Analog, February 1966: a Retro-Review

Analog, February 1966: a Retro-Review

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analog-feb-66And now the third of three consecutive months of SF magazines I recently bought, each a different specimen of the canonical “Big Three” of that time. The first, the December 1965 Galaxy, is here, and the January 1966 issue of The Magazine of Fantasy & Science Fiction is here.

Todd Mason complained last time about this designation of Analog, Galaxy, and F&SF as the “canonical Big Three” SF magazines of the ’60s. He noted, correctly, that Galaxy‘s sister magazine If was winning Hugos as best magazine, and that Amazing and Fantastic were tremendous magazines under Cele Goldsmith Lalli (though by 1966 the magazines had been sold and Lalli was no longer editing them — and their quality suffered immensely).

Fair enough comments — but there is little doubt that Analog, Galaxy, and F&SF were regarded then — even by those who voted for If for the Hugo! — as the most prestigious SF magazines in the US. They paid better. Analog and Galaxy published more fiction per issue, though F&SF was as slim as If and Amazing/Fantastic. They were regarded as more “serious” — each in different ways, mind you. (And I think that very lack of seriousness was a big part of If‘s appeal.) Anyway …

This issue of Analog comes very late in John W. Campbell’s long tenure. The magazine is all but universally regarded as having declined in quality by this point, relative to Campbell’s best years. But this issue is really quite a good one.

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E. E. Knight Reviews The Stepsister Scheme

E. E. Knight Reviews The Stepsister Scheme

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the-stepsister-schemeThe Stepsister Scheme
Jim C. Hines
Daw (344 pp, $7.99, January 2009)
Reviewed by E.E. Knight

Jim C. Hines has penned a worthy follow-up to his Jig the Goblin books, a delightfully funny series that established Hines as the go-to guy for humorous fantasy between Pratchett publication dates.
Jig was short on size and muscle but long on moxie and chutzpah. Hines has glammed up his protagonists for this new series, taking on one of the most popular public domain franchises (thanks to Walt Disney): Fairy Tale Princesses, cleverly mashing them up with a Charlie’s Angels-style setup.

Sleeping Beauty (“Talia”) is more or less the leader, Snow White (“Snow”), the series sexpot and owner of some handy mirror-magic, and Cinderella (“Danielle”) is the bride with the kidnapped Prince and husband who needs rescuing. During her quest Danielle discovers her own power (no fear, it is delightfully Disneyesque) as she risks all to return her bridegroom Prince Armand to her bedchamber and his position as future heir to the Kingdom of Lorindar, currently under Queen Beatrice. Queen “Bea” is the royal voice dispatching the gals on their assignments, sometimes contracted through Snow’s magic mirror.
The Stepsister Scheme is a blend of Maguire’s Oz updates, Shrek’s madcap fairy tales, and gal detective stories.

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Thoughts on Joanna Russ (1937-2011)

Thoughts on Joanna Russ (1937-2011)

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69150827_130420433114I first read Joanna Russ as an assignment for a graduate seminar in science fiction. The story was “When it Changed.”  The 1972 Nebula Award winner for Best Short Story, and a 1973 Hugo nominee, it depicts the visitation of male astronauts on the entirely female world of Whileaway.

I didn’t get it.

In this exemplar of feminist SF, women on a (temporarily, it turns out) manless world act in many ways like men, particularly in terms of violent behavior. The casual way the female narrator notes she has fought three duels and that the funny thing about her wife is that “she will not handle guns” bothered me. Here I thought feminism was supposed to be about rejecting this kind of macho behavior.

What I didn’t get was that the story isn’t advocating gunplay as necessarily a good thing, but rather that women should have the right to make the same choices as men, unhampered by patriarchal-imposed expectations and restraints. Even if they are not very good choices that don’t fit into some mother-goddess worshipping, nourishing pacifist utopia.

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The moral of “When I Changed” is that even when women are somehow allowed to make whatever choices they want, without imposing values of “masculine” or “feminine” on what those choices should be, men get involved to screw things up.

Here’s a quote from The Female Man, which features Janet Evason, the narrator of “When It Changed,” as one of four women from alternate universes who cross over into each other’s realities:

As my mother once said, ‘The boys throw stones at the frog in jest. But the frogs die in earnest.”

You don’t need to be from an alternate universe to realize the truth of that.

Neil Gaiman is a Pencil-necked Weasel

Neil Gaiman is a Pencil-necked Weasel

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neil-adSo by now you’ve probably heard that Minnesota Republican and House of Representatives Majority Leader Matt Dean on Tuesday called Neil Gaiman a “pencil-necked little weasel who stole $45,000 from the state of Minnesota.”

Why the extraordinary rhetoric against one of the most respected fantasy authors on the planet? Dean is upset that Gaiman accepted money from a Legacy Fund to speak at a public library in Stillwater, Minnesota, in April, 2010. Gaiman was paid $45,000, which he donated to charity last year.

Dean said Gaiman, “who I hate,” was legally within his rights to take the money, but found the payment “infuriating,” and wanted Gaiman to return it.

With customary good humor Gaiman has accepted Dean’s “Pencil-necked Weasel” label, saying:

It’s kind of nice to make someone’s Hate List. It reminds me of Nixon’s Enemies List. If a man is known by his enemies, I think my stock just went up a little… I like “pencil-necked weasel”. It has “pencil” in it. Pencils are good things. You can draw or write things with pencils. I think it’s what you call someone when you’re worried that using a long word like “intellectual” may have too many syllables.

The story only gets weirder from there. It was picked up by Wired, The New York Times, and other news outlets, and when Gaiman tweeted about the controversy, linking to Dean’s blog, traffic from Gaiman’s fans brought down the entire site. On May 5th Dean reported that his mother, upset with him for name-calling, forced him to apologize. “She was very angry this morning and always taught me not to be a name caller,” he said. “And I shouldn’t have done it, and I apologize.”

Predictably, Gaiman’s fans have begun to mock Dean in numerous forums online.  So far my favorite is the Charles Atlas-inspired comic at Evil Reads. Click the panel above right to see the entire strip.

John Devil and the World of Paul Feval

John Devil and the World of Paul Feval

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john-devil-301888-4fantomasJohn Devil was my first introduction to the works of Paul Feval. At nearly 650 pages, it is a massive tome and without the efforts of scholar and translator Brian Stapleford and editor and publisher Jean-Marc Lofficier and his Black Coat Press imprint (named after Feval’s long-running crime series) it is likely few readers outside of France would ever have discovered the work or any others by its author.

John Devil is noteworthy as a book of firsts. Written in 1861, Jean Diable is believed to be the first novel detailing a police detective hunting down a master criminal. That is not to suggest that John Devil offers anything approaching standard fare for the genre. The novel was originally published as a serial and consequently is heavily padded with literally dozens of characters, dual identities, and countless interconnecting plotlines. While certainly not as difficult a read as the seminal penny dreadful, Varney the Vampire, John Devil is nonetheless a far cry from Feval’s later more polished works.

John Devil is the code name for a long line of brilliant, but savage criminal masterminds. When one John Devil is killed or imprisoned, another comes along to take his place. The character reads like a dry run for both Dr. Mabuse and Fantomas. Feval’s emphasis on contrasting the lives of the aristocracy with that of the common working class very much put me in mind of Pierre Souvestre and Marcel Allain’s Fantomas series in particular. The similarity is emphasized by the cover art for the US edition of John Devil from Black Coat Press which deliberately recalls the famous artwork for the original Fantomas.

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Now Shipping: Black Gate 15

Now Shipping: Black Gate 15

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bg-15-cover2Black Gate 15 is now shipping.  The last subscriber copies will go in the mail early next week.

The issue is for sale through our online store.  Copies are available to US subscribers for just $18.95 including shipping (just select “Sample Issue”), or as part of a 2-issue subscription for only $32.95.

BG 15 is a massive 384 pages, packed with the best in modern adventure fantasy. This issues’s theme is Warrior Women, and it includes tales of female warriors, wizards, weather witches, thieves, and other brave women as they face deadly tombs, sinister gods, unquiet ghosts, and much more. Contributors this issue include Frederic S. Durbin, Harry Connolly, John Fultz, Darrell Schweitzer, Chris Willrich, Maria V. Snyder, and many others.

BG 15 is notable for more than just its epic size. This issue we celebrate the triumphant return of the fantasy series to our pages — starting with Jonathan L. Howard’s “The Shuttered Temple,” featuring the resourceful thief Kyth the Taker in the sequel to “The Beautiful Corridor” (BG 13).

Plus the opening installments of five exciting new serials that will continue in Black Gate 16 and beyond:

  • Vaughn Heppner’s rollicking sword & sorcery tale of the barbarian Lod in a decadent city, “The Oracle of Gog”
  • Brian Dolton’s Yi Qin the exorcist in a mystery of the ancient Orient, “What Chains Binds Us”
  • John C. Hocking’s tale of The Archivist and a deadly desert tomb, “A River Through Darkness and Light”
  • Jamie McEwan’s intrepid prince Tanek and his desperate solo campaign against a relentless invader, “An Uprising of One”
  • S. Hutson Blount’s story of Hautbee and the dread sorceress Gambetzo, “The Laws of Chaos Left Us All in Disarray”

That’s not all.  Howard Andrew Jones offers up a tantalizing slice of his blockbuster new novel The Desert of Souls; and Mike Resnick , Bud Webster, Scott Taylor, and Rich Horton contribute feature articles. Plus over 30 pages of book, game, and DVD reviews, edited by Bill Ward, Howard Andrew Jones, and Andrew Zimmerman Jones — and a brand new 4-page Knights of the Dinner Table strip! Plus 22 full pages of art from Kent Burles, Storn Cook, Mark Evans, John E. Kaufmann, Jim & Ruth Keegan, Malcolm McClinton, and many others. See the complete Table of Contents here.

Don’t forget our Back Issue Sale: any two back issues for just $25 plus shipping — including the massive BG 14 (384 pages, cover price $18.95) and our rare first issue (regularly $18.95).

Cover by Donato Giancola.

April Realms of Fantasy Now on Sale

April Realms of Fantasy Now on Sale

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rof-april-2011The April issue (issue 99) of Realms of Fantasy is now on sale.

This issues includes fiction from Randy Henderson, Michelle M. Welch, Lisa Goldstein, Euan Harvey, and Von Carr. Non-fiction includes a column by Resa Nelson on zombie cinema, Theodora Goss’ “Folkroots” column on vampires, an editorial and review (“The Addams Family on Broadway”) by Douglas Cohen, Karen Haber’s “Artists Gallery” on cover artist Brom; and book review columns by Paul Witcover, Elizabeth Bear, Michael Jones (covering Young Adult novels), and Andrew Wheeler (on graphic novels). A complete PDF table of contents is here.

We last reported on Realms of Fantasy with issue their February issue.

Rich Horton reviewed this issue in the May Locus, saying:

The April issue of Realms of Fantasy is a special Dark Fantasy issue… It’s a very strong issue, for whatever reason. Every story is good, and the definition of ‘‘dark’’ is loose enough to include a comic story, ‘‘The Strange Case of Madeline H. Marsh (Aged 14 ¼)’’ by Von Carr, about an 8th grade girl who needs to deal with Lovecraftian Dark Gods in her basement. Euan Harvey’s ‘‘By Shackle and Lash’’ is a strong Persian-flavored story about a couple of soldiers whose cowardice gets them assigned to cleaning duty in a prison… The best story here is ‘‘Little Vampires’’ by Lisa Goldstein, which beautifully dovetails three stories: a Halloween tale about a girl visiting a sinister house, a darker story told by a Hungarian émigré about her escape from the Nazis and its cost, and the framing tale of an elderly mother telling these stories to her daughter.

ROF is edited by Douglas Cohen. The fiction editor Shawna McCarthy. Issues are $6.99 (print) or $3.99 (PDF). Cover art by Brom.

Anchorwick

Anchorwick

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AnchorwickAnchorwick
Jeffrey E. Barlough
Gresham & Doyle (387 pages, $14.95, October 2008)

Of all the books I’ve reviewed for Black Gate, the one that sticks in my head is Jeffrey Barlough’s Strange Cargo, which I reviewed way back in 2005 for BG #8. Grumpus that I am, of course I dinged it. I still stand by the review years later, though I feel some guilt about it too. Barlough is such a wonderful yet unappreciated fantasist that to judge him on that single novel is like measuring Hemingway by To Have or Have Not or Kerouac by The Subterraneans. Frankly, Strange Cargo isn’t even a bad book; it’s simply a novel where the author’s ambition exceeded the page count and so shortcuts were taken. Literary ambition is hardly a crime and Barlough is, nevertheless, a talent I invite everyone to sample.

With his first three books OOP, Barlough’s fifth, Anchorwick, makes a fine initiation for newcomers (younger versions of the protagonists from Barlough’s debut, Dark Sleeper, appear here in supporting roles). His alternate 20th century, called the Western Lights, has a sophisticated backstory that’s easier to link to than for me to explain, but I’ll try: in a world where the Ice Age never ended, a cataclysm has reduced humanity to a slip of English civilization along North America’s western coastline. It’s neither steampunk nor weird western; the technology is early 19th century. It’s kinda-sorta gaslamp fantasy, except there doesn’t seem to be any natural gas. Barlough’s creation is best described as a Victorian Dying Earth — gothic and claustrophobic yet confronted by its inhabitants with upper lips held stiff.

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The Magazine of Fantasy & Science Fiction, January 1966: A Retro-Review

The Magazine of Fantasy & Science Fiction, January 1966: A Retro-Review

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fsf-jan661Here’s the second of three consecutive months of SF magazines I recently bought, each a different specimen of the canonical “Big Three” of that time. The first, the December 1965 issue of Galaxy, is here.

Edward Ferman was the Editor of F&SF at this time, as he had been for a while. (I have heard that even while his father Joseph was listed as Editor, Edward was actually doing the job.)

The cover is by Jack Gaughan, illustrating “L’Arc de Jeanne,” by Robert F. Young. Of course there was no interior artwork, excerpt for Gahan Wilson’s cartoon. There were also no ads except for the Classifieds in the F&SF Marketplace, and except for one or two inhouse ads. This issue did feature the Statement of Management and Circulation. Average Paid Circulation, 53,831. Average Mail Circulation, 16,644.

The features include Wilson’s Cartoon, a very brief “Science Springboard” by Theodore L. Thomas, about smog, and Isaac Asimov’s Science column, this time called “The Proton Reckoner,” about counting things, lots of things, like the protons in the universe.

And there is a book review column by Judith Merril. She writes from London, in September of 1965, and her subject is how much better things are in England: the drinking, people’s looks, the rock and roll, and the SF — the New Wave SF (though Merril does not here use that term). She focuses on three major fairly young writers: J. G. Ballard, Brian W. Aldiss, and John Brunner.

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The new CONAN movie: Okay, I’m in.

The new CONAN movie: Okay, I’m in.

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CONAN is coming. Okay, I’ve had serious doubts until now, based on the “teaser trailer” I’d seen. But this new trailer does it. I’m sold. I’m officially excited and enthused about this new CONAN movie. The Hyborian Age settings look terrific; Rose McGowan looks creepy as hell–nice touch having a female villain; the costuming and design looks superb; the creatures are well-done CGI beasties.

Is this the Arnold S. Conan from ’82? Is it the John Buscema-drawn Conan? Or the Frank Frazetta-painted Conan? No…it’s a new incarnation. Actor Jason Momoa reminds me of the Young Conan–the one Barry Windsor Smith drew in the 70s at Marvel Comics. If only he had that two-horned helmet and that three-disc necklace, he’d be a dead ringer. It’s a younger, rawer Conan, fresh from Cimmeria and the siege of Venarium. The Conan from Howard’s “Tower of the Elephant” story: a savage youth set loose in a civilization of decadent savagery.

I’m a HUGE fan of the original CONAN THE BARBARIAN film–the one directed by John Milius and co-writen by Oliver Stone. But I’m ready to jump in and experience this new take on Robert E. Howard’s most enduring character. For a guy who grew up reading Conan books, comics, and magazine–and someone who considers the original a classic–that’s saying a lot.

Of course, you can only tell so much from a trailer…but I’ve got a good feeling about this one. That said, I’m going to skip the 3D version and see the 2D instead…except for AVATAR, 3D tends to ruin most movies these days.

Judge for yourself at Yahoo:
http://movies.yahoo.com/summer-movies/conan-the-barbarian/1809953260#first

And if the movie still sucks, despite all this going for it: Crom help us all!

I reserve my final verdict until I actually see the film.