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New Treasures: Gideon by Alex Gordon

New Treasures: Gideon by Alex Gordon

Gideon Alex Gordon-smallThere’s nothing quite like a fine debut. And Gideon, the first novel from Midwest author Alex Gordon, looks like a fine blend of mystery, urban fantasy, horror, romance, and the supernatural. It’s out now in trade paperback from Harper Voyager.

When Lauren’s father dies, she makes a shocking discovery. The man she knew as John Reardon was once a completely different person, with a different name. Now, she’s determined to find out who he really was, even though her only clues are an old photograph, some letters, and the name of a town — Gideon.

But someone — or something — doesn’t want her to discover the truth. A strange man is stalking her, appearing everywhere she turns, and those who try to help her end up dead. Neither a shadowy enemy nor her own fear are going to prevent her from solving the mystery of her father — and unlocking the secrets of her own life.

Making her way to Gideon, Lauren finds herself more confused than ever. Nothing in this small Midwestern town is what it seems, including time itself. Residents start going missing, and Lauren is threatened by almost every townsperson she encounters. Two hundred years ago, a witch was burned at the stake, but in Gideon, the past feels all too chillingly present…

Gideon was published by Harper Voyager on January 6, 2015. It is 419 pages, priced at $14.99 in trade paperback and $10.99 for the digital version. The cover was designed by Richard L. Aquan.

See all of our recent New Treasures here.

New Treasures: Hannu Rajaniemi: Collected Fiction

New Treasures: Hannu Rajaniemi: Collected Fiction

Hannu Rajaniemi Collected Fiction-smallOne of the more enjoyable parts of the Nebula Awards weekend was the autograph session late Saturday night — when folks like Greg Bear, Larry Niven, Connie Willis, Nancy Kress, Joe Haldeman, Jack McDevitt, Aliette de Bodard, Tobias Buckell, and dozens more sat down to sign autographs for fans. The author with the biggest line was unquestionably Cixin Liu, author of Nebula-nominated The Three-Body Problem, who’d flown all the way from China, but there was plenty of love to go around. Greg Ketter from Dreamhaven was doing a brisk business in the middle of the room, selling books to eager autograph hounds. I decided to limit myself to one book and, oddly enough, despite the rare opportunities to get autographs from some of my favorite authors, the title I couldn’t resist was Hannu Rajaniemi: Collected Fiction, from an author who wasn’t even in attendance. It’s a beautiful limited edition hardcover from Tacyhon Publications. I’d heard rumors it was almost sold out, and when I saw Greg had a single copy, I snatched it up.

Inside the firewall, the city is alive. Buildings breathe, cars attack, angels patrol, hyperintelligent pets rebel.

Hannu Rajaniemi (The Quantum Thief) is always on the cutting edge. His postapocalyptic, postcyberpunk, and posthuman tales are full of extraordinary beings and unpredictable optimism. With his remarkable agility at merging science with storytelling, Rajaniemi makes the impossible possible — or even probable.

Rajaniemi’s much-anticipated first collection contains seventeen stories, with two original tales, a neurofiction experiment, and his Twitter micro-fiction. Journeying deep into inner and outer space, he asks us, how will human nature evolve when the only limit to desire is creativity? What happens when the distinction between humans and gods is as small as nanomachines — or as large as the universe? So whether you think the next big leap in technology might be genetic engineering, unlimited energy, or space travel, know this: Hannu Rajaniemi the arbiter of what happens after.

Hannu Rajaniemi: Collected Fiction was published by Tachyon Publications on May 19, 2015. It is $25.95 for the limited edition hardcover; there is no digital edition. The cover art is by Lius Lasahido.

New Treasures: Probably Monsters by Ray Cluley

New Treasures: Probably Monsters by Ray Cluley

Probably Monsters-smallToronto press Chizine Publications is one of the hottest publishers in the business. I was so impressed with their recent output that, after returning from the World Fantasy Convention in November of last year, I sat down to compose a survey of their catalog.

But it wasn’t just their 2014 releases that grabbed me. I was also highly intrigued by Probably Monsters, the debut collection from British Fantasy Award-winning author Ray Cluley, author of Water for Drowning (August 22, 2014). It was released in April, and I finally had a chance to get my hands on a copy yesterday, at the Nebula Awards weekend here in Chicago. I love a good monster story, and these look very promising indeed.

From British Fantasy Award-winning author Ray Cluley comes Probably Monsters — a collection of dark, weird, literary horror stories. Sometimes the monsters are bloodsucking fiends with fleshy wings. Sometimes they’re shambling dead things that won’t rest, or simply creatures red in tooth and claw. But often they’re worse than any of these. They’re the things that make us howl in the darkness, hoping no one hears. These are the monsters we make ourselves, and they can find us anywhere…

Probably Monsters was published by ChiZine Publications on April 14, 2015. It is 352 pages, priced at $16.99 in trade paperback, and $7.99 for the digital version. The cover art is by Erik Mohr, with design by Samantha Beiko.

See all of our recent New Treasures articles here.

New Treasures: Mermaids and Other Mysteries of the Deep, edited by Paula Guran

New Treasures: Mermaids and Other Mysteries of the Deep, edited by Paula Guran

Mermaids and Other Mysteries of the Deep-smallPaula Guran edits The Year’s Best Dark Fantasy & Horror every year, and her most recent anthology was Blood Sisters, packed full of vampire stories by women. So it’s good to see her deliver something outside the horror genre… or, perhaps, it’s good to see her keen eye for dark fantasy brought to bear on a subgenre that’s usually associated with The Little Mermaid. 

In Mermaids and Other Mysteries of the Deep, Paula has assembled a wide range of fiction by Tanith Lee, Peter S. Beagle, Samuel R. Delany, Neil Gaiman, Delia Sherman, Gene Wolfe, and others. Here’s a brief snippet from her introduction:

Powerful and incomprehensible, the oceans were thought to be the home of many monstrous creatures — sea serpents and dragons; the Norse Kraken, Greek Charybdis, Japanese Isonade, Biblical Leviathan. Rivers have monsters, too, like the Yacumama of the Amazon River or the malevolent zin, who live in the Niger River. As for lakes, even if you’ve never heard of the Welsh afanc, you know the Scottish Loch Ness monster.

The waters of the world were also believed to contain mythological creatures whose behaviors were as inconstant as our feelings about the mysteries of the deep. As Jane Yolen has said, “It is the allure of the beautiful, unattainable, mysterious Other. In every culture in every clime, there are stories of such creatures in the oceans, rivers, ponds, wells. Water is such a mutable, magical substance itself, the human imagination simply cannot believe it’s not peopled as the earth is. We want there to be such underwater civilizations and — not finding them — we invent them and then turn around and believe in our own invention.”

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Out Now! The Change: Tales of Downfall and Rebirth, an Anthology Edited by S.M. Stirling

Out Now! The Change: Tales of Downfall and Rebirth, an Anthology Edited by S.M. Stirling

The Change Tales of Downfall and Rebirth-smallAlthough the release date is Wednesday, S.M. Stirling’s new anthology of stories in the Emberverse is now for sale on Amazon.

You can purchase it here.

ALL-NEW STORIES OF THE EMBERVERSE
by S.M. Stirling, Harry Turtledove, Walter Jon Williams, John Birmingham, John Barnes, Jane Lindskold, and more…

“[A] vivid portrait of a world gone insane,”* S. M. Stirling’s New York Times bestselling Novels of the Change have depicted a vivid, utterly persuasive, and absorbingly unpredictable postapocalyptic wasteland in which all modern technology has been left in ashes, forcing humankind to rebuild an unknowable new world in the wake of unimaginable — and deliberate — chaos.

Now, in this startling new anthology, S. M. Stirling invites the most fertile minds in science fiction to join him in expanding his rich Emberverse canvas. Here are inventive new perspectives on the cultures, the survivors, and the battles arising across the years and across the globe following the Change.

In his all-new story Hot Night at the Hopping Toad, Stirling returns to his own continuing saga of the High Kingdom of Montival. In the accompanying stories are fortune seekers, voyagers, and dangers — from the ruins of Sydney to the Republic of Fargo and Northern Alberta to Venetian and Greek galleys clashing in the Mediterranean.

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A Gateway to Fantasy for Young Readers: Amulet by Kazu Kibuishi

A Gateway to Fantasy for Young Readers: Amulet by Kazu Kibuishi

amulet coverWith the height of the “Harry Potter phenomenon” nearly a decade past, we now have a new generation of seven- and eight-year-olds who were born after the final book in that series came out. A perennial question comes up: What will be the next “gateway” work that ushers young readers into a lifelong love of fantasy and speculative fiction?

Well, some may rightly ask, why can’t it be Harry Potter? Or A Wrinkle in Time, or The Dark is Rising sequence, or The Chronicles of Prydain, or The Chronicles of Narnia, or The Hobbit, or The Wonderful Wizard of Oz, or…?

Many do still find their first taste of enchantment in books that are decades or even a century old, but there is no denying that — at least in the publishing and bookselling world — there has to be a “latest model.” Librarians still push those beloved older books faithfully, but their sales pitch is a lot stronger when it comes as a follow-up to a young reader who, having just read something that is currently “all the rage,” asks, “What else out there is like this?”

I’m here today to suggest that if you want a contemporary work that will introduce 3rd to 7th graders to the pleasures of epic fantasy, steampunk, people with animal heads, and wise-cracking robots, you could do a lot worse than hand them the graphic novel Amulet Book One: The Stonekeeper (2008) by Kazu Kibuishi. But be prepared: odds are good that they will immediately be demanding books 2 through 6. And then they will be waiting with bated breath for book 7 and cursing that there is now a two-year interval between volumes (welcome, Young Reader, to the Pains of Following a Series that is Ongoing. To better understand what you are in for, see any conversations referencing George R.R. Martin or Patrick Rothfuss).

But I’m also here to recommend them to anyone who likes this sort of stuff, regardless your age. I mentioned “3rd to 7th graders” in the last paragraph because those are the perimeters the publisher, Scholastic, says they are written toward. As someone who does not fit that demographic, I can vouch for them being worthwhile reads even if you are middle-aged.

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New Treasures: The Astonished Eye by Tracy Knight

New Treasures: The Astonished Eye by Tracy Knight

The Astonished Eye-smallTracy Knight’s short fiction has appeared in the anthologies Werewolves, The UFO Files, Masques V, and Whitley Strieber’s Aliens. His first novel, The Astonished Eye, was published as a limited edition hardcover by PS Publishing in 2002, and garnered high praise. Horror World called it “an uncanny blend of mystery, science fiction, fantasy and horror,” and William Thompson at SF Site said “some time has passed since I last read a novel with so much thought and ability condensed into a single slim and conceptually compressed novel.”

Now Stark House has reprinted the novel in paperback for the first time, with the original introduction by Philip José Farmer, and a new intro from Tracy Knight.

Ben Savitch, reporter for The Astonished Eye — America’s famous tabloid journal — finds himself in Elderton, Illinois, the town where he was born. After years of chasing fame, this is the last place he expected to be searching for the elusive exclusive that would put his name on the map. But a UFO landing has been reported in the area, and Savitch intends to be the one to track it down.

However, a strange kind of magic is at work in Elderton. Savitch soon meets Almo Parrish, the last surviving Munchkin (or is he?), Chandler Quinn, builder of just about anything (including a TV hero!) and Vida Proust, who seems to be dead (only no one wants to tell her). They all have something to teach Savitch about being human, if only he will take the time to listen — before it’s too late. Tracy Knight takes the story of one man’s search for his identity and blends it into a tale of fantasy, mystery and science fiction, with all the charm of a modern American fable.

The Astonished Eye was published by Stark House Press on September 29, 2014. It is 194 pages, priced at $15.95 in trade paperback. The book design is by Mark Shepard.

New Treasures: Michael Moorcock’s The Chronicles of Corum from Titan Books

New Treasures: Michael Moorcock’s The Chronicles of Corum from Titan Books

The Chronicles of Corum Titan Books-small

I was talking about The Chronicles of Corum, which Fletcher Vredenburgh calls “the most intense and beautiful books” in Michael Moorcock’s Eternal Champion series, in a Vintage Treasures post recently. I was unaware at the time that Titan Books was planning to reprint the entire series in high quality trade paperback editions. If I was, I wouldn’t have spent all that time and money tracking down the 1987 Grafton paperback.

The first, The Knight of the Swords, was published on May 5th. The other five will be released over the next five months, as follows.

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New Treasures: Trial of Intentions by Peter Orullian

New Treasures: Trial of Intentions by Peter Orullian

Trial-of-Intentions-small2Trial of Intentions is the second volume in Peter Orullian’s Vault of Heaven series, following The Unremembered (2011). In his recent Black Gate article, Peter gives a tantalizing glimpse of the worldbuilding in these novels:

In the midst of these political machinations, this one regent realizes that even if she can get all the kingdoms to agree, it might not be enough. The sheer numbers of the army they could create may be insufficient this time. What do you do then?

War machines.

In the instance of my book, this takes a couple of forms. There is, in fact, an entire kingdom given to the production of what I call “gearworks.” This society is densely populated with smiths of various kinds all designing and building better war machines…

This time, the threat from beyond the veil is more dire than ever before. And to meet it, this lone regent realizes that mere muscle and bone won’t be enough. The escalation needs to go further this time. They need to exhaust approaches that might once have seemed inconceivable and forbidden…

War is coming. One of those great wars you read about. The kind people call “the war to end all wars.” And in the face of such a thing, you arm. You do all you can. Pull out all the stops. Ask impossible, impractical, maybe unholy things. Because losing isn’t an option. Losing means annihilation.

Peter has been writing a series of acclaimed short stories set in the same world, and many of those are available free online at Tor.com. It’s a great way to get introduced to to Vault of Heaven. Here’s a few helpful links.

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Dragon’s Rook (The Lost Sword, Book 1) by Keanan Brand

Dragon’s Rook (The Lost Sword, Book 1) by Keanan Brand

oie_26031584LVummnLet me start by stating that I am an inconsistent person with inconsistent tastes and opinions. I tend to get overly emphatic and dramatic when discussing things I like or dislike. In the light of what I’m about to write about Keanan Brand’s epic fantasy novel, Dragon’s Rook, I need to look back and see how many times I disparaged thick books and those set in European-styled worlds. Because that’s exactly what Brand’s book is and I really enjoyed it.

I actually like novels set in pseudo-European worlds. Tolkien, King Arthur, and much of the earliest fantasy reading I did was set in such places. The best included Lloyd Alexander’s Chronicles of Prydain and Poul Anderson’s various excursions in fantasy.

Brave farm boys, daring princesses, wise old women, and wicked kings (plus dragons!) are endemic to the fairy tales read to me by my dad. Mysterious huts in dark forests, dire castles towering over the countrysides, and dank, fetid caves were common locales for those characters’ exploits. This is good stuff that speaks deeply to me for nostalgic and cultural reasons (about 99% of my ethnic heritage originates north of the Rhine River) and it all makes its way into Brand’s novel.

It’s just that often I feel like it has been done to death. Prior to the late 1970s, fantasy was a pretty diverse field. While Tolkien loomed above the genre, he spawned few direct imitators. In the first part of the decade, fantasy writing was all over the place. Sure, there was plenty of swords & sorcery, but there was also Roger Zelazany’s wild romp, The Chronicles of Amber, Ursula K. LeGuin’s very non-European Earthsea trilogy, and Tanith Lee’s phatasmagorical Tales from the Flat Earth (books I need to reread and review).

And then came Terry Brook’s The Sword of Shannara. For the unitiated, many of Shannara‘s events parallel those of the Lord of the Rings closely, and it was a monster success. That was enough to convince publishers and authors that the key to sales lay in the same sort of mimicry. In the years that followed, dozens of quest stories set in very familiar Euro-style worlds appeared. The worst were slavish imitations of Tolkien’s masterpiece, while the best took advantage of the familiarity of quest and fantasy tropes and used them to explore original ideas. Either way, though, Dark Ages and Medieval Europe came to be the default setting for fantasy fiction.

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