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Category: Series Fantasy

A Lou Reed Song With a Knife to Your Throat: Daniel José Older’s Bone Street Rumba Trilogy

A Lou Reed Song With a Knife to Your Throat: Daniel José Older’s Bone Street Rumba Trilogy

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The opening novel in Daniel José Older’s Bone Street Rumba trilogy, Half-Resurrection Blues, was selected as one of the Best Fantasy Books of 2015 by BuzzFeed, Barnes & Noble, and other sites. Portion of the second, Midnight Taxi Tango, were originally published at Tor.com as three original short stories: “Anyway: Angie,” “Kia and Gio,” and “Ginga.” All are still available for you to sample.

The novels follow the adventures of Carlos Delacruz, one of the New York Council of the Dead’s most unusual agents. Saladin Ahmed, Hugo-nominated author of Throne of the Crescent Moon, says “Simply put, Daniel José Older has one of the most refreshing voices in genre fiction today,” and Richard Kadrey (Sandman Slim) calls Older “As real as fresh blood and as hard as its New York streets. A Lou Reed song sung with a knife to your throat.” The third novel in the series, Battle Hill Bolero, was finally released in paperback by Roc last month.

Read excerpts from all three novels at Tor.com.

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The Pastel City by M. John Harrison

The Pastel City by M. John Harrison

The Pastel CityM. John Harrison, like Joan Vinge or J.G. Ballard, hails from my terra incognita of the universe of sci-fi/fantasy authors. Over the years I’ve read praises of his fiction but have never read a word of it. Searching my shelves for something to review this week, I saw a copy of the Bantam omnibus of his novels and stories of Viriconium, a city in the twilight days of Earth. I have no memory of how, when, or where it came into my possession, but there it was. So I figured it was about time to investigate its unknown literary landscapes.

Harrison came to my attention from a pair of essays he wrote on the creation of fantasy. The first, “What It Might Be Like to Live in Viriconium,” is an attack on the effort to codify and specifiy the nature of fantasy. It opens with this bold statement:

The great modern fantasies were written out of religious, philosophical and psychological landscapes. They were sermons. They were metaphors. They were rhetoric. They were books, which means that the one thing they actually weren’t was countries with people in them.

For him, any effort to delineate geographical boundaries and the like in a work of fantasy undermines what really lies at its heart. He describes his own tales like this:

“Viriconium” is a theory about the power-structures culture is designed to hide; an allegory of language, how it can only fail; the statement of a philosophical (not to say ethological) despair. At the same time it is an unashamed postmodern fiction of the heart, out of which all the values we yearn for most have been swept precisely so that we will try to put them back again (and, in that attempt, look at them afresh).

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Oz’s Bag of Holding: My Beef with Lev Grossman’s The Magicians and Philip Pullman’s His Dark Materials

Oz’s Bag of Holding: My Beef with Lev Grossman’s The Magicians and Philip Pullman’s His Dark Materials

the magiciansI have here a Bag of Holding. I am now going to pull some things out of it…

Well, I did read Lev Grossman’s The Magicians back in 2011. Now that The Magicians Trilogy is generating so much buzz (consequent to the popular Syfy series now in its second season), I suppose I’ll have to say something about it. However, what I say won’t be very nice. [Here is another review by Chris Braak that appeared in Black Gate back in 2011.]

Since it had been awhile, I went back and skimmed through the final chapters of the first installment. It was enough to remind me why I did not enthusiastically delve into the second book (I did pick up The Magician King, got a chapter in and set it aside. I might go back to it, if anyone furnishes me with a compelling argument that the trilogy as a whole manages to ameliorate the criticism I am about to level against the first book.)

It is well written. The thinly-veiled pastiches of Narnia, Hogwarts, and other beloved fantastical realms are, on the whole, perceptively done. Grossman manages both to evoke the sense of wonder of those books and to convincingly portray characters sensitive to the special draw of Faerie — kindred spirits who, deep down, wish they could escape our world into those imaginary places. Grossman is clearly no stranger to the deep affinity such works can stir in the receptive reader. And he gets great mileage (meta-mileage?) out of having the characters allude to and reference J.K. Rowling and J.R.R. Tolkien and all the other fantasy authors they grew up with.

But, like Philip Pullman with the His Dark Materials trilogy, Grossman seems to feel some obligation to poop on that to which he is ostensibly paying homage.

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In 500 Words or Less … Calamity by Brandon Sanderson

In 500 Words or Less … Calamity by Brandon Sanderson

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By Brandon Sanderson
Random House (432 pages, $18.99 hardcover/$10.99 paperback, February 2016)

To begin, let’s cue the music:

https://www.youtube.com/watch?v=UD2DYKR0UYE

Finally, I made it to Calamity, which concludes Brandon Sanderson’s Reckoners trilogy. I’ve been looking forward to this one for a while because it’s the only series of Sanderson’s that I’ve really taken to; The Stormlight Archive tired me out halfway through the second book, and I haven’t felt the urge to start Mistborn. But the Reckoners trilogy is just a blast. It’s superhero YA, pulpy and exciting and admittedly un-scientific (which is a sort of running meta-joke among the characters) but with the sort of excellent character work that I look for in fiction.

The final installment doesn’t disappoint with regard to the above. Narrator David Charleston is just as optimistic, determined and corny as before, though he’s grown out of his quest for vengeance against the super-powered Epics that destroyed the world. Now that he’s saved one (and started dating her) he’s out to save another, his friend and mentor Prof, to prove that the Epics can learn to fight their darker impulses, like Anakin turning from the dark side (except more successful, hopefully).

What seems like a pretty straightforward storyline – find Prof, save Prof, then destroy the source of the Epics’ powers – goes in some unexpected directions, eventually losing momentum. Realizing that the solution to the Epics is even more complicated and out of reach than it’s painted at the start of the novel added an extra layer of tension that kept me up one night finishing off the damn thing so I could get some sleep.

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io9 on January’s Must-Read Science Fiction and Fantasy

io9 on January’s Must-Read Science Fiction and Fantasy

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After we completed our round up of the most interesting Best of 2016 lists, I kinda got a little list happy. I started investigating all these other lists. Best Books of January! Best of 2017! Turns out there’s a lot of interesting books coming your way in the next 12 months. Like, a lot.

I can’t be expected to keep all this knowledge to myself. So here we are with another book list, in this case io9′s nicely comprehensive summary of January’s Must-Read Sci-Fi and Fantasy, written by Cheryl Eddy. It covers no less than 25 dynamite new releases, including new books from Terry Pratchett, L.E. Modesitt, Seanan McGuire, Adam Nevill, Charles Stross, Kim Newman, Ellen Klages, David Brin and Stephen W. Potts, and many others. Here’s Eddy’s take on The Last Sacrifice by James A. Moore (Angry Robot, January 3, 2017).

The prolific fantasy author’s latest is about a warrior who becomes a hunted man when he challenges the gods who have targeted his family as their next human sacrifice.

The Last Sacrifice is the opening volume in a new epic fantasy series, Tides of War.

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Future Treasures: With Blood Upon the Sand, Volume II of The Song of the Shattered Sands, by Bradley P. Beaulieu

Future Treasures: With Blood Upon the Sand, Volume II of The Song of the Shattered Sands, by Bradley P. Beaulieu

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Twelve Kings in Sharakhai, the opening novel in Bradley P. Beaulieu’s epic fantasy series The Song of the Shattered Sands, was picked as one of the Best Books of the Year by Amazon, BuzzFeed, and the Barnes & Noble Sci-Fi Blog.. And in her BG review, Kelly Swails called it “epic… a complex novel with crisp prose that is a joy to read.” Of Sand and Malice Made, a volume of linked novellas set in the same world, was released in September. And now the long anticipated second novel in the series, With Blood Upon the Sand, arrives in hardcover from DAW next month.

Çeda, now a Blade Maiden in service to the kings of Sharakhai, trains as one of their elite warriors, gleaning secrets even as they send her on covert missions to further their rule. She knows the dark history of the asirim — that hundreds of years ago they were enslaved to the kings against their will — but when she bonds with them as a Maiden, chaining them to her, she feels their pain as if her own. They hunger for release, they demand it, but with the power of the gods compelling them, they find their chains unbreakable.

Çeda could become the champion they’ve been waiting for, but the need to tread carefully has never been greater. After their recent defeat at the hands of the rebel Moonless Host, the kings are hungry for blood, scouring the city in their ruthless quest for revenge. Çeda’s friend Emre and his new allies in the Moonless Host hope to take advantage of the unrest in Sharakhai, despite the danger of opposing the kings and their god-given powers, and the Maidens and their deadly ebon blades.

When Çeda and Emre are drawn into a plot of the blood mage Hamzakiir, they learn a devastating secret that may very well shatter the power of the hated kings. But it may all be undone if Çeda cannot learn to navigate the shifting tides of power in Sharakhai and control the growing anger of the asirim that threatens to overwhelm her…

With Blood Upon the Sand will be published by DAW on February 7, 2017. It is 672 pages, priced at $26 in hardcover and $12.99 for the digital version. The cover is by Donato Giancola, who painted the cover of Black Gate 15. Read more in the exclusive cover reveal at the B&N Sci-Fi Blog.

Mad Shadows II: Dorgo the Dowser and The Order of the Serpent by Joe Bonadonna

Mad Shadows II: Dorgo the Dowser and The Order of the Serpent by Joe Bonadonna

oie_2452510XuzP2C1Joe Bonadonna’s a friend of Black Gate and, I’m proud to say, a friend of mine. He’s also a heck of a teller of hardboiled action and adventure tales. After too many years out of the toilsome fields of swords & sorcery, he returned in 2010 with a top-flight collection of short stories about one Dorgo Mikawber, dowser of magic and handy with a saber. I discovered Joe and that book, Mad Shadows (2010) here on the virtual pages of Black Gate, and reviewed it over on my site about four years ago.

After another significant hiatus he’s returned with a second collection of Dorgo’s adventures: Mad Shadows II: Dorgo the Dowser and The Order of the Serpent (2017). That’s a lot of title for a book that just crosses the two-hundred page mark, but it gives a nice sense of the pulpy goodness that lies betwixt its covers.

Dorgo Mikawber was raised in an orphanage, served in the army, and now makes his living as a magical investigator and finder of lost people. Last time out Dorgo’s adventures took him all over the continent of Aerlothia on the world of Tanyime. This time around his wanderings are more limited, starting in the countryside just beyond his home city, Valdar.

MS II is a fix-up. It’s made up of three separate tales, each linked to the other, weaving a larger story of Dorgo’s fight against the mysterious Order of the Serpent and its leader, Ophidious Garloo.

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New Treasures: The Atlanta Burns Novels by Chuck Wendig

New Treasures: The Atlanta Burns Novels by Chuck Wendig

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Chuck Wendig is the author of the Star Wars: Aftermath trilogy, the Miriam Black novels, The Heartland Trilogy, and many other fine novels. His two-volume series for Skyscape books, Atlanta Burns, piqued my interest… maybe it’s the covers, or maybe because I’m a Veronica Mars fan. Here’s Chuck’s intro to the series from his website.

Veronica Mars on Adderall. Nancy Drew meets Justified.

I wrote this book a couple years ago, and published it as two separate volumes — a novella, Shotgun Gravy, and a follow-up novel, Bait Dog. (The latter published with the help of Kickstarter.) It was a foray into young adult and crime writing at the same time, and the result was something with which I was honestly very happy. Atlanta Burns is a character after my own heart: she is a real-deal social justice warrior, an underdog who helps other underdogs — a saint to freaks and geeks, a foe to bullies and racists and other human monsters.

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The Killingest Book I Know: The Twelve Children of Paris by Tim Willocks

The Killingest Book I Know: The Twelve Children of Paris by Tim Willocks

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It is night and the night has no end.”

Matthias Tannhauser

I have read all sorts of hyper-violent books: thrillers; crime; horror; even some fantasy. Nothing, and I mean absolutely, utterly nothing, comes close to Tim Willocks’ The Twelve Children of Paris (2014). Seven years after his adventures during the Great Siege of Malta chronicled in The Religion (and reviewed here), Matthias Tannhauser, ex-Janissary and current Knight of St. John, comes to Paris in search of his wife, Carla. It is August 23rd, 1572, just hours before the start of the St. Bartholomew’s Day Massacre.

The massacre was the result of the tremendous instability the Reformation had caused to France. During the ten years preceding the massacre, France had fought the first three of the Wars of Religion. Primarily a struggle between two noble houses, the Calvinist House of Conde and the devoutly Catholic House of Guise, the kings strove to maintain a balance between them and avoid bloodshed. When it seemed the Protestants had gained too much power and threatened that of King Charles IX, he authorized twenty-four hours of killing. The plan was to eliminate the leaders of the Protestant cause, many of whom had come to Paris for the wedding of Charles’ sister, Margaret, to the Protestant Henry of Navarre. Not counted on was the terrible enmity the strongly Catholic Parisians held for the Protestants. Instead of a day, the carnage lasted for several days and spread out into the countryside. Estimates vary from five to thirty thousand dead.

Into this brewing hellstorm Matthias Tannhauser rides. Carla, noblewoman and renowned player of the viol da gamba, has been summoned to play at a concert for the royal wedding. Though eight months pregnant, she couldn’t bring herself to refuse a royal summons. Tannhauser, away on business in North Africa, has returned to France and ridden to Paris to join his wife. Upon hearing of an assassination attempt on Protestant leader Admiral de Coligny and the consequent cancellation of the musical performance, Tannhauser decides he must find his wife and remove her from a city on the brink of civil collapse. Unfortunately, he has only the slightest idea of where she might be.

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The Omnibus Volumes of Cassandra Rose Clarke: Magic of Blood and Sea and Magic of Wind and Mist

The Omnibus Volumes of Cassandra Rose Clarke: Magic of Blood and Sea and Magic of Wind and Mist

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Angry Robot is one of the most innovative (and successful) new genre publishing houses in the last decade. Not every aspect of its journey has been equally successful, however. Its Strange Chemistry imprint, launched in 2011 to publish young adult SF and fantasy, shut down in 2014… but not before publishing highly acclaimed new work by Martha Wells, Jonathan L. Howard, and three early novels by Cassandra Rose Clarke: The Assassin’s Curse (2012) and its sequel The Pirate’s Wish (2013), and The Wizard’s Promise (2014). A fourth novel, The Nobleman’s Revenge, the sequel to The Wizard’s Promise, was never published.

Clarke was nominated for the Philip K. Dick Award for her first novel for adults, The Mad Scientist’s Daughter, in 2013, and late last year Saga Press reprinted the book in a new trade paperback edition. Now they’re doing the same with Clarke’s Strange Chemistry novels. The Assassin’s Curse series will be reprinted in a handsome omnibus edition, Magic of Blood and Sea, arriving in hardcover in early February. And The Wizard’s Promise and the previously unpublished The Nobleman’s Revenge will appear in Magic of Wind and Mist in 2018.

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