Browsed by
Category: Comics

Free Knights of the Dinner Table Online Strips

Free Knights of the Dinner Table Online Strips

Comments 2 comments

kodt-webcomicThe talented Jolly Blackburn, creator of the comic Knights of the Dinner Table, has posted an epic KoDT comic strip online for your enjoyment.

Knights of the Dinner Table is the finest gaming comic ever made. It follows the misadventures of a group of misfits from Muncie, Indiana, whose love of gaming routinely trumps normal social conventions, and occasionally even their sense of self preservation.

This latest online strip, “Not Up To Speed,” finds the gang involved in an impossibly ambitious  live-action recreation of the D-Day landing in a vast convention hall at Gary Con.

Long time readers will recognize the characters Eddie and Sara, who appear in the KODT Java Joint strip in the pages of Black Gate magazine.

The latest issue of the Knights of the Dinner Table print magazine is #180 (October 2011), making it one of the longest-running independent comics in history.

Knights of the Dinner Table magazine is 64 pages of comics, reviews and gaming fun for just $5.99. It’s available at better comic and game shops around the country, or online at KenzerCo, and it gets my highest recommendation.

Gunpowder, Treason, and Occupation: V For Vendetta

Gunpowder, Treason, and Occupation: V For Vendetta

Comments 5 comments

V For Vendetta 1I’m taking a bit of a break from the Romanticism and Fantasy posts, as I’ve got a few other things I’d like to write about. To start with, since I discussed Alan Moore’s Marvelman a few weeks ago, I thought I’d take a look now at V For Vendetta. V started as a series that ran, like Marvelman, in the early 80s in the black-and-white anthology magazine Warrior. Though the story was left incomplete when Warrior folded, in 1988 the series was republished in colour by DC Comics, and Moore and artist David Lloyd were able to finish it as they’d hoped. (Some spoilers for the book follow; also spoilers for Watchmen, oddly enough.)

A bit of cultural background may be in order here to explain V’s iconography, themes, and why the main character’s mask is suddenly turning up in protest movements in metropolitan centres. Guy Fawkes was a militant Catholic in early 17th-century England, part of a group of confederates led by Robert Catesby, who planned to blow up the Houses of Parliament and kill King James I. Fawkes was apprehended underneath Parliament, near the conspirators’ vast store of gunpowder. There has been much discussion since about how much England’s intelligence services knew about the plot; it seems that James’ spymaster Robert Cecil may have known about the scheme in advance, and let it proceed in an effort to capture higher-placed Catholic agents. In any event, Fawkes was tortured and executed along with seven other conspirators. The anniversary of what would have been the date of the explosion, November 5, became an annual celebration in England, marked with bonfires and the burning-in-effigy of Guy Fawkes.

Moore and Lloyd used that imagery when they created V For Vendetta. They had planned, at the suggestion of Warrior editor Dez Skinn, to create a comics series focussing on a pulp-era gangbuster figure. As they talked over that idea, it turned into a near-future adventure series, following a heroic anarchist out to overthrow a fascist totalitarian state. They used the iconography of Guy Fawkes as the visual inspiration for their hero, dressing him in 17th century garb and a smiling mask, and began the series with the destruction of the Houses of Parliament that the historical Fawkes couldn’t accomplish.

…

Read More Read More

Kimota! and Marvelman

Kimota! and Marvelman

Comments 4 comments

Kimota!I’m going to take a break this week from the Romanticism and Fantasy posts, because I’ve just finished a fascinating book, and I’d like to talk about it. It’s not a new book, and it’s not a fiction book. It is in fact mainly a collection of interviews about a comic-book character who hasn’t seen print (officially) in almost twenty years. The book is called Kimota!, and the character has been known both as Miracleman and, originally, Marvelman.

The Marvelman situation is difficult even to describe. Briefly: created in the mid-50s as a British knock-off of Captain Marvel (then the world’s most popular super-hero), the last story of Marvelman’s original run was published in 1963. The character was revived, with his backstory radically re-imagined, by writer Alan Moore for the British magazine Warrior in 1982. Warrior went under before long, but in 1985 Marvelman’s adventures continued, still written by Moore, now published by the American company Eclipse Comics. A few years later, Moore left the book, selecting Neil Gaiman as his successor. Gaiman projected three story arcs; roughly one and a half saw print before Eclipse folded in 1994.

From that time to this, the character has mostly remained in limbo. Marvelman’s the ultimate cautionary tale about the difficulties of copyright law. With every change of publisher, with every change of creator, the question of who owned what grew more complex, more debateable. Two years ago, Marvel Comics bought the copyright from Marvelman’s original creator, and began reprinting some of the character’s old adventures. That’s nice, in many ways, but it’s the Moore and Gaiman work that people have been waiting to see, and waiting to see completed. It may be a while before that happens.

…

Read More Read More

Star Trek: Where No Comic Has Gone Before

Star Trek: Where No Comic Has Gone Before

Comments 0 Comment

star-trek-1And here I had grand ambitions to write a quick post or two about some recent magazine acquisitions tonight. Instead I’m dropping all that to tell you about a comic book I’ve never even seen (and is reportedly already sold out). Blame Tor.com, where I stumbled across this story.

Now I know you saw 2009’s Star Trek reboot, staring Chris Pine and Zachary Quinto, and directed by J.J. Abrams. Whether you loved it or hated it, I’m pretty sure your mind went the same place mine did after exiting the theater: Huh. I wonder how that fresh crew of punks would handle The Doomsday Machine. Or that nasty Klingon captain Kor from “Errand of Mercy.” Is that Quinto guy even old enough to grow a beard for  a “Mirror Mirror” remake?

We’ll have to wait until at least 2012 to see how (or even if) J.J. Abrams chooses to answer those questions in the coming sequel. But now IDW, the company behind the excellent Star Trek: Year Four comic series, has teamed up with Star Trek writer/producer Roberto Orci to launch a new comic that explores those very questions.

From the IDW website:

The adventures of the Starship Enterprise continue with the new cast from the film as they embark on missions that re-imagine select stories from the original television series, along with new threats and characters never seen before.

Under the creative direction of Orci, fan-favorite Star Trek writer Mike Johnson and artist Stephen Molnar bring this alternate universe to life and begin the countdown to the highly anticipated Star Trek sequel. The series kicks off with a dramatic new envisioning of The Original Series second pilot, “Where No Man Has Gone Before.” The conclusion of this reimagined episode will be available in October. In November, the adventures of the new Enterprise crew continue with a new take on the classic episode “The Galileo 7,” as Mr. Spock finds himself in command of a stranded shuttle crew fighting for survival.

Yeah, that sounds pretty damn cool.  IDW has already announced that a second printing, with a variant cover, will be available soon. Worth a trip to the comic shop, anyway. I’ll be the guy in line in front of you, haggling for a free mylar bag.

You Can’t Read the Same Comic Twice: Justice League of America 183-185

You Can’t Read the Same Comic Twice: Justice League of America 183-185

Comments 2 comments

Justice League of America 183I was planning to start the series of posts on Romanticism and fantasy this week, but something came up in the last few days that I’d like to write about; particularly since it seems to resonate with a recent experience of John O’Neill’s. Earlier this week, my friend Claude Lalumiére sold off much of his library of sf, fantasy, and comics in preparation for an upcoming move. I’ve known Claude for a long while, and esteem his tastes highly. It’s not surprising I came away from his sale with a huge amount of material. What was surprising, to me at least, was that of all the many things I picked up — fiction by Zelazny, Lafferty, Delaney, Tanith Lee; comics by Alan Moore, Grant Morrison, Jack Kirby — the first items I chose to read were three Justice League comics from over thirty years ago.

There’s nothing particularly exceptional about the books. They do feature the last issue drawn by former JLA mainstay artist Dick Dillin before his death, and the first two issues drawn by George Pérez, as well as dynamic covers by Jim Starlin. But that’s not why I was drawn to them. They’re a three-issue story, telling a tale of one of the JLA’s annual meetings with the parallel-earth Justice Society of America; that’s not why either. It’s a storyline that uses Kirby’s Fourth World characters and concepts; but that also isn’t it.

It’s simply that I remember reading those comics when they first came out, and I remember loving them. The books are cover-dated October, November, and December, 1980, meaning they’d have come out in the summer of that year. I was six. Like John’s experience with Little Lulu, when I found new copies, the draw of my childhood was overpowering. But Little Lulu’s frequently held to be some of the greatest kids’ comics ever done. These are just a few random issues of a mid-tier superhero book. Well-drawn, yes, but not spectacular. Still, I found that in part because the work is decent without being great, I could re-read them with a double vision, remembering how they seemed to me at six as much as I reacted to them in the present moment.

…

Read More Read More

Little Lulu Volume 25: The Burglar-Proof Clubhouse and Other Stories

Little Lulu Volume 25: The Burglar-Proof Clubhouse and Other Stories

Comments 13 comments

little-luluDuring my heyday as a young comic collector — from maybe 1973-1977 — I primarily chased Marvel titles, with the occasional DC offering like Legion of Super-Heroes, and a smattering of Charlton comics such as Blue Beetle. Like most ten-year-old collectors I scorned kid’s comics, of course.

At least in public. Behind closed doors, I loved virtually all comics, and read whatever I could get my hands on: Archie, Uncle Scrooge, Casper the Friendly Ghost, and even Little Lulu, which featured the comparatively tame adventures of Lulu Moppet and her neighborhood friends as they hunt for wild turkeys in the local woods, solve the mystery of a missing tea cup, and go to school.

I only recently discovered that Dark Horse Comics has reprinted over a decade’s worth of Little Lulu in 29 volumes (!!), many of them in full color. A pretty staggering feat of cultural scholarship, sure, but I have to admit my initial reaction was “Who the hell wants to read that much Little Lulu?”

Me, as it turns out.

Just as I did roughly 40 years ago, I slipped a copy of Little Lulu into a stack of larger comics when I thought no one was looking.  Back then it would go between Amazing Spider-man and Grimm’s Ghost Stories, just before I marched up to the drug store counter with my stack of quarters.  Last week, I quietly added it to my Amazon cart between Hellboy, Volume 1 and Marvel’s collected Son of Hulk, when my kids were in the other room. Listen — no matter how old you are, the scorn of children is a terrible thing.

As soon as that package arrived, it wasn’t Hellboy or Son of Hulk I opened first. It wasn’t even Star Wars: Knights Of The Old Republic, Volume 7, and that baby had storm troopers on the cover. No. It was Little Lulu.

…

Read More Read More

Blogging Alex Raymond’s Flash Gordon:“, Part Twelve – “The Tyrant of Mongo”

Blogging Alex Raymond’s Flash Gordon:“, Part Twelve – “The Tyrant of Mongo”

Comments 2 comments

flashgordon4flash_2_-_the_tyrant_of_mongo“The Tyrant of Mongo” was the twelfth installment of Alex Raymond’s Flash Gordon Sunday comic strip serial for King Features Syndicate. Originally printed between June 12, 1938 and March 5, 1939, the epic-length “Tyrant of Mongo” picks up the storyline where the eleventh installment, “Outlaws of Mongo” left off with Flash and the Freemen having sought refuge in the tombs of Ming’s ancestors. They befriend Chulan the caretaker who joins the Freemen. The flooding of Mingo City has thrown the kingdom into disarray. Flash and a group of Freemen storm the Navy’s flagship only to find its captain only too willing to join the fight against the Emperor.

Emboldened by their success thus far, Flash and Captain Sudin lead the growing ranks of Freemen in a daring prison break to free Ming’s political prisoners. Naturally, they have walked into a trap. Scores of Freemen are decimated by Ming’s forces. Flash and an injured Sudin manage to escape with their lives. Unexpectedly, Flash and Sudin bombard the prison from their rocketship and rescuing those survivors they can reach attempt to make good their escape.

Crashing into the sea, Flash learns they are short one oxygen tank and heroically stays behind with the sinking ship while everyone else makes their way to freedom. Dale and Zarkov succeed in rescuing Flash, but Zarkov doesn’t believe his chances for survival are very strong. Of course, thanks to Zarkov’s surgical skill Flash does survive and recovers sufficiently to hastily design and oversee construction of a complex series of underground tunnels to house the Freemen. Naturally, their new-found tranquility is short-lived as Ming visits the island to bury his recently-deceased uncle (who Ming had killed when he learned he was plotting against him). A word should be said about Alex Raymond reaching new heights with his artwork in this installment. Raymond’s work was constantly evolving and it retains its power nearly 80 years later.

…

Read More Read More

Goth Chick News: 13 Questions for Blood Junky Author Stavros

Goth Chick News: 13 Questions for Blood Junky Author Stavros

Comments 0 Comment

6x9-cover-templateIf you happen to be familiar with the Black Gate submission guidelines, then you’ve read the following on our feelings about vampires around the office:

We see far too much bad vampire fiction, and if you think you’re going to surprise readers by revealing your hero is a vampire on the last page, you’re dead wrong.

As a hard-core vampire fan you might think this would be just another chafing point for me, along with the toilet seat being left up in the unisex bathrooms and Scott Taylor coming in shirtless and pretending to be an Ork every Halloween.

But no.

I wholeheartedly support this anti-vampire stance but not just because most vampire fiction is bad. It’s because it is a rare thing indeed, to find a truly unique take on the concept. Bram Stoker created an epic character and ever since, it’s pretty much been the same thing only different; slight variations on all the major themes of immortality, blood consumption, aversion to daylight, etc, etc, etc.

Yawn.

Imaginative vampires in literature are as difficult to find as the real thing, but thankfully, not impossible.

Enter Stavros — an artist and author who, like Dracula, goes by one name — and his first novel Blood Junky. I devoured the book in one sitting which is not what I expected to do when I first talked to Stavros about it at this year’s Comic-Con. This story was really, truly different; it was cool and kind of gross. I couldn’t put it down.

I had to know more about this guy and this book.

…

Read More Read More

Blogging Alex Raymond’s Flash Gordon, Part Ten – “The Beast Men of Mongo”

Blogging Alex Raymond’s Flash Gordon, Part Ten – “The Beast Men of Mongo”

Comments 0 Comment

beast-men21beast-men1“The Beast Men of Mongo” was the tenth installment of Alex Raymond’s Flash Gordon Sunday comic strip serial for King Features Syndicate. Originally printed between April 25 and August 8, 1937, “The Beast Men of Mongo” picks up the storyline where the ninth installment, “The Tusk Men of Mongo” left off with Flash and Dale led by Captain Truno to Prince Barin’s kingdom. Truno explains that it is necessary for them to live in treetop homes because of the many dangers of the forest. They ride a vine-propelled elevator to an amazing network of highways that link the trees four hundred feet above ground to Prince Barin’s stunning snow-white castle.

Barin and Aura give Flash and Dale a royal welcome. Alex Raymond’s artwork is gorgeous in these panels. Aura still carries a torch for Flash and greets him with a passionate kiss that leaves Dale fuming. That night as Flash gazes out the window he spies an intruder entering Aura’s chamber via the balcony. Flash heroically swings down on a vine and surprises the intruder. The man surrenders Aura’s jewels and claims he was reduced to thieving because of his sickly wife. Flash takes pity on him and lets him go free. Aura emerges from her bed chamber and discovers Flash who returns her jewels and claims the thief escaped. Leaving Aura’s room, Flash is met by Dale who is suspicious when Flash claims he chased a thief away. The adult themes in this storyline (though tame by modern standards) were quite sophisticated for their day. Don Moore’s dialogue lets Raymond’s artwork tell the story for him. This was always true of their partnership, but the point is driven home even more when Raymond turns up the heat of sexual tension between Flash and Aura. 

…

Read More Read More

Blogging Alex Raymond’s Flash Gordon, Part Nine – “The Tusk Men of Mongo”

Blogging Alex Raymond’s Flash Gordon, Part Nine – “The Tusk Men of Mongo”

Comments 0 Comment

tusk-men-12flash“The Tusk Men of Mongo” was the ninth installment of Alex Raymond’s Flash Gordon Sunday comic strip serial for King Features Syndicate. Originally printed between February 7 and April 18, 1937, “The Tusk Men of Mongo” picks up the storyline where the eighth installment, “The Forest Kingdom of Mongo” left off with Flash and Dale unknowingly venturing into Tusk Men territory. The Tusk Men are a Neanderthal-like race of blue-skinned men with prehensile tails. They live in tribes and have fashioned crude tools such as axes. One of their scouts spies Flash and Dale and despite Flash carrying a makeshift spear, they are quickly overwhelmed by five of the Tusk Men.

Flash and Dale are bound and led many miles away to a vast network of caves where the Tusk Men dwell. There, we learn that the Tusk Men can speak a simple form of English as well as their own bestial language, and that they are cannibals who have captured Flash and Dale to devour them. The tribe is ruled by One-Tusk who claims Dale for his mate. Dale pleads for Flash’s life is to be spared to no avail. Just as he is about to be pitched into the flames, Flash breaks free of his bonds and fights against his captors. The Tusk Men greatly outnumber him and the Earth man is quickly recaptured. Death appears unavoidable.

…

Read More Read More