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Weird Tales 360 Arrives This Week

Weird Tales 360 Arrives This Week

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weird-tales-360-smallWeird Tales 360,  the first issue helmed by new editor Marvin Kaye, is scheduled to ship this Friday, October 19.

It’s an auspicious and entirely appropriate number, I think. After changing direction several times over the last few years, Weird Tales has now turned 360-degrees and returned to where it started: publishing classic weird fiction.

The theme of the first Kaye issue is “The Elder Gods,” and the table of contents makes it clear that he is whole-heartedly embracing the Lovecraftian fiction that helped make Weird Tales one of the most sought-after magazines of the pulp era:

FICTION: THE ELDER GODS

  • “The Long Last Night” by Brian Lumley
  • “Momma Durtt” by Michael Shea
  • “The Darkness at Table Rock Road” by Michael Reyes
  • “The Runners Beyond the Wall” by Darrell Schweitzer
  • “Drain” by Matthew Jackson
  • “The Thing in the Cellar” by William Blake-Smith
  • “Found in a Bus Shelter at 3:00 am, Under a Mostly Empty Sky” by Stephen Gracia

FICTION: UNTHEMED

  • “To Be a Star” by Parke Godwin
  • “The Empty City” by Jessica Amanda Salmonson
  • “Abbey at the Edge of the Earth” by Collin B. Greenwood
  • “Alien Abduction” by M. A. Brines

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Smaller is Better

Smaller is Better

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interzone-242Arriving in the mail the other day was not one, but two small parcels from TTA Press, mini versions of Black Static and Interzone, now both in a more compact, dare I say it, iPad-ish, format, with spine and laminated color cover. Sort of like a book (or, if you prefer, the aforementioned  iPad).

Kinda cool. The rationale seems to be a way to pack more content at what I assume is a more inexpensive way to print it (which may also be why both issues will now come out at the same time, six times yearly,  instead of alternate months.) Even if it isn’t completely a cost issue, the new versions are quite handsome and, even better, more handy.

black-static-30A definite updagrade. Kudos to Andy Cox and crew for trying to preserve the magazine in print format.

Hey, maybe it’s like vinyl records in a digital age: it may be a minority format, but there are people who still want to buy it (I’m one of those in both camps).

The September–October issue of Interzone has new stories by Ken Liu, Debbie Urbanski, Lavie Tidhar, Priya Sharma, CW Johnson, and Karl Bunker. Black Static has stories from James Cooper, Ray Cluley, Daniel Mills, Susan Kim, Carole Johnstone, and David Kotok.

Click either cover to see a full-size version.

You can subscribe to one or both here.

Why I Stopped Reading Granta

Why I Stopped Reading Granta

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granta-117-smallI used to subscribe to Granta when I was in grad school. It’s a literary magazine published in the UK, originally produced by students at Cambridge University (where it offered early work by Ted Hughes, A. A. Milne, Sylvia Plath, and many others). It was relaunched as a wider journal of “New Writing” in 1979; since then it’s published work by Mario Vargas Llosa, Richard Ford, Saul Bellow, Salman Rushdie, Ian McEwan, Gabriel García Márquez, and lots more.

But while Granta showcased some terrific writing — when it wasn’t focused on an odd mix of memoir and photojournalism — too often the fiction left me cold. On their website the editorial team writes convincingly of their “belief in the power and urgency of the story, both in fiction and non-fiction, and the story’s supreme ability to describe, illuminate and make real.” But what I frequently read in Granta weren’t so much stories as brief literary fireworks: dazzling to watch, but ultimately empty. For someone looking for love in the crowded literary scene, Granta seemed a bit too smitten with beauty and a bit too scornful of personality.

So I let my subscription lapse. But I did pick up the odd issue now and then. Not because of all that beauty or anything. Just, you know, for the articles.

Granta’s changed management a few times since we hung out together in grad school. The owner of The New York Review of Books took a controlling stake in 1994; in 2005 it changed hands again. I’ve lost track of how many editors it’s had over the same period. But it still does themed issues, and not very predictable themes, either. Granta #69 was The Assassin issue, and #74, Summer 2001, was Confessions of a Middle-Aged Ecstasy Eater (“Perhaps no truth is more momentous, as none more difficult to face, than the blackest, most abject one about oneself. My son supplies me with drugs, with Ecstasy.”)

In tune with that unpredictability, the theme of last year’s Autumn issue was Horror. This was intriguing enough for me to buy a copy, just to see what happened when Granta wandered into my neighborhood. The issue has an impressive table of contents, featuring original fiction by Don DeLillo, Sarah Hall, Rajesh Parameswaran, and Stephen King, and others. Of course there’s also the usual mix of non-fiction, from Will Self, Paul Auster, and Santiago Roncagliolo, among others.

And as a perfect metaphor for this awkward meeting of literature and genre, Mark Doty’s memoir-slash-essay “Insatiable” opens with the odd assertion, from a 2003 Walt Whitman bio, that “Bram Stoker based the character of Dracula on Walt Whitman.”

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September/October Fantasy & Science Fiction Magazine now on Sale

September/October Fantasy & Science Fiction Magazine now on Sale

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fantasy-and-science-fiction-sept-oct-2012Andy Duncan gets the cover this issue for “Close Encounters,” a rural tale of alien abduction. Here’s what Lois Tilton says about it in her review at Locus Online:

Old Buck Nelson claims he doesn’t want to be bothered by reporters, even pretty girl reporters, sniffing around after the stories he used to tell about the alien who took him up to Mars and Venus and the dog he brought back with him. No one cares anymore, no one believes him. But now they’re making a movie and people are interested…

A really strong character, a narrative voice with strong authenticity, a strongly-realized setting. And a perfect ending to it all – RECOMMENDED.

Here’s the complete Table of Contents:

NOVELETS

  • “Close Encounters” – Andy Duncan
  • “The Sheriff”  – Chet Arthur
  • “12:03 P.M.” – Richard A. Lupoff
  • “The Goddess” – Albert E. Cowdrey
  • “Arc” – Ken Liu
  • “Troll Blood” – Peter Dickinson

SHORT STORIES

  • “Give Up” – Richard Butner
  • “A Diary from Deimos” – Michael Alexander
  • “Where the Summer Dwells” – Lynda E. Rucker
  • “Theobroma Valentine” – Rand B. Lee

POEMS

  • “Contact – Sophie M. White

The cover price is $7.50, for a generous 258 pages. Additional free content at the F&SF website includes book and film reviews by Charles de Lint, Chris Moriarty, and Kathi Maio; Paul Di Filippo’s Plumage From Pegasus column, “Call Me Ishmael”; and the “Curiosities” column by Chris De Vito. Cover artist this issue is Kent Bash. We last covered F&SF here with the July/August issue.

Roy Thomas’s Alter Ego looks at Sword & Sorcery in the Comics

Roy Thomas’s Alter Ego looks at Sword & Sorcery in the Comics

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alter-ego-80Roy Thomas’s Alter Ego is a terrific magazine — packed with articles, interviews, and loads of art from vintage comics. So packed, in fact, that I can’t remember the last time I read one cover-to-cover. These days when a new issue arrives, I flip though it joyfully, then add it to the teetering stack to be enjoyed later.

That stack finally toppled, spilling all over the floor, and while I was cleaning it up and carting it to the basement (excuse me, to the Cave of Wonders), I found a handful of issues from 2008 and 2009 I’d been meaning to blog about. Specifically, those containing a massive three-part investigation of, and tribute to, Sword & Sorcery in the Comics.

Better late than never, I thought, and brought them back up out of the subterranean vault. Let’s start with the first one, Alter Ego #80, dated August 2008. It is wrapped in a new cover by Rafael Kayanan and contains John Wells’s fabulously detailed 34-page article “Sword & Sorcery in the Comics: Part I of a Study of Robert E. Howard’s Legacy in Four Colors — and in Black-&-White.” As Thomas says in his editorial:

You’d have thought I’d have done this a long time before now, wouldn’t you? Devote an issue of Alter Ego to sword-and-sorcery in comics, I mean… I just kept putting it off. It’s a big subject, after all, because, much as I’d like to think otherwise, comic book S&S didn’t begin with Marvel’s Conan the Barbarian #1 in 1970 — or even with the couple of forerunners at DC (“Nightmaster”) and Marvel (“Starr the Slayer”) in the previous twelvemonth…

“Sword & Sorcery in the Comics” proved way too big a subject to cover in one issue… in the end, because we wanted to illustrate nearly every one of the examples of the game we were discussing, we found ourselves with only room for the S&S overview I talked John Wells into writing especially for this magazine… in Alter Ego #83, Part Two will be slashing its way toward you. After that, we’ll keep the S&S segments coming, every few issues, till we’ve covered the genre the way we’ve always intended to! We figured it’s high time.

Appropriately enough, Wells begins his article with a look at Robert E. Howard and his profound influence on the entire field.

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Jolly Blackburn’s Knights of the Dinner Table #191 Shipping Next Week

Jolly Blackburn’s Knights of the Dinner Table #191 Shipping Next Week

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kodt-191Time to remind all you people that you should be reading Knights of the Dinner Table.

Why? Because it’s one of the best comics on the market. And for gamers it’s a lot more than that — it’s one of the finest magazines out there, packed with articles, reviews, and ads for the best new games.

Knights of the Dinner Table follows the misadventures of a group of misfits from Muncie, Indiana, whose love of gaming routinely trumps normal social conventions, and occasionally even their sense of self preservation. If you’re a Black Gate reader you’re already familiar with the Knights: the Java Joint strip in the back of every issue draws from the same cast of characters. Knights of the Dinner Table: The Java Joint, collecting the complete Black Gate strips, is now available in print and PDF.

You can try KODT for free online with the weekly Knights of the Dinner Table web comic. The current “Celebrity Hack” strip, featuring Seinfeld characters playing Hackmaster, is more than worth the trip.

In addition to a great cover by artist George Vrbanic, spoofing the original Unearthed Arcana art by Jeff Easley, issue 191 features 8 complete comic strips, plus feature articles including “Siftings of a Hoarder’s Lair: An inventory of things found in a Kobold’s Lair,” by Barbara Blackburn. This issue’s GameMaster’s Workshop looks at Bait and Tackle: Adventure Hooks on the Fly, Denizens of Tellene: Shazahn Ghanim, and Gaming the Movies covers the film Outpost.

All that plus regular columns Tales from the Table, Web Scryer: the Best of the RPG Web, and reviews of Masque of the Red Death, The Drifter’s Escape, The Tempus novels, Ugg-Tect, Flapjacks & Sasquatches, and Decktet. See this complete list of contents here

Knights of the Dinner Table is published monthly by Kenzer & Company. Issues are 64 pages, black & white, and priced at $5.99. It gets my highest recommendation.

New Treasures: Cult Magazines: A to Z

New Treasures: Cult Magazines: A to Z

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cult-magazine-atozYou get to meet a lot of great people at science fiction conventions. For some, the draw is the Featured Guests, and it’s certainly cool to meet Neil Gaimen, Pat Rothfuss, John Scalzi, Connie Willis, and other top-selling authors.

For me though, the true delights are in meeting exciting writers and artists I’m not always familiar with. A few years ago, as we were setting up our booth at Dragon*Con, author Rob Thurman, who had the booth next to us, wandered over and introduced herself. She turned out to be extremely cool and delightfully entertaining, and when I finally staggered home, bone weary from five days in Atlanta, I dropped into my big green chair with one of her Cal Leandros novels. If it hadn’t been for lucky booth placement, I might never have discovered what an entertaining writer she was.

The same thing happened at Worldcon in Chicago two weeks ago. During the rare slow moments in the Dealers’ Room, I was able to wander a bit and check out the nearby booths. I discovered to my surprise that we were next to Nonstop Press — publishers of Science Fiction: The 101 Best Novels 1985-2010, The Collected Stories of Carol Emshwiller, and Cult Magazines: A to Z.

Nonstop’s Emshwiller: Infinity x Two: The Art & Life of Ed & Carol Emshwiller, by Luis Ortiz, is one of my favorite art books. The distinguished Mr. Ortiz was in the booth, and I was able to introduce myself. He had several intriguing new titles on display and — keeping a wary eye on the empty Black Gate booth — I was able to peek at them.

My eye was drawn immediately to Outermost: Life + Art of Jack Gaughan, a beautiful 176-page hardcover packed with over 500 images, many familiar from countless Ace and DAW paperback covers of the 60s and 70s. Over lunch, Rich Horton had talked about Robert Silverberg’s captivating memoir of writing SF in the 50s, Other Spaces, Other Times: A Life Spent in the Future, and there it was. I couldn’t resist Damien Broderick & Paul Di Filippo’s entertaining Science Fiction: The 101 Best Novels – 1985-2010 either.

But the most fascinating book on the table, by a considerable margin, was Cult Magazines: A to Z, edited by Earl Kemp and Luis Ortiz, a gorgeous oversized softcover jam packed with articles and full-color pictures of hundreds of pulp, horror, science fiction, fantasy, comic, monster mags and men’s magazines published between 1925 and 1990.

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Try the first Four Issues of Innsmouth Magazine for Just $3.99

Try the first Four Issues of Innsmouth Magazine for Just $3.99

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innsmouth-magazine-collected-1-4I haven’t done as much reading on my Kindle Fire as I thought I would. It’s not that I don’t like it — it’s more that I flat out haven’t done as much reading as I thought I would in the last 10 months.

But buying? That’s a different story. It reminds me of the months after we bought our first DVD player. Excited by our new purchase, we went a little crazy, buying all kinds of weird stuff. Two seasons of the marionette puppetry show Thunderbirds from 1966? Check. Every episode ever made of Space: 1999? Check. First season of Voyage to the Bottom of the Sea? Still in the shrinkwrap. God help me.

It was the same with the Kindle. Give me a new toy, and I immediately want to dress it up. It wasn’t out of the box a month before I crammed forty books into it. I told myself I’d read them, but I didn’t. I think at heart I just loved seeing the little book icons show up on the menu page. It’s like having a library in your pocket.

I’m better now. Mostly I use my Kindle these days to read manuscripts, advance galleys from publishers, and online magazines like Locus. But there’s still the occasional digital title that grabs my attention and won’t let go until I hit the “Buy it Now” button.

The most recent is Innsmouth Magazine: Collected Issues 1-4, edited by Silvia Moreno-Garcia and Paula R. Stiles. Stiles, the author of “Roundelay” in Black Gate 15, is an up-and-coming dark fantasy writer in her own right. Collecting the first four issues of the highly regarded digital Innsmouth Magazine, this omnibus edition is impressive indeed. Individual issues are priced at $1.99, so it’s also a bargain.

It demands to be read, too. So far, I’m quite enjoying it. Nick Mamatas’ cleverly-titled “And Then, And Then, And Then…,” which takes its title from a type of denigrated narrative technique, takes that same narrative technique and uses it to very chilling effect. Most of the tales are very short — David Conyers’s “The Swelling,” the intriguing but rather predictable tale of a woman who’s suffered a devastating loss at sea and then inexplicably finds herself on a cargo vessel bound for Carcosa, is the longest I’ve encountered so far, and it barely qualifies as a novelette.

My only complaint about Innsmouth Magazine: Collected Issues 1-4 is the complete lack of any editorial content — or indeed, a table of contents of any kind. The only way to find out what writers or stories are in each issue is to painstakingly page through it. I expect magazines to have a little more structure, maybe an editorial or house ad, reviews. Something. It’s more like an anthology, in fact. Its starkness in this regard is almost, dare I say it, Lovecraftian.

Innsmouth Magazine: Collected Issues 1-4 was published by Innsmouth Free Press on April 8, 2012. It is available exclusively in digital format for $3.99.

Genre 2012: the Ghetto Remains the Same?

Genre 2012: the Ghetto Remains the Same?

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new-yorker-coverPssst.  Hey, buddy.  Yeah, you.  Come over here a sec.  Listen.  Did you know that by virtue of reading this, by virtue of even cruising this site, you live in a ghetto?

It’s true.

Let me explain.

Once upon a distressingly long time ago, when I worked in retail bookstores, life was peaceful.  Organized.  Every book had its place.  Each, by its nature, described in advance its own prized spot on the shelf.  Controversy in the rarefied field of what we bibliophiles archly referred to as Incoming Tome Location had been all but eradicated.

There was, of course, one pesky exception.  Genre.  Or, to be exact, Genre Fiction.  The breakouts for Romance and Mystery/Suspense were generally simple enough, a Maginot Line easily upheld, but woe betided Fantasy and Science Fiction (not to mention everyone’s favorite red-headed stepchild, Horror, the shelves for which invariably faced into an out-of-the-way corner, as if they attracted only trench-coated perverts and budding psychopaths).  Garcia Marquez and Italo Calvino were literature, and clearly so, by virtue of being international in stature.  But then, what of Stanislaw Lem?  How had he become marooned in Sci-Fi?  Maybe, we clerks said, speaking in clandestine whispers lest our overlords hear us, Lem’s titles could be cross-shelved.  Shelved, God forbid, in more than one place.

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Fall 2012 issue of Subterranean Magazine now Available

Fall 2012 issue of Subterranean Magazine now Available

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subterranean-magazine-fall-2012One of my favorite online magazines, Subterranean, has just released its 24th issue. Before issue 23, it was presented in a rolling format, with new fiction and articles available every week; but they’ve now switched to posting the complete contents all at once. That means you can now enjoy new novellas by Nnedi Okorafor and Kealan Patrick Burke, and novelettes by Maria Dahvana Headley and Brian Lumley.

The fiction this issue runs the gamut from apocalyptic horror to the mysteries of deepest Africa. Here’s the complete table of contents:

  • “African Sunrise,” by Nnedi Okorafor (31,000 word novella)
  • “Game,” by Maria Dahvana Headley (11,000 word novelette)
  • “Two-Stone Tom’s Big T.O.E.,” by Brian Lumley (14,000 word novelette)
  • “When the Shadows are Hungry and Cold (A Milestone Story),” by Kealan Patrick Burke (18,000 word novella)

Nnedi Okorafor’s Who Fears Death won the 2011 World Fantasy Award for Best Novel, and was nominated for the 2010 Nebula Award. Maria Dahvana Headley’s memoir, The Year of Yes, an account of the year she spent saying yes to anyone who asked her out, has been optioned for the screen by Paramount Pictures; her debut novel, Queen of Kings, was published in 2010. Brian Lumley is the author of the Necroscope novels; he received a World Fantasy Award for Lifetime Achievement in 2010. Kealan Patrick Burke’s novel, The Hides, was a Bram Stoker Award nominee, and his novella, “The Turtle Boy,” was a Stoker Award Winner in 2004.

Subterranean has just announced that in the next couple of weeks, they’ll offer an electronic edition of the current issue for just $2.99 for those who prefer to read it on ereaders. Watch the website for availability information.

Subterranean is edited by William Schafer and published quarterly. The Fall 2012 issue is completely free and available here; see their complete back issue catalog here. We last covered Subterranean magazine with their previous issue, Summer 2012.