Kimota! and Marvelman
I’m going to take a break this week from the Romanticism and Fantasy posts, because I’ve just finished a fascinating book, and I’d like to talk about it. It’s not a new book, and it’s not a fiction book. It is in fact mainly a collection of interviews about a comic-book character who hasn’t seen print (officially) in almost twenty years. The book is called Kimota!, and the character has been known both as Miracleman and, originally, Marvelman.
The Marvelman situation is difficult even to describe. Briefly: created in the mid-50s as a British knock-off of Captain Marvel (then the world’s most popular super-hero), the last story of Marvelman’s original run was published in 1963. The character was revived, with his backstory radically re-imagined, by writer Alan Moore for the British magazine Warrior in 1982. Warrior went under before long, but in 1985 Marvelman’s adventures continued, still written by Moore, now published by the American company Eclipse Comics. A few years later, Moore left the book, selecting Neil Gaiman as his successor. Gaiman projected three story arcs; roughly one and a half saw print before Eclipse folded in 1994.
From that time to this, the character has mostly remained in limbo. Marvelman’s the ultimate cautionary tale about the difficulties of copyright law. With every change of publisher, with every change of creator, the question of who owned what grew more complex, more debateable. Two years ago, Marvel Comics bought the copyright from Marvelman’s original creator, and began reprinting some of the character’s old adventures. That’s nice, in many ways, but it’s the Moore and Gaiman work that people have been waiting to see, and waiting to see completed. It may be a while before that happens.
I was planning to start the series of posts on Romanticism and fantasy this week, but something came up in the last few days that I’d like to write about; particularly since it seems to resonate with 
