Writing Tools: Notebooks, the Kind with Paper
From the time I was in grade school all the way up until after I graduated from college I wrote in notebooks. It seemed such a natural process that I wonder now how I got away from it, and why it was such a revelation when I took up writing in notebooks again.
In my school days I used to carefully comb through available notebooks and select one with multiple subjects, college-ruled. Usually it would be a spiral-bound Mead, 8 1/2 by 11, but sometimes I’d experiment with slightly smaller sizes. When I was older and wandering through the Kansas City Renaissance Festival with my wife, I purchased a lovely Celtic leather notebook cover with an unlined sketchbook, and I filled a succession of replacement sketchbooks between those covers with my scribbles for years after.
As striking as that notebook was, though, I eventually fell out of using the thing. It became impractical to drag it wherever I went: my student days were over so I no longer had a backpack over one shoulder, and I didn’t have the kind of job where I always toted a briefcase. In those rare instances where I DID have a briefcase, it was already so loaded down that something weighing as much as a hardback book was a nuisance. I never used a notebook for writing unless I was at home, at which point I might as well have been writing on the computer. I thought that I had “outgrown” the use of a notebook.
Back in April we told you about 
No, this isn’t a review of the Ken Russell film The Lair of the White Worm. The poster just fits so well with Cornell Woolrich’s 1935 story “Kiss of the Cobra” that I had to use it. You would almost think Russell was adapting Woolrich, not Bram Stoker.
There are indeed urban legends at work in the Collector’s market. For example, the entire print order of George Alec Effinger’s first novel, What Entropy Means to Me (Doubleday, 1972) was supposedly pulped before publication (almost certainly untrue).
Am I a bad gamer if I really, really want to play this game?
Newcomers to fantasy collecting may be unaware of the scope of pertinent and very useful information on the web, and particulary the resources assembled by members of the Yahoo Fictionmags Group. The terms “Big List,” “FMI,” “Galactic Central,” “Locus Index” and many others crop up without necessarily being understood. Fictionmags includes the authors of some of the most seminal and definitive reference works on magazine Science Fiction, Fantasy, and General Fiction. Not only is this material substantial and providing of answers to many questions, but it is also FREE to anyone conversant in accessing the internet.
Yesterday’s deliveries here at the Black Gate rooftop headquarters yielded — among the usual bills, magazines, and spare parts for the plutonium-powered signal beacon — a review copy of Detour to Otherness, by Henry Kuttner & C.L. Moore.
“Beyond the Sunrise” is the unofficial title afforded an unfinished Kull story that did not see print until over forty years after the author’s death. Its significance is due largely to the fact that it was the first of four widely differing attempts to continue the Kull series following the publication of both “The Shadow Kingdom” and “The Mirrors of Tuzun Thune” in Weird Tales in 1929.
Science Fiction and Fantasy Artists of the Twentieth Century: A Biographical Dictionary, by Jane Frank