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Learning the Uncanny Arts: The Secrets of the Uncanny Magazine Covers

Learning the Uncanny Arts: The Secrets of the Uncanny Magazine Covers

Uncanny_Issue_Four_Cover-smaller Uncanny Magazine May June 2016-smaller

One of the things we’ve learned here at Uncanny Magazine is that people really like our covers. Which is awesome. It means our evil plans :ahem: I mean, our specific vision of what we want for the magazine is working! This is why many of the backer levels of our currently running Uncanny Magazine Year Three Kickstarter include postcards or prints of our art.

For example, Tran Nguyen’s “Traveling to a Distant Day” won a Spectrum 23 Gold Award and is a finalist for a 2016 Chesley Award for Best Cover Illustration. Galen Dara’s “Bubbles and Blast Off” was super popular on Twitter, to the point where people demanded prints. We worked with Galen to make them happen in our Uncanny Magazine store. (There may be something even cooler going on with the Kickstarter in relation to that. Stay tuned.)

Black Gate thought it would be interesting for us to explain how we select our Uncanny Magazine covers.

So, without further ado…

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July 2016 Locus Now on Sale

July 2016 Locus Now on Sale

Locus July 2016-smallThe July 2016 issue of Locus is numbered #666… so naturally it’s the horror issue, with lengthy interviews with Peter Straub and Joe Hill, and a photo story on “Stephen King and George R.R. Martin in Conversation.” The magazine is also packed with the usual reviews, news and features — including a photo spread on the Nebula Awards weekend, held here in Chicago.

But the big news for me was the detailed results of the annual Locus Awards. Amongst all the vote counts for Best Novel, Best Collection, and Best Editor, were the surprising results for Best Magazine. Surprising to me, anyway. 27 magazines were ranked by the readers of Locus; here’s the Top Ten.

  1. Asimov’s SF
  2. Tor.com
  3. Fantasy & Science Fiction
  4. Clarkesworld
  5. File 770
  6. Lightspeed
  7. Analog
  8. Black Gate
  9. Uncanny
  10. Strange Horizons

I was surprised and pleased to see Black Gate ranked above such excellent magazines as Beneath Ceaseless Skies, Interzone, Nightmare, Shimmer, and Weird Tales. I want to thank everyone for their support — believe me, it means a lot.

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Galaxy Science Fiction, June 1953: A Retro-Review

Galaxy Science Fiction, June 1953: A Retro-Review

Galaxy June 1953-smallThe June, 1953 issue of Galaxy didn’t include any serial fiction. If you’re looking for a good issue to read just to get a flavor of Galaxy without any commitment, I’d suggest this one.

“Tangle Hold” by F. L. Wallace — Jadiver’s autobath malfunctions, burning him with steam to the point that he nearly dies. A doctor replaces his skin with a synthetic version, and he’s eventually released from care to continue with his life.

Jadiver used to be a robot designer on Earth, but Earth was too crowded. He moved to Venus two years ago, but his skills aren’t as useful to society — except criminal society. He can design body costumes to change people’s appearances to help them go wherever they want without restriction.

When Jadiver becomes aware that his entire body has been redesigned as a type of surveillance unit for the police, he tries to understand its limitations and how he might be able to escape from the planet.

Wallace’s story has great pacing. There are enough questions to keep readers interested and engaged, and the answers come at the right moments, without being obvious.

“The Water Eater” by Win Marks — The narrator fixes his oil stove and dumps the excess oil into a roaster. To clean the roaster, he combines multiple cleaners together with hot water.

After dinner, he finds that the combination of oil and cleaners has become gelatinous. And it expands when water is added. Not only does it expand, but it tries to reach out toward the source of water to consume more.

The narration of the story works really well. He had a strong voice.

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July 2016 Lightspeed Magazine Now Available

July 2016 Lightspeed Magazine Now Available

Lightspeed July 2016-smallThe complete July issue of Lightspeed is now yours to enjoy free online. This month brings new fantasy by Rochita Loenen-Ruiz and Kenneth Schneyer, and fantasy reprints by A. Merc Rustad and Spencer Ellsworth, plus original science fiction by Ted Kosmatka and Jilly Dreadful, along with SF reprints by Genevieve Valentine and Seth Fried.

In his editorial, editor John Joseph Adams shares some award good news, plus intriguing news about his new book line with Houghton Mifflin Harcourt:

We’re thrilled to report that Alyssa Wong’s story, “Hungry Daughters of Starving Mothers,” from the Queers Destroy Horror! special issue of Nightmare (Oct. 2015), won the Nebula Award for best short story! Congrats to Alyssa and to all of the other winners. You can find a full list of the winners at SFWA.org/nebula-awards

John Joseph Adams Books News

In my role as editor of John Joseph Adams Books for Houghton Mifflin Harcourt, I just acquired two books in a new series by Molly Tanzer (author of Vermilion).

The first book is Creatures of Will and Temper, a Victorian-era urban fantasy inspired by The Picture of Dorian Gray, in which epee-fencing enthusiast Evadne Gray and her younger sister are drawn into a secret and dangerous London underworld of pleasure-seeking demons and bloodthirsty diabolists, with only Evadne’s skill with a blade standing between them and certain death.

Publication of book one will likely happen in late 2017. Can’t wait for you all to read it!

I’m especially intrigued by the Book News. We covered Molly Tanzer’s Vermilion here, and I’m very interested in seeing her latest. John has proved to be an editor with a very keen eye… What other wonders will he offer us through John Joseph Adams Books? I’m looking forward to finding out.

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Weirdbook 32 Now Available

Weirdbook 32 Now Available

Weirdbook 32-small Weirdbook 32-back-small

I was delighted to receive a copy of the latest issue of Weirdbook in the mail. The last one, Weirdbook 31, the first new issue in nearly 20 years, was an unqualified success. This one seems to be packed largely with unknowns, which isn’t necessarily a bad thing. Best of all, it appears barely 9 months after the previous issue, which is a hopeful sign — and no easy task for a trade-paperback sized magazine that clocks in at 173 pages.

The issue contains no less than 25 tales of dark fantasy and the weird, as well as 9 poems. Here’s the complete table of contents.

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The July – September 2016 issue of The Lorelei Signal Now Available

The July – September 2016 issue of The Lorelei Signal Now Available

The Lorelei Signal-small

I don’t know much about Carol Hightshoe’s online magazine The Lorelei Signal, but Amy Bisson has been nudging me to check it out. And now that she has a story in the latest issue, I promised I’d have a look. The website is clean and easy to navigate, and Carol has a fine intro on the first page that explains exactly what the magazine is all about.

The Lorelei Signal is a web based magazine dedicated to featuring 3 dimensional / complex female characters in Fantasy stories.

This does not mean I don’t want to see complex male characters either, balance is the key. I just don’t want to see female characters who are weak, having to be constantly rescued, etc. Females in the story should have the same strength of character as their male counterparts and not be there as window dressing. This has been changing over the years in fantasy writing – the idea of the female character being nothing more than a sidekick, the princess to be rescued, etc. has faded significantly. But, she still shows up occasionally.

The title of this magazine was taken from the Animated Star Trek episode by the same name. In that episode the men of the Enterprise fell under a siren song and it was Lt. Uhura who had to take command of the Enterprise.

It was a pretty hokey set-up to finally get a female in the command chair of the original Enterprise, but at least she got there.

This issue includes no less than a dozen short stories and one poem. Here’s the complete TOC.

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Beneath Ceaseless Skies 203 Now Available

Beneath Ceaseless Skies 203 Now Available

Beneath Ceaseless Skies 203-smallBeneath Ceaseless Skies was nominated for a World Fantasy Award earlier this month (alongside Black Gate, we humbly point out), and I must say, they make for some very stiff competition. BCS is one of the top markets for adventure fantasy, and it just started buying longer stories. At only $15.99 for a full year, it’s a terrific bargain. I finally bought a subscription back in May, and I’ve been heartily enjoying it.

Issue #203 of Beneath Ceaseless Skies is dated July 7 and features fiction by Mishell Baker and Rachael K. Jones, a podcast by Rachael K. Jones, and a reprint by Aliette de Bodard. Here’s the complete Table of Contents.

Fire in the Haze” by Mishell Baker
And yet everywhere I looked, my periphery supplied ghosts of him: lounging indolently on a couch, reaching up to add a final stroke to a poem, bowing over my hand. And there, of course, pausing at the foot of the narrow stairs to the grand bedchamber. Looking over his shoulder, a half smile adorning the human face he wore even when we were alone.

The Night Bazaar for Women Becoming Reptiles” by Rachael K. Jones
Hester’s skin itched all over, and she longed for cool sand sliding against her bare belly. One, two, three eggs into her mouth, one sharp bite, and the clear, viscous glair ran down her throat. The shells were tougher than she expected. They tasted tart, like spoiled goat’s milk. She waited for the change, but the sun crawled higher and nothing happened.

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The July Fantasy Magazine Rack

The July Fantasy Magazine Rack

Analog-Science-Fiction-July-August-2016-rack Blind-Spot-1-rack Interzone-264-rack TIn-House-68-Summer-2016-rack
Clarkesworld-118-rack Fantasy-and-Science-Fiction-July-August-2016-rack The-Destroyer-Tara-Isabella-Burton-rack Swords and Sorcery May 2016-rack

We had several significant firsts in the front half of July. We celebrated the launch of a brand new magazine, Blind Spot, edited by Julien Wacquez and René-Marc Dolhen and dedicated to bringing the best of French SF to English audiences. And just as monumental for me personally, Sean McLachlan covered issue #280 of Strategy and Tactics, perhaps the greatest wargaming magazine of all time. And Matthew David Surridge took a fond look back at Xignals, Waldenbooks’ in-house SF magazine in the late 80s and 90s.

We had plenty for vintage magazine fans this month, too — including a look at The Strange and Happy Life of The Astounding Science Fiction Anthology, and Rich Horton’s Retro Review of the April 1951 Thrilling Wonder Stories.

Check out all the details on the magazines above by clicking on the each of the images. Our Late June Fantasy Magazine Rack is here.

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July/August Magazine of Fantasy & Science Fiction Now on Sale

July/August Magazine of Fantasy & Science Fiction Now on Sale

Fantasy and Science Fiction July August 2016-smallThere’s plenty to like in the latest issue of Fantasy & Science Fiction — including a new Alaric story by Phyllis Eisenstein, and short stories by Dominica Phetteplace, Bruce McAllister, and others. Tangent Online‘s Nicky Magas has particular praise for two of its longest tales, including a new novella by Lavie Tidhar, in his online review.

Gunther Sloam is a romantic in a world with no more heart for romance in Lavie Tidhar’s alternate history, “The Vanishing Kind.” When he receives a desperate message from Ulla, an old fling, that reminds him of the old sort of films that he himself used to write, Gunther travels to a post World War II ravaged London in which the Nazi’s have won, thinking of nothing more than rekindling an old flame. But when he arrives he finds Ulla conspicuously vanished, the Gestapo nipping at his heels, and a mysterious dwarf pulling an unknown number of strings from the sidelines. Gunther is far from the lead in a romantic motion picture and reality is a lot colder and meaner than he is prepared to accept.

“The Vanishing Kind” is an interesting mix of noir and alternate history. True to the noir genre, none of the characters are who they appear to be, and the mystery keeps spiraling deeper into the hole and all the while the reader is begging Gunther to just get on the transport and go home. But of course he must uncover each intricately connected layer of his missing paramour and the readers follow his every footstep with nail-biting anticipation.

Here he is on David Gerrold’s novelette “The Thing on the Shelf,” which features a horror writer who’s been nominated for the coveted Stoker Award.

Some things are better left alone. In “The Thing on the Shelf” by David Gerrold, that thing is a Stoker Award. To anyone outside of the horror community, the award is an honor, a mark of prestige. But for those who live and breathe horror, the Stoker — the creepy little stylized haunted mansion with its open and closed door — represents something else. It’s a heavy cross to bear, but someone must do it to keep that distinctly horrific, ominous presence from accumulating in too great an amount in one place.

“The Thing on the Shelf” is a long piece, filed with tangents, and tangents within tangents, and a Lovecraftian antagonist that is never fully explained or revealed. The protagonist is the author himself relaying the events of the horror convention, his subsequent win of the award, and the strange events that occur afterward. The story thus has one foot in reality and one foot outside of it. It is difficult to wade through all the ramblings that seem to have no connection to the heart of the story, but in the end the author assures readers that they all share a connection — if readers are able to find it.

The cover is by Mondolithic Studios (who also did the cover for Black Gate 8) for “Trustworthy, Loyal, Helpful.”

Here’s the complete Table of Contents.

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The Strange and Happy Life of The Astounding Science Fiction Anthology

The Strange and Happy Life of The Astounding Science Fiction Anthology

The Astounding Science Fiction Anthology Berkley 1967-small Astounding Tales of Space and Time Berkley 1967-small

The lifecycle of a modern anthology ain’t that complicated. It comes out in hardcover or trade paperback from a small press, stays in print for 5-6 years or so — or until the small press suffers a horrible death, whichever comes first — and then vanishes, popping up thereafter only on eBay and at SF conventions, like a Star Trek action figure.

It didn’t always used to be this way. Used to be that anthologies would appear originally in hardcover, just like real books, and then get reprinted in paperback (also, just like real books). And sometimes those paperbacks would get multiple editions over the decades. (No, I’m not joking. And yes, I know we’re talking about anthologies.)

But go back father than that, to the beginnings of American publishing itself — scholars of this dark and mysterious period are conflicted about actual dates, but in general we’re talking about the 1940s and 50s — and we enter a time when paperbacks had a fixed upper page limit. So how did these primitive cave-dwelling publishers reprint popular volumes, like for example John Campbell’s 600-page beast The Astounding Science Fiction Anthology (Simon & Schuster, 1952), when the typical paperback of the era contained barely 100 pages?

No easy task, but our intrepid publishing forefathers found a way. They broke the book up into two volumes and, because giving them similar names would have been just too easy, gave the paperback editions completely different titles. Thus the groundbreaking hardcover edition of The Astounding Science Fiction Anthology spawned two paperbacks: The Astounding Science Fiction Anthology  and Astounding Tales of Space and Time, both of which remained in print in various editions for years, confusing collectors like yours truly for decades. Let’s have a closer look, because I ended up buying all seven of the damn things before I figured out they were all the same book, and they might as well be useful for something.

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