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New Treasures: Ian Tregillis’ Bitter Seeds

New Treasures: Ian Tregillis’ Bitter Seeds

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bitter-seeds-smallI somehow managed to overlook Ian Tregillis’s debut novel, Bitter Seeds, and that situation might not have changed if I hadn’t accidentally stumbled into his reading at the World Science Fiction convention.

In front of a packed audience, Ian spun a tale of Nazi supermen, the warlocks of Britain, and a desperate battle to prevent the twisted psychics of Germany from winning World War II in a supernatural alternate history. I heard less than a minute of his summary of the second novel, but it was more than enough to grab my attention. I got my hands on the first volume, just released in paperback, as soon as I could.

It’s 1939. The Nazis have supermen, the British have demons, and one perfectly normal man gets caught in between.

Raybould Marsh is a British secret agent in the early days of the Second World War, haunted by something strange he saw on a mission during the Spanish Civil War: a German woman with wires going into her head who looked at him as if she knew him.

When the Nazis start running missions with people who have unnatural abilities — a woman who can turn invisible, a man who can walk through walls, and the woman Marsh saw in Spain who can use her knowledge of the future to twist the present — Marsh is the man who has to face them. He rallies the secret warlocks of Britain to hold the impending invasion at bay. But magic always exacts a price. Eventually, the sacrifice necessary to defeat the enemy will be as terrible as outright loss would be.

Alan Furst meets Alan Moore in the opening of an epic of supernatural alternate history, Bitter Seeds by Ian Tregillis is a tale of a twentieth century like ours and also profoundly different.

Bitter Seeds was published by Tor Books on April 24, 2012. It is 467 pages for $7.99 in both paperback and digital format. The Coldest War, the sequel and second volume in what’s now being called The Milkweed Triptych, was published in hardcover on July 17, 2012.

See all of our recent New Treasures selections here.

New Treasures: Three Parts Dead by Max Gladstone

New Treasures: Three Parts Dead by Max Gladstone

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three-parts-dead-smallThe fall is a big time for fantasy releases. We see a lot of press releases and advance proofs in the build-up to the holiday season, and everyone here has their favorites. I’m usually a fan of serial fiction — Fritz Leiber’s Fafhrd and the Gray Mouser tales, Jame Enge’s Morlock the Maker, Howard Andrew Jones’s Dabir and Asim novels — and I’m always on the lookout for the next breakout fantasy series.

But this year the book that most grabbed my attention was a first novel by Max Gladstone. I first saw the cover hanging on the wall at a Tor party at Wiscon in May, and I’ve been anxiously awaiting it ever since. Set in a decaying city on the verge of destruction, Three Parts Dead offers a high-stakes tale of dead gods, necromancers, and dark dealings in a richly-imagined urban landscape.

A god has died, and it’s up to Tara, first-year associate in the international necromantic firm of Kelethres, Albrecht, and Ao, to bring Him back to life before His city falls apart.

Her client is Kos, recently deceased fire god of the city of Alt Coulumb. Without Him, the metropolis’s steam generators will shut down, its trains will cease running, and its four million citizens will riot.

Tara’s job: resurrect Kos before chaos sets in. Her only help: Abelard, a chain-smoking priest of the dead god, who’s having an understandable crisis of faith.

When Tara and Abelard discover that Kos was murdered, they have to make a case in Alt Coulumb’s courts — and their quest for the truth endangers their partnership, their lives, and Alt Coulumb’s slim hope of survival.

Set in a phenomenally built world in which justice is a collective force bestowed on a few, craftsmen fly on lightning bolts, and gargoyles can rule cities, Three Parts Dead introduces readers to an ethical landscape in which the line between right and wrong blurs.

Three Parts Dead was published by Tor Books on October 2. It is 333 pages, and sells for $24.99 in hardcover and $11.99 for the digital version.

Teaching and Fantasy Literature: Hazards of Teaching Cool Stuff You Love in a Classroom

Teaching and Fantasy Literature: Hazards of Teaching Cool Stuff You Love in a Classroom

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“Why do we have to read so much?” said the students who thought Intro to Myth would be an easy A. “And all this writing! You turned it into work!”

“Why are you asking us to think critically about mythology, of all things?” said the students who regarded stories only as entertainment. “I want to read this stuff the same way I read watered-down versions of it when I was ten.”

“Why are you making us read The Silmarillion?” said the less reflective of the Tolkien fans. “I’ve read The Lord of the Rings twenty times, and I thought I could get college credit for stuff I already did in high school.”

Alas, one side effect of attending college is that one may be asked to do college level work. Most of my students were good sports about it. I assured the students who weren’t that they were welcome to keep their copies of the syllabi and read the same books for kicks on their own, and they could get out of the bother of keeping pace, writing papers, or thinking about what they read. All they had to do was go to the registrar’s office and withdraw from my class. Nobody was making them stay.

Nearly all of them stayed.

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Adventures in Stealth Publishing: The Return of the Sorcerer

Adventures in Stealth Publishing: The Return of the Sorcerer

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return-of-the-sorcerer-smallSome time, I dunno, about four years ago, I saw the cover for The Return of the Sorcerer: The Best of Clark Ashton Smith online, and I knew I had to have it.

Maybe it was the cool cover. Maybe it was the Gene Wolfe cover blurb. I can’t say. But I wanted it. Real bad.

Of course, it wasn’t published yet. So I had to wait. I added it to my Amazon cart, where it sat. For months. The publication date changed a few times, and then Amazon slapped it with one of those “Currently Unavailable” warnings that are code for “We have no clue when it’s going to ship, dude.”

So I reluctantly took it out of my cart. But I still kept an eye out in bookstores. For years. It was a long, lonely vigil, like Penelope waiting for Odysseus. Exactly like that, now that I think about it.

There were false reports from time to time. Private sellers listed it on Amazon, but when I queried them they admitted it was “available for pre-order.” Bastards. Our own Brian Murphy, usually rock-solid reliable, even wrote a detailed review in July of 2010, the poor deluded fool. It’s sad what deadline pressure can do, I know. When I have to, I make up books to review too, I’m not throwing stones.

Then today I saw it listed for sale by the Book of the Month club. Yes, the Book of the Month club. That’s just weird. They don’t sell books that don’t exist, usually.

So I dug a little further. I discovered, to my astonishment, that Amazon.com had it listed. So did Barnes & Noble. Apparently it came out in 2010.

Excuse me? 2010?? How the hell did it get past me? I had, like, a dragnet the size of Rhode Island out for this book. I’m usually pretty plugged in to the publishing industry. Really. I’m connected, man. It hurts that this book managed to get past me. For two years.

I blame the publisher, because they’re small and I can pick on them. Prime Books, you owe me an apology. And maybe a cinnamon danish.

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Mystery 101: Books To Die For is a Complete Course in Mystery Fiction

Mystery 101: Books To Die For is a Complete Course in Mystery Fiction

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books-to-die-for-smallI don’t read much mystery fiction, and if I’m honest with myself it’s because I feel a little lost in the mystery section of the bookstore. I don’t know the authors or the major titles, and there are just so many choices it’s overwhelming. Safer to take my money and retreat back to the science fiction aisle, and buy that Asimov reprint.

But if I were a little more adventurous, or had a knowledgeable friend to hold my hand, I bet I’d find a lot of great reading in those shelves. There’s always a ton of old ladies buying mystery paperbacks, anyway. And if there’s a more discerning paperback reader than the American old lady, I haven’t met her.

It’s very possible that knowledgeable friend arrived in the mail this week, in the form of Books to Die For: The World’s Greatest Mystery Writers on the World’s Greatest Mystery Novels, a fabulous book that looks like it could open the door to a lifetime of mystery reading.

With so many mystery novels to choose among, and so many new titles appearing each year, where should a reader start? What are the classics of the genre? Which are the hidden gems?

In the most ambitious anthology of its kind yet attempted, the world’s leading mystery writers have come together to champion the greatest mystery novels ever written. In a series of personal essays that often reveal as much about the authors and their own work as they do about the books that they love, 119 authors from 20 countries have created a guide that will be indispensable for generations of readers and writers. From Agatha Christie to Lee Child, from Edgar Allan Poe to P. D. James, from Sherlock Holmes to Hannibal Lecter and Philip Marlowe to Lord Peter Wimsey, Books to Die For brings together the cream of the mystery world for a feast of reading pleasure, a treasure trove for those new to the genre and for those who believe that there is nothing new left to discover.

Even if you’re not in the mood for a mystery novel marathon, Books To Die For is perfectly suited for browsing, with brief personal essays from the world’s most illustrious mystery writers, chatting about the finest mystery novels ever written. The book is arranged chronologically, starting in 1841 with Edgar Allan Poe’s The Dupin Tales; the second entry is Charles Dickens’ Bleak House (covered by Sara Paretsky). The last one is The Perk, by Mark Gimenez, published in 2008.

In between are 118 enthusiastic mini book reviews, most averaging two to four pages, by writers including Rita May Brown, Linda Barnes, Carol O’Connell, Chuck Hogan, Joseph Finder, Charlaine Harris, Joe R. Lansdale, Laura Lippman, Max Allan Collins, Phil Rickman, Bill Pronzini, Jeffery Deaver, F. Paul Wilson, John Connolly, Joseph Wambaugh, Elmore Leonard, Eoin Colfer, Anne Perry, and many, many others.

Books To Die For is edited by John Connolly and Declan Burke; it was published by Atria on October 2. It is 560 pages in hardcover, and priced at $29.99. The digital edition is $14.99.

Joyce Carol Oates’ Gothic Quintet, Part II: A Bloodsmoor Romance

Joyce Carol Oates’ Gothic Quintet, Part II: A Bloodsmoor Romance

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A Bloodsmoor RomanceLast week I began looking at Joyce Carol Oates’ Gothic Quintet, in advance of the publication of the fifth book in the sequence next March. I thought 1980’s Bellefleur was a tremendous work, eloquent testimony to the imaginative power of the Gothic and to the sophistication the form can sustain. This week I’m looking at 1982’s A Bloodsmoor Romance, to which I had a more qualified response.

To some extent this may well be a function of my being not the right reader for this book. While Bellefleur consciously played with the genre conventions of the Gothic proper, Bloodsmoor uses and parodies the conventions of 19th-century romance — romance as we know it, the story of young women looking for love and marriage. And romance as such is not a form that has any intrinsic appeal to me, or whose appeal I understand. I don’t say it’s bad. I’m saying I have no idea what makes romances good or bad as romances.

Unsurprisingly, then, the book plays off of texts with which I’m not familiar. I’ve seen similarities noted to Little Women, for example, which I’ve never read. Bloodsmoor is also intensely ironic, satiric in a way that Bellefleur wasn’t (as I read these books, anyway). So this is a genre that never appealed to me, and with whose key stories I have no experience, and it’s being sent up in a fairly unsubtle manner. Maybe it’s surprising that I didn’t have a worse reaction than I actually did.

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New Treasures: Castle Waiting, Volume Two

New Treasures: Castle Waiting, Volume Two

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castle-waiting-volume-two-smallI first discovered the brilliant and touching Castle Waiting through Linda Medley’s self-published comic in the late 90s. Eventually collected into the graphic novel Castle Waiting: The Curse of Brambly Hedge, it retold the fairy tale of Sleeping Beauty (sort of), as seen by an odd cast of mostly minor characters. It was well written and beautiful, feminine in perspective and mood, incredibly slow-paced, and wholly original. I loved it.

And then it pretty much vanished. Stray issues popped up now and again in my local comic shop over the years, but it looked to me like Castle Waiting would always be one of those undiscovered indie treasures that never broke into the mainstream.

Fanatagraphics turned all that around in 2006 with the massive Castle Waiting, a 472-page omnibus collecting virtually all the early issues in an attractive and affordable format. Picking up the story many years later, Medley follows the new inhabitants of Sleeping Beauty’s ancient castle, most of them fairy tale characters with mysterious origins. Managed by the unflappable (literally) stork Rackham, the Castle is home to an eclectic mix of humans, outcasts, and friendly but mischievous sprites and other spirits.

This volume was successful enough that it allowed Medley to return to publishing Castle Waiting on a regular schedule in 2006. She published fifteen issues with Fantagraphics, and those issues were finally collected in 2010. Focusing chiefly on the pregnant Lady Jain, who has fled to the castle to escape an abusive husband, this second volume drew wide praise from NPR, Time Magazine, and many other sources, and Publishers Weekly ranked it one of the best comic books of 2006 in a critics’ poll.

With its long-awaited second volume, Linda Medley’s witty and sublimely drawn fantasy eases into a relaxed comedy of manners as Lady Jain settles into her new life in Castle Waiting.

Unexpected visitors result in the discovery and exploration of a secret passageway, not to mention an epic bowling tournament. A quest for ladies’ underpants, the identity of Pindar’s father, the education of Simon, Rackham and Chess arguing about the “manly arts,” and an escape-prone goat are just a few of the elements in this delightful new volume.

The book also includes many flashbacks that deepen the stories behind the characters, including Jain’s earliest romantic entanglements and conflicts with her bratty older sisters, the horrific past of the enigmatic Dr. Fell, and more.

Interestingly, except for a tiny copyright notice on page 377, the book is published totally anonymously, with no mention of Linda Medley anywhere on the cover, spine, or title pages.

Castle Waiting, Volume Two was published in December 2010 by Fantagraphics. It is 384 pages in hardcover for $29.99. There are no paperback or digital editions. With its slow pacing and glacial (almost non-existent) plot, it’s not for everyone. But I recommend it highly.

Vintage Treasures: Hong on the Range by William F. Wu

Vintage Treasures: Hong on the Range by William F. Wu

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hong-on-the-range4I admit this one doesn’t seem very vintage to me, but perhaps that’s just because I’m getting a little vintage myself.

William F. Wu’s fourth novel, Hong on the Range, was published 23 years ago. It was originally published in hardcover and has never had a paperback release.

And that’s too bad, since it’s the kind of off-the-wall science fantasy that I think would really appeal to a modern audience. Set in a post-apocalyptic American West where cities have decayed and the surviving towns cling to the railway, where most people have cyborg enhancements, meat is harvested from cows without harming them, and a young man named Louie — a “control-natural” forbidden by law from enhancing himself, and who is shunned and misunderstood by others — heads West to find his fortune.

The Old West Was Never This Wild! In a New West filled with cyber-enhanced cowboys and mechanized singing steers, Louie Hong must make his way through hostile territory filled with cattle rustlers and bank robbers, and a passel of cyborg bounty hunters who think he’s both! A story about coming of age in a strange and dangerous land where a young man’s most faithful friend may just turn out to be a computerized steer named Chuck.

While it’s the only novel in the sequence, Hong on the Range is part of a series of stories written by Wu that began in 1985 with “Wild Garlic.” Most of them were published in Pulphouse magazine; the last one, “In the Temple of Forgotten Spirits,” in 1993.

Hong on the Range was published by Walker & Co in 1989. It is 286 pages in hardcover. It has never had a paperback release, but it was re-released in a digital edition for $2.99 last October.

New Treasures: The Demoness of Waking Dreams by Stephanie Chong

New Treasures: The Demoness of Waking Dreams by Stephanie Chong

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the-demoness-of-waking-dreams-smallOne of the critiques I get about my New Treasures column is that I don’t cover much Paranormal Romance.

That’s probably true. A lot of it arrives here at the rooftop headquarters, but I can’t get Howard or Mike Penkas to read it. As for me, I like to focus on the week’s most exciting titles for New Treasures, and I just don’t know that much about what’s really exciting in Paranormal Romance.

Yeah, that sounds like an excuse to me too. There’s a lot of good work being done in the sub-genre — it’s been the most popular form of fantasy for at least the last three years — and we’re not doing a service to anyone by neglecting it. I should just jump in with both feet and educate myself.

So where do I start? I have a tried and true system for selecting books: I go with the best covers. And this week that meant my hands wandered towards Stephanie Chong’s second novel, The Demoness of Waking Dreams.

Ex-cop Brandon Clarkson is an angel with an edge. His tough exterior is the perfect camouflage for his job — hunting down the most dangerous criminals on earth. A self-reliant and demanding lone wolf, Brandon is the perfect angel to track and capture demoness Luciana Rossetti.

Beneath the surface of Luciana’s cool, green-eyed beauty lurks the heart of a malevolent killer. In the winding streets of Venice, she lures Brandon into her dark world of pleasure.

They are perfectly matched. Angel and demon. Man and woman. But only one can win the battle of wills, of strength and of desire.

My first thought was to pass this off to my teenage daughter Tabitha to get her take on it. But flipping though it, I discovered some pretty steamy scenes that would probably get me in trouble. For the sake of propriety, this is a mission I should undertake myself. Yeah. That would be best.

Chong’s first novel, Where Demons Fear to Tread, is part of the same series (The Company of Angels), but seems to deal with different characters. This volume seems to be suitably standalone.

The Demoness of Waking Dreams was published by Harlequin MIRA on August 28, 2012. It is 359 pages for $7.99 in paperback ($6.99 for the digital edition).

Blogging Sax Rohmer’s The Mask of Fu Manchu – Part Four

Blogging Sax Rohmer’s The Mask of Fu Manchu – Part Four

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2203781the-mask-of-fu-manchuSax Rohmer’s The Mask of Fu Manchu was originally serialized in Collier’s from May 7 to July 23, 1932. It was published in book form later that year by Doubleday in the US and the following year by Cassell in the UK. It became the most successful book in the series thanks to MGM’s cult classic film version starring Boris Karloff and Myrna Loy that made it into theaters later that same year.

The fourth and final part of the book opens with the voyage from Cairo to London. The Marconi operator brings Shan Greville a telegram from Sir Denis Nayland Smith of British Intelligence, warning him that agents of Dr. Fu Manchu will attempt to capture the relics of El Mokanna that Sir Lionel Barton unearthed during his recent expedition in Persia. The irascible parliamentary minister who argued with Sir Lionel before boarding the ship turns out to be the agent of the Si-Fan who breaks into the purser’s safe overnight and absconds with the box he believes contains the priceless relics. He is rescued at sea by a plane which takes him and the contents of the box (concealed inside an inflatable rubber ball) aboard and disappears into the night.

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