Browsed by
Category: Books

Book Review: Orson Scott Card’s Keeper of Dreams

Book Review: Orson Scott Card’s Keeper of Dreams

Comments 1 comment

keeperdreamsKeeper of Dreams (Amazon, B&N)
Orson Scott Card
Tor (656 pp, $16.99, 2008)
Reviewed by Andrew Zimmerman Jones

Orson Scott Card’s novels (in hardcover, several autographed) own the lion’s share of the top shelf in my main bookcase. Though he is one of my favorite authors, I’ve read enough of his work to know that it can be, at best, inconsistent. Ender’s Game and Speaker for the Dead are science fiction classics and also modern classics of children literature. As a teenager, in tears when Ender and Valentine bid each other farewell in Speaker, I thought, “I want to write like this someday.”

But Card does not always hit the mark, either. Xenocide and Children of the Mind are nowhere near classics, even though they are part of the same series. While I have enjoyed all of the Ender’s Shadow books (featuring the secondary character, Bean, from Ender’s Game), they don’t possess the same magic, either. In some ways, they are better than the originals – better character motivation, better structure, better dialogue – but they are not classics. They are not better stories, just better plots.

…

Read More Read More

Journey to The Serpent Sea

Journey to The Serpent Sea

Comments 11 comments

theserpentseaMartha Wells’ tales of Gilead and Ilias have been some of the most popular stories we’ve published in Black Gate. Her opening novel in the Books of the Raksura series, The Cloud Roads (Night Shade Books, March 2011) won her a new legion of fans, and this month the second installment finally arrives.

The Serpent Sea is already getting a lot of great press as a major new fantasy novel. Here’s Keith West over on Adventures Fantastic:

There was a time, more in science fiction than in fantasy, where authors created detailed worlds or universes, such as Known Space (and especially Ringworld), Dune, or more recently Karl Schroeder’s Virga, places unique and filled with that sense of wonder that seems to be missing from so much of contemporary fantastic literature. The Cloud Road and The Serpent Sea are brim full of sense of wonder…  With these books Wells is writing at the top of her game, and given their breath, originality, and complexity, this series is showing indications it could become one of the landmark series of the genre.

When I asked her to describe the series, here’s what Martha shared with us:

The Cloud Roads is a fantasy adventure novel about dragon-like shapeshifters who can fly, but it’s also about searching for a place to belong. When the main character does find his own people, his difficulties don’t end.

The sequel, The Serpent Sea, is about finally finding the place you were meant to be, but realizing that it’s going to take a lot of work to finally belong there. If you can survive long enough.

You can try a sample chapter of The Cloud Roads here, and The Serpent Sea here. Don’t wait to check out one of the most exciting new fantasy series of the last few years.

The Last Dragonslayer (if only it were true)

The Last Dragonslayer (if only it were true)

Comments 1 comment

laOf potential interest to readers of this space is my review of The Last Dragonslayer by Jasper Fforde over at the SF Site.

This is one of those books where you know exactly what to expect. Which is not necessarily a bad thing. I know what to expect from Häagen-Dazs rum raisin ice cream and just because the high-fat content is not necessarily the best thing to consume doesn’t make the experience of eating it any less enjoyable.

If you’ve somehow managed to miss the Jasper Fforde juggernaut, he is the author of several serial parodies that variously poke fun at super agents and literary theory (Thursday Next), detective noir and kid stories (Nursery Crime Division) as well as dystopias and Wizard of Oz allusions (Shades of Grey). Think whimsical. Think smart-ass. Think about that unkempt guy in college who never attended classes but was obviously pretty smart and never at a loss for a wisecrack.

You’re thinking Jasper Fforde.

Real vs. the Unreal, Worlds Other Than Our Own, and the Starting Line of Fantasy

Real vs. the Unreal, Worlds Other Than Our Own, and the Starting Line of Fantasy

Comments 9 comments

masterpieces-of-fantasy-and-enchantmentWhenever discussions of fantasy fiction arise, the question of “which came first?” inevitably follows. Newbies mistakenly think that J.R.R. Tolkien started the genre, overlooking authors like William Morris and E.R. Eddison who had already begun a rich tradition of secondary world fantasy. The same arguments swirl over the many sub-genres of fantasy, too. For example, most believe that Robert E. Howard is the proper father of swords and sorcery, beginning with his 1929 short story “The Shadow Kingdom.” But others have pled the case for Lord Dunsany’s “The Fortress Unvanquishable, Save for Sacnoth” (1908), and so on.

Once begun, these arguments inevitably reach further and further back in time. George MacDonald’s Phantastes (1858) was published before Morris’s The Well at the World’s End (1896), didn’t you know? Oh yeah, what about Malory’s LeMorte D’Arthur (1485)? I’ve got that beat: The Odyssey (8th Century BC). I see your Odyssey and raise you The Epic of Gilgamesh (1300 BC, or thereabouts). And so on. Until it seems that fantasy has always been with us.

But perhaps that isn’t the case. In an introduction to the 1988 anthology Masterpieces of Fantasy and Enchantment, editor David Hartwell draws one of the most neatly defined starting lines for fantasy I’ve encountered. Hartwell describes fantasy as a story written deliberately as unreal, and one which does not take place in the real world.

…

Read More Read More

Saladin Ahmed’s Throne of the Crescent Moon

Saladin Ahmed’s Throne of the Crescent Moon

Comments 12 comments

bgthroneThrone of the Crescent Moon
Saladin Ahmed
DAW Hardcover (288 pp, $24.95, February 7th 2012)

So, I got Saladin Ahmed’s Throne of the Crescent Moon in the mail yesterday.

By dinnertime, after the longest bath in history (getting out would’ve meant stopping reading) and an afternoon of dissolute lounging (moving from my mattress would’ve meant stopping reading), I finished the thing. O the exclamations of delight! O the Facebook status updates!

It is quite possible, although I make no sworn confession, that I took up Throne in my own two hands, with its slick dust jacket – art by Jason Chan featuring dervish (complete with a two-pronged blade “in order to cleave right from wrong”), ghul hunter (with his blazing white kaftan that will not stain), Badawi warrior girl (awesome, green-eyed, growling, rude, and frickin’ Angel-touched too – which you have to like in a girl) and buncha vile bone ghuls with terrifyingly unsanitary teeth – and with this glossily just-read book spun ‘round and ‘round my kitchen, making noises that perhaps ought not to be approximated in print.

I have been waiting and waiting and waiting for this novel.

…

Read More Read More

A Look at The Tears of Ishtar

A Look at The Tears of Ishtar

Comments 2 comments

the-tears-of-ishtarThe Tears of Ishtar
Michael Ehart
Ancient Tomes Press (284 pp, $16.95, March 2010)
Reviewed by Bill Ward

Fans of Michael Ehart’s 2007 release The Servant of the Manthycore (Double-Edged Publishing) will find a lot of familiar ground in The Tears of Ishtar – in fact the later book contains all of the stories collected in the former, some of which have been enlarged or altered, alongside new material. While I will admit to feeling a slight twinge of disappointment upon discovering that I had already read most of the stories in this book (and, when one factors in those stories appearing in other anthologies such as Rogue Blades Entertainment’s Rage of the Behemoth, I think I may have read nearly all of these tales at one time or another), that feeling quickly dissipated. These are, after all, good stories in the tradition of classic sword & sorcery, and this new collection-cum-fix-up-novel showcases Ehart’s Ninshi stories in a more complete and ultimately satisfying way than the previous book.

The Tears of Ishtar spans something like 3,000 years in the life of the cursed, nearly immortal warrior woman Ninshi, the Servant of the Manthycore. Beholden to this legendary, man-eating beast, Ninshi spends long centuries luring men into murderous ambush to satisfy the Manthycore’s appetite – and in exchange is rewarded with brief glimpses of her imprisoned lover, a man ensnared by the Manthycore’s magic and used as leverage against her. But these grim transactions do not comprise the main action of The Tears of Ishtar, as Ninshi finds herself confronting all manner of gods and spirits as she wanders the lands of the ancient Near East. Set against the backdrop of the rise and fall of empires, Ehart’s stories, which move relentlessly forward and often skip centuries of intervening time, capture the sweep and almost unimaginable chronological depth of a time and culture too-often merely abstracted as ‘Ancient Mesopotamia.’ It is that familiarity with the nuances of history, the inclusion of solid details of material culture and belief, and frequent biblical and historical allusions, which elevate the setting of The Tears of Ishtar in a memorable and compelling way.

…

Read More Read More

The Desert of Souls Now Available in Trade Paperback

The Desert of Souls Now Available in Trade Paperback

Comments 6 comments

the-desert-of-souls-tpHoward Andrew Jones’ debut novel The Desert of Souls is finally available in trade paperback, with a brand new cover by Scott Grimmando.

It’s been a busy week for our Managing Editor. Yesterday we told you Thomas Dunne Books had released the cover art for the sequel, The Bones of the Old Ones, and announced a release date of August 21, 2012.

And less than two months ago Howard published The Waters of Eternity, an exciting collection of stories featuring the heroes of his first two novels, the intrepid Dabir and Asim — including two stories that first appeared in Black Gate.

Here’s just a sample of the praise the novel received when it first appeared:

“The Desert of Souls is filled with adventure, magic, compelling characters and twists that are twisty. This is seriously cool stuff.”  — Steven Brust

“A grand and wonderful adventure filled with exotic magic and colorful places — like a cross between Sinbad and Indiana Jones.”  —Kevin J. Anderson

“Howard Andrew Jones spins an exciting and suspenseful tale in his historical fantasy debut. A rich, detailed tapestry — part Arthur Conan Doyle, part Robert E. Howard, and part Omar Khayyam, woven in the magical thread of One Thousand And One Nights.”  —  E.E. Knight

The Desert of Souls, 320 pages of action-packed Arabian adventure, is available from St. Martin’s Griffin for just $14.99.

The Bones of the Old Ones Arrives in August

The Bones of the Old Ones Arrives in August

Comments 4 comments

bones-of-the-old-onesThomas Dunne Books has released the cover art, and announced the release date, for Howard Andrew Jones’ The Bones of the Old Ones, the sequel to The Desert of Souls, which The Mad Hatter’s calls “one of the most enjoyable Swords & Sorcery novels in quite a few years.”

The Bones of the Old Ones will be released in hardcover on August 21, 2012, with a cover by Stephen Stone. This will be the third book chronicling the exploits of Dabir and Asim, Arabian adventurers par excellence, following The Desert of Souls and the short story collection The Waters of Eternity, released in Kindle, Nook and iBook format on November 22.

Here’s the groovy cover blurb for Bones:

A thrilling, inventive follow-up to The Desert of Souls by Howard Andrew Jones, a “rare master of the storyteller’s art” (Greenmanreview.com)

As a snowfall blankets 8th century Mosul, a Persian noblewoman arrives at the home of the scholar Dabir and his friend the swordsman Captain Asim. Najya has escaped from a dangerous cabal that has ensorcelled her to track down ancient magical tools of tremendous power, the bones of the old ones.

To stop the cabal and save Najya, Dabir and Asim venture into the worst winter in human memory, hunted by a shape-changing assassin. The stalwart Asim is drawn irresistibly toward the beautiful Persian even as Dabir realizes she may be far more dangerous a threat than anyone who pursues them, for her enchantment worsens with the winter. As their opposition grows, Dabir and Asim have no choice but to ally with their deadliest enemy, the treacherous Greek necromancer, Lydia. But even if they can trust one another long enough to escape their foes, it may be too late for Najya, whose soul is bound up with a vengeful spirit intent on sheathing the world in ice for a thousand years…

Tomorrow is the release of The Desert of Souls in trade paperback — a perfect chance to job on board if you haven’t already. Don’t miss out on one of the most exciting fantasy debuts in years.

The World Beats a Path to John Fultz’s Door

The World Beats a Path to John Fultz’s Door

Comments 2 comments

seven-princesJohn R. Fultz’s first novel, Seven Princes, has been on sale less than two weeks and already it’s shaking the walls of the literary establishment, getting rave reviews from all corners.

Last week genre website io9 called it “Amazing… It’s epic with a capital EPIC… You sort of wish Frazetta was still alive, just so he could illustrate some scenes from this book.”

This week Library Journal checks in with a starred review of their own:

When Elhathym, the necromancer, murders the royal house of Yaskatha and seizes power, Prince D’zan, the sole survivor of the massacre, vows to avenge his family and liberate his homeland. Traveling thoughout the world, D’zan seeks aid from the Kingdoms of Udurum, land of Giants and men; the Uurz Empire, known for its lush, exotic Royal Gardens; Mumbaza, ruled by its Boy-King; and the Kingdom of Shar Dni, a country already under attack from pirates. Thus, seven princes become caught up in a great conflict. Fultz’s first novel launches an epic series set in a world in which a race of Giants nears extinction and an aging king delivers himself to the Mer-Queen’s justice for a crime committed in his youth… A richly detailed background history filled with the legends of many cultures lends depth to a stand-out fantasy series from an author with an exceptional talent for characterization and world building.

In the same piece you’ll also notice a starred review for our buddy Saladin Ahmed’s new novel Throne of the Crescent Moon, which they call a “long-awaited debut by a finalist for the Nebula and Campbell awards [that] brings The Arabian Nights to sensuous life.”

It’s a good week to be a fantasy fan. Check out both new reviews here.

Steampunk Spotlight: Cherie Priest’s Boneshaker

Steampunk Spotlight: Cherie Priest’s Boneshaker

Comments 3 comments

boneshaker3One of the most popular steampunk books of the last few years, Boneshaker (Amazon, B&N) melded some of the most popular genre elements of steampunk and the zombie apocalypse wave of fiction. In this review from Black Gate #15, I commented that the book was a little action-heavy, full of zombie chases that didn’t always translate well on the printed page. I compared it to a George Romero film … and it turns out that someone took that to heart, because it’s being made into a film. I don’t normally go to zombie movies, but I’ll definitely make an exception for this one, which may well be the most visually-stunning zombie film ever.

Boneshaker

Cherie Priest
Tor (416 pp, $15.99, 2009)
Reviewed by Andrew Zimmerman Jones

Steampunk is traditionally set in a Victorian urban environment, with a veneer of gentility that covers a darker underbelly. And steampunk almost always includes airships (or at least flying bicycles)… often with air pirates in tow.

The weird west mythos, on the other hand, represents the frontier. While technology is usually central to steampunk, the weird west is often defined by some sort of monster (frequently zombies), but these elements can cross genres. The 1999 Will Smith film Wild Wild West featured a flying bicycle and a giant robotic spider, firmly placing it in the camp of steampunk by most accounts, but containing many weird west elements.

Boneshaker takes many of these staples, puts them in a blender, and sets to mix. It is set in a modified 1880’s Seattle, which has been walled off because a gas drifting out of the ground turns people into zombies.

…

Read More Read More