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Category: Editor’s Blog

The blog posts of Black Gate Managing Editor Howard Andrew Jones and Editor John O’Neill

Grasping for the Wind reviews Black Gate 14

Grasping for the Wind reviews Black Gate 14

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twobladesclrJohn Ottinger III at Grasping for the Wind has posted the first review of Black Gate 14.  Here’s what he says about our latest issue:

One of the best collections of fiction on the market – whether books, magazines, or online. The latest edition has just been released, and Black Gate 14 is massive, topping out at 384 pages …  this massive collection of fiction shows why, even with their irregular publishing schedule, Black Gate is one of the most popular magazines (print or online) available today.

He reserves his highest praise for two novellas, including Pete Butler’s “The Price of Two Blades:”

Spectacular… a story of a pact made with old gods that costs a high and terrible price… Butler’s clever build of suspense and mystery, use of religious magic that costs a price, and multiple viewpoint telling of the story keep the reader glued to the action as it unfolds. This is undoubtedly one of the best stories of this issue, perhaps one of the best Black Gate has yet published.

And Robert J Howe’s “The Natural History of Calamity.” 

A piece of paranormal crime noir. Debbie is a karma detective, a person people hire when they feel that for some reason the universe is out of whack. When Will Charbonneau hires her to find out why his girlfriend left him for no apparent reason, it seems like a straightforward case. But then Debbie runs into an old boyfriend in the course of the case, and everything becomes a tangled mess. Surprise twists, a significant dose of self-deprecating humor, and a no-nonsense first person point of view make this story hard to walk away from. From the little teaser at the beginning, to the depth of character and clever use of karma as plot device, Howe’s story is a real pleaser from beginning to end. My favorite of the magazine and one I highly recommend.

Art by Malcolm McClinton for “The Price of Two Blades.”

The complete review is here. Thanks for the kind words, John!

The Best Sword & Sorcery Stories

The Best Sword & Sorcery Stories

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second-landhkmarOver at SF Signal, editor John DeNardo asked ten science fiction and fantasy writers and editors to pick the best sword and sorcery stories, and explain what makes them so good.

The writers include Black Gate authors James Enge and Martha Wells, as well as Steven Brust, Mercedes Lackey, Mary Robinette Kowal, Mark Chadbourn, P.C. Hodgell, Gail Z. Martin, Brandon Sanderson, and Lou Anders.

Here’s what James Enge had to say, in part:

There’s no doubt in my mind that Fritz Leiber’s series about Fafhrd and the Gray Mouser are the uneven apex of the disreputable S&S mountain…. Leiber was a gifted storyteller and stylist who used the stories to explore what the world is, how it’s made, what the people there are like. Every story takes you someplace different and extends your knowledge — whether the heroes are fighting gods on Rime Isle, ghosts in the unnamed west, or rats or the Thieves’ Guild or advertisers in Lankhmar city, Leiber doesn’t do retreads. And Leiber understands, as few writers do, how horror and humor are two sides of the same coin; likewise love and grief.

It’s a fascinating list, and well worth reading. And you’re sure to find more than a few good recommendations, whether you’re new to S&S or an old sword-brother.

The complete article is here.

The David Gemmell Legend Award for Best Fantasy Novel of 2009

The David Gemmell Legend Award for Best Fantasy Novel of 2009

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gemmell2

The nominations for the David Gemmell Legend Award for Best Fantasy Novel of 2009 have been announced by the DGLA.  May we have the envelope please!

  • Warbreaker, by Brandon Sanderson (Tor US)
  • The Cardinal’s Blades, Pierre Pevel (Gollancz)
  • Empire: The Legend of Sigmar, Graham McNeill (The Black Library)
  • Best Served Cold, Joe Abercrombie (Gollancz & Orbit)
  • The Gathering Storm (Book 12 of The Wheel of Time), Robert Jordan & Brandon Sanderson (Tor US)

The David Gemmell Legend Award for Best Fantasy Novel was first granted in 2009, to Andrzej Sapkowski’s Blood of Elves.

The DGLA also gives out The Morningstar Award for Best Fantasy Newcomer, and The Ravenheart Award for Best Fantasy Cover Art.

The complete list of nominations is at the DGLA website, as part of a cool video set to music. I had to watch it six times, scribbling down notes, to make sure I got the list of nominees right (of course, then I found the convenient summary card. Figures.)  Now I can’t get that music out of my head.

In any event, congratulations to all the nominees!  Man, I have a lot of great reading to catch up on.

Gary Con II Report

Gary Con II Report

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gary_con2-logo1On Saturday I drove to Lake Geneva, Wisconsin, for the second annual Gary Con, a friendly gathering in honor of Gary Gygax, the co-creator of Dungeons and Dragons and the father of role-playing games.

You can read the Tribute to Gary Gygax, written by the staff at Black Gate magazine and Paizo publisher Erik Mona after Gary’s death in 2008, if you’re not familiar with his work.

Chainmail re-enactment of T1: The Village of Hommlet at Garycon II
Chainmail re-enactment of T1: The Village of Hommlet at Garycon II. Click for bigger version.

Lake Geneva is the birthplace of D&D and, consequently, the entire RPG industry. It was here that TSR, the company Gary co-founded in 1973, was headquartered for over two decades, and where many of the creative minds who helped it grow from a fledgling hobby company to the most influential game publisher of the last 30 years still live today – people like Tim Kask, founding editor of Dragon magazine, Gamma World author James Ward, RPGA founder Frank Mentzer, Snit’s Revenge creator Tom Wham, and many others.

The stated goal of the con is to “harken back to the early days of gaming conventions where role-playing was in its infancy and the players shared a strong sense of camaraderie,” and in that respect Gary Con was an unqualified success.

Players gathered around dozens of tables enjoying highlights from TSR’s early catalog, including first edition AD&D, Metamorphosis Alpha, Dawn Patrol, Boot Hill, Dungeon, Chainmail, and more modern games that strive to capture that sense of old-school adventure, such as Hackmaster, Castles and Crusades, and even Gygax’s fondly remembered post-TSR effort, Dangerous Journeys.

Best of all, I saw many renowned game designers and early TSR employees mingling with the crowd, or acting as dungeon masters for classic Gygax modules such as Steading of the Hill Giant Chief, The Temple of Hommlet, and Castle Greyhawk.

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Black Gate Giveaway: Eberron Campaign Guide

Black Gate Giveaway: Eberron Campaign Guide

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eberron-campaignLast month we announced we were giving away eight copies of the Eberron Campaign Guide, a 4th Edition D&D Supplement from Wizards of the Coast.

How do you win? By sending a two-sentence summary of a recent Eberron product to eberron@blackgate.com. The best eight — as selected by a capricious panel of barely-literate judges — will be published here, and the authors will be awarded the prizes.

That’s it. No forms to fill out.  No skill-testing questions. No money down. No fine print.  OK, maybe a little fine print, so sue us. It’s a contest, no one’s gonna believe it’s legit until they see some fine print.

It’s a mighty fine book, too.  Yes, that’s Edward Scissorhand’s dad on the front cover.  And his dogs Zipper and Papercut.  They bring a whole new level of menace to “running with scissors.” Ouchie ouchie.

Come on, this is the easiest contest we’ve ever run.  Maybe the easiest contest in the whole history of civilization.  I could even make it even easier by pointing you to a complete list of Eberron modules and sourcebooks to get you started, but that would be spoon feeding you, wouldn’t it?  Yes it would.

Time is running out to claim one of these fine D&D books, and perhaps to introduce yourself to the very cool Eberron setting. E-mail us at eberron@blackgate.com now.  Operators are standing by.

A New Copy of Dhalgren: Caution, BookCrossing

A New Copy of Dhalgren: Caution, BookCrossing

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dhalgrenI bought my first copy of Dhalgren in the late 70s. If memory serves, I accidently dropped it in the sink shortly thereafter.  It swelled up and got sorta lumpy, even after it dried.

A few years ago I decided it was time to get a replacement. Now, I received a review copy of the imposing new trade paperback edition from Vintage Press a while back, with a big blurry red skyscraper on the cover, but what I wanted was the original 1975  Bantam edition (at left), which captured my imagination 35 years ago. Before it sank beneath the suds in our kitchen sink while I was supposed to be washing dishes, anyway.

It takes a while to find a pristine, unread copy of a 35-year old paperback, even on eBay. But before too long I had one, tucked snugly away with my other Samuel R. Delany, and I packed the old one away in the basement.

Except, now I want to read it. No point looking for the one I’d buried in the basement months ago (you’d understand if you saw my basement) — and anyway, who wants to read a book that’s all lumpy? I could read the new one… but man, I paid handsomely to have a pristine copy. Dhalgren is 890 pages — not exactly easy to read when you’re trying not to bend the spine.

So I did what any rational person would do. Back to eBay to find another copy.

This is the kinda thing that drives Alice crazy (Miss “Explain to me why you need a fourth copy??”), but I was very happy when it arrived today. And then I found this hand-written note on the inside cover:

BCID: 361-4144887

Dear Stranger,

If you read this book, please visit bookcrossing.com and say so. This book is traveling from hand to hand – better to be read by many people than to gather dust on a shelf. BookCrossing tracks it so that we readers know where it goes and what others think of it. Just go to the website, enter the BCID above, and leave a brief journal entry (anonymous, if you prefer). Then leave it somewhere to be read again.

Thank you!

Apparently, this thing is legit. The website checks out and everything. I entered my BCID and discovered my new copy of Dhalgren had been read by someone named Vasha and then “released into the wild” in a cafe in Ithaca, New York on August 2, 2006.

It’s hard to describe the delight in Alice’s eyes when she saw this. “You should pass it along!” she exclaimed. “Put it on a park bench or something.”  Get it out of her house, she means. My wife’s sanity depends on defending as much square footage as she can from the encroaching book madness. In her fondest dreams, this process involves a flamethrower.

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Dark Adventure Radio Theatre’s The Shadow Over Innsmouth

Dark Adventure Radio Theatre’s The Shadow Over Innsmouth

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shadow-innsmouthI work for a small software company in Champaign, Illinois.  I live in St. Charles, about three hours away. I spend a lot of time in the car. I’ve learned to love audio books.

In the past three years I’ve listened to The Old Man and the Sea, To Kill a Mockingbird, all seven Harry Potter novels, Stephen King’s Dreamcatcher, Isabel Allende’s Zorro, and dozens more.

It’s how I get the bulk of my reading done these days. If I had someone to read fiction submissions to me in the car, I swear we could publish Black Gate weekly.

Late last month, as Highway 47 was smothered in fog and I made my way carefully through a desolate winter landscape, I popped an adaption of H.P. Lovecraft’s  “The Shadow Over Innsmouth” into the CD player. It was, hands down, one of the best audio experiences I’ve ever had.

“Innsmouth” is one of Lovecraft’s most well-known stories, a creepy and wonderfully atmospheric tale of a young tourist stumbling off the beaten path into a shadowy New England fishing village with a dark history and a rather nasty aversion to visitors — especially those who ask too many questions. It originally appeared in a minuscule edition of 200 copies in 1936, the only book Lovecraft published in his lifetime.

Dark Adventure Radio Theatre has transformed the story into a 77-minute radio play just as it might have been broadcast in the 1930s, with a large cast of talented actors, terrific sound effects, and original music. You’ll hear the creak of doors, ominous footsteps, the muttering of hostile crowds, and the sounds of a frantic rooftop escape  from an unknown something, pounding through the walls.

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The Year’s Best SF & Fantasy 2009, edited by Rich Horton

The Year’s Best SF & Fantasy 2009, edited by Rich Horton

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years-best-2I’m supposed to be putting the finishing touches on BG 14, figuring out how to use Google Ad words, and about a million other things tonight. But man, I am beat.

Besides, the copy of Rich Horton’s The Year’s Best Science Fiction & Fantasy 2009 I ordered finally arrived a few weeks ago, and it’s been sitting there on my desk, unopened. That’s just criminal. So I packed it in early tonight, and curled up with it in the big green chair.

As we’ve established here already, Rich Horton is some kind of crazy person.  It all started with his newsgroup at SFF Net, where he was reviewing every single magazine in the entire universe.  Or as close as damn is to swearing, as they used to tell me while growing up in Nova Scotia.

Then he began compiling lists of his selections of the best short fiction of the year, and we started reprinting them on the BG website (in 2005, 2006 and 2007.)

In between, he knocked out detailed articles exploring the rich history of the SF & Fantasy genres for virtually every issue of Black Gate, starting with Building the Fantasy Canon: the Classic Anthologies of Genre Fantasy: Part One, (BG 2) and continuing with things like an exploration of The Big Little SF Magazines of the 1970s (BG 10), and Fictional Losses: Neglected Stories From the SF Magazines (BG 11).

Now he’s turned his talents to something closer to home: making books.  He’s become an anthologist of note, with over half a dozen Best SF and Best Fantasy volumes to his credit, chiefly from Prime Books.  This year Prime has re-launched the series, with a snappy new cover design and a big bump in size and page count (to 540 pages).  This is a hefty volume, with 37 short stories, detailed author biographies, and Honorable Mentions.

There are a great many Best of the Year books in the genre, but so far this is my favorite.  More later as I make my way through the book.

Black Gate 14 Sneak Peek

Black Gate 14 Sneak Peek

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bg-14-cover3Black Gate 14 is a landmark issue — and at 384 pages, it’s also the largest in our history. 

It celebrates the growth and success we’ve seen over the last year, and it’s a big “Thank You” to all the readers who’ve supported us while so many small press magazines are struggling. We worked hard to get it out in 2009, but its sheer size and complexity (over 150,000 words of fiction, and nearly 25 full pages of art) made that impossible.  The issue shipped in March.

Special thanks are due to Contributing Editor Bill Ward, who assembled a huge 32-page review section, and Managing Editor Howard Andrew Jones, for a 20-page gaming section.  Thanks also to Rich Horton, for his lengthy article on Modern Reprints of Classic Fantasy, and to Bruce Pennington for a magnificent cover.

What awaits you in BG 14? A young girl confronts an ancient evil on the rooftops of a decaying city, armed only with her father’s sword… A band of desperate men pursue the slave traders who stole their families across cold barrows where a dread thing sleeps… An ambitious witch finds her schemes for revenge may not be quite treacherous enough… And New York’s first karma detective discovers a simple case to re-unite two lovers conceals a sinister conspiracy. Includes new fiction from John C. Hocking, Michael Jasper & Jay Lake, Pete Butler, Martin Owton, Chris Braak, and a Morlock novella from James Enge!

Buy this issue — ­ only $18.95 plus postage and handling!
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Rich Horton reviews Black Gate 13

Rich Horton reviews Black Gate 13

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black-gateissue-13-coverEvery year, uberreviewer Rich Horton sets out to summarize the year in genre short fiction at his newsgroup on SFFNet.

Note I didn’t say “survey,” or “overview.”  Rich reads every story in every single magazine in the field — and more than a few outside it — and discusses each publication in detail.  It’s a process that takes months (not including reading time). As he put it in his final post last year:

I read various issues of 36 print magazines, 29 electronic sources, 50 original anthologies, 14 story collections with original pieces, 12 single story chapbooks, and a few other miscellaneous spots. I read a total of 2325 stories: 69 novellas, 434 novelettes, and 1823 short stories… word count total, a bit over 13.5 million.

Is he crazy? (That’s not a rhetorical question. The answer is probably yes.) But until he’s institutionalized, the rest of us benefit greatly from both his stamina and his superior taste.

How do we know his taste is superb? Because he likes Black Gate, for one thing.

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