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A New Star Trek TV Series is in the Works

A New Star Trek TV Series is in the Works

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USS Enterprise-smallHollywood Reporter is reporting that a new Star Trek TV series is in development, for broadcast in early 2017.

The new series will be the sixth live-action show to be based on Gene Roddenberry’s original creation, which ran from 1966-67 on NBC. It will be produced by Alex Kurtzman, co-writer of the 2009 reboot Star Trek and its sequel Star Trek Into Darkness, for CBS Television Studios. It is scheduled to premiere in January 2017 with a preview episode on CBS, before it moves exclusively to CBS All Access, an on-demand and streaming service.

The new Star Trek will introduce new characters seeking imaginative new worlds and new civilizations, while exploring the dramatic contemporary themes that have been a signature of the franchise since its inception in 1966… A search is under way for a writer to take on the cult hit. The franchise is poised to celebrate its 50th anniversary as the original series debuted Sept. 8, 1966…

CBS TV Studios distributed the original series, which was produced by Paramount Television and Desilu Productions. Created by Gene Roddenberry and starring William Shatner and Leonard Nimoy, the series ran for three seasons and 79 episodes from 1966-67 on NBC and became a monster hit via syndication. It spawned an animated series (1973-74), a series of feature films — starting in 1979 — and four TV follow-ups including The Next Generation (1987-1994), Deep Space Nine (1993-99), Voyager (1995-2001) and Enterprise (2001-05).

News of a new Star Trek TV series comes as the franchise has been mired in rights issues between CBS and Paramount after Viacom merged with CBS in 2000. CBS Corp. absorbed Paramount for television, while Paramount Studios — the company that distributed the films — went to Viacom.

No news yet on what time frame the series will take place it, although it is reportedly not linked to the new movie franchise. Read the complete article here. (Hat tip to io9 for the news.)

Goth Chick News: Pride, Prejudice, Zombies and Seth Grahame-Smith

Goth Chick News: Pride, Prejudice, Zombies and Seth Grahame-Smith

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Pride and Prejudice and Zombies poster-smallAs you probably know by now, the author-side of Seth Grahame-Smith is fond of taking classic tales and turning them into horror stories. And if you’ve ever read one of those stories you might be of the mind that he’s a better screen writer / producer than he is an author.

Or at least I am.

Case in point: Abraham Lincoln: Vampire Hunter was one of those books I couldn’t get my hands on fast enough back in 2010, having been previously gifted with a copy of SGS’s book How to Survive a Horror Movie (which to this day never fails to make me chuckle). But in spite of the fact it debuted at number four on the NYT’s Best Seller List, Abraham Lincoln: Vampire Hunter felt a little like SGS had conscripted a public-domained biography of Abraham Lincoln and stuck in some paragraphs here and there about vampires.

No – it actually felt a lot like that.

Which is primarily why I never backtracked and read SGS’s previous foray into this reworked genre, Pride and Prejudice and Zombies.

Published in 2009, the idea for the novel came from SGS’s editor at Quirk Books. Using Jane Austen’s classic novel Pride and Prejudice as a platform, it was suggested that SGS mix a zombie plot into the novel; which is precisely what he did, comparing the entire creative process to doing “microsurgery” on Austen’s original text.

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Forbes on the Tragic Failure of Jem And The Holograms

Forbes on the Tragic Failure of Jem And The Holograms

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Jem And The Holograms-smallLast week Box Office Mojo reported that Guillermo del Toro’s gothic horror film Crimson Peak “crashed and burned into 2,984 theaters to the tune of an estimated $12.8 million.” So what did it make of Jem And The Holograms‘ historically bad take of one-tenth of that total this weekend, $1.3 million from 2,413 theaters? It calls it one of “the year’s biggest flops… the fourth worst opening for a film in more than 2,000 theaters.”

Jem And The Holograms was a much-loved 80s cartoon produced by Hasbro, Marvel, and Sunbow (the same team behind G.I. Joe and Transformers). Featuring the plucky Jerrica Benton, whose father left her virtually flawless hologram technology that allowed her to disguise herself as a beautiful pop singer, Jem was the brainchild of comics writer Christy Marx (Sisterhood of Steel, Conan, Red Sonja). Forbes writer Scott Mendelson sees the massive failure of the live-action version as a genuine tragedy.

The film took a source material that is over-the-top colorful and over-the-top exciting, filled with larger-than-life characters and musically-charged action sequences where Jem and her friends had to both be kick-ass rock stars and kick-ass crime fighters at the same time, and made a toned-down, muted, and overly patronizing “young girl gets in over her head due to fame and artistic success and forgets what matters” fable that basically penalized its young heroes for wanting and achieving success and power…

It was the kind of film that Josie and the Pussycats spoofed a decade ago, and basically operated as a dark-n-gritty origin story that spent the entire film building up to the possibility of maybe seeing a Jem movie that Jem fans wanted to see the first time out in a would-be sequel. Okay, so a cheap film that spit on the source material bombed, who cares right? Well, here’s the rub: The overriding message of Jem and the Holograms is that a girl-centric action cartoon from the 1980′s doesn’t deserve or justify even 5% of the resources given without a second thought to boy-centric properties cashing in on 80′s nostalgia.

Read the complete article here.

Goth Chick News: Sony Dumps Freaks of Nature All Over Us Next Week

Goth Chick News: Sony Dumps Freaks of Nature All Over Us Next Week

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Freaks-of-Nature-Poster-smallTalk about throwing in everything but the kitchen sink…

This little gem caught my attention just like anything else with a “red band trailer” – which is probably the point. But unlike most of the gore-fests that are NSFW, this just might be the most brilliant bit of film making I’ve come across in recent memory.

First off, a big studio is dropping it. Not to be outdone by Columbia (which had Zombieland) or Universal (which had Shawn of the Dead), Sony is now apparently stepping up to bat with its own not-sure-if-I-should-laugh-or-gag offering, Freaks of Nature.

Second, the cast is massive and includes Nicholas Braun, Mackenzie Davis, Josh Fadem, Joan Cusack, Bob Odenkirk, Keegan-Michael Key, Ed Westwick, Patton Oswalt, and even Vanessa Hudgens and Denis Leary for crying out loud.

I mean, these are all people who fans are actually still looking for.

Okay, maybe not Joan Cusack so much… but you know what I’m getting at.

Considering the stars involved, Freaks of Nature still managed to fly under the radar, possibly because the title was only just announced this week, even though it hits theaters next Friday. In case you’re keeping track, that’s a pretty clandestine approach for a horror movie with a Halloween release.

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The Public Life of Sherlock Holmes: Tying in the BBC Sherlock Special

The Public Life of Sherlock Holmes: Tying in the BBC Sherlock Special

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Special_VictorianCostumeBack in July, what seems to be the most popular ‘The Public Life of Sherlock Holmes’ post appeared here at Black Gate. I looked at what I think went wrong with season three of the BBC’s Sherlock. I included the just-released ninety-second, ‘first look’ video for the upcoming Special, to be aired around Christmas. And I pointed out it seemed to be full of the “Look how clever we are” bits that I lamented in my post.

Now, just about everyone, including myself, loves that the Special is set in Victorian times; unlike the episodes in the first three seasons. Cumberbatch and Freeman would be given their first (and quite likely, only) opportunities to play Holmes and Watson in the Doyle mold. I view it as a chance for the show to get back on track and reclaim the multitude of fans it lost during season three.

That trailer was a fun little look at the Special and a second trailer came out earlier this month. “Fun” is not a word I would use. This is clearly not going to be a cute little Christmas episode, or a hunt for the owner of a goose and a hat (not a goose with a hat). In fact, it’s not about the yuletide at all. As you can see, it’s going to be some very serious business.

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Goth Chick News: The Overlook Gets a Starring Role

Goth Chick News: The Overlook Gets a Starring Role

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The Stanley Hotel
The Timberline Lodge

If you had asked me, when a prequel to The Shining was first green-lighted in July of last year, I’d have said it didn’t sound like such a hot idea.

Initial plans suggested the storyline would center on events leading up to Jack, Wendy and Danny Torrance’s arrival at the remote and ominous Overlook Hotel; and though fans of the book know there is a substantial amount of pre-Torrance material to work with, it just didn’t seem on the same terrifying level as the ultimate fallout of those events.

That early opinion of mine (may have) changed when Mark Romanek became attached to the project this week — a real-deal director with an edgy artistic vision.

Film will be called… wait for it…

The Overlook Hotel.

The premise is based on a deleted prologue written by Stephen King. “Before the Play” is about:

The origin story of the Overlook Hotel through the eyes of its first owner, Bob T. Watson. A robber baron at the turn of the 20th century, Watson scaled the remote peaks of the Colorado Rockies to build the grandest resort in America, and a place he and his family would also call home.

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Lionsgate Wins Bidding War for Patrick Rothfuss’ Kingkiller Chronicle

Lionsgate Wins Bidding War for Patrick Rothfuss’ Kingkiller Chronicle

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Patrick Rothfuss-smallAs we reported in July, several major Hollywood studios — including Warner Bros., MGM and Lionsgate — were in a pitched bidding war for the rights to Patrick Rothfuss’ bestselling fantasy series The Kingkiller Chronicle. Now The Hollywood Reporter, and Rothufuss’ blog, are ‎reporting that Lionsgate‬ has won the rights to develop the series for film, TV, and video game platforms.

Lionsgate has closed a complex multi-platform rights deal picking up The Kingkiller Chronicle, the best-selling fantasy book series by Patrick Rothfuss. The deal sets up the simultaneous development of movies, television series and video games with the goal to adapt the many stories across the mediums at the same time.

It also caps off interest and dealmaking that has gone on since mid-July, when Rothfuss met with studios such as Warner Bros., MGM and Lionsgate, among others, at Comic-Con.

Robert Lawrence, whose credits include 1990s classic Clueless as well as the Mark Wahlberg vehicle Rock Star and the drama The Last Castle, will produce. Lawrence was an early chaser of the Kingkiller series and stayed on the series even when it was temporarily set up at Fox Television.

Terms were not disclosed. Read the report at The Hollywood Reporter here, and at Rothfuss’ blog here.

The Public Life of Sherlock Holmes: Holmes on Screen

The Public Life of Sherlock Holmes: Holmes on Screen

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HoS_BarnesHolmes enthusiasts have their peculiarities. One of mine is that I enjoy just grabbing Alan Barnes’ Sherlock Holmes on Screen from the shelf and randomly reading about some past tv or film effort starring the great detective.

Almost twenty years ago, I couldn’t find a single picture of Ronald Howard’s Holmes on the internet. So I scanned one from a book and that was the basis for HolmesOnScreen.com, which for about a decade, had more info about Holmes television and film projects than any other site on the web. With the coming of Guy Ritchie’s Holmes, I decided to shut down the site (surprisingly, I enjoyed the movie) and soon thereafter set up SolarPons.com.

But Holmes on screen has remained a major interest area for me. By my count, twenty-one The Public Life of Sherlock Holmes posts have covered that subject! Now, I’m not saying that if you read every one of the links below, you’d be a leading expert on Holmes on screen. But you’d probably know more than most folks you talk to on the subject. And hey; they’re all free!

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Goth Chick News: Kicking the Apocalypse’s Ass

Goth Chick News: Kicking the Apocalypse’s Ass

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The 5th Wave poster-smallThough she has been in the biz since she was six years old, we only really got a chance to fall in love with Chloë Grace Moretz in 2010, when she was all of thirteen and played the little purple-wigged assassin in Kick Ass.

From that point forward it sure seemed as though either someone was giving Moretz awesome advice on what roles to take on, or her own quirky tastes in characters was leading her to some juicy parts. Either way, and if the movie was a hit or not, Moretz’s performances always left an indelible impression; whether it was her reworking of blood-drenched Carrie or the vampire Abby in Let Me In.

So imagine the anticipation when last week we were gifted with the first trailer for The 5th Wave and found the now 21-year-old Miss Moretz continuing her tradition of headstrong, revenge-dishing, ass-kickery.

The 5th Wave began as a 2013 young adult science fiction novel by Rick Yancey; the first installment in a trilogy. Critics have compared the book favorably to The Hunger Games and noted that it “should do for aliens what Twilight did for vampires.”

Okay, let’s hope the heck not. But moving on…

The story follows 16-year-old Cassie Sullivan as she tries to survive in a world devastated by the waves of alien invasion that have already decimated the population and knocked humankind back to the Stone Age.

First, they wiped out the power. Then, an earthquake hit, causing worldwide devastation. Third, a massive epidemic, spreading across the globe.  And for the fourth wave, the alien invaders responsible for all this chaos finally descended to Earth — with the ability to inhabit human bodies. So the question is: What is the fifth wave going to look like?

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SEPTOBERFRIGHT 3: The Frightfully Ubiquitous Terror of… Star Wars? (And Other Horror Films Coming Your Way)

SEPTOBERFRIGHT 3: The Frightfully Ubiquitous Terror of… Star Wars? (And Other Horror Films Coming Your Way)

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star warsLast week’s absence threw me off my game plan of a new horror-themed post every week through Hallowe’en. I have a pretty good excuse! My wife twisted her ankle and had to go to the ER, and ever since then things have been a bit chaotic what with my better half wobbling around on crutches. Now I’m the only one who can carry all the laundry down to and up from the basement — and you know what could be lurking in the basement!

(There’s a whole blog post right there, just contemplating the fears associated with that space where our safe, comfortable above-ground homes intersect with the hidden depths of the subterranean unknown, lying there beneath the surface like the subconscious id of the house.)

And now for a somewhat labored segue: we also had a broken TV set, and since my wife has had to spend much of her time on the recliner with her leg propped up, I set off to alleviate that problem. Visits to Target, Wal-Mart, and Best Buy confirmed one thing: Star Wars has taken over retail this season almost as much as Halloween.

I swear to the Great Pumpkin, in every electronics department I heard the Star Wars theme playing. The logo is plastered everywhere; tie-in products are so ubiquitous that, were future archeologists to dig up a store preserved from September 2015, they might conclude that Darth Vader and stormtrooper masks and fuzzy wookie dolls are as much a part of this particular autumnal celebration as werewolves and jack-o-lanterns.

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