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Alone at the Edge of the World: The Witch

Alone at the Edge of the World: The Witch

The Witch - Thomasin haunted-small

Have you ever considered the possibilities that would open up if certain common modern inventions had appeared much earlier than they actually did? (If you haven’t, humor me for the next few minutes and pretend that you have.)

Imagine, for example, that some starch-collared, black-hatted pre or proto-Edison had invented motion pictures some three hundred years before that technology really did arrive. What sort of films would have resulted? What kind of movies would have been made, for instance, by the dour puritans of New England?

Somehow, I don’t think that particular group would have been big on romantic comedies or caper pictures, and their 50 Shades of Grey would have been a sober documentary on the winter landscape of Massachusetts instead of… well, you know. Scary movies, on the other hand — they might well have gone in for those, and if you had gotten the corn shucking and butter churning done early some Saturday night in 1660, and had hopped on the family mule to trot into town to the Salem Cinema 6 to see a horror movie, you might have seen something very like The Witch.

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Goth Chick News: Tim Burton May (or May Not) Have Confirmed Beetlejuice 2 Is (or Is Not) a Go

Goth Chick News: Tim Burton May (or May Not) Have Confirmed Beetlejuice 2 Is (or Is Not) a Go

Beetlejuice II

Yes, we’re confused too, in a giddy-with-anticipation kind of way. So let me explain.

March 30th marks 28 years since the viewing public was first introduced to “the ghost with the most” and it’s been nearly as many years that talk of a sequel has been swirling.

To begin, let’s draw a door into the 90’s for a little background.

Beetlejuice was actually where we were first introduced to the wildly imaginative, dark humor of Tim Burton, whose name has since become synonymous with “strange and unusual” films.

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Old Dark House Double Feature II: Secret of the Chateau (1934) and The Headless Ghost (1959)

Old Dark House Double Feature II: Secret of the Chateau (1934) and The Headless Ghost (1959)

Secret of the Chateau poster

Secret of the Chateau
Universal Studios, 1934
Directed by Richard Thorpe

Books — as in rare collectible ones — are the theme in this particular incarnation of the old dark house movie. Whose old dark house properties are a good bit more understated than some other movies in this genre (sub-genre?). It takes a while for all parties concerned to even get to the old dark house and when they do things play out more like a fairly standard murder mystery. But its close enough for government work, as the saying goes.

The book that’s causing all of the fuss is a Gutenberg Bible, the first book ever to be printed on a printing press. Needless to say, it’s somewhat valuable and high on the want list of a certain book thief.

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Superhero TV: Arrow

Superhero TV: Arrow

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The Arrow. I’ve been told by the ladies that he is easy on the eyes.

Over the last several weeks, a Canadian cadre of Black Gate‘s bloggers have formed an Alpha Flight of super-bloggers to right the wrongs of the world, especially where such wrongs take the form of you not knowing about every superhero TV show we can talk about.

This is going to be my last post in this huge comic event, and to cap off my contribution, I wanted to dig into the CW’s Arrow which has been running since 2012 and is into its fourth season. It has the same producers as The Flash and DC’s Legends of Tomorrow (also running on CW) and CBS’ Supergirl, and they occupy the same universe (multiverse in the case of Supergirl).

Green Arrow is not a new DC property, dating back to 1941. Green Arrow was a Robin Hood-themed character cast in the same mold as Batman, so much so that he also started as a millionaire, had a kid sidekick, and an Arrow Car and an Arrow-Plane.

In fact, there wasn’t much to separate him from Batman for much of his early years, which begs the question of, if you’re looking for Batman, why not just buy a Batman comic?

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Star Trek Movie Rewatch: Star Trek III: The Search for Spock (1984)

Star Trek Movie Rewatch: Star Trek III: The Search for Spock (1984)

Star Trek 3 cast-small

Where’s Spock? Why, he’s right there in the director’s chair, of course. For the third cinematic voyage of the Starship Enterprise, Leonard Nimoy took on a dual role as actor and director, though the former role was somewhat minimal. Which set a pattern for numerous other Star Trek cast members. According to Memory Alpha, the Star Trek wiki, 15 cast members eventually sat in the big chair, although only Nimoy, Shatner and Jonathan Frakes directed movies.

I don’t recall if I watched The Search for Spock prior to this rewatch project. But I actually watched it twice within a month or two to make up for it. Why? Well, because it didn’t really stick the first time around. Which is to say that about the best I can do to critique this movie is to damn it with faint praise. It’s like one of the many Star Trek TV episodes that’s not bad but that doesn’t have anything special to recommend it. I think the word serviceable sums it up best.

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Goth Chick News: Celebrate the 30th Anniversary of Aliens with Ripley’s Underwear and a Xenomorph Cookie Jar

Goth Chick News: Celebrate the 30th Anniversary of Aliens with Ripley’s Underwear and a Xenomorph Cookie Jar

Aliens 30th AnniversaryIf you can get your brain around this fact, it has been nearly 30 years since the release of James Cameron’s iconic horror / scifi movie Aliens.

The film has been the subject of a lot of web-chatter of late, not simply because of its pending milestone birthday, but also due to the on-again-off-again sequel project by Neill Blomkamp that would have reunited Ripley and Newt, but which is now permanently and possibly terminally on hold.

But hardcore Aliens fans are still holding out hope. Speaking with Icons of Fright in November, Michael Biehn (Corporal Hicks) confirmed that Blomkamp’s film would have wiped the Alien third and fourth films out of continuity, while showing confidence that the project wasn’t entirely dead. According to him, 20th Century Fox would be downright foolish to not pursue this project once Ridley Scott is done with Alien: Covenant:

The basic idea is acting like Alien 3 and 4 never existed. I know Ridley Scott is doing his movie first and is going to be the executive producer on this one, so I’m really looking forward to that. I know that Ridley’s focus is on [Alien: Covenant] and I’m sure that he and Fox both don’t want that and Neill’s movie to come out right next to each other, because they’re kind of two different worlds, with Aliens taking place thousands of years later, which is how they explained it all to me, but at the same time, they want to give them a similar feel. I know they’re putting the brakes on Neill’s movie just for a little while, but I really think that it would be embarrassing to Ridley and Fox and Sigourney [Weaver] if they just didn’t make the movie.

So while we all wait to see what happens, let’s get a jump on the Aliens birthday celebrations with a couple of early gifts.

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Superhero TV, Part V: DC’s Legends of Tomorrow

Superhero TV, Part V: DC’s Legends of Tomorrow

dc legendsheaderIn the finest tradition of superhero cross-overs, Black Gate is doing a blog cross-over (collect them all, including the foil cover variants!). In Part I, I talked about Supergirl.

In Part II, Marie Bilodeau waxed eloquent about The Flash. Our cross-over continued with Part III by John O’Neill talking about Gotham, which led to an exciting cliffhanger in Part IV when Violette Malan covered Agent Carter and then made a daring escape by flying off to Spain!

Some of these blog posts are sure to become collector’s items, so check them out now!

Welcome to Part V of this Black Gate blog cross-over, where I take a weird look at DC’s Legends of Tomorrow.  I say weird because I have two strong feelings about this show, and I’ll use those feelings to structure this post.

The first feeling is, I wouldn’t watch this show on my own. The second feeling is that my 11-year old son and I never miss an episode.

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Superhero TV: That’s Agent Carter To You

Superhero TV: That’s Agent Carter To You

Carter 1I don’t know how I forgot “superhero” when I wrote about characters and their jobs a couple of weeks ago, but I was powerfully reminded of my lapse – and inspired – by two excellent posts from my friends and fellow BG bloggers, Derek Kunsken (Supergirl) and Marie Bilodeau (The Flash). Today I’d like to put in a word for the Marvel TV universe, where there’s at least one heroine that’s neither an alien, nor a human with superpowers: Peggy Carter of the Strategic Scientific Reserve (SSR) is 100% human.

A number of factors make this show stand out for me. For one, the creators have managed to pull off a series that is a little bit prequel, a tad bit sequel, as well as a sort of spinoff, that doesn’t rely on deep knowledge of either Captain Americ or Agents of Shield – or anything else in the Marvel universe for that matter. Plus, it avoids the drawback of most prequels: you know who isn’t going to die.

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An Old Dark House Double Feature: The Ghost and the Guest (1943) and The Monster Walks (1932)

An Old Dark House Double Feature: The Ghost and the Guest (1943) and The Monster Walks (1932)

The Ghost and the Guest Lobby Card-small

The Ghost and the Guest
PRC Pictures, 1943
Directed by William Nigh

Stop me if you’ve heard this one. A decrepit old mansion that appears to be haunted. A pair of newlyweds move in and by the time it’s all said and done, we find out that the mansion is actually a hub for some nefarious criminal type dudes.

This was not a particularly fresh concept, even in 1943, and the execution leaves more than a bit to be desired. To call it a B-movie is probably elevating it to a much higher status than it deserves. I’m not sure if there’s such a thing a Z movie but this one’s no better than a V, at best.

The most notable factoid about this uninspired piece of work is that it was written by none other than Morey Amsterdam, best known for his role as one of the sidekicks on The Dick Van Dyke Show. His comic stylings, even at that time, were probably kind of old school, but he made it work with superior timing and delivery. None of which is on display from any of the alleged thespians in this particular cinematic exercise, where the comedy — and pretty much everything else — leaves a lot to be desired.

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The Public Life of Sherlock Holmes: A Pair of Holmeses Named Alan

The Public Life of Sherlock Holmes: A Pair of Holmeses Named Alan

Napier_Napier2In 1937, Holmes made his first appearance on American television in The National Broadcasting Corps’ rendition of The Three Garridebs, starring Louis Hector. Regular television service from NBC hadn’t even begun yet when this test show was transmitted and it’s likely few people saw it. Sadly, I’m only aware of one picture taken from a television screen, though I believe someone in the industry once told me there are other stills in the archives. There’s certainly no belief an actual recording of the broadcast exists!

In 1949, CBS aired a series of 30-minute literary adaptations in the Your Show Time program. The tenth episode was The Speckled Band, starring Alan Napier as Holmes. Napier was certainly a stuffy, stiff detective, with a bit of Raymond Massey (Holmes in a 1931 film of the same story) and Leonard Nimoy in his look.

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