Black Gate

It’s been at least 25 years since I read Shirley Jackson’s classic We Have Always Lived in the Castle. But it’s the kind of book that sticks in your mind.

I won’t say much about the plot, other than that it deals with the three surviving members of the Blackwood family: Merricat, a practicing witch, her elder sister Constance, who has not left their home for six years, and their deranged Uncle Julian. All three live in a large house, far from the neighboring village. Not so very long ago there were seven members of the family — until someone put a fatal dose of arsenic in the sugar bowl one night. Constance was acquitted of the murders and returned home, where her sister Merricat protects her from the sneers and curiosity of the townspeople. Their days pass in quiet isolation… until a new danger appears, in the shape of their mysterious cousin Charles.

We Have Always Lived in the Castle is one of the most famous examples of “Southern Gothic,” and one of works that made Shirley Jackson famous. It was published three years before her death. There have been over a dozen editions, but my favorite is the 1963 paperback above, with the gorgeous and spooky cover by William Teason. You can usually find copies available online for under $10.

We Have Always Lived in the Castle was published in hardcover by The Viking Press in 1962, and reprinted in paperback by Popular Library in October 1963. The paperback is 173 pages, priced at sixty cents.

We’re continuing with our look at the extraordinary 40-year career of Tanith Lee, who passed away on May 24th. So far we’ve covered 13 novels and three collections; today I’d like to look at the slender 1979 paperback Companions on the Road, which I think has been unjustly neglected over the last four decades.

Companions on the Road collects two novellas, Companions on the Road (1975) and The Winter Players (1976). Both were originally published as chapbooks in the UK by Macmillan, with covers by Juliet Stanwell Smith (see below). For their US release as a paperback original, they were collected into a single volume from Bantam titled Companions of the Road: Wondrous Tales of Adventure and Quest, with a wraparound cover by Lou Feck (click on the images above for bigger versions).

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The Haunted Hotel by Wilkie Collins and 25 Other Ghost Stories is one of the oldest paperbacks I own. It is, in fact, one of the oldest fantasy paperbacks produced in the United States. It was published in 1941, just two years after Pocket Books released the first paperbacks in 1939, revolutionizing the American publishing industry. And like a lot of old things, it’s a little strange and doesn’t do things in a familiar way.

For one thing, as it was one of the first paperback anthologies ever produced, apparently no one thought the name of the editor was important. Some folks assume it was W. L. Parker, who wrote the intro, and others assume W. Bob Holland, but no one is really sure.

Also, it’s called The Haunted Hotel by Wilkie Collins and 25 Other Ghost Stories not because it contains The Haunted Hotel (by Wilkie Collins) and twenty-five more stories about ghosts, but because it’s actually a mash-up of two previously published books: the novel The Haunted Hotel (by Wilkie Collins), and Twenty-Five Ghost Stories. So naturally, the page numbering re-starts halfway through the book. In the early days of paperbacks, publishers were trying all kinds of wacky things. Except original titles, apparently. Because, hey, let’s not go crazy.

And another thing. Have a look at the strange back cover (click for a bigger image). Today, we think of the back cover as, you know, a great place to tell prospective buyers a little about the book in their hands. In 1941, you mostly told readers what the hell a paperback book was. You imparted critical information, like “opaque paper,” “delightful flexibility in handling,” and “stained on all three sides with fast book dyes.” It’s easy to mock the primitive publishers of 1941 today, but let’s face it — if they hadn’t sold their early readers on paperbacks, you and I would be reading books exclusively in hardcover and clay tablets.

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Jack Williamson is a science fiction legend. He won the Hugo and Nebula award for his novella “The Ultimate Earth,” published in Analog in 2000, when he was 92 years old. He kept right on writing until 2006, when he died at the age of 98.

Of course, Jack Williamson first made a name for himself in the pulp era, when he was right at the top of the field, with novels like Golden Blood (1933), The Legion of Space (1934), The Cometeers (1936) and One Against the Legion (1939). That’s right, Williamson was a popular writer for more than seven decades. Sales records fall all the time in this fast-moving business…. but that one is likely to stay for a very long time.

Williamson is also highly collectible, especially his early paperback appearances. In my Vintage Treasures posts it’s routine for me to highlight highly desirable paperbacks from the 50s, 60s, and 70s that can be purchased for $5-$6, or less than the price of a modern paperback. (That’s what “highly desirable” means in the vintage paperback biz. Paperbacks that aren’t highly desirable usually sell for under $1.)

Not so with Williamson. His first book, The Green Girl, is one of the most collectible paperbacks in the field, with copies routinely selling on eBay from $25 – $150.

Of course, much of that has to with the eye-catching cover, painted by prolific pulp artist Ray Johnson. The novel was out of print for over 60 years (another reason for its collectibility), but that cover has spawned thousands of posters and t-shirts. Click on the image at left for a bigger version.

The Green Girl was originally published in two parts in Amazing Stories in March and April, 1930, and reprinted in 1950 as Avon Fantasy Novel #2, under editor Don Wollheim. While Williamson had had many popular appearances in the magazines by this point, this was his first solo appearance in book form.

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We’re continuing with our look at the extraordinary 40-year career of Tanith Lee, who passed away on May 24th. So far we’ve covered 13 of her novels; today I’d like to look at her equally dazzling short story career.

Lee published well over 300 short stories during her long career, an amazing accomplishment. Her first three major collections were all published by her long-time publisher DAW, starting with the sword-and-sorcery collection Cyrion in 1982.

Cyrion (Sept 1982, 304 pages, $2.95, cover by Ken Kelly)
Red as Blood, or Tales from the Sisters Grimmer (January 1983, 208 pages, $2.50, cover by Michael Whelan)
Tamastara, or The Indian Nights (March 1984, 174 pages, $2.95, cover by Don Maitz)

A lot has been said about Cyrion over the years, but I think perhaps James Lecky, on his blog Tales from the Computerbank, said it best in his 2009 review.

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Ray Bradbury is known primarily as a writer, and as one of the most gifted fantasists of the 20th Century. But in his 70+-year career, he also edited a handful of anthologies. The first of these, Timeless Stories for Today and Tomorrow, originally published as a Bantam Giant paperback original in 1952, was also the most popular, with multiple reprintings and editions over the next two decades.

Most SF and fantasy anthologies in the forties and fifties drew heavily from pulp sources. Bradbury’s approach was very different. His fat, 306-page anthology collected classic and contemporary fantasies originally published in The New Yorker, Charm magazine, Harper’s magazine, and other more literary sources, and included such writers as John Steinbeck, Franz Kafka, E. B. White, John Cheever, Roald Dahl, Shirley Jackson, and Henry Kuttner and C. L. Moore.

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Over the Hills and Far Away is my favorite Dunsany collection, and the Ballantine Adult Fantasy edition, edited by Lin Carter and published in 1974, is my favorite edition.

Yes, some of that has to do with the gorgeous wraparound cover by Gervasio Gallardo (see the original painting here). But I think most of it has to do with Lin Carter’s attitude as an unabashed Dunsany fanbody, and the passion that comes across throughout the book. This is a man who was arguably the most respected voice in fantasy in the mid-Twentieth Century, and his admiration for Dunsay was second to none. Here’s a bit from his introduction:

Lord Dunsany is probably the greatest fantasy writer who ever lived. Quite a few of the most distinguished writers of fantasy have made a similar judgment of his work. James Branch Cabell, for example, praised Dunsany’s craftsmanship in glowing terms. H.P. Lovecraft adored Dunsany’s early Book of Wonder tales, and paid them the highest compliment of direct imitation (as I also have done in my little fables of Simrana the Dreamworld). In fact, Lovecraft wrote several pieces about Dunsany’s work, which he considered superlative. I think Clark Ashton Smith might also have concurred with my estimate of Dunsany, and perhaps Jack Vance and Fritz Leiber would agree as well…

In the pages of this book I have brought together twenty-five of his finest fantasy stories, as well as one major novella, or short novel. Also included are two of his most brilliant and fantastical plays, four of his short-short stories, and (just to give you a balanced and comprehensive view of his entire literary career) four of the later short stories concerning Mr. Joseph Jorkens, the world traveler and noted clubman.

Over the Hills and Far Away was edited by Lin Carter and published by Ballantine Books in 1974. It is 234 pages, priced at $1.25. The cover is by Gervasio Gallardo. It is part of the groundbreaking Ballantine Adult Fantasy series, which Keith West is current examining for us in detail; his most recent article was Dragons, Elves, and Heroes.