Brent Knowles reviews Black Gate 13
Long-time reader and professional writer Brent Knowles recently posted a review of Black Gate 13:
I have every issue of Black Gate… a fantastic magazine. I subscribe to the print issue, but there is now a digital copy available too.
Brent highlights several pieces, including “Naktong Flow” by Myke Cole:
A very strong and realistic, yet exotic, world, solidly anchors this story. Much like The Naturalist, which I’ll get to later, this is the kind of story that immerses you in a world first, a world that could only exist in this story, the only world in which this story could exist. Much of the ‘fun’ of reading a story like this is in being exposed to culture, that while based on our world is injected with such imagination and originality that it carries the story even if it is not that strong. And better yet, this story is strong, with an interesting protagonist. Great!
And “Spider Friend” by L. Blunt Jackson:
An unique fable, told competently, this is one of my favorite stories this time around. A man gains the blessings of spiders, but, as is so often the case is tempted to walk away from what is good in his life, for what he desires.
And the final installment of Mark Sumner’s novel The Naturalist:
I have enjoyed the previous two parts to this story and the third is no different. This is a world I could imagine living in, it feels real, authentic, a variation of our own world with just enough of the marvelous/horrible to make this a tale of the fantastic. A very satisfying conclusion to a fabulous adventure.
The complete review is here.
Thanks Brent! Stay tuned for issue 14, coming soon!

Spectrum 16, edited by Cathy and Arnie Fenner, was published this month by Underwood Books.
Harry James Connolly made his first fiction sale with “
Before he became a regular artist for Black Gate, Bernie Mireault was already something of a Renaissance man in the comics industry. He’s been a writer, artist, letterer, and highly acclaimed colorist, and worked with Matt Wagner (Grendel), Joe Matt, Mike Allred, and many others. His comics include Dr. Robot, Bug-eyed Monster, The Blair Witch Chronicles, and his masterpiece, The Jam.
I say “first meeting that we know of” because Bernie and I were born in the exact same (and very small) place — a Canadian Air Force base in Marville, France — only a few years apart in the early 60s. Did we pass briefly as toddlers in the officer’s mess, and maybe compare our love for cartoons and comics while our fathers saluted each other over trays of french bread and beans? Probably not. But hey, man. It’s possible.
I’m a sucker for retrospective anthologies. And F&SF is one of my favorite magazines — and has been since I first discovered tattered copies in the tiny library of Rockcliffe Air Force base in Ottawa, Canada, in the late 70s. Editor Gordon van Gelder has assembled an imposing, 470-page collection spanning more than five decades, starting with Alfred Bester’s “Of Time and Third Avenue” (1951) and ending with Ted Chiang’s “The Merchant and the Alchemist’s Gate” (2007).
What’s the point of toiling long hours in relative obscurity for Black Gate, if we don’t pimp your new books?
Heroic fantasy anthologies are a rare sight these dates. And those willing to to take a gamble on emerging authors – virtually non-existant.
Issue 33 of Clarkesworld Magazine features a