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Category: Vintage Treasures

Vintage Treasures: The Good Stuff by Gardner Dozois

Vintage Treasures: The Good Stuff by Gardner Dozois

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The Good Old Stuff-small The Good New Stuff-small

Gardner Dozois is one of the most accomplished and prolific editors in our field. He’s produced scores of anthologies, including 31 volumes of The Year’s Best Science Fiction, and won the Hugo Award for Best Professional Editor 15 times in 17 years from 1988 to 2004, as editor of Asimov’s Science Fiction.

In addition to championing countless new writers (as well as older and more neglected writers), he’s shown a lot of love for adventure SF and space opera over the years, which he calls “center-core SF.” In 1998 and 1999 he released two anthologies with the subtitle Adventure SF in the Grand Tradition, both with St. Martin’s/Griffin. They are probably my favorite of his numerous books:

The Good Old Stuff (434 pages, $17.95 in trade paperback, December 1998; cover by Ed Emshwiller)
The Good New Stuff (450 pages, $16.95 in trade paperback, February 1999; cover by Bob Eggleton)

The first volume collects fiction from 1948-1971, and the second from 1977-1998. Together they constitute the finest survey of adventure SF our field has seen.

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Prehistoric Fantasy from the Days Before the Earth had a Moon: Jane Gaskell’s Atlan Saga, Part I

Prehistoric Fantasy from the Days Before the Earth had a Moon: Jane Gaskell’s Atlan Saga, Part I

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 The Quest for the Complete Series

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Pocket Books – art by Boris Vallejo
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Orbit / Futura – Artist Unknown

In my quest to revive interest in forgotten or overlooked fantasies, it would be remiss not to discuss Jane Gaskell, specifically her Atlan Saga. The fact that my past few posts about H Warner Munn also happen to reference Atlantis is purely coincidental, and I am by no means an expert on all things Atlantean.

I came upon Jane Gaskell’s Atlan Saga in the late 1980s. As a high school lad in South Africa with limited funds, the public and school libraries — as well as friends — were my main sources of fantasy material. While many folks I know seem to have been reading Heinlein and Tolkein by the time they were 10, I only started reading for pleasure as a pre-teen. Until then I actively despised it. That is not to say I didn’t enjoy a good story, just I was too lazy to read it myself.  My mother desperately tried to encourage me, but I recall thinking Enid Blyton (Secret Seven etc.) was really nyaff, and the Hardy Boys were too mainstream.

Fortunately I discovered Biggles by Captain WE Johns and my mind, at last, opened to the joys of reading. After moving through CS Forester’s Hornblower books and Alexander Kent’s Richard Bolitho series (both period sea adventure), I found myself looking for something different. I found it through friends who introduced me to Anne McCaffery’s Dragonflight and David Eddings’ Belgeriad books.

One of the factors hindering me at the time was that good material was relatively thin on the ground. I also had a juvenile dislike of second hand books, preferring to buy them new. Sure, the shops had a reasonable amount on their shelves, and there were a (very) few specialist shops with a plethora of gear to choose from, but most of it was out of my price range, or my sphere of travel. Fortunately the major chain store of the day, CNA (like a Borders I imagine) used to have an annual book sale just after Christmas where they moved loads of old warehouse stock. During one of these sales I encountered two slim volumes which, due to their awesome cover art, just had to be fantasy par excellence: The Dragon and The City, both by Jane Gaskell.

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New Treasures: Penguin Science Fiction Postcards: 100 Book Covers in One Box

New Treasures: Penguin Science Fiction Postcards: 100 Book Covers in One Box

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Penguin Science Fiction 2

We’ve already established that I’m a sucker for a cool cover. I don’t have time to read a fraction of the books I buy, but I can look at great cover art all day long. Put an eye-catching cover on your book, and you’ve got my immediate attention.

Put a hundred cool covers on your book, and you can just shut up and take my money.

I think that’s the overall idea behind Penguin Science Fiction Postcards: 100 Book Covers in One Box. It’s sort of like a science fiction book with a great cover, but minus the book. And with 99 other covers. And with the added bonus that you’ll never lack for postcards again, when you need to drop a note to your uncle to remind him to return your copy of The Stars Like Dust. And did I mention the cool box?

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Robert E. Howard: Peering Behind the Veil of Life

Robert E. Howard: Peering Behind the Veil of Life

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NOTE: The following article was first published on May 9, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 250 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

delrey-kullsubterranean-kull-limited“The Mirrors of Tuzun Thune” is Robert E. Howard at his most poetic.

His writing had taken a quantum leap forward in quality compared with his earlier Kull stories as he transitioned from working in familiar genres to blazing a trail none had attempted before him. More than his gift for well-turned phrases and evoking imagery so powerful, it literally sears itself in the reader’s mind; Howard reaches for a depth of character and achieves a work that is both psychologically and philosophically rewarding.

Sadly, as the author would later tell his friend, Clyde Smith he was disappointed in the result and resolved to never attempt anything so deep again.

The tale starts off with Kull, plagued with ennui and yearning for something more substantive than riches, power, and transient beauty. The brooding king rejects the company of loyal Brule, the Pict who won his respect and friendship in “The Shadow Kingdom,” but foolishly takes the advice of an alluring Eastern female.

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The Great Savage Sword Re-Read: Vol 3

The Great Savage Sword Re-Read: Vol 3

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This series explores the Savage Sword of Conan collections from Dark Horse reprinting Marvel Comics’ premiere black-and-white fantasy mag from the 1970s. Click to read previous installments: Volume 1 / Volume 2

Vol3The third collected volume of Savage Sword of Conan includes issues #25 – 36 but begins with a short Barry Windsor-Smith piece that first ran in Savage Tales #2 a few years earlier. BWS adapts a Robert E. Howard poem called “Cimmeria” in a gorgeous 5-page feature. His black-and-white work is every bit as lush as his color work on the Conan the Barbarian comic (for which he is most well-known). The artists who did the black-and-white comic magazines of the 60s and 70s knew that drawing for a colorless publication demanded more from both pencilers and inkers. Especially inkers.

Savage Sword #25 was the last issue of 1977, hitting the stands while the original Star Wars movie mania was reaching its peak, and spiking sales of the Marvel Comics Star Wars title brought the company a new influx of capital. Roy Thomas had built an excellent Sword and Sorcery magazine during the turblent mid-70s, when publishers had to cut the number of pages in their comics and constantly raise their prices. This issue is another super job by Thomas, who faithfully adapts Howard’s “The Jewels of Gwahlur.” DC legend Dick Giordano steps in to illustrate this issue — seemingly from out of nowhere — and it’s obvious that Giordano is reaching for a Neal Adams-style Conan tale.

Adams had drawn a couple of landmark Conan tales by this time (in Savage Tales #4 and Savage Sword #14), and he left his unique imprint behind as usual — setting standards for other artists to follow. Giordano does a solid job on SS#25, but unless you’re an old-school fan of his work it comes off as Neal-Adams-Lite: a stiffer, less consistent version of the Neal Adams Conan from “Shadows in Zamboula.” Maybe if Giordano had stuck around he would have time to find his mojo on this book, but this feels like a filler issue. It has moments of greatness — certain panels and effects — but the consistency that marks John Buscema’s ongoing Savage Sword work is noticeably absent. The next issue solved this problem and started a new era of Conan greatness, thanks to the arrival of inker extraordinaire Tony DeZuniga.

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Amazing Science Fiction Stories, October 1959: A Retro-Review

Amazing Science Fiction Stories, October 1959: A Retro-Review

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Amazing Science Fiction Stories October 1959-smallHere’s an issue from the first year of Cele Goldsmith’s tenure, and a significant month for me – I was born October 5, 1959. It has an interesting mix of authors – the first (and arguably only) SF novel by a Grand Master, a fine early story by one of my personal favorite writers in the field, and four stories by obscure names (though one of those at least is a pseudonym for a fairly well-known writer).

The cover is by Leo Summers, and depicts some sort of anti-spaceship installation hidden in a small asteroid, firing on a spaceship. Interiors are by Summers and Finlay (with one uncredited). There is a cartoon by “Frosty.”

Norman Lobsenz contributes his usual brief editorial, this one referring to Eric Frank Russell’s attack on astronomy as an “inexact science.” S. E. Cotts’ book review column, The Spectroscope, was at this time only allotted two pages. The reviews are of George O. Smith’s The Fourth R (fairly positive), Brian Aldiss’ collection No Time Like Tomorrow (very positive), and Jeff Sutton’s Bombs in Orbit (mistitled, amusingly, Bombos in Orbit in the review), not too positively.

The letter column, “… Or So You Say”, has mostly short letters, with only one name I recognized (Paul Zimmer, Marion Zimmer Bradley’s brother). The other letter writers are Edward J. Lynch (liked Silverberg’s “Collision Course”), Paul Shingleton (hated “Collision Course”, even though Bob S. is his favorite author), W. C. Brandt (loved “Collision Course”), Zimmer (seemed snarky about Doc Smith though it’s hard to say), Dave Boyer (loved stories by Sheckley and Douglas), David Locke (hated Doc Smith), Clark Peterson (is in favor of book length novels in the magazine), and Harry Thomas (defending Doc Smith from his detractors). Those who know fandom better than I remember David Locke particularly, as an active fan and letter writer, and also Shingleton and Brandt.

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Collecting Karl Edward Wagner

Collecting Karl Edward Wagner

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I’ve been enjoying gathering data for my informal survey of paperback prices for some of the most popular and collectible 20th Century science fiction and fantasy authors — mostly because it means shopping for vintage books on eBay. As I said in the last installment, I was a little surprised at the demand for Robert A. Heinlein, but at least I knew he’d be near the top of the list. He wasn’t at the top, however. Setting aside Phil K. Dick, so far the most expensive author I’ve collected recently is Karl Edward Wagner, whose collections sell for around $6.40/book, roughly a 30% premium over Heinlein.

32 books by Arthur C. Clarke $27.00 $0.84/book
35 books by Isaac Asimov $82.17 $2.35/book
51 books by Robert A. Heinlein $255.00 $5.00/book
11 books by Karl Edward Wagner $70.55 $6.41/book
56 books by Philip K. Dick $536.99 $9.59/book

The 11 paperback books above sold on eBay on September 27 for $70.55, making Karl Edward Wagner the most expensive author in our survey so far, outside Phil Dick.

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Vintage Treasures: The Queens’ Quarter Trilogy by Midori Snyder

Vintage Treasures: The Queens’ Quarter Trilogy by Midori Snyder

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New Moon Midori Snyder-small Sadar's Keep Beldan's Fire

It’s a tough thing to have to change publishers in the middle of a trilogy. That’s exactly what happened with Midori Snyder’s The Queens’ Quarter, which began with her second novel, New Moon, published in 1989. The last two novels followed over the next four years.

New Moon (1989)
Sadar’s Keep (1990)
Beldan’s Fire (1993)

Snyder’s first novel was Soulstring (1987), a standalone fairytale based on the Scottish legend of Tam Lin (which we covered here). Two years later, she decided to turn her attention to a secondary world fantasy. The first novel, New Moon, appeared in paperback from Ace in February 1989 with a fine cover by Jody Lee (above left; click for bigger version).

If subsequent books in the series had also had covers by Jody Lee, or even kept the same cover design, they would have been easy to spot as part of the same series. Unfortunately, for whatever reason, Snyder was forced to switch publishers in midstream. As a result the second book, Sadar’s Keep, arrived in paperback in the US March 1991 from Tor Books, with a fine but strikingly different cover by Dennis Nolan (above middle).

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Poetic Witchery and the Strangeness in Ordinary Things: Algernon Blackwood’s The Empty House and Other Ghost Stories

Poetic Witchery and the Strangeness in Ordinary Things: Algernon Blackwood’s The Empty House and Other Ghost Stories

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The Empty House and Other Ghost Stories Algernon Blackwood-smallOf the many things Algernon Blackwood did in his lifetime the most notable is producing a substantial body of horror and weird fiction. He tends to be overshadowed by some other writers of yesteryear, but one of the best known of those writers, H.P. Lovecraft, offered high praise for his abilities:

Of the quality of Mr. Blackwood’s genius there can be no dispute; for no one has even approached the skill, seriousness, and minute fidelity with which he records the overtones of strangeness in ordinary things and experiences, or the preternatural insight with which he builds up detail by detail the complete sensations and perceptions leading from reality into supernormal life or vision. Without notable command of the poetic witchery of mere words, he is the one absolute and unquestioned master of weird atmosphere; and can evoke what amounts almost to a story from a simple fragment of humourless psychological description. Above all others he understands how fully some sensitive minds dwell forever on the borderland of dream, and how relatively slight is the distinction betwixt those images formed from actual objects and those excited by the play of the imagination.

The Empty House and Other Ghost Stories was the first of Blackwood’s many story collections. It first saw publication in 1906. The edition reviewed here was published in 1916.

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Vintage Treasures: Jinian Star-Eye by Sheri S. Tepper

Vintage Treasures: Jinian Star-Eye by Sheri S. Tepper

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Jinian Star Eye Tepper-small

Jinian Star-Eye was the last volume of Sheri S. Tepper’s monumental nine-volume fantasy opus, The True Game. On course, in keeping with 1980s-era fantasy marketing, no mention was made of this anywhere on the book. However, if you were an attentive buyer, you might have noticed the poem on the back, a sure tip that this was part of the series. Poetry as a marketing device, to the best of my knowledge, was an idea that was born and died with this series.

We’ve covered several of the previous installments over the years, but not the entire series. It began with King’s Blood Four in 1983, Tepper’s first novel. Subsequent volumes were divided into a trio of trilogies, starting with the True Game trilogy:

King’s Blood Four (1983)
Necromancer Nine (1983)
Wizard’s Eleven (1984)

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