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Lost in the Halls at Gen Con 2019

Lost in the Halls at Gen Con 2019

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Gen Con 2019-small

I’m here on site at Gen Con for the first time in…. wow, I don’t even remember. Fifteen years, at least. Last time I visited Gen Con it was in Milwaukee, if that’s any clue. It now fills (and substantially overfills) the spacious halls of the Indiana Convention Center in downtown Indianapolis, where tens of thousands of gamers meet friends, play games, try out new games, play the legendary NASCRAG tournament, and wander through the jaw-dropping Exhibit Hall.

I’m here for the first time in over a decade because I was invited to speak at the Writers Symposium, on topics like Submitting Short Fiction, What Happens to a Story After You Submit it, and Does Advertising Work? I’ve been very impressed at how well organized the Symposium is — it’s run like an excellent mini-convention just for writers, inside a much larger enterprise. And it’s attracted some top-notch speakers, including Howard Andrew Jones, Bradley P. Beaulieu — whose talk on Tension on Every Page was really terrific — the charming Anna Smith Spark, Black Gate blogger Clarence Young, writer and interviewer Seth Lindberg, Tor.com editor Diana Pho, and many, many others.

Of course, we’re here in the name of games, and games new and old were everywhere. The enormous Exhibit Hall (pictured above) was filled with hundreds and hundreds (and hundreds) of game companies showing off their wares. I didn’t get to spend nearly as much time in the Hall as I wanted — and you could spend weeks in there, believe me — but I did find countless treasures, many in the generously stocked Goodman Games booth at the far end. Over the next few weeks I’ll share the details here. But in the meantime, I have to run to my next panel, Reviews and Reviewers: How to Find Them, How to Keep Them. Wish me luck!

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The Games of Origins Game Fair

The Games of Origins Game Fair

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Shadowrun Sixth World Box-smallMy first science fiction convention was 2001’s Eeriecon III, in Niagara Falls, NY. This was a literary convention, where almost all of my time was spent lapping up the wisdom of authors and scientists, discussing worldbuilding, sociology, magical systems, story structure and narrative, and all manner of other things of interest to writers, both old pros and aspiring novices.

These days, I make less of those literary conventions, and have migrated more into gaming conventions with the family. Less intellectual stimulation, perhaps, but it’s a much more active environment, with more to do. And though the intellectual discussions are perhaps not as rigorous (rule lawyering aside), there is no shortage of mental stimulation … let alone sensory stimulation … at these gaming conventions.

The most recent of these gaming conventions I attended was the mid-June Origins Game Fair, in Columbus, OH. This was my second year making that convention, and I’ve got to say that I somewhat prefer it to the more overwhelming GenCon. There is a bit less spectacle, a bit less overt consumption (you can, for example, actually walk through the exhibit room without colliding into people … usually), and more of an emphasis on just playing fun games.

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What Skyrim Can Teach Us About World-Building

What Skyrim Can Teach Us About World-Building

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Skyrim Banner

Good morning, Readers!

No one who knows me is surprised when I say I love video games. I’ve written about them previously for this very site. I think it’s hard to overstate just how much I adore video games (specifically narrative-focused games). The one game that got me to buy my first console and actually dive head-first into gaming was Bethesda Studio’s epic addition to their Elder Scrolls series, Skyrim.

This open world game lets you go anywhere, and do pretty much anything. Best of all, it has dragons (which you can kill and steal their souls to fortify your own powers [insert evil laugh]). Loving video games, but without a PC (my home computer is a Mac) or a console, I resorted to watching other folks have fun with them on YouTube. I stumbled across a Let’s Play of Skyrim, and after three episodes, I knew I had to play it for myself. I saved like a madwoman, bought myself a console, and Skyrim.

And I was never heard from again (not really.  I did not ignore my responsibilities… but it was close!).

Skyrim proved to be everything I had been promised. It was epic in scope, the combat was fun, the dragons were amazing, and it let you play however you would like.

For the record, I always play in first person, and my build is always a bosmer (wood elf), whose strengths lie in archery and sneaking. There’s something ridiculously satisfying about sniping fools from the shadows with a good bow.

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Torg Eternity: The Aysle Sourcebook Interview

Torg Eternity: The Aysle Sourcebook Interview

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Torg EternityAbout a year ago I reviewed Torg Eternity, the reboot from Ulisses Spiele of the Torg tabletop role-playing game. I loved the original, one of the most wildly imaginative settings I’ve ever seen, and found the new version kept the best parts of the old Torg while making the mechanics smoother (I wrote up a session here). The game imagines our world attacked by other realities, each based on a different genre of fiction, which invade by making parts of our world operate according to their rules — increasing or decreasing the level of technology, adding magic or psionics or manifestations of the gods, and subtly encouraging people to behave in ways appropriate to their genre.

Now dinosaurs wander the jungles and mysterious ruins of the North American coasts. A cyberpunk theocracy’s taken over France. India faces colonial gothic horror. Splatterpunk technodemons in Russia have spawned a wasteland north of Moscow haunted by scavengers and monstrosity. East Asia sees zombies and bleeding-edge technology enveloped in espionage schemes. A maniacal pulp-era supervillain’s launched a New Nile Empire based in Egypt, opposed by masked Mystery Men. And in England and Scandinavia, wizards and elves and dragons are caught in a war between Light and Dark.

In the last year, two wildly successful Kickstarter campaigns have launched sourcebooks covering specific realms: first the lost-world realm of the Living Land, then the pulp reality of the Nile Empire. Now a third campaign has begun, for the sourcebook covering the fantasy realm of Aysle. I interviewed the Torg Eternity design team about the new book, how it approaches the fantasy genre, and what gamers can expect.

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Vintage Bits: FTL — Faster Than Light

Vintage Bits: FTL — Faster Than Light

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FTL Games Dungeon Master

In the grand scheme of computer gaming history, where significant people, games, and companies from bygone eras still to this day earn fame and fortune, FTL might really be one of the ’80s gamings unsung heroes – with its short lifespan, and the way it faded into the dusty corners of history after only a handful of releases.

Though it may seem like the story of FTL is almost entirely the story of Dungeon Master, an earlier game, originally for the Apple II, showed the level which FTL was able to perform on.

FTL

 
FTL Games (Faster Than Light) was started by Wayne Holder in 1982 as a games development division under his software company Software Heaven. Holder had been developing software tools to help assist writers fr some time, but a conversation in 1982 with an old friend from college, Bruce Webster, would be the spark that ignited FTL. Webster was a dedicated player and amateur game designer. He’d written columns for both The Space Gamer and Computer Gaming World and owned a large number of sci-fi/role-playing board games.

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Become a Time Traveling Detective in Tragedy Looper from Z-Man Games

Become a Time Traveling Detective in Tragedy Looper from Z-Man Games

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I don’t know about you, but a lot of the video games I play are Japanese in origin, from Final Fantasy to Ys to Resident Evil. That’s not the case with board games, of course. In fact, I’d be hard pressed to name a single board I own that was originally published in Japan. At least, that was the case until I bought Tragedy Looper and its expansions.

Tragedy Looper was originally published in Japan as 惨劇RoopeR in 2011; the first English version was released by Z-Man Games in 2014. If you’re familiar with the “time loop” mystery genre made popular by films like Groundhog Day, Happy Death Day, Edge of Tomorrow, Before I Fall, and Source Code, the intriguing premise of Time Looper will make immediate sense. While it’s not a role playing game, it’s complex enough to require a Mastermind who sets the game up and unfolds events for the players.

At its core Tragedy Looper is a deduction game played on four location boards by one mastermind and up to three protagonists. After the programmed tragedies occur, players can travel back in time, restarting the scenario from the beginning in an attempt to find out precisely what happened, who the culprit was, and what their secret motive was. Each scenario features a set number of characters and character roles (eg: murderer, conspiracy theorist, victim). The players win if they ultimately manage to shield key individuals from tragedy; if they fail, the mastermind triumphs.

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Raiders and Rogues in a Cursed World: Forbidden Lands by Modiphius

Raiders and Rogues in a Cursed World: Forbidden Lands by Modiphius

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While I was at the Spring 2019 Games Plus Auction, I took the time to shop around in the New Arrivals section, since Games Plus is probably the best-stocked games store I’ve ever visited. As usual, I picked up a few magazines and the latest issues of Jolly Blackburn’s excellent Knights of the Dinner Table comic. But there was another game that caught my eye: Forbidden Lands, a boxed RPG developed by accomplished Swedish development house Fria Ligan (Free League in English), makers of the excellent Coriolis science fiction game, as well as the acclaimed Tales from the Loop and the upcoming Alien Roleplaying Game, and distributed in the US by Modiphius.

What drew me to Forbidden Lands? Truthfully it was the cover art by Simon Stålenhag, and the impressively sized (and heavy!) box. Once I picked it up however, it was the back-cover text that fired my imagination.

In this open-world survival roleplaying game, you’re not heroes sent on missions dictated by others — instead, you are raiders and rogues bent on making your own mark on a cursed world. You will discover lost tombs, fight terrible monsters, wander the wild lands and, if you live long enough, build your own stronghold to defend.

Last thing I need is another fantasy RPG crowding my shelves, especially one in a generic fantasy setting. But the evocative text sold me on the promise of a dark world far-removed from routine high fantasy tropes, and characters that sounded a lot closer to sword & sorcery archetypes than I’m used to. The price on the box was $49.99, and I decided to take a chance.

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Like a Phoenix from the Ashes, City of Heroes Returns!

Like a Phoenix from the Ashes, City of Heroes Returns!

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(2) City of Heroes-small

In the world of superheroes, nothing is less permanent than death. Just ask Superman; his demise in 1992 was one of the biggest news stories of the year, at least for the kind of easily bamboozled person who doesn’t actually read comic books (like the editors of Time Magazine). The more sophisticated were not fooled however, and rightly so. Superman was only in the ground for a little longer than your average basketball season.

This being so, it should come as no surprise that an entire universe of heroes and villains should return to life almost seven years after completely vanishing in a cataclysmic climax that can still bring tears to the eyes of those who were there at the end, but an enormous surprise it was. The comic book immortality principle notwithstanding, it really did seem as if that universe, the world of Paragon City and the Rogue Isles and the alternate dimension of Praetoria, was truly gone forever. But if comic books can teach us anything, it’s that the impossible is possible and that for the brave and pure of heart, no defeat is final.

In other words, City of Heroes, the legendary and beloved superhero MMORPG (that’s Massively Multiplayer Online Role-Playing Game, a phrase even uglier and more graceless than its acronym), which ran from April 28th, 2004 until it was shut down by NCSOFT on November 30th, 2012, is back!

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The Games Plus 2019 Spring Auction, Part Two

The Games Plus 2019 Spring Auction, Part Two

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Two months ago I assembled a photographic record of the games I brought home from the Games Plus 2019 Spring Auction. I didn’t do a final count, but it was roughly 100 boxed games, and several boxes of RPG gamebooks, totalling some 15 boxes.

In that first piece I tried to capture the overwhelming experience of sitting in the front row for seven hours as thousands of new and used SF & fantasy games flashed by. It’s a deep immersion in the games aftermarket, an education in just how many titles have been released in the past 12 months, and a chance to learn — by watching the excited frenzy as certain titles come up to the auction block — which ones have truly captured the attention of players. I saw a lot of games go for a lot of money, and even more sell at rock-bottom prices.

In Part Two of my auction report, I want to try and communicate the sheer scale of the event. I estimate there were somewhere between 150-200 attendees for the Saturday Fantasy and Sci-Fi Games auction this year, nearly a record, and I’m fairly sure there were a record number of games sold.

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Goth Chick News: Please Welcome the New Official GCN Game Company

Goth Chick News: Please Welcome the New Official GCN Game Company

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Roswell 51

You know how you feel when you meet a new friend and there’s an instant connection? Someone you know will just ‘get you’ and who you’ll now want to spend all your time with, texting them, stalking them on social media, finding out where they live and driving by, and…

Okay, never mind.

The point is, I just met this guy Larry Wickman.

Now Larry has quite a lot going for him. For a start, he’s a big fan of Black Gate, and right behind that he’s an indie game designer. Not of slick VR stuff, but of the righteous RPG-card game variety, the kind of games that consumed a large chunk of the youth of most of us here at BG, and which a lot of the guys upstairs still spend a lot of time playing when they’re supposed to be writing. Which alone would make Larry a very popular guy around here — but now there’s this.

Larry is the creator of a series of board games called Shuffling Horror, and this is where his most recent honor lies: the title of Official Game Designer of Goth Chick News, as bestowed by me.

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