of my books or stories. However, I never imagined that professional acrobats and dancers would create an interpretive dance of one of my stories as well.

I received many great gifts from my time at the Writers and Illustrators of the Future Workshop in Hollywood last week. Some are the tangibles like publication in a major anthology, a gala awards ceremony, my first official book signing, and payment. Some gifts are social, like a new network with the other winners as well as with the many celebrated writers and illustrators who make up the judging panel and the workshop teachers. All of us at the workshop will carry away a lifetime’s worth of advice, on everything from story construction to the best way to avoid getting a cold while on a book-promotion tour, from people such as Tim Powers, Robert J. Sawyer, Gregory Benford, K. D. Wentworth, Eric Flint, Dr. Yoji Kondo, Kristine Kathryn Rusch, Nina Kiriki Hoffman, Kevin J. Anderson, Dave Wolverton, Rebecca Moesta, and Mike Resnick.

There’s plenty for me to say about the experience of the workshop and getting published in Writers of the Future Vol. XXVII, and I will say more in future posts. But for this post, I am going to delve into the purely emotional and personal high points: the picture, and the dance. The first I knew was coming — and it was better than I could have imagined. The second I did not expect — and no surprise could have been more sublime.

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The Lord of the Rings: A Personal Reading, Part Three

The Lord of the Rings: A Personal Reading, Part Three

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The Return of the KingThis is the third of three posts on The Lord of the Rings, prompted by a recent re-reading of the book. You can find the first post, looking at Tolkien’s sense of character, here; the second post, about Tolkien’s use of landscape, is here. This week I’m going to write about structure, irony, and postmodernism.

Which means that I need to start with some definitions. I’ll get to what I mean by ‘postmodernism’ later. I want to start with ‘irony,’ a vexed word that means a number of things which aren’t really much like each other. The general description of irony I have in mind is ‘what happens when a text says the opposite of what is meant.’ On perhaps the simplest level, that’s sarcasm. But there are other ironies. ‘Dramatic irony,’ for example, is what happens when, without realising it, a character acts in a way opposite to his wishes, or unintentionally foreshadows some future event; the sort of thing that happens, for example, when an oracle gives a misleading answer to a question. Supposedly Croesus appealed to the Delphic oracle before leading his army against the Persians, and was told that if he went to war he would destroy a great empire — so he did, and the empire he destroyed was his own.

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Andrew Zimmerman Jones Reviews Intelligent Design

Andrew Zimmerman Jones Reviews Intelligent Design

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intellignet-designIntelligent Design
Edited by Denise Little
DAW books (307 pp, $7.99, September 2009)
Reviewed by Andrew Zimmerman Jones

Intelligent Design collects eleven stories focused on the theme of the creation of life. I honestly didn’t know what to expect, but I was impressed by the stories presented. This is a thinking person’s collection, an idea-driven romp through one of the most contentious topics in modern society.

One of my favorites was the final story, Laura Resnick’s engaging creation retelling “Project: Creation,” which actually made me laugh out loud. It reminded me of a mix between the Book of Genesis and The Office. What impressed me most was that it seemed like it could be read and appreciated by people on both sides of the debate. It leaves the basic tenets of creationism and religion intact, while providing a context where those who are less mystical can still appreciate the story. Each side could think, if only for a moment, “Yeah, maybe it could have sort of happened like that,” and at least see a glimpse of the other side’s point of view.

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2010 Nebula Award Winners Announced

2010 Nebula Award Winners Announced

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nebulaThe Nebula Awards for the best science fiction and fantasy published in 2010 were awarded by the Science Fiction Writers of America in a gala celebration yesterday, part of the Nebula Awards Weekend.

The Nebulas have been awarded every year since 1965. This year’s presentation was at the Washington Hilton in Washington D.C. It was especially poignant for Black Gate, since our own Amal El-Mohtar was nominated for her short story ‘‘The Green Book’’ (in the November issues of Apex magazine).

And the winners were:

Novel
– Blackout/All Clear, Connie Willis (Spectra)
Novella
– “The Lady Who Plucked Red Flowers beneath the Queen’s Window,” Rachel Swirsky (Subterranean, Summer 2010)
Novelette
– “That Leviathan, Whom Thou Hast Made, Eric James Stone (Analog, September 2010)
Short Story (tie)
– “Ponies,” Kij Johnson (Tor.com,  January 17 2010)
– “How Interesting: A Tiny Man,” Harlan Ellison (Realms of Fantasy,  February 2010)

The Ray Bradbury Award for Best Dramatic Production went to Inception, and the Andre Norton Award for Young Adult Science Fiction and Fantasy was won by I Shall Wear Midnight, by Terry Pratchett (Gollancz; Harper).

The Solstice Award for impact on the field of science fiction and fantasy was given to both Alice Sheldon (James Tiptree, Jr), and the artist Michael Whelan. The SFWA Service Award went to John E. Johnston III. Complete details on the awards can be found at Locus Online.

Congratulations to all the winners! And to Amal, both for being nominated, and for being so damn cool.

Tales of the Magatama

Tales of the Magatama

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mirror-sword1I bumped into the talented Nick Mamatas at the 2010 World Fantasy Convention and discovered that he was editor for the Haikasoru line of translated Japanese fantasy novels for Viz Media. I might be well-read in foundational sword-and-sorcery texts, but I was pretty uninformed about the fantasy of Japan, and what Nick had to say was quite interesting. I was especially curious about a series of books by Noriko Ogiwara, The Tales of the Magatama, which are hugely popular in Japan, and have won numerous awards.

The second novel in the series, Mirror Sword and Shadow Prince, has just been released by Viz, so I thought it high time to talk with Nick to find out more about the series. He was kind enough to answer a number of questions, which I’ve included below.

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Saladin Ahmed on Black Gate

Saladin Ahmed on Black Gate

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saladin-ahmedOver at Pat’s Fantasy Hotlist, guest blogger Saladin Ahmed had this to say about the modern landscape for heroic fantasy:

In recent years I’ve also discovered that there is a wealth of short-form heroic fantasy out there… Anthologies like the excellent Swords and Dark Magic feature some of the top names in the field (Erikson, Lynch, Abercrombie, Moorcock, Nix, Cook). And writers like Peter V. Brett have produced collections of short works set in their bestselling worlds (The Great Bazaar and Other Stories, Brayan’s Gold). But there are also some great short story ezines out there publishing the next generation of heroic fantasy writers: Heroic Fantasy Quarterly has made it their mission to bring back the pulp era with unabashedly larger-than-life adventures. Black Gate (the magazine where James Enge’s awesome Morlock Ambrosius got his start) is also working hard to revive the sense of wonder that heroes like Conan and John Carter of Mars used to evoke in readers. And Beneath Ceaseless Skies specializes in what the editor calls ‘literary adventure fantasy’ – stories that combine excellent prose and psychological depth with fantasy elements like alchemists, samurai, werewolves, and talking swords.

Thanks for the shout-out, Saladin! For our part we’re looking forward to your upcoming novel, Throne of the Crescent Moon.

Two Reviews

Two Reviews

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hfNo doubt somewhere someone is writing a vampire series based on Hamlet (there is, alas, a Romeo and Juliet and Vampires novel) but, for now, they are separate categories for two of my reviews posted on the current (mid-May) SF Site.

The first is Orson Scott Card’s retelling of Hamlet, which pretty much follows the play’s plot, but with a twist at the end I suspect the original author no more would have thought of than, well, making Hamlet a vampire.

bs4The second is Cherie Priest’s kickoff of an “urban fantasy” (a term which I take to mean “vampires who live and suck blood in cities”) called Bloodshot, featuring Raylene Pendle (aka Cheshire Red), and thief for hire who also happens to be a slightly neurotic vampire.

It’s not Shakespeare, but it is fun.

Larry Tritten, 1939 – 2011

Larry Tritten, 1939 – 2011

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black_gate_9-2771Black Gate lost one of its own last month with the passing of noted short story writer Larry Tritten.

Larry began his lengthy career in 1968 with the story “West is West,” in Worlds of If magazine. He appeared in dozens of magazines such as The New Yorker, Fantasy and Science Fiction, Asimov’s, Twilight Zone, and many others. In 2005 his story “It’s a Wonderful Con,” featuring a man who cons Santa Claus out of $200, appeared in Black Gate 9.

As much as I enjoyed his fiction, I was even more charmed with Larry’s letters, which related fascinating details of a writing life. I got his permission to include a few of those anecdotes in a sidebar that accompanied the story, and got more mail about that than about his fiction. The sidebar read, in part:

I was in the Mammoth Book of Future Cops a while back, with a Chandler parody set in future San Francisco, and not long ago I was the lone male (heterosexual) writer in the British anthology Va-Va-Voom – Red Hot Lesbian Erotica.  Just me and 32 Lesbian writers. I try to cover all territories.  Had a piece in Minnesota Parent a while back, though I am not a parent and have never been to Minnesota (except to change planes).  Had one in Range (but am not a cattle grower).  And so on.

The count is about 1500 pieces since the sixties, so I’ve had time to get around.  I’m probably one of the few writers to have published in both Hustler and The New Yorker.  I’m often astonishing younger writers with memories of the those early days.  For example, in December 1978 I made four or five sales (one to The New Yorker for, I think, about $1250), and the money added up to close to $5,000.  I was living in an apartment where the rent was $185 per month.  Rent for two years!  Hard to believe such times ever existed.  Today my rent and bills are about ten times what they were then, and just the next month’s rent always looms like the sword of Damocles.

F&SF editor Gordon van Gelder wrote:

He was a smart, talented, and funny writer. He was also the sort of professional writer that seems to be disappearing, the kind of professional who never met a market he didn’t like and had the versatility to tailor almost any work to meet the needs of any market.

He contributed a lot of funny stuff to F&SF over the years.

Larry died in April, 2011. A more complete obituary appears in the May issue of Locus.

Blogging Marvel’s The Tomb of Dracula, Part Two

Blogging Marvel’s The Tomb of Dracula, Part Two

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tomb-of-dracula-7tomb-of-dracula-8Marv Wolfman took over scripting duties on Marvel’s The Tomb of Dracula with Issue 7. Despite the name, Wolfman was an unlikely choice for a horror title as he had never been much of a horror fan and had limited exposure to the character outside of Stoker’s original novel. Nonetheless, the decision to pair Wolfman with artist Gene Colan and inker Tom Palmer elevated the series to classic status and insured its reputation for decades to come.

Issue 7 quickly sets the stage with the introduction of Quincy Harker and his daughter Edith. Quincy is the son of Jonathan and Mina Harker born at the end of Stoker’s novel. Here he is a nearly blind old man confined to a wheelchair with his daughter and faithful dog Saint as his constant companions. He functions as a mentor to Rachel Van Helsing and Taj Nital and has welcomed Frank Drake into the fold. Quincy is an amateur inventor whose vampire hunting gadgets give the story a Bondian edge that works very well. Wolfman’s sense of history and character instantly deepens the story and gives the reader a reason to empathize beyond the immediate sense of good vs. evil.

His innate understanding of people as an amalgamation of family history, mistakes, joys, and tragedies is Wolfman’s greatest strength as an author. Even his Dracula, for all of his cruelty and savagery, is imbued with such humanity and dignity that one can’t help hoping all of them can find peace. Wolfman may be the first writer since Stoker to successfully treat the characters as real people that readers recognize as something other than stereotypes. Finding the key to that empathy is what elevates his take on the property above so many others.

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