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A Hero in the Service of Organized Crime: A Review of Jhereg by Steven Brust

A Hero in the Service of Organized Crime: A Review of Jhereg by Steven Brust

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oie_250265755JIVFDZI’m always excited to find a new author, especially one with a long back catalogue for me to plunge into. With 26 novels to his name, Steven Brust is one of those finds.

When I first started blogging about swords & sorcery I spent some time looking around for newer books and series (newer for me meaning anything written after 1984). Again and again, people suggested Steven Brust’s Dragaeran Empire series. Without reading too much about it I learned the main protagonist, Vlad Taltos, had a little pet dragon. Right away my brain flashed some kind of warning and, fearing the books might be too cute by half, I rejected them.

Well, a few weeks ago Bill Ward wrote very highly of the adventures of Vlad Taltos. I figured why not? For a penny (plus $3.99 shipping) I ordered The Book of Jhereg (1999), an omnibus containing the series’ first three books: Jhereg, Yendi, and Teckla. Though still apprehensive of the little dragon, I started on Jhereg (1983) and blew through it in two days. Well I’m feeling a little foolish now for not having overcome my dracophobia much sooner.

The Dragaerans are nearly immortal, seven foot tall beings with slightly pointed ears and more finely featured than humans. Their society is divided into seventeen houses, each with its own traits and skills. Humans are a small and disfavored minority. The human Vlad Taltos is an assassin in House Jhereg, the Dragaeran equivalent of the mafia.

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New Treasures: The Edinburgh Dead by Brian Ruckley

New Treasures: The Edinburgh Dead by Brian Ruckley

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The Edinburgh Dead-smallThe first time I encountered Brian Ruckley, he impressed me greatly. It was with his long story “Beyond the Reach of His Gods,” in Jason Waltz’s groundbreaking anthology Rage of the Behemoth. Since then, he’s proved that wasn’t a fluke with The Godless World trilogy (Winterbirth, Bloodheir, and Fall of Thanes), a satisfying rich heroic fantasy of an apocalyptic war in a godless winter landscape.

But it was his dark fantasy set in the Scottish capital that really grabbed my attention. A gothic tale of devilry and detective work, it looks like it could be a breakout success for this heroic fantasy writer.

Edinburgh: 1828. In the starkly-lit operating theaters of the city, grisly experiments are being carried out on corpses in the name of medical science. But elsewhere, there are those experimenting with more sinister forces.

Amongst the crowded, sprawling tenements of the labyrinthine Old Town, a body is found, its neck torn to pieces. Charged with investigating the murder is Adam Quire, Officer of the newly-formed Edinburgh Police. The trail will lead him into the deepest reaches of the city’s criminal underclass, and to the highest echelons of the filthy rich.

Soon Quire will discover that a darkness is crawling through this city of enlightenment — and no one is safe from its corruption.

The Edinburgh Dead is a powerful fusion of gothic horror, history, and the fantastical.

The Edinburgh Dead was published by Orbit on August 17, 2011. It is 354 pages, priced at $14.99 in trade paperback and $9.99 for the digital edition.

See all of our recent New Treasures here.

Last Chance to Win a Copy of Howard Andrew Jones’ Stalking the Beast

Last Chance to Win a Copy of Howard Andrew Jones’ Stalking the Beast

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Pathfinder Tales Stalking the Beast-smallTwo weeks ago, we announced a contest to win one of five copies of Stalking the Beast, compliments of Paizo Publishing.

In the weeks since the book’s release, Howard has been interviewed by Suvudu, released a sample chapter from the book, and posted the first two parts of his new story “Bells For the Dead,” featuring the gunslinging bounty hunter Lisette from Stalking the Beast, at Paizo.com.

Man. I need a full-time staff just to keep up with the guy.

How do you win one of those sweet giveaway copies? Easy — just tell us about your favorite sword & sorcery tale — novel or short story. Send us a one-paragraph review telling us what makes it so special, and be sure to include the author and (if it’s a short story) where you read it.

We’ll publish the best responses here on the blog and randomly draw five names from all qualifying entries. Those five winners will each receive a copy of Stalking the Beast, compliments of Paizo Publishing.

To enter our contest, just send an e-mail to john@blackgate.com with the title “Stalking the Beast,” and your one-paragraph entry, before December 1, 2013.

All entries become the property of New Epoch Press. No purchase necessary. Must be 12 or older. Decisions of the judges (capricious as they may be) are final. Terms and conditions subject to change as our lawyers sober up and get back to us. Not valid where prohibited by law, or outside the US and Canada.

Good luck!

New Treasures: Watcher of the Dark

New Treasures: Watcher of the Dark

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Watcher of the Dark-smallYou’d think that, after nearly 40 years of collecting science fiction and fantasy, I’d be accustomed to looking past the cover while on the hunt of promising new books.

Naaah. Good covers are underrated, and great covers can tell you a more than a simple plot summary. And Watcher of the Dark has a very intriguing cover indeed, featuring a fabulously detailed Lovecraftian horror dominating a bone-strewn alien landscape, while a sinister blind man looms over the whole affair, plotting his evil… wait a minute.

Is that blind guy the hero, exorcist Jeremiah Hunt? My. He’s definitely got a certain style (click the image at right for a bigger version.) This is even more intriguing than I thought.

New Orleans was nearly the death of Jeremiah Hunt, between a too-close brush with the FBI and a chilling, soul-searing journey through the realm of the dead that culminated with a do-or-die confrontation with Death himself.

Hunt survived, but found no peace. When he performs an arcane ritual to reclaim the soul of the magically gifted, beautiful women who once saved him, he must flee the law once again, to the temporary sanctuary of Los Angeles, city of angels.

In L.A., Hunt must contend with Carlos Fuentes, who sees in the blind exorcist a means to obtain the mystical key that opens the gates of Hell. Fuentes knows Hunt’s weakness is his loyalty – to the woman he loves and to another supernaturally gifted friend – and threatens to torture them in order to get Hunt help complete his dreadful quest.

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Manly Wade Wellman, Fletcher Pratt, and Appendix N: Advanced Readings in D&D

Manly Wade Wellman, Fletcher Pratt, and Appendix N: Advanced Readings in D&D

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Who Fears the Devil-smallI’ve been waiting for Mordicai Knode and Tim Callahan at Tor.com to get to both Manly Wade Wellman and Fletcher Pratt as part of their ongoing exploration of Gary Gygax’s famous Appendix N — and not very patiently, either.

Manly Wade Wellman is consistently one of the most beloved authors we feature here at Black Gate. Just three days ago Fletcher Vredenburgh reviewed his Battle in the Dawn: The Complete Hok the Mighty, and a while back new Black Gate blogger Alex Bledsoe offered a fine reminiscence of Wellman’s Appalachian fantasy tales in “How I Discovered Silver John.” The most popular contest in our history was our call for The Best One-Sentence Reviews of Manly Wade Wellman, and the winners received a copy of Haffner Press’ gorgeous The Complete John Thunstone.

And Fletcher Pratt? He wrote The Well of the Unicorn, one of the 20th Century’s most acclaimed heroic fantasy novels (none other than Lester del Rey called it “The best piece of epic fantasy ever written.”) With his frequent collaborator L. Sprague de Camp, he was also the author of the very popular Incomplete Enchanter and Gavagan’s Bar series.

So I’ve been looking forward to both authors receiving the Appendix N treatment. And now at last the wait is over.

Sadly, Tim doesn’t seem to fully briefed on the greatness that is Manly Wade Wellman:

I didn’t know anything about Manly Wade Wellman before Mordicai and I embarked on this project. I had never heard of the author, outside of the mention of his name in Appendix N.

Ouch. Well, I’d read almost nothing by Clark Ashton Smith prior to last week (when I read his brilliant pulp horror story “The Vault of Yoh-Vombis“), so I guess we all have our blind spots.

The real question is: What does Tim think of Wellman now?

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“You Keep Using This Word… “

“You Keep Using This Word… “

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utopia thomas more-smallDid you know that in the 18th century, “conscious” meant “guilty”? People have always played fast and loose with terminology and definitions, and we’re all bothered by the ones that bother us, and not by the ones that don’t.

For example, there’s been a bit of an outcry lately over the changing definition of the word “literally.” While I understand – and sympathise – the fact is that new definitions don’t replace old ones, and that English is a language that’s been evolving forever. What’s more important, it seems to me, is that we decide which definitions we’re using at any given time, and we make sure that all other parties to the discussion are using the same ones.

So much for the definitions of words. What about when the word itself is the definition?

I always thought I knew what “Urban Fantasy” meant. You know, a novel set in a city, with an element of fantasy added in. Usually, but not always, a modern, our-world city*. A novel where the story couldn’t be set in any place other than a city, using the tropes, paradigms and conventions of fantasy. That’s what makes it a fantasy novel, just as the necessary setting makes it an urban fantasy.

Then I was invited to be on a panel where we were to discuss whether it was possible for urban fantasies to have male protagonists. I was confused. I wasn’t aware that to a great many people “urban fantasy” is coming to mean “paranormal romance.” Which is, you know, a romance novel with an element of the paranormal added in. Using the tropes, paradigms and conventions of the romance novel. Which is what makes it a romance novel.

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Thank Politically Correct Parents for Sword and Sorcery!

Thank Politically Correct Parents for Sword and Sorcery!

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Battle in the Dawn
Sword and Sorcery… will not die despite the various attempts to kill it.

The odd thing about Sword and Sorcery is that it will not die despite the various attempts to kill it.

Sloppy overproduction ruined its reputation, its focus on violence and pre-modern-style patriarchal societies made it politically unfashionable, role players made it nerdy, then Terry Pratchett slashed and burned through its tropes, and still it survived!

Like a thief, Sword and Sorcery springs nimbly between media: “Literature has become hostile? Fine, now I’m a comic! Intellectuals look down on me? No problem, I’m a movie.” 

Like a mercenary captain, it furnishes characters to other genres: “Fashion favors Fantasy fiction? OK, but take a look at some of the supporting characters…”

Like a rogue, it’s a master of disguise: “Sword and Sorcery? Never heard of it mate! I’m Heroic Fantasy!”

It’s true that Sword and Sorcery is a most flexible genre. With no need to nod at extrapolation, and the capacity to invent bespoke cosmologies, it can reflect changing times and social mores, while still delivering a dose of physical adventure and sense of wonder. It’s also true that the genre has inherent literary advantages: magic and religion can support interesting themes, and close-quarters combat gives us the secondhand experience of people putting their bodies where their personal politics are.

However, there’s another factor that I think is easily overlooked. To understand it, you have to come Christmas toy shopping with me.

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New Treasures: In Space No One Can Hear You Scream, edited by Hank Davis

New Treasures: In Space No One Can Hear You Scream, edited by Hank Davis

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In Space No One Can Hear You Scream-smallIn 2013, no one remembers that “In Space No One Can Hear You Scream” was the tag line of a 1979 horror movie.

Well, after 34 years, I guess it’s okay to recycle a decent tag line, even for a film as popular as Alien. Especially when the end product is as intriguing as this Halloween-themed science fiction anthology. The moment I saw it I thought, “I wonder if it has the really great horror SF, like Arthur C. Clarke’s “A Walk in the Dark,” and George R.R. Martin’s “Sandkings?” It has both, in fact, alongside 11 short stories and novelettes from Theodore Sturgeon, Elizabeth Bear and Sarah Monette, and others — plus a long novella from James H. Schmitz.

THE UNIVERSE MAY NOT BE A NICE NEIGHBORHOOD…

“The oldest and strongest kind of fear is fear of the unknown,” the grand master of horror, H.P. Lovecraft, once wrote. And the greatest unknown is the vast universe, shrouded in eternal cosmic night. What things might be on other planets — or in the dark gulfs between the stars?

Giving very unsettling answers to that question are such writers as Arthur C. Clarke, Robert Sheckley, James. H. Schmitz, Clark Ashton Smith, Neal Asher, Sarah A. Hoyt, Tony Daniel and more, all equally masters of science fiction and of terror.

One might hope that in the void beyond the earth will be found friendly aliens, benevolent and possibly wiser than humanity, but don’t be surprised if other worlds have unpleasant surprises in store for future visitors. And in vacuum, no one will be able to hear your screams — as if it would do any good if they could…

Here’s the complete table of contents.

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Battle in the Dawn: The Complete Hok the Mighty by Manly Wade Wellman

Battle in the Dawn: The Complete Hok the Mighty by Manly Wade Wellman

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oie_1743857GRCQJimHHistorical adventure fiction is one of the primary roots of swords & sorcery. From it you get the same fast-paced adventure in exotic settings.

Some writers of S&S, Robert E. Howard and Sprague de Camp for example, wrote historical adventure fiction alongside their more fantastic stories. Often the tales involve battling Crusaders and Saracens, high seas Viking adventures, swashbuckling freebooters, or Roman centurions fighting Teutonic hordes. Sometimes, though, they star cavemen.

Manly Wade Wellman spent his childhood in a primitive village in Portuguese West Africa. Till he died Wellman spoke of a young boy forced to kill a leopard in order to protect cattle. Other boys had been less lucky and had fallen prey to leopards. His time and experience in Angola was perhaps the greatest influence on his life, but most certainly on his prehistoric stories.

In 1939, after a decade of writing pulp science fiction with titles like “The Disc-Men of Jupiter” and “Outlaws on Callisto,” Manly Wade Wellman introduced his Cro-Magnon hero, Hok the Mighty, in the novelette “Battle in the Dawn.” Four stories followed before he retired the character. While there’s a strong anthropological component to the Hok stories, with footnotes explaining then-current thoughts on the discoveries made by early man, these five tales get progressively more fantastic.

In 2010 Paizo collected all the Hok stories, along with several fragments and the cavenmen vs. Martians mini-epic “The Day of the Conquerors,” in Battle in the Dawn: The Complete Hok the Mighty for their Planet Stories line.

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New Treasures: Assassin’s Dawn: The Complete Hoorka Trilogy, by Stephen Leigh

New Treasures: Assassin’s Dawn: The Complete Hoorka Trilogy, by Stephen Leigh

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Slow Fall to Dawn-small Dance of the Hag-small A Quiet of Stone-small Untitled-3

[Click on any of the images above for bigger versions.]

Paperback publishing has come a long way since the early 80s. Improved binding and glues have made producing thicker books much more economical. Or something, I dunno. But we’re definitely living in the golden age of the omnibus, when publishers are cramming shelves with big, fat paperbacks collecting forgotten fantasy and SF series from prior decades, all for about the same price as every other dopey paperback.

Is that a great deal, or what?  I certainly thought so on Saturday, when I found a handsome volume collecting all three novels in Stephen Leigh’s long out-of-print science fantasy Hoorka Trilogy on the shelves at Barnes & Noble. Assassin’s Dawn includes Slow Fall to Dawn (1981), Dance of the Hag (1983), and A Quiet of Stone (1984). The Hoorka are a guild of assassins with a strict code: any victim that can survive until dawn may go free, unmolested. But the consequences of this law can be harsh, especially when the client has no such scruples, as their leader Gyll discovers as he tries to take his guild offworld, into the newly thriving Alliance, a star-spanning organization attempting to put together the pieces of a once-great empire.

Stephen Leigh is also the author of The Crystal Memory, Dark Water’s Embrace, Dinosaur Planet, Speaking Stones, The Bones of God, and The Abraxas Marvel Circus. His publisher DAW has been something of a pioneer in the fantasy omnibus biz, with a nice assortment from Terry A. Adams, Tanya Huff, Marion Zimmer Bradley, C. J Cherryh, Jennifer Roberson, S. Andrew Swann, Peter Morwood, and many others.

Assassin’s Dawn was published May 2013 by DAW. It is 610 fat pages, priced at $8.99 for both the paperback and digital versions.