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Some Notes on The Eagle of the Ninth

Some Notes on The Eagle of the Ninth

The eagle of the NinthWhat I know about Rosemary Sutcliff:

She was born in 1920. At age two she was struck by a terrible form of juvenile arthritis; she was in a wheelchair most of her life. She didn’t learn to read until she was nine, but was read to by her mother — Dickens, the Mabinogion, Kipling, King Arthur, Robin Hood. She became a writer in 1950, with a book drawing from those tales: The Chronicles of Robin Hood. In 1954, she wrote a book about Roman Britain, The Eagle of the Ninth, that became the first of a well-known series. She died in 1992.

I recently read The Eagle of the Ninth. And as a result of that I know this, too: I will be reading more of her work, in the very near future.

The Eagle of the Ninth follows Marcus Flavius Aquila, a Roman Centurion assigned to Britain in the second century AD. Wounded in battle, he’s discharged from the military, recovers, and eventually begins a dangerous quest into the mysterious lands north of the Roman walls — into the wilderness haunted by strange tribes of barbarians.

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Vote in the 2011 Locus Online Poll!

Vote in the 2011 Locus Online Poll!

the-desert-of-souls-tpBalloting for the annual Locus Poll and Survey is now open!

The winners of the poll are given the prestigious Locus Awards each year. Categories include Best SF novel, Best Fantasy novel, Best First novel, Best Anthology, Best Magazine, Best Editor, Best Artist, and many others.

But the Locus Poll is more than just an awards ballot. Locus has been taking the pulse of the entire industry for the last 42 years, and the information collected — on buying habits, reading preferences, income, computing, and much more — is used by Locus magazine to form a picture of the evolving dynamic of the modern SF and fantasy reader.

Of more than passing interest of to Black Gate readers, I was very pleased to note that our Managing Editor Howard Andrew Jones has been nominated for Best First novel for The Desert of Souls. And Black Gate magazine has been nominated for Best Magazine.

Voting is open to all, subscribers and non-subscribers, per the instructions:

In each category, you may vote for up to five works or nominees, ranking them 1 (first place) through 5 (fifth). Listed options in each category are based on our 2011 Recommended Reading List [this link will open a new window], with options in categories for editor, artist, magazine, and publisher including results of the past two years.

You are welcome to use the write-in boxes to vote for other titles and nominees in any category — if you do, please try to supply author, title, and place of appearance, where appropriate.

The ballot is here. The deadline is April 1, 2012. Make sure your voice is counted in the most important ballot and survey in the industry!

Goth Chick News: When Goth Chicks Attack

Goth Chick News: When Goth Chicks Attack

image002Vampire Fashionistas, Flesh-Eating Ogres, Paranoid Werewolves and Sugar-Addicted Zombies…

Welcome to Gothopolis.

As I stare at the cover of Blood Feud: The Saga of Pandora Zwieback, Book 1 which was just delivered by the spotty intern handling the Black Gate mailroom this semester, several thoughts are competing for top billing; like “Where is this ‘Gothopolis’?” and “Someone get my travel agent on the horn,” and “Would Steven Roman mind if I developed a crush on him?”

Finally, someone who understands…

The cover of this magnificent work of art is reminiscent of looking in a mirror. Okay, not so much. But still I’m mesmerized. Is this really a novel about a zombie shooting, werewolf booting Goth chick?

It looks too good to be true really.

So I fire up the blender and with fine adult beverage in hand, I climb into my comfy chair (the big leather one just under the life-size stand up of Bela Lugosi) to have a nice, long, get-to-know-you session with Pandora Zwieback.

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Chris Braak Reviews First Lord’s Fury

Chris Braak Reviews First Lord’s Fury

first-lords-fury
First Lord’s Fury
Jim Butcher
Ace Books (784 pp, $9.99, paperback November 2010)
Reviewed by Chris Braak

Despite the phenomenal success of his better known Dresden Files, the steady-hand and breakneck pace of First Lord’s Fury suggests that maybe Jim Butcher’s heart lies in epic fantasy.

First Lord’s Fury is the sixth, and presumably final, book in Butcher’s Codex Alera series. It brings to conclusion the long war that the Alerans and their sometimes-enemies, sometimes-allies, the Canim, have been fighting against the Vord. As in previous novels, the action is split: first between Tavi’s family who, along with the survivors of Alera Imperia (which was destroyed when a volcano erupted under it) fight a holding action across what remains of Alera, pursued to its edge by the relentless insectoid Vord. Meanwhile, Tavi – Gaius Octavian himself, the new First Lord of Alera – his band of merry men, and his new army of gigantic lycanthropes, struggle to develop increasingly improbable means to cross an entire continent in time to save the last remnants of his civilization.

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James Enge’s A Guile of Dragons Coming in August

James Enge’s A Guile of Dragons Coming in August

a-guile-of-dragonsNice to see the print medium can still get me news in a timely fashion (even if it’s news that everybody else already knows by now).

Somewhere off the coast of Belize, on the balcony of a cruise ship about 100 miles from the nearest Internet access, I read in the latest issue of Locus magazine that Black Gate alumnus James Enge had delivered A Guile of Dragons, the first novel in A Tournament of Shadows, to Lou Anders at Pyr.

The novel is scheduled to be published on August 24. According to an interview with James at Old Game Reviewer that I dug up when I landed, it is Morlock’s origin story:

The Wolf Age did well enough that Pyr signed me to another 3-book deal. Currently I’m finishing up an origin story for Morlock. It’s called A Guile of Dragons and is due out next summer. It’s very old school fantasy in some ways — dwarves, dragons, Merlin and Nimue. (No elves, though. Everyone has to draw the line somewhere.) And it also gives us a look at Morlock’s homeland, which is a sort of anarchy where community needs are addressed by voluntary associations. It’s a sort of utopia, really — with monsters. Most utopias don’t have monsters, of course, but that’s why they lack a certain plausibility.

Pretty cool indeed. The striking cover art is by Steve Stone. Looking forward to this one.

Steampunk Spotlight: Cherie Priest’s Dreadnought

Steampunk Spotlight: Cherie Priest’s Dreadnought

dreadnoughtDreadnought (Amazon, B&N)
Cherie Priest
Tor (400 pp., $14.99, 2010)

Reviewed by Andrew Zimmerman Jones

Cherie Priest returns to her “Clockwork Century” in full force in this third novel. In some ways, I would recommend that readers begin with Dreadought, even though it’s the third book in the series. Basically, the plot twist at the end of Dreadnought is the entire premise of Boneshaker, as I’ll explain later in the review. (Spoiler-ish alert!)

The book focuses on Mercy Lynch, a Confederate nurse whose husband has just died fighting for the Union. (Gotta love those border state romances!) She receives word from her father – who left her as a child – that he is dying, and he would like her to visit him in the Washington territory. That father is Jeremiah Swankhammer, who readers of Boneshaker will recognize as one of the key characters in that story.

With nothing really to keep her in Virginia, she sets off on a cross-country journey by airship and train to reach Tacoma and, ultimately, Seattle.  Unfortunately, the only train that can get her from St. Louis to Tacoma is the Union steam engine Dreadnought, and the train is carrying some bizarre cargo … cargo which makes the train trip into a harrowing ride that brings Mercy and the other passengers into conflict with bushwackers, a mad scientist, and even zombies!

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The Future of Bookstores Latest Update

The Future of Bookstores Latest Update

29-barnes-jp4-articleinlineSo it now it seems publishers are counting on Barnes and Noble to help them stay in business.  Which is funny because it wasn’t that long ago when Barnes and Noble was a slayer of independent bookstores and an enemy of the books business; now it’s considered the only thing that stands in the way of total world domination by Amazon.

Interesting that the notion of a bookstore is beginning to look more and more like an Apple store. Which is not necessarily a bad thing. My kid just got a Nook and she goes to our local Barnes and Noble because she can read certain e-books online for free there. Meanwhile she can consume some mocha lattes and maybe even take home a real book. Like everyone else I shop on-line, but the atmosphere of a bookstore leads to impulse buys that isn’t the same as scanning some algorithm’s suggested reads.

Speaking of physical books, I just finished Richard Morgan’s The Cold Commands, Book Two of presumably a trilogy ironically titled A Landcc Fit for Heroes (in which the land is neither fit for heroes nor populated with behavior typically classified heroic) by Richard K. (whose middle initial is used on book jackets only on the American side of the pond for some reason) Morgan describe it as “genre busting.” That’s not just some publicist’s hyperbole.  You can read the complete review over here at the SF Site.

Steampunk Spotlight: Cherie Priest’s “Tanglefoot” & Clementine

Steampunk Spotlight: Cherie Priest’s “Tanglefoot” & Clementine

clementineClementine (Amazon, B&N)
Cherie Priest
Subterranean Press (208 pages, Sept. 2010, $4.99)

“Tanglefoot” (free online)
Cherie Priest
Subterranean Press (Fall 2008, free)

Reviewed by Andrew Zimmerman Jones

Cherie Priest has become one of the biggest names in the steampunk sub-genre, starting mostly with her groundbreaking 2009 book Boneshaker that introduced most readers to “The Clockwork Century,” the alternate history 1880’s storyline that she created. There are three main features of “The Clockwork Century”:

  1. The Civil War has been going on for over 20 years.
  2. There are airships (and other steampunk accoutrements, such as goggles).
  3. There are zombies (or close enough approximations)

Boneshaker focused on features 2 and 3, with the Civil War really just a background note that has little direct bearing on the story. After all, it’s set in Seattle, which is far outside the territory where the Civil War is being fought.

Clementine, on the other hand, leaves the zombies behind to focus on the Civil War (and the airships) in far greater detail.

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J.M. McDermott’s Never Knew Another

J.M. McDermott’s Never Knew Another

Never Knew AnotherNever Knew Another
by J.M. McDermott
Night Shade Books (240pp, $14.99 USD, trade paperback February 2011)
Reviewed by Matthew David Surridge

J.M. McDermott’s third book, Never Knew Another, is a secondary-world fantasy tale told in a sparse yet elegant style, about hunters seeking dangerous magical prey — and also about two people drawing closer to each other without knowing it, despite having to hide their true natures from the world around them. Perspectives nest one inside another; the book’s always clear, but leaves much meaningfully unsaid, and effortlessly holds the voices of its characters in a delicate balance, allowing them to contrast with each other without any given one being overwhelmed. It’s a remarkable accomplishment, and a strong, unconventional beginning to a promising trilogy.

It starts with a pair of holy werewolves, following a trail to a human city they call Dogsland. The werewolves are hunting demons, or humans with demonic ancestry. Creatures with demons in their family tree are dangerous; their sweat is acidic, and their blood can wither plants, or make normal humans very sick indeed. It’s as though they’re radioactive, potentially causing illness and death around them even if they don’t consciously intend evil. The hunters see their task as a sacred duty. Their story, though, is effectively a frame for the main action; one of the hunters communes with the memories of a dead demon-descended man, searching through those recollections for hints of the whereabouts of others of his kind. The stories of that man, Jona Lord Joni, and of the others of his kind that he knows, provide the meat of the book.

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Selling Shadow Ops: Control Point

Selling Shadow Ops: Control Point

shadowopsFor my next trick, I’m going to give everyone a bunch of totally contradictory advice.

My novel Latent, which eventually became Control Point was ready for prime time (i.e. good enough to win the support of the biggest agent in the business) about 6 months before I sent it to my agent. I lost those months to a miasma of self-pity, low self-confidence and ennui.

In the end, the only reason I got up the gumption to send him the manuscript was that I was heading off to Iraq and I didn’t want to get zapped and never have him see the thing.

I’ve told this story before, but I told my agent not to tell me what he thought of it, figuring that his response (positive or negative) would distract me from what I need to be doing (like fighting a WAR).

Of course, he gets the manuscript, loves it, and spends the next four months sitting on his hands waiting for me to come home.

Add that to the six months where I was too scared to send it to him and I delayed my initial publishing deal by almost a year.

Here’s the point: You have to have guts.

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