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Category: Vintage Treasures

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Wrap Up Their Epic Conan Re-Read

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Wrap Up Their Epic Conan Re-Read

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Howard Andrew Jones and Bill Ward have completed their epic re-read of every complete story of Conan the Cimmerian written by Robert E. Howard. They’ve been blogging about the project at howardandrewjones.com, and we’ve been following along with the viewers at home. In their wrap-up, Howard and Bill look over the vast catalog of Conan pastiches.

Howard: Such a fantastic character practically begs to have more adventures told about him, which is probably why the regrettable Conan pastiche industry popped up. Well, maybe not entirely regrettable, because I’ve read some I’ve really enjoyed…

Bill:  I’m actually looking forward at this point to checking out the many pastiches I’ve never read — I’ve got a stack of Ace Conans that I’d started reading before we came up with the plans for this epic reread… I’ve never read the deCamp and Carter pastiches, or the other stories by REH that de Camp Frankensteined into Conan tales. It’ll be a while before I jump into that series, though, as [I’ll] be rereading all the REH tales again as well. As for other pastiches, I’ve only read a few — Wagner’s Road of Kings was good, and, of course, Hocking’s [Conan and the] Emerald Lotus is terrific.

Read the complete exchange here.

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Blogging The Insidious Dr. Fu-Manchu by Sax Rohmer, Part Three – “The Clue of the Pigtail”

Blogging The Insidious Dr. Fu-Manchu by Sax Rohmer, Part Three – “The Clue of the Pigtail”

NOTE: The following article was first published on March 28, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 260 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

The_Mystery_of_Dr._Fu-Manchu_cover_1913220px-Mysteriousfumanchu“The Clue of the Pigtail” was the second installment of Sax Rohmer’s serial, Fu-Manchu. It was first published in The Story-Teller in November 1912. It would later comprise Chapters 4-6 of the novel, The Mystery of Dr. Fu-Manchu [US title: The Insidious Dr. Fu-Manchu] published the following year. Rohmer makes a drastic switch from the weird menace of “The Zayat Kiss” to a more traditional Yellow Peril storyline. The influence of Sir Arthur Conan Doyle’s Sherlock Holmes mysteries is much less pronounced the second time around. This episode and the one that immediately follows it (“Redmoat” which we will examine in greater detail next time) see Rohmer instead delve deeper into the background of his Yellow Peril mystery. This transition is a necessary one to provide Dr. Fu-Manchu with a plausible motive for the weird deaths he was directing against his political enemies in the first story.

Most critics cite the Boxer Uprising of 1900 as the beginning of Yellow Peril fiction. While that inaugural international conflict of the 20th Century certainly did much to incite reader interest, Yellow Peril stories had existed prior to the series of massacres of Western missionaries that would ultimately spell the end of the Manchu Dynasty and be responsible for much of the ideological and socio-political transformation of the globe in the last century. A brief overview of the most prominent Yellow Peril stories prior to Sax Rohmer’s introduction of Dr. Fu-Manchu may prove beneficial.

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Collecting James White

Collecting James White

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I’ve been enjoying doing a little research on vintage paperback prices… mostly because it involves my favorite pastime, shopping online for science fiction paperbacks. Except now I get to do it, y’know, in the name of science.

What I’ve learned so far hasn’t been super surprising. Robert A. Heinlein is popular. Philip K. Dick is really popular. I guess the biggest surprise is that the #2 man on the list is Karl Edward Wagner, which I didn’t expect (but I probably should have). Here’s a snapshot of what you can expect to pay as you diligently build your SF library, based on a sample of top-condition paperback auctions over the last 2-3 months.

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The Quest of Frank Schildiner

The Quest of Frank Schildiner

7a0183d69395cea098c126a7581be8a7franktourbkJean-Claude Carriere is best remembered as the acclaimed screenwriter of Hotel Paradiso (1966), Belle de Jour (1967), The Discreet Charm Of The Bourgeoisie (1972), The Return Of Martin Guerre (1982), and The Unbearable Lightness of Being (1988). Less well known is the fact that he also authored (under the house name of Benoit Becker) six very bloody sequels to Mary Shelley’s classic Frankenstein; or, The Modern Prometheus (1818) in 1957 and 1958 for a French horror-specialty imprint. Carriere’s  books chronicle the exploits of Gouroull, as he christened the Monster, as he moves across Europe from 1875 to 1939.

Gouroull is portrayed very much in the mold of Mary Shelley’s literary original. He is a terrifying amoral creation possessed of superhuman strength and cunning. Truly the only one of his kind, he is a creation who has outlived his creator and knows not love or restraint. Gouroull is the ultimate sociopath. This Frankenstein monster is quite foreign to our pop cultural mindset. Gouroull uses his razor sharp teeth to slash his victims’ throats. He does not breathe. His skin is naturally flame-resistant. Ichor runs in his veins in place of blood. He is a monster like no other.

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The Books of David G. Hartwell: The Canadian Anthologies

The Books of David G. Hartwell: The Canadian Anthologies

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We lost David Hartwell on January 20th. This is our fifth article in a series that looks back at one of the most gifted editors in our industry.

By the early 90s, as a result of the success of books like The Dark Descent and its follow up, Foundations of Fear, David Hartwell had found his market niche: weighty anthologies that had a solid claim to being definitive surveys of the fantastic. David started with fantasy and horror, and quickly expanded into science fiction, with books like The World Treasury of Science Fiction (1989) and The Ascent of Wonder: The Evolution of Hard SF (1994), co-edited with Kathryn Cramer.

In the mid to late 90s, David produced two highly regarded anthologies of Canadian science fiction, both edited by Canadian SF writer and critic Glen Grant: Northern Stars: The Anthology of Canadian Science Fiction (1994) and Northern Suns (1999). The former is a fine collection of the best Canadian SF produced in the late 20th Century (1973-1994), and the latter serves as an excellent snapshot of the best Canadian writers working in the field in the late 90s.

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Vintage Treasures: The Finnbranch Trilogy by Paul Hazel

Vintage Treasures: The Finnbranch Trilogy by Paul Hazel

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I don’t know much about Paul Hazel, but I became curious recently when I stumbled on his complete Finnbranch Trilogy, a Celtic fantasy published between 1990 and 1985, on eBay. All three books, plus his only other fantasy novel, The Wealdwife’s Tale, for just $3.99.

I dithered for a bit, but hey. What can I tell you? I’m a sucker for vintage paperbacks in perfect condition. They are now mine.

Hazel remains something of a mystery though, and there isn’t a lot out there about him. I did find an entry at the online Science Fiction Encyclopedia, however. Here it is.

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Acquiring Michael Whelan’s Cover for The Bane of the Black Sword

Acquiring Michael Whelan’s Cover for The Bane of the Black Sword

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I thought I’d move a bit further ahead in time tonight than my usual pulp related posts, though it does have a bit of a pulp connection for me. I was discussing this piece with a friend of mine earlier today, so I figured I’d post it. By Michael Raymond Whelan, this is the cover for The Bane of the Black Sword by Michael Moorcock, featuring the one and only Elric of Melnibone (click the art for bigger versions). Both Deb and I loved the Elric books when we read them as teenagers, in the DAW editions featuring all those great Whelan covers, and when we had the chance to pick this up, we jumped at it.

We bought this in a hotel room many years ago, from our friend Randal Hawkins. He and his wife Donna drove up from the K.C. area with the painting, and we met them at a hotel about half way between there and Chicago to do the deal. It wasn’t the only time we did a deal like that in a hotel room with Randal — we bought other art from him that way as well, over the years, as well as many pulps. Hence the bit of a pulp connection for me. Those were good hotel rooms! Randal passed away much too young, but we have fond memories of visiting with him and Donna in K.C., looking at their great art collection, as well as their place in Las Vegas. And we often think of him when we look at this piece.

Vintage Treasures: The Science Fiction Book Club Original Anthologies

Vintage Treasures: The Science Fiction Book Club Original Anthologies

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Last month I had a look back at one of my favorite Best of the Year series, Jonathan Strahan’s Best Short Novels, a delightful four-volume set collecting the best novellas of 2004-07 and published exclusively through the Science Fiction Book Club. SFBC did many exclusives, but that was the one that got me to excitedly rejoin the club for the first time in over a decade.

It was a great time to be a member. In addition to the Strahan volumes, Andrew Wheeler at SFBC also commissioned some of the top editors in the field, including Gardner Dozois, Mike Resnick, Marvin Kaye and Strahan, to produce eight original themed anthologies, each containing 6-7 new novellas by writers like Robert Silverberg, Peter F. Hamilton, Robert Reed, Nancy Kress, Greg Egan, Jack McDevitt, Alan Dean Foster, Julie E. Czerneda, Charles Stross, Stephen Baxter, Cory Doctorow, Walter Jon Williams, and many others. Each anthology was offered exclusively through the club, which means many fans never even knew they existed.

Each anthology was themed, like Gardner’s collection of far-future tales One Million A.D. Marvin Kaye’s Forbidden Planets looked at visits to strange and hostile worlds, Mike Resnick’s Down these Dark Spaceways and Alien Crimes contained science fiction mysteries, and Strahan’s Godlike Machines gathered tales of future eras where machines ruled. They were a lot of fun, and I snapped each one up as it arrived.

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The Fionavar Tapestry Book 2: The Wandering Fire by Guy Gavriel Kay

The Fionavar Tapestry Book 2: The Wandering Fire by Guy Gavriel Kay

oie_2251331IZpxRuY1When I set out to delve into epic high fantasy late last year, I deliberately chose some stories I’d read already and remember liking. Rereading The Summer Tree, first volume of Guy Gavriel Kay’s The Fionavar Tapestry, justified my fond memories of it. I ended my review stating: “This is how epic high fantasy can look if it doesn’t want to merely ape LotR or regurgitate the same bits and pieces over and over again.” Those words do not apply to the second book, The Wandering Fire (1986).

Upon finishing the second volume I remembered that, when I read it the first time, I didn’t rush to read the concluding book, The Darkest Road. In fact, it was several years before I picked it up. It won’t be so long this time, but I sure don’t feel like reading it tomorrow.

In The Summer Tree, five Canadian grad students were magically transported from Toronto to Fionavar, the primary universe. Over the course of the novel, they were transformed spiritually and, some of them, even physically. Dave Martyniuk became Davor, adopted member of the nomadic Dalrei, and keeper of the horn that unleashes the Wild Hunt. Kimberly Ford became the Seer, able to manipulate certain magics and see the future. More drastically, Paul Schaefer, distraught over the death of his girlfriend a year earlier, sacrificed himself on the Summer Tree to summon, and become a conduit for, the god Mornir. Jennifer Lowell was kidnapped and raped by Rakoth Maugrim, Fionavar’s dark lord. Only happy-go-lucky Kevin Laine seemed to escape unchanged, yet Fionavar was stimulating his natural mournful romantic tendencies to some unseen end.

While The Wandering Fire purports to move the group deeper into the heart of the growing fight against Maugrim, what was once exciting and focused now feels hurried and slapdash. Momentous events come and go in the space of a few paragraphs. In one case a major secret is discovered but so little time was invested in it beforehand, it seems tossed off and rather inconsequential instead of horrifying, as intended.

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Retro Reviews: Amazing Science Fiction, June 1960 and July 1960

Retro Reviews: Amazing Science Fiction, June 1960 and July 1960

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Two more issues from 1960, which more and more seems to me to be the year Cele Goldsmith really began to hit her stride. I’m covering these two because they contain both parts of a serial, James Blish’s …And All the Stars a Stage.

The June cover is by Leo Summers, illustrating Robert Bloch’s “The Bald-Headed Mirage.” Interiors are by Finlay and Varga. For July the cover is by Harrel Gray, not illustrating any story. Interiors are by Finlay, Varga, and Grayam.

Norman Lobsenz’ June editorial is about death rays, and sterilization schemes. The book review column, The Spectroscope, by S. E. Cotts, covers Chad Oliver’s Unearthly Neighbors and John Brunner’s Slavers of Space, both favorably. The letter column features Mike Deckinger; B. Joseph Fekete, Jr.; Paul Shingleton, Jr.; Paul Zimmer, Scott Neilson; Bob Adolfsen, N. C., Lenny Kaye; and A. D. Scofield. The only names I recognized were Zimmer (Marion Zimmer Bradley’s brother) and Kaye, whose letter is his first, wherein he calls himself “the loneliest fan in the state of New Jersey.” Kaye’s second letter appeared the next issue … I’ll discuss him in the next paragraph. Mike Deckinger was also a pretty prominent fan, and folks who were around back them remembered Fekete and Shingleton as well.

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