Black Gate

Bryan Thomas Schmidt is probably best known as the guy who loudly stormed out of the 2015 Hugo Awards when he lost in the Best Editor, Short Form category (he lost to No Award, since all the nominees were dictated by Vox Day as part of his Rabid Puppy slate). Black Gate was part of the same slate, but we withdrew our nomination (and Bryan unfriended me immediately thereafter).

That’s an unfortunate thing to be known for, especially since Bryan has done some really excellent work before and since. His other anthologies include Shattered Shields, Little Green Men―Attack!, Mission: Tomorrow, Galactic Games, and many others. His latest book, the massive Infinite Stars, is the most ambitious project of his career to date: a 674-page anthology of space opera tales featuring some of the biggest names in the industry. Here’s Rich Horton’s take, from the October issue of Locus.

Bryan Thomas Schmidt’s new anthology Infinite Stars is a big collection of space opera stories, split roughly evenly between reprints and originals. The reprints serve to some extent as an introduction to the subgenre, with examples from such classic series as Cordwainer Smith’s Instrumentality of Mankind, Anne McCaffrey’s Ship Who Sang books, Lois McMaster Bujold’s Vorkosigan series, A.C. Crispin’s Starbridge, and Larry Niven and Jerry Pournelle’s Codominium… These serve their purpose very well — they are a set of significant stories and showcase space opera from the ’50s to the present day nicely…

Most of the other stories in this book are also parts of series… these series include some really major SF landmarks: Orson Scott Card’s Ender universe, Brian Herbert and Kevin J. Anderson continuing Frank Herbert’s Dune series, David Weber’s Honorverse. There are stories from some more recent series that I’ve really enjoyed — Elizabeth Moon’s Vatta’s War, for example (which she has just returned to), and David Drake’s Leary/Mundy (or RCN) series. It was nice also to be introduced to some work new to me, such as Linda Nagata’s Red stories, Jack Campbell’s Lost Fleet, and Charles R. Gannon’s Caine Riardon stories…

All in all, Infinite Stars is a strong celebration of the variety and power of the space opera subgenre, both in its history and its ongoing vitality.

As Rich points out, there’s a great deal to enjoy in this book for any fan of space opera, old and new.

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October is over, but that doesn’t mean that all the good creepy reading is behind us. Penguin Classics released two fine collections on October 10th that should keep you busy at least through early December.

The first is The Best of Richard Matheson, a long-overdue collection from one of the greatest horror writers of the 20th Century. It’s a 432-page treasure trove from the man whom Stephen King said called “the author who influenced me most as a writer.” The author of I Am Legend and sixteen Twilight Zone episodes modernized horror by taking it out of Gothic castles and setting it in darkened streets and suburbs much closer to home. This volume gathers his greatest stories as chosen by Victor LaValle. It’s $17 in paperback ($11.99 digital).

Dark Tales collects classic and newly reprinted stories from the author of “The Lottery,” including the “The Possibility of Evil,” “The Summer People,” and “The Sorcerer’s Apprentice,” first published in 2014. Collecting 17 pieces published between 1950 and 2015, Dark Tales features stories in which a daily commute turns into a nightmarish game of hide and seek, and a concerned citizen might just be an infamous serial killer. It’s 208 pages, priced at $16 in trade paperback ($11.99 digital).

Richard A. Kirk (not to be confused with Richard Kirk, which was the pseudonym Robert Holdstock used to write sword & sorcery novels in the Raven series) is an artist with a number of covers to his credit. His short novel The Lost Machine, a tale of “deadly plagues, witches, and artificial intelligence in a dark fantastical setting,” was serialized at Weird Fiction Review (check out their interview with him here).

In his first latest book, Necessary Monsters, he delivers a caper novel set in a dark and wondrous world. It’s available now in trade paperback from Arche Press.

Lumsden Moss is an escaped thief and an unrepentant bibliophile with a long-suffering desire to foist some karmic retribution on those who have wronged him. But when the opportunity to steal a rare book from the man who sentenced him to prison puts him on the wrong side of the wrong people, Moss finds himself on the run. And it’s not just the book he stole that these people want, it’s also the secrets of a long-forgotten location on Nightjar Island, a place cursed and abandoned since the Purge.

When Moss falls in with Imogen, a nimble-fingered thief who has taken a traveling bookcase filled with many secrets, he starts to realize how much of his unsavory past is indelibly tied to a frightening witch-child and her nightmarish pet monster.

In a fantastic world, still recovering from a war where magic and technology were fused together, Moss and Imogen must decipher the mystery of their mutual pasts in order to illuminate the dark heart that still lurks on Nightjar Island.

Necessary Monsters was published by Arche Press on June 6, 2017. It is 384 pages, priced at $18 in trade paperback and $7.99 for the digital edition. The cover is by Richard A. Kirk. Buy copies right from the website.

See all of our recent New Treasures here.