Black Gate

Publishers Weekly called The Girl with Ghost Eyes “A brilliant tale of monsters, magic, and kung fu in the San Francisco Chinatown of 1898.” In her review of the hardcover edition, published by Talos in November of last year, Sarah Avery wrote:

We’re connoisseurs of kickass combat scenes, eldritch lore, and victories won at terrible, unpredictable price. We want our heroes unabashedly heroic and morally complicated at the same time. Add a decade or more of research on the author’s part, distilled to the most concentrated and carefully placed drops, and a well-timed sense of humor, and you’ve got the recipe for the perfect Black Gate book…

Li-lin’s family has protected the world of the living from the spirit world for generations. Most Daoist priests and priestesses take it on faith that their rituals work — they can’t literally see the spirit world and the efficacy of their magic. Li-lin can, though. She has yin eyes, ghost eyes, a visionary ability that appalls her father and would disgust her trusting neighbors if they knew…

Devoted daughter, faithful widow, compassionate protector of Chinatown, Li-lin must conceal her rarest talent, lest she shame everyone she loves. Long practice at concealment, combined with the necessity of bending rules and stories if she’s to be effective in a world where even a warrior priestess is expected to show deference to men and elders no matter what, has prepared her almost too well for the mystery she must solve.

Someone wants her father dead. That someone wants it enough to lay trap after trap for her family. Bad magic is on its way, of the kind only the Maoshan can stop.

Li-Lin and her ghost eyes save Chinatown, don’t you doubt it.

The Girl with Ghost Eyes was published in hardcover by Talos on November 3, 2015. It was reprinted in paperback by Talos on October 11, 2016. It is 304 pages, priced at $7.99, or $7.59 for the digital version.

See all of our recent New Treasures here.

In his review of the 2014 Laird Barron tribute volume The Children of Old Leech, James McGlothlin wrote:

If you’re not familiar with Laird Barron, you really should be. He’s a multiple Shirley Jackson Award winner and currently on the 2014 World Fantasy Award ballot. I’ve raved about him several times on Black Gate, including here and here and here. Barron’s writing is often called Lovecraftian; but not in a pastiche sort of way.  Rather, Barron is really good at capturing a cosmic-horror-feel in his stories that many believe Lovecraft perfected.

In addition, Barron is also like Lovecraft in that in his stories have recurring regions, locations, characters, and even a recurring evil book… [Barron is] one of the true masters of the weird that we currently have.

Barron is not resting on his laurels, however. In the last 12 months he’s released two novellas, Man With No Name and X’s For Eyes, and his highly anticipated fourth collection Swift to Chase arrived in hardcover, trade paperback and digital format earlier this month. Click on the images above to read the complete back cover copy.

Swift to Chase was published by JournalStone on October 7, 2016. It is 294 pages, priced at $29.95 in hardcover, $18.95 in trade paperback and $7.95 for the digital edition. See all our recent Laird Barron coverage here.

Daniel Polansky is a writer on the move. His novel Low Town was called “A fantasy-crime hybrid with serious noir chops… festooned with sorcerers and demons in a pre-industrial otherworld setting” by the Winnipeg Free Press, and his Tor.com novella The Builders was nominated for a Hugo Award.

His newest novel, in which a powerful magician returns to New York City and reluctantly finds himself in the middle of a war between the city’s two most powerful witches, was released in hardcover from Regan Arts earlier this month. David S. Goyer, screenwriter for the Dark Knight Trilogy and Man of Steel, says “Imagine a mash-up of Trainspotting and Harry Potter and you might end up with something as wonderfully gonzo as A City Dreaming.”

“It would help if you did not think of it as magic. M certainly had long ceased to do so.”

M is an ageless drifter with a sharp tongue, few scruples, and the ability to bend reality to his will, ever so slightly. He’s come back to New York City after a long absence, and though he’d much rather spend his days drinking artisanal beer in his favorite local bar, his old friends — and his enemies — have other plans for him. One night M might find himself squaring off against the pirates who cruise the Gowanus Canal; another night sees him at a fashionable uptown charity auction where the waitstaff are all zombies. A subway ride through the inner circles of hell? In M’s world, that’s practically a pleasant diversion.

Before too long, M realizes he’s landed in the middle of a power struggle between Celise, the elegant White Queen of Manhattan, and Abilene, Brooklyn’s hip, free-spirited Red Queen, a rivalry that threatens to make New York go the way of Atlantis. To stop it, M will have to call in every favor, waste every charm, and blow every spell he’s ever acquired—he might even have to get out of bed before noon.

Enter a world of Wall Street wolves, slumming scenesters, desperate artists, drug-induced divinities, pocket steampunk universes, and demonic coffee shops. M’s New York, the infinite nexus of the universe, really is a city that never sleeps — but is always dreaming.

Our previous coverage of Daniel Polansky includes Those Below, the second book of The Empty Throne, Low Town, and The Builders.

A City Dreaming was published by Regan Arts on October 4, 2016. It is 304 pages, priced at $25.95 in hardcover, and $9.99 for the digital edition.