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Playing Favorites: A Talk with Myke Cole

Playing Favorites: A Talk with Myke Cole

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Myke ColeMyke Cole is a badass. OK, I’ve never met him, but seriously smalls, take a look at that square-jawed, large-armed headshot. Badass. He looks like the kinda guy who could jump-punch a shark from a speedboat. He probably has. In fact, did you know that Myke Cole once pulled Chuck Norris from the gaping maw of a Great White? True story.* The next day, he saved seventeen pugs and a heretofore unknown, complete vellum copy of the Gutenberg Bible from a warehouse fire on the docks.** Yeah, he’s that guy. You’d hate him if he weren’t so dang nice. Instead, you want to bump into him at a coffeeshop.

His first novel, SHADOW OPS: Control Point, makes for hella good weekend reading. Oscar Britton is an Army officer turned fugitive sorcerer. Britton isn’t a bad guy, but he is dangerous. He’s manifested magical powers that he can’t control (like thousands of others across the world) and the government he formerly worked for is now determined to collect and control him…or take him out.

Cole has the chops to write military fantasy. He’s been a security contractor, government civilian and military officer. Dude’s worked everything from Counterterrorism to Cyber Warfare, in addition to serving three tours in Iraq and being recalled to serve during the Deepwater Horizon oil spill.

We here at Black Gate pride ourselves on asking the questions that dare not be asked. Yes, constant reader, we got a hold of Myke Cole and asked him about his favorites. These sort of questions are usually scoffed at…how can someone pick a favorite book? THERE ARE SO MANY GOOD ONES! But Cole graciously answered us.

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The Bloodlands Novels of Christine Cody

The Bloodlands Novels of Christine Cody

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bloodlands2I’ve been having fun with the Bloodlands novels of Christine Cody. Her website calls them “a post-apocalyptic Western fantasy series,” and that’s probably the best way to describe them.

Technically they’re science fiction, since there’s a near-future SF vibe and a post-disaster setting. “The New Badlands” is a vast and devastated American West where a handful of survivors retreated underground to escape changing and deadly weather, and a sequence of unrelenting apocalyptic events that have ravaged the country.

But at heart they’re really fantasy as the Badlands aren’t just filled with lethal storms, desperate survivors and brutal gunslingers — they’re also crawling with monsters, including vampires.

The marketing copy from Ace Books left me in mind of Deadlands, the weird western role playing game from Pinnacle Entertainment that breathed new life into the RPG genre in the 90s. But the author credits her inspiration to classic westerns. This is from the dedication to Bloodlands:

A big shout-out goes to all those Westerns that provided us with High Plains Drifters, Shanes, and Pale Riders, plus all the greedy ranchers and gunslinging villains, feisty homesteaders and rugged pioneers. I wanted to twist and reshape those wonderful tropes into something new while recalling the old. Most important, though, I wanted to pay homage to the mysterious cowboys who have wandered across dusty landscapes to face down the bad guys.

Fair warning to those looking for a pure-blooded adventure series: these books have an outcast female protagonist, and a brooding and misunderstood vampire named “Gabriel.” And there’s kissing.

The technical term for books containing both kissing and vampires is “paranormal romance,” and that’s exactly what these are. If sweaty make-out scenes with the undead make you uncomfortable, then back away now.

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New Treasures: The Drowned Cities by Paolo Bacigalupi

New Treasures: The Drowned Cities by Paolo Bacigalupi

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drowned-citiesOkay, I know we’re here to talk about Paolo Bacigalupi’s new novel, but I just want to take a moment to say that I took my two teenage sons to see The Avengers today, and it totally rocked. It was better than it had any right to be, and I agree with Andrew Zimmerman Jones when he says aspiring writers should bring a notebook. Everyone who wants to learn about storytelling should watch this movie.

‘Nuff said. We now return to our regularly scheduled New Treasures article.

So Paolo Bacigalupi has a new book out. It’s described as “a companion book” to his 2010 novel Ship Breaker.

I don’t know what that means, to be honest. Is it a sequel? Why don’t they just call it a sequel? Maybe it’s a prequel? Or it’s, like, set in the same world but doesn’t involve any of the same characters, like The Avengers and X-Men? Or does it present the same events from two radically different viewpoints, like MSNBC and Fox News?

Dang it, I don’t know why the publicity departments at New York publishing houses keep coming up with different words for sequels. They should use straightforward comic analogies in promotional materials, so busy bloggers like me can get to bed early.

Anyway. Paolo Bacigalupi has a new book. His last two, The Windup Girl and Ship Breaker, were really cool (and The Windup Girl even won the Hugo Award). The Hugo Award is a big deal. Black Gate doesn’t have one (yet), and until we get one, that shiny rocket statue makes us starry-eyed and respectful. That’s Mr. Bacigalupi to you, Buster. Here’s the book description:

In a dark future America where violence, terror, and grief touch everyone, young refugees Mahlia and Mouse have managed to leave behind the war-torn lands of the Drowned Cities by escaping into the jungle outskirts. But when they discover a wounded half-man — a bioengineered war beast named Tool — who is being hunted by a vengeful band of soldiers, their fragile existence quickly collapses. One is taken prisoner by merciless soldier boys, and the other is faced with an impossible decision: Risk everything to save a friend, or flee to a place where freedom might finally be possible.

This thrilling companion to Paolo Bacigalupi’s highly acclaimed Ship Breaker is a haunting and powerful story of loyalty, survival, and heart-pounding adventure.

Ship Breaker is highly acclaimed; forgot to mention that. The Drowned Cities arrived in stores on May 1st, it is $17.99 for 448 pages in hardcover, and is published by Little, Brown Books’ Young Adult division.

Sean T. M. Stiennon reviews Warhammer: Bloodforged

Sean T. M. Stiennon reviews Warhammer: Bloodforged

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Bloodforged
Nathan Longbloodforged
Black Library (416 pages, mass market first edition May 2011)
Reviewed by Sean T. M. Stiennon

Apart from walk-ons, cameos, and bit-parts, every single character in Bloodforged is either a daemon worshiper or a vampire.  That’s really the most concise way I can summarize the novel, and your reaction to that ought to be a pretty good indication of how much you’d like Bloodforged.

Ulrika was the daughter of a family of noble warriors before her rising as a vampire, and she finds herself chafing under the restrictions that her loyalty to the Lahmian sisterhood of Nuln imposes on her.  She flees her vampiric mother and travels north, to the Kislevite city of Praag, hoping to make herself useful to humanity by aiding them in the battle against the Chaos horde besieging the city.  However, Ulrika arrives to find that, not only is the city enjoying relative peace (“peace” being a term fundamentally alien to the Warhammer world), but Praag offers her no true refuge from her undead life.  Her former companions have moved on to new horizons, and she can have no real friendship with humans.

Ulrika finds fresh meaning to her unlife only when she stumbles across a secretive Chaos cult which is kidnapping girls off the streets.  At the same time, the local branch of the Lahmian vampires offers her a choice: Either be bound to them, and returned to the same life of servitude she left in Nuln, or die by their hands.  Ulrika is forced to navigate a narrow line between Chaos sorcery and Lahmian vindictiveness.  Her only clear ally is a dashing young vamp named Stefan, who claims to be out for revenge against his master’s killer, but may be hiding a more sinister motive, even as he introduces her to love beyond the grave.

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Art of the Genre: The Top 10 Literary Sci-Fi/Fantasy Covers of the 1980s

Art of the Genre: The Top 10 Literary Sci-Fi/Fantasy Covers of the 1980s

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Can either Keith Parkinson or any artist from a gaming novel crack this list?
Can either Keith Parkinson or any artist from a gaming novel crack this list?

There is a line from the band ELO‘s song Ticket to the Moon, on their concept album Time, that says,

Remember the good old 1980s, when things were so uncomplicated, I wish I could go back there again, and everything could be the same…

I can’t listen to that album [and yes, I listen to ELO often, sue me] without having those words haunt me. You see, the 1980s were ‘my’ time. We all have this period, the decade from childhood to young adult that is seemingly perfect. I went from 9 to 19 in that decade, and it was pure unadulterated magic.

In that time I seemed to be playing GI Joes in my sandbox, blinked, and was attending my senior prom. I can’t tell you where the time went, just that it still resonates in my memory with a warm fuzzy feeling because it was all about me. I mean, isn’t that what your teens should be, a time all about you? There are no mortgages, monthly bills, children to ferry about, wives or husbands to cater to. Sure, there’s school, gas money, some relationship hassle, and a summer job, but realistically that’s window dressing to a period in which you can explore nearly anything you wish and are encouraged to do so.

So, that being established, it isn’t hard to imagine that I see everything that happened in the 1980s with rose-colored glasses. This can certainly be said about the literature of the era. Now given, I’ve gone back and reread a few books from my youth, and each time the shine isn’t what it was on first reading, but nonetheless, the art on those book covers still retains the luster of a bygone age.

It was in the 1980s that I first fell in love with fantasy art, and to a certain degree science fiction art, although I think that particular genre was waning as fantasy came into full bloom with the advent of Dungeons & Dragons. To me, there is nothing better than what I found on the shelves in those years, each title laying the foundation for my life in a profound and lasting way.

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On Sale Today: Gods of Opar by Philip José Farmer and Christopher Paul Carey

On Sale Today: Gods of Opar by Philip José Farmer and Christopher Paul Carey

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gods-of-oparI love these Philip José Farmer collections from Subterranean Press. They’re gorgeous, for one thing, with wonderful Bob Eggleton covers and the top-notch design typical of Subterranean. They look great lined up on my bookshelf.

But they’re also a terrific and economical way to obtain some of Farmer’s best work, whether you’re interested in his short fiction — collected in Up the Bright River, Venus on the Half-Shell and Others, Pearls from Peoria, and the massive The Best of Philip Jose Farmer — or his linked novel series, such as The Other in the Mirror.

The latest offering from Subterranean Press is no exception, collecting two long out-of-print novels and the conclusion to the trilogy, co-written with Christopher Paul Carey, which appears here for the first time:

Gods of Opar: Tales of Lost Khokarsa collects for the first time anywhere Philip José Farmer’s epic Khokarsa cycle, including the never-before-published conclusion to the trilogy, The Song of Kwasin.

In Hadon of Ancient Opar, the young hero Hadon journeys from his outpost city to the heart of the ancient African empire of Khokarsa, battling in the Great Games for the chance to win the king’s crown. But just as Hadon stands upon the precipice of victory, the tyrannical King Minruth usurps the throne and overturns the beneficent, centuries-old rule of the priestesses of Kho. Now Hadon must set out upon a hero’s journey unlike any other—to hunt down a living god and return with his bounty. The saga continues in Flight to Opar, as a decree by the oracle hurtles Hadon upon a perilous quest that will determine the fate of the next twelve millennia. In The Song of Kwasin, Hadon’s herculean cousin returns to Khokarsa after long years of exile in the Wild Lands. But soon Kwasin finds that in order to clear his name he will have to take up the cause against King Minruth himself and stop him before he fulfills his mad quest for immortality high atop the sun god’s bloody ziggurat.

Gods of Opar is 576 pages in hardcover. The trade edition is $45; there’s also a $65 Limited Edition with loads of additional content, including The Song of Kwasin Outline, a Khokarsan Glossary and Calendar, and more. You can find complete details at the Subterranean Press website.

New Treasures: Henry Kuttner’s Thunder in the Void

New Treasures: Henry Kuttner’s Thunder in the Void

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thunder-in-the-voidThis weekend here in Chicago was the 12th annual Windy City Pulp and Paper Convention, one of my favorite local shows. I met fellow BG bloggers Jason Waltz, Joe Bonadonna, and David C. Smith on Saturday, as well as Bill “Indy” Cavalier, Morgan Holmes, and the always engaging Bob Garcia. Late on Sunday I heard someone call my name and turned to discover none other than William Patrick Maynard, our distinguished Friday blogger, who was selling his new novels The Terror of Fu Manchu and The Destiny of Fu Manchu at an impressively-stocked table. Despite having worked together for years it was the first time we’d ever meet, and I really enjoyed our conversation. He’s a fascinating fellow, and I kept him until well after the show had ended.

But the highlight of the show is always seeing the new titles at the Haffner Press booth, and this year didn’t disappoint. Stephen Haffner’s archival quality hardcovers are works of art, and his taste is excellent. He has published the definitive short fiction collections of many of the finest early pulp writers, including Leigh Brackett, Edmond Hamilton, Jack Williamson, C.L. Moore, and Henry Kuttner.

Still, Stephen may have outdone himself with his newest release, Henry Kuttner’s Thunder in the Void, a massive collection of 16 Space Opera tales from Planet Stories, Weird Tales, Super Science Stories, and other classic pulps. Before Kuttner married C.L. Moore in 1940, he wrote blood-n-thunder Space Opera in the style of one of his favorite authors, Edmond Hamilton — with winning titles like “Raider of the Spaceways,” “We Guard the Black Planet,” and my favorite, “Crypt-City of the Deathless Ones” — all of which are collected here.

The book looks terrific, even by the high standards of Haffner Press. Most of the these tales are appearing in book form for the first time. Also included is a previously unpublished story, “The Interplanetary Limited,” and an introduction by Mike Resnick.

Stephen mention to me that Thunder in the Void may be the fastest-selling book he has ever printed. It was released on April 4th in a printing of 1000 copies, of which only 200 are left. If you want a copy, I urge you to act fast. Thunder in the Void is 612 pages in a high-quality hardcover, with a cover price of $40. Cover art is by Norman Saunders. It is available directly from Haffner Press.

Previous Haffner releases covered here include Kuttner and Moore’s Detour to Otherness, Henry Kuttner’s Terror in the House: The Early Kuttner, Volume One, and the upcoming The Complete John Thunstone, by Manly Wade Wellman.

The Return of SEP

The Return of SEP

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sword-noirBack in 2004, a friend and I decided to become role-playing game publishers, possibly for the wrong reasons – we wanted publish our stuff rather than wanting to be publishers. Given that, we still went forward in as professional a manner as possible.

While we established Sword’s Edge Publishing as a business, I’m afraid I ran it as hobbyist. I made decisions based on my interests and enthusiasms. I should have been looking to build the brand and increase SEP’s audience. In the end, when I lost interest, SEP went to sleep.

It has only recently returned to bring forth some new games, and then quickly returned to its slumber. This last year, from April 2011 (when it released Sword Noir) to January 2012 (when it released the adventure Suffer the Witch), SEP did things a little different than it had before.

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Rich Horton Reviews Fox and Phoenix by Beth Bernobich

Rich Horton Reviews Fox and Phoenix by Beth Bernobich

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fox-and-phoenixFox and Phoenix
Beth Bernobich
Viking ( $17.99, hc, 368 pages, October 2011)
Reviewed by Rich Horton

A few years ago Beth Bernobich published a delightful YA novelette called “Pig, Crane, Fox: Three Hearts Unfolding” in Steve Berman’s anthology Magic in the Mirrorstone. Now her first YA novel has appeared, a sequel to the earlier story. It’s also very nice, another benchmark in an evolving career that may become something quite special if Bernobich keeps doing work as interesting as she has done to date.

In “Pig, Crane, Fox” the main protagonist, Kai, is a boy working in his Mother’s magic shop. He (as with most people in his milieu) has a spirit companion, the pig Chen. He and his friends regard themselves as pretty streetwise – and maybe they are, to some extent. Then they get involved with the Princess Lian, as her father, ruler of their city-state, establishes a contest for her hand. Kai is mature enough to ask instead for Lian to be granted her real wish – to study at the major university in the Phoenix Empire.

The setting is explicitly Chinese-derived, though not in any recognizable China. It’s quite fantastical in nature – magic is everywhere – but with a distinctly Science-Fictional attitude informing things, such as the way magic is used. That setting, that mix of SF and Fantasy (a characteristic of much of Bernobich’s work, in different ways) was a big part of the attraction of the story, but so were the well-realized characters.

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The Best of Modern Arabian Fantasy, Part II: Judith Tarr and Alamut

The Best of Modern Arabian Fantasy, Part II: Judith Tarr and Alamut

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imagesNo series on the best of modern Arabian fantasy would be complete without going back to the book that many credit with starting the whole trend, Alamut by Judith Tarr.

I had the privilege of talking with Judy about the book and her process for research and writing, and her answers are insightful and fascinating. In what follows, I ask how she took her strong academic background and applied it to building the world and characters that captured the fascination of readers and writers alike.

She lists her favorite source materials and works of Middle Eastern literature that she’d recommend to readers today, and gives us a sneak peek into her exciting, upcoming projects, which also will feature the setting and culture of the Middle East.

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