Art Evolution Challenge 2012: Anna Steinbauer
In January I contacted Jon Schindehette over at the ArtOrder about possibly running a contest on the site that would help show some of the promising talent in the field of fantasy. It was my concept to devote five special spotlight posts right here on Black Gate to a collection of new artists as judged by a panel of veteran artists and art directors in the field.
Jon loved the idea, and by February we had a contest running that ended up featuring more than a hundred and twenty-five entries from all over the globe. What were they painting? Well, if this is Art Evolution, then of course they all took a stab at Lyssa, the now iconic female wizardress that has been defined by fantasy art legends since the series began in 2010.
I must say, the experience of running this challenge was a total thrill. Watching a bevy of incredible artists use WIPNation to show the progress of their vision for Lyssa on an almost daily basis allowed me a vision of what working in an old school art department at TSR must have been like.
There were science fiction Lyssas, primal Lyssas, steampunk Lyssas, you name it, and each artist brought such a fantastic flair to what he or she did. However, when it all came down to nuts and bolts, there could only be three winners for 2012, as judged by such talents as Todd Lockwood, Jeff Laubenstein, Jeff Easley, and Lauren Panepinto.
It’s nothing new: taking old mythic tropes and adapting them to modern-age stories. The social commentary thinly-veiled as mysticism, the peek-a-boo mythology references, the obligatory explanation for why most people in our modern times don’t notice magic, the unassuming youth who will one day become a great hero … we’ve all read them. he secret is in the execution. How well is this ancient story re-told? How compelling are the characters? Are the truths revealed deep or trite?


Ganymede 

June’s Apex Magazine features ”Winter Scheming” by Brit Mandelo, “In the Dark” by Ian Nichols and “Blocked by Geoff Ryman (who is interviewed by Maggie Slater), as well as Seanan McGuire’s poem, “Wounds.” Ken Wong provides the cover art. Nonfiction by Tansy Rayner Roberts and editor Lynne M. Thomas round out the issue.
A version for the Nook will also be available in the near future. Twelve issue (one year) subscription can be ordered at Apex and Weightless for $19.95;
If you plan to see Prometheus this weekend, know that you are in for an endless buffet of visual astonishment, especially if you spring to see it in IMAX 3D. Ridley Scott belongs to the breed of filmmaker who can justify the use of the 3D gimmick. He poured everything at his disposal to make his new science-fiction film worth the extra dollars, euros, pound notes needed to watch it in an immersive environment. Prometheus is visual and aural splendor for the cinema.