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Category: Vintage Treasures

Vintage Treasures: The Man of Gold by M.A.R. Barker

Vintage Treasures: The Man of Gold by M.A.R. Barker

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The Man of Gold-smallI remember exactly where I was when I learned M.A.R. Barker had died. I was at the games auction at Gary Con IV on Saturday, March 24th, 2012, when Luke Gygax solemnly paid tribute to the industry giants we’d lost that last year — and he announced that M.A.R. Barker, the brilliant creator of the world of Tékumel, had passed away at the age of 82. When I got home that night, the first thing I did was write an obituary for Black Gate, honoring the man who’d done so much for the hobby.

Tékumel was a unique creation in fantasy gaming. It was home to one of the earliest RPGs ever written, Empire of the Petal Throne, published by TSR in 1975, and later a series of well-received fantasy novels by Barker, beginning with The Man of Gold, published by DAW with a marvelous cover by Michael Whelan in 1984.

Tékumel is a distant world populated by both humans and aliens, who have built a vast and intricate civilization over thousands of years. Ruled by the upper clans of the land, the planet’s culture is based upon the teachings of gods and demons, upon the ways and wiles of alien races, and upon the layered traditions of monarchs ancient and current. Tékumel is an exquisitely detailed world where surprise and adventure are as natural as night and day.

The Man of Gold is the first novel based on the Tékumel: Empire of the Petal Throne RPG. Follow the quest of Harsan, acolyte of the temple of Thumis, as he ventures forth to seek a forgotten empire’s super weapon known only as the Man of Gold.

Tékumel has been revisited many times by talented game creators over the decades, and is now the setting for multiple game systems.

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Galaxy Science Fiction, November 1952: A Retro-Review

Galaxy Science Fiction, November 1952: A Retro-Review

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Galaxy November 1952-smallThe November 1952 issue of Galaxy Science Fiction features cover art by Jack Coggins of an Earth satellite. This satellite is more like a space station than satellites I typically think of. But considering that the first artificial satellite (Sputnik 1) wasn’t launched until about five years after this issue hit newsstands, everything was still left to the imagination at this point.

Before I jump to the fiction, I want to comment on Willy Ley’s “For Your Information.” In part of the column, he discusses Mars and its vegetation. I thought that was rather odd or presumptuous for him, but at this time, scientists were observing coloration on the planet’s surface that changed seasonally. That coloration plausibly suggested vegetation, and if there’s vegetation, what other life might be there? Then Mariner 4 did a fly-by in 1965, showing reality. Additional Mariner spacecraft confirmed more of the same — that Mars was a dead planet.

I wonder how many people were crushed by this, including authors of science fiction. There might have been some who feared Martians coming to destroy us and felt relief. But I also think that the possibility of life on Mars offered a kind of hope to some — that humanity wasn’t completely alone. With the truth of Mars revealed, that hope had to extend beyond the neighboring red planet. It will be interesting to see how science fact continues to influence science fiction, not necessarily by devestating our hopes and dreams but by helping to reshape them into new possibilities. And even without life on Mars, the planet still has an allure to it — a vacant planet that beckons to be explored and perhaps settled.

“The Martian Way” by Isaac Asimov — Mario Rioz and Ted Long work together on a small ship near Mars, tracking and scavenging the abandoned shells of Earth spacecraft. These jettisoned pieces are essentially rocket stages cast off as part of the flight, and they contain metal the humans on Mars can reuse.

A rising politician on Earth named Hilder points out that Mars doesn’t reimburse Earth for the shells, and the monetary investments will take many years to return. But worse than that, Mars can never replenish the water it takes from Earth to propel its ships. As Hilder’s voice gains more attention, other politicians begin mimicking him, which leads to new policies that prevent the scavenging of shells.

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Atlantis, Vikings, and the Hordes of Kublai Khan: Merlin’s Ring by H. Warner Munn: Part I

Atlantis, Vikings, and the Hordes of Kublai Khan: Merlin’s Ring by H. Warner Munn: Part I

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Merlin2-smallMerlin1-smallA few months ago I wrote an article about H Warner Munn’s excellent books The King at the World’s Edge and The Ship From Atlantis. Munn wrote both in the 1930’s, although the latter was only published later. By all accounts he took a hiatus from professional writing to concentrate on raising a family and providing the financial security that entails.

His passion for writing had not totally subsided, and as his “day job” career wound down, Munn embarked upon what many consider to be his magnum opus: Merlin’s Ring. Please note that this article does contain a few spoilers, which are necessary to explain certain concepts.

The volume sat on my shelf for years, like so many under the “one day I’ll read it” tag, but having undertaken the previous two books in what is now considered the Merlin’s Godson Cycle, I felt obliged to start Merlin’s Ring.

Merlin’s Ring continues the tail of Gwalchmai, whom we last encountered in The Ship From Atlantis. The book was published by Ballantine in 1974 with a cover by Gervasio Gallardo. It appears to have been republished a few times under the same imprint and later by Del Rey, with the same cover, until 1981. (Click on the images at left and right for more detailed versions.)

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Cloud Sculptors, Dragon Riders, and an Unearthly Craps Game: Nebula Award Stories 3, edited by Roger Zelazny

Cloud Sculptors, Dragon Riders, and an Unearthly Craps Game: Nebula Award Stories 3, edited by Roger Zelazny

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Nebula Award Stories Number Three-smallNebula Award Stories Three
Edited by Roger Zelazny
Pocket Books (193 pages, $0.75, February 1970)

It looks like there were 16 works of shorter fiction nominated for the 1968 Nebula awards. Seven of them appear in this collection. Although the Ballard story included doesn’t appear on the ballots I found listed at various reference sites.

In any event, there are some holes in my reading history represented here. I’ve read lots of Ellison over the years and a fair amount of Ballard. As for Leiber, Moorcock, McCaffrey and Delany, not so much. But there’s some great stuff here, by my reckoning, and a few good ones and one that was not so much.

PICKS

“The Cloud-Sculptors of Coral D,” by J. G. Ballard

As the title suggests, actual cloud sculptors are sculpting clouds in this one. At first they do it for small change and later for a wealthy and not-so-nice woman. Things fall apart at this point, in rather spectacular fashion.

“Gonna Roll the Bones,” by Fritz Leiber

Last things first. Leiber’s story has one of the best last lines I’ve read for a long time. And the story that precedes it isn’t half bad either. It’s actually quite good and deserving of an award. You could go wrong in so many ways when writing a story that’s just a play-by-play rendition of an unearthly craps game. But Leiber carries it off well.

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New Statesmen on the “Shockingly Offensive” 100 Best Fantasy and SF Novels

New Statesmen on the “Shockingly Offensive” 100 Best Fantasy and SF Novels

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A Spell for Chameleon-smallLiz Lutgendorff at New Statesmen read all 100 books on NPR’s list of the best science fiction and fantasy novels — a list that includes virtually every major title the genre has yet produced. And her response mirrors a complaint I hear over and over from young fantasy readers, and especially women — the classics of our genre have very little to offer readers seeking interesting and strong women characters.

There were also books that were outright misogynistic, like a A Spell for Chameleon where characters openly talk about not trusting women… The main plot of A Spell for Chameleon is that the main character, stupidly named Bink, has no magical talent…. Along the way, he meets Chameleon, who has the unenviable magic of being smart but ugly in one phase of the moon and beautiful but stupid in another. This inevitably leads to Bink liking her… Apparently for Bink, having someone compliant was more valuable than intelligence or independence, making Bink an utter creep…

Frankly, from my vantage in 2015, it was just plain weird to read books where there were hardly any women, no people of colour, no LGBT people. It seemed wholly unbelievable. I know what you could say: it’s science fiction and fantasy, believability isn’t one of the main criteria for such books. But it is relatively absurd that in the future people could discover faster-than-light travel, build massive empires and create artificial intelligences but somehow not crack gender equality or the space-faring glass ceiling.

The consequence of the lack of women and the obvious sexism is that the books became very much like one another. My book reviews contained more profanity and I became a much more harsh critic of the genres I most enjoyed reading. They were all the same story of white guys, going on an adventure.

I’m sure Ms. Lutgendorff’s comments will be hotly debated, but I think it’s foolish to ignore her gut reaction. Like it or not, the classics of an older generation are giving way to new novels, as they should. That’s what happens in a living genre. Read the complete article here.

Vintage Treasures: The Lights of Barbrin by Joseph Burgo

Vintage Treasures: The Lights of Barbrin by Joseph Burgo

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The Lights of Barbrin-smallI haven’t said a lot about the Timescape imprint from Pocket Books, one of the most prestigious publishing lines of the 80s. Founded by David G. Hartwell, it was named after Gregory Benford’s SF novel Timescape, and it produced over 100 paperbacks between 1981 to 1985 — including the four volumes of Gene Wolfe’s Book of the New Sun, Philip K. Dick’s The Divine Invasion and The Transmigration of Timothy Archer, Clark Ashton Smith’s The City of the Singing Flame, John M. Ford’s The Dragon Waiting, Donald Kingsbury’s Courtship Rite, and many others — including many Hugo and Nebula award nominees. It was shut down by Pocket in 1985, as it wasn’t producing a sufficient number of bestsellers for its budget. The line has a sterling reputation for quality. And among the many high-profile books, it also produced a number of highly regarded titles from lesser known authors… including The Lights of Barbrin, the debut fantasy from an unknown writer named Joseph Burgo.

The Quest of Ehred the Mighty

Braced by the strength of his Haziad — the four freedom fighters who represent fire, air, earth, and water — fire-bearer Ehred fought his way to importance, wielding a mighty force that made him all powerful in Nabrilehr, the land of the misfits.

But the evil Rand, barred from all Haziads because of his twisted devotion to the dangerous Unmaker, strove long and hard — and finally stole Ehred’s fire power for his own destructive use.

Now Ehred and his Haziad must steal back the blazing power — for in Rand’s hand it threatens to consume Ehred’s world!

Burgo never produced another fantasy novel, and this is his only contribution to the field. The Lights of Barbrin was published in paperback by Pocket in September 1978, and reprinted under the Timescape imprint in February 1982. It is 192 pages, priced at $2.50. The cover is by Carl Lundgren. There is no digital edition, and it has now been out of print for 33 years.

The Magazine of Fantasy & Science Fiction, August 1963: A Retro-Review

The Magazine of Fantasy & Science Fiction, August 1963: A Retro-Review

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fantasy_and_science_fiction August 1963-smallHere’s an issue of F&SF from Avram Davidson’s tenure, and Davidson’s stamp is, to my eye pretty evident. It’s a reasonably significant issue simply in that it includes part of a Heinlein serial.

The features include a book review column by Davidson, in which he covers a piece of non-fiction by Patrick Moore and Francis Jackson on the possibility of Life in the Universe, some Burroughs reissues (Davidson, in recommending the books, writes “Hark! Is that the squeal of an angry throat?,” which later (slightly changed) became a story title for him), Walter Tevis’ The Man Who Fell to Earth (Davidson was unimpressed), a book on whales, and (very briefly) Cordwainer Smith’s You Will Never Be the Same, taking time to deny that “Cordwainer Smith” was ever a pseudonym of Robert Silverberg – and here I was, hoping that he would at long last reveal this in one of his bibliographic posts right here!

The cover is quite impressive – it’s by Ed Emshwiller, for Ray Nelson’s “Turn Off the Sky” – there’s a bit of a Richard Powers vibe to it, though it’s still of course Emsh… and a rare case where beautiful woman on the cover doesn’t look like his wife Carol.

There is also of course a science column by Asimov (“T-Formation,” a relatively weak outing, about large numbers), a Feghoot (about time travel and a couple of women of loose virtue – I’m sure you can guess the pun), a quite nice poem on the loss of the mystery of Venus due to Mariner II, by R. H. and Kathleen P. Reis; and, surprisingly, a letter column! Notable letters include one from James Blish complaining about the term “Science Fantasy” (“… stands as a warning that the author reserves the right to get the facts all wrong”); and one from a reader complaining about Davidson’s editorial hand and declining to renew his subscription – who was the reader? One E. Gary Gygax!

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The Speed Of Dark: Paksennarion vs. Autism

The Speed Of Dark: Paksennarion vs. Autism

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A Dark coverWhile wandering the aisles of Powell’s Books in Portland, Oregon – the kind of store that first leaves my jaw on the floor, then leaves my irises doing swirls straight out of an animated Warner Brothers short – I found myself in the Fantasy & Sci-Fi aisle.

Can’t imagine how that happened. Especially when my shopping list could also have led me to Photography, Sports (Tennis), Literature, Horror (Anthologies), and “Unisex Apparel.” Suffice it to say that I wound up face to face with my old buddy, Elizabeth Moon. Plenty of space opera on those shelves, sure, but also the various editions of the trilogy that made her name, her Deed Of Paksennarion series, together with the two less popular follow-ups, Surrender None and Liar’s Oath.

Then came the surprises. Turns out, Ms. Moon has resurrected Paks’s world, and some few of the characters from the various Paksennarion books in Oath Of Fealty, Kings Of the North, etc.

I was sorely tempted. I was. But in the end, I decided to let my fond memories remain exactly that: fond memories. As books with second-world settings go, and especially of the sword-swinging variety, I rate the Paksennarion trilogy very highly indeed, and as for Surrender None, well, I flat out love it.

The risk of spoiling all those warm recollections was just too great.

Even so, I would have picked up one of those newer titles – risk be damned, you only live once – but then I chanced upon a Moon title that didn’t seem to fit with her other work. The cover was different, for one thing. Not illustrative. Conceptual. No high fantasy or space opera here. No, indeed. But it had to be speculative fiction of some sort, since this unlikely loner of a book, The Speed Of Dark, had won the 2004 Nebula Award.

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The Public Life of Sherlock Holmes: Ramblings on REH

The Public Life of Sherlock Holmes: Ramblings on REH

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Ramblings_KullAxeIn a way, Robert E. Howard’s career is similar to that of Dashiell Hammett. Both men had huge impacts on their genres (Howard wrote many styles, but he’s best known for his sword and sorcery tales). Both were early practitioners in said genres. Both men wrote excellent stories for about a decade. And both men ended their careers on their own.

Hammett, who seemed more interested in a dissolute lifestyle than in writing, effectively walked away from his typewriter. He wrote his last novel in 1934 (The Thin Man) but produced literally nothing for the remaining twenty-five years of his life. He could have gone back to writing the hard-boiled stories that made his career, but he voluntarily ended his writing life.

In 1936, Howard’s mother was failing in a coma. He walked outside to his car, pulled out a gun and killed himself. His writing career was more effectively finished than Hammett’s would be.

Both were supremely skilled writers who chose to deprive the world of their talent and left decades of stories unwritten. But there was a key difference between the two. From the beginning, Hammett was acclaimed and recognized as the leader in his field. Though Carroll John Daly came first (barely), there is no comparison between the two in critical view.

Howard was not critically lauded. His first Conan tale, “The Phoenix on the Sword” (a rewriting of the Kull story, “By This Axe I Rule!”), appeared in Weird Tales in December of 1932. The next two Conan tales were outright rejected!

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All of Time and Space and the Wonders and Horrors Therein: Frank Belknap Long’s “The Hounds of Tindalos”

All of Time and Space and the Wonders and Horrors Therein: Frank Belknap Long’s “The Hounds of Tindalos”

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The Hounds of Tindalos-small The Hounds of Tindalos back-small

I’ve been enjoying Ruthanna Emrys and Anne M. Pillsworth’s Lovecraft Reread over at Tor.com, and I was pleasantly surprised to see them deviate from the core Lovecraft canon to discuss one of the classics of the Cthulhu Mythos not written by Lovecraft himself: Frank Belknap Long’s “The Hounds of Tindalos.”

“The Hounds of Tindalos” was originally published in the March 1929 issue of Weird Tales. It can be found in several anthologies and collections, including the 1978 Jove paperback collection The Hounds of Tindalos, with a fine cover by Rowena (above; click for bigger version). You can find the complete text online here. As Anne says:

Frank Belknap Long was one of Lovecraft’s inner circle, and his “Hounds” is the first Mythos tale which Lovecraft neither wrote himself nor collaborated on. Perfect start for our consideration of the extra-Lovecraftian Mythos, that slow but unkillable creep of cosmic terror into other susceptible minds! Long would go on to create Great Old One Chaugnar Faugn and to kill a fictionalized Lovecraft in “The Space-Eaters.” But the Hounds are probably his most famous creation. Lovecraft mentions them in “Whisperer in Darkness.” Writers as diverse as Brian Lumley, Roger Zelazny, Sarah Monette and Elizabeth Bear, William S. Burroughs, and John Ajvide Lindqvist have evoked them. They also haunt video and roleplaying games, metal songs, anime, illustration. Well, why shouldn’t the Hounds be pervasive? Have angles, they’ll travel, lean and athirst.

“Hounds” has always inflicted shivers on me. This reread, I was momentarily distracted by a few infelicities. The story strikes me as way too short for its expansive subject: all of time and space and the wonders and horrors therein.

Read the complete article here.