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Review of Pathfinder Tales: Stalking the Beast by Howard Andrew Jones

Review of Pathfinder Tales: Stalking the Beast by Howard Andrew Jones

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Pathfinder Tales Stalking the Beast-smallLike many fantasy fans of my generation and the generation before (Gen X and Baby Boom respectively), I was ushered into the genre by Edgar Rice Burroughs, Robert E. Howard, and C.S. Lewis. There were others, of course, but those were the big three. Narnia gave me my first taste of a secondary world populated by mythical creatures, witches and wizards, and talking beasts. Burroughs inched me toward a more Americanized “sword and sorcery” via the “sword-and-planet” Barsoom novels. Howard’s gritty, fabled world of a certain barbaric Cimmerian delivered the full-on S&S.

Branching out from Narnia, I found my way to the towering, epic high fantasy of J.R.R. Tolkien’s Middle-Earth. And moving on from Howard I stumbled into the dangerous alleyways of Lankhmar in Fritz Leiber’s world of Nehwon.

Not surprisingly, when I got wind of a game that allowed you to invent your own characters and take them on adventures in such worlds via some cool dice, maps, rulebooks, and a little bit of imagination, I was all over it. By the sixth grade I was a devout Dungeons & Dragons player, and Tolkien was my favorite author. Both statements remain true.

So perhaps it’s a bit surprising, given this profile, that I never delved into any of the D&D novelizations — the Dragonlance Chronicles and their ilk. (I did read some of the D&D Endless Quest books, which were in the style of Choose Your Own Adventure, lured by their solo-gaming appeal — a craving that was better met by the Lone Wolf and Fighting Fantasy game books.)

My reading of Howard Andrew Jones’s new novel Pathfinder Tales: Stalking the Beast may be a test case on whether it stands on its own merits because, first, I’ve just never been much into tie-in novels. (Somewhere along the line I read a Star Wars novel, and in junior high I went on a Doctor Who kick. There were also a couple movie novelizations in the mix — inevitably written by Alan Dean Foster. But when it comes to full disclosure on that point, there’s just not much to disclose.)

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The Novels of Michael Shea: The A’rak

The Novels of Michael Shea: The A’rak

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The A'rak-smallMichael Shea’s classic Nifft the Lean was published in 1982 and won the World Fantasy Award, a rare honor for a  sword and sorcery collection. Nfift returned in a three-part novel serialized in Algis Budrys’ Tomorrow Speculative Fiction magazine (June – November, 1996), eventually collected by Baen Books in paperback as The Mines of Behemoth.

Nifft made one last appearance in the year 2000, in his third and final book: The A’rak.

Prosperous Hagia’s vaults brimmed with gold. Her warehouse bulged with the goods of the Southern Seas. She had the Spider-God to thank for her prosperity.

But beneath Hagia’s ancient bargain with the A’Rak lay the direst danger. That mercenary kingdom had mortgaged its soul in its pact with the giant arachnoid. When the note fell due, death of the most hideous kind awaited the multitudes of that affluent and bustling nation.

As Hagia’s debt falls due, two foreigners arrive in Big Quay, her capital: Lagademe and her team, foremost among the world’s Nuncios — deliverers of anything to anywhere — and Nifft the Lean, thief and rogue extraordinaire.

Nifft and Lagademe, strangers to one another at the outset, will soon be struggling side by side for their lives — and a nation’s survival — against the most hideous foe in the annals of Sword and Sorcery fiction.

The A’rak was published by Baen in October 2000. It is 320 pages, originally priced at $6.99 in paperback. The cover was by Gary Ruddell. It was never reprinted, and there is no digital edition, so copies are in some demand.

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New Treasures: The Barrow by Mark Smylie

New Treasures: The Barrow by Mark Smylie

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The Barrow-smallThere are few publishers as dedicated to true sword & sorcery as Pyr Books. I still remember how delighted I was at the 2010 Pyr Books panel at Dragon*con, when publisher Lou Anders announced “Sword & Sorcery is Alive and Well at Pyr” and unveiled a host of exciting titles to prove it.

It’s been a few years since then, but Pyr’s dedication to the genre has not flagged. The latest example arrived earlier this month: The Barrow, Mark Smylie’s dark fantasy of the grim search for a powerful sword in a very dangerous place.

To find the Sword, unearth the Barrow. To unearth the Barrow, follow the Map.

When a small crew of scoundrels, would-be heroes, deviants, and ruffians discover a map that they believe will lead them to a fabled sword buried in the barrow of a long-dead wizard, they think they’ve struck it rich. But their hopes are dashed when the map turns out to be cursed and then is destroyed in a magical ritual. The loss of the map leaves them dreaming of what might have been, until they rediscover the map in a most unusual and unexpected place.

Stjepan Black-Heart, suspected murderer and renegade royal cartographer; Erim, a young woman masquerading as a man; Gilgwyr, brothel owner extraordinaire; Leigh, an exiled magus under an ignominious cloud; Godewyn Red-Hand, mercenary and troublemaker; Arduin Orwain, scion of a noble family brought low by scandal; and Arduin’s sister Annwyn, the beautiful cause of that scandal: together they form a cross section of the Middle Kingdoms of the Known World, united by accident and dark design, on a quest that will either get them all in the history books… or get them all killed.

Mark Smylie is a true renaissance man. His graphic novel series Artesia was nominated for an Eisner Award in 2001, and his role-playing game based on the comic won an Origins Award in 2006. He founded Archaia Studios on 2002, publishers of Mouse Guard, The Killer, and many other acclaimed comics. This is his first novel.

The Barrow was published March 4 by Pyr Books. It is 607 pages, priced at $18 in trade paperback and $11.99 for the digital edition. Check out the excellent website with elaborate pics of the main characters.

The Public Life of Sherlock Holmes: Lord of Misrule

The Public Life of Sherlock Holmes: Lord of Misrule

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LeeQuestion – What do Dracula, Frankenstein, the Mummy, James Bond, Fu Manchu, Star Wars, The Lord of the Rings, John Belushi and Sherlock Holmes all have in common?

Answer – Lee. Christopher Lee (one of his autobiographies was titled Lord of Misrule)

In May, talented British actor Christopher Lee turns 92 years old. Thanks to his performance as Saruman in the Lord of the Rings trilogy, he is as popular today as he ever has been. And proving he knows how to get in on a winning franchise, he was Count Dooku in the second Star Wars trilogy. Which chronologically was the… oh, never mind.

But Lee first made his name in the horror flicks produced by Hammer Films in Great Britain in the late fifties and sixties. Lee played the monster (Dracula, Frankenstein, the Mummy), while friend Peter Cushing was the protagonist.

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Caught Between Rebels and the Empire’s Blackest Magic: Beyond the Veil: The Revised and Expanded Author’s Cut by Janet Morris

Caught Between Rebels and the Empire’s Blackest Magic: Beyond the Veil: The Revised and Expanded Author’s Cut by Janet Morris

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Beyond the Veil Janet Morris-smallI continue with my review of the 5-star, Author’s Cut editions of Janet Morris’s classic of Homeric Heroic Fantasy, the Beyond Sanctuary Trilogy, of which Beyond the Veil is the second book. Once again, she does not disappoint in this stirring novel of political and religious intrigue, dark magic, gods and men, witches and mages, and the price of love and war.

This is a pivotal book in the trilogy, where foreshadowing and story threads begin to weave in and out to form a tapestry, telling a tale of friends who become foes, enemies who become allies, and what fate lies in store for certain demigods and mortals.

Now, after the battle to win Wizardwall that took place in book one, Beyond Sanctuary, Tempus, Niko, and the Sacred Band are caught between the local rebels and the empire of Mygdonia’s blackest magic. Once again, “War is coming, sending ahead its customary harbingers: fear and falsity and fools.”

It begins with the murder of a courier on his way to meet with Tempus, and the arrival of a young woman named Kama, of the 3rd Commandoes, (a unit of special rangers originally formed by Tempus) who seeks audience with Tempus, who is also known as Riddler. Her mission is to take 11-year old Shamshi, the young wizard-boy, back home to Mygdonia.

Shamshi, once a pawn in the game played by the late sorcerer Datan in the previous novel, is still under the spell of Roxane the witch, but is now being held as a guest-hostage by Tempus and the Sacred Band. Though he may be a child in the eyes of men, Shamshi is already plotting against Tempus and Niko.

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Vintage Treasures: Ring Around the Sun by Clifford D. Simak / Cosmic Manhunt by L. Sprague de Camp

Vintage Treasures: Ring Around the Sun by Clifford D. Simak / Cosmic Manhunt by L. Sprague de Camp

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Ring-Around-the-Sun-Clifford-D-Simak-smallClifford D. Simak was one of the first science fiction writers I ever read and, in discovering him, in a very real way I also discovered science fiction.

Simak would probably be marketed as a Young Adult writer today (if any of his work was still in print.) One of his first novels, Ring Around the Sun, also became one of the first Ace Doubles, and it was a significant success.

The New York Herald Tribune called it “Easily the best science-fiction novel so far in 1953,” and in the highly-regarded survey Trillion Year Spree, Brian Aldiss and David Wingrove labeled it his best book, alongside Simak’s better-known classic City.

More recently, Ring Around the Sun featured prominently in Stephen King’s 2001 bestseller Hearts in Atlantis. When eleven-year-old Bobby Garfield gets an adult library card for his birthday, it’s one of the first books he checks out. The mysterious dimensional traveler Ted Brautigan, on the run from the minions of the Crimson King and renting the upstairs apartment, approves of Bobby’s choice.

“I have read this one,” he said. “I had a lot of time to read previous to coming here.”

“Yeah?” Bobby kindled. “Is it good?”

“One of his best…In this book,” he said, “Mr. Simak postulates the idea that there are a number of worlds like ours. Not other planets but other Earths, parallel Earths, in a kind of ring around the sun. A fascinating idea.”

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Amos Tutuola, The Palm-Wine Drinkard, and My Life in the Bush of Ghosts

Amos Tutuola, The Palm-Wine Drinkard, and My Life in the Bush of Ghosts

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The Palm-Wine Drinkard and My Life in the Bush of GhostsAmos Tutuola was born in Nigeria in 1920 to a Christian family. With six years of formal schooling, he served as a coppersmith with the Lagos-based arm of the Royal Air Force in World War Two, then worked at a number of of odd jobs. As he tells it, a government magazine he happened to read, with “very lovely portraits of the gods,” advertised books based on Yoruba legends. Tutuola remembered being praised as a storyteller in school and decided there was no reason he shouldn’t turn his hand to writing similar books. So he did. He completed his first book, The Palm-Wine Drinkard, in only a few days.

It was a wild whirl of tales and motifs, inspired by West African oral storytelling traditions and The Arabian Nights. It was a kind of extended fable filled with magic and adventure, mixing myth and folktale in a seemingly endless procession of wonder. It was written in English, but a highly distinctive English — an informal, direct English, English as it suited Tutuola to write it.

Tutuoa didn’t do anything at first with the story, until he bought another magazine and saw an ad from the Lutheran World Press soliciting manuscripts. He sent them his work and got back a letter saying that the publisher only handled religious works, but that they were impressed with his story and would try to place it at another firm. After a year, Tutuola received a letter from British publishers Faber and Faber, asking about his novel. They published the book in 1952; it was well-reviewed, with especially glowing praise from Dylan Thomas, was translated into French, and generally established Tutuola as a powerful writer. He followed the first book with the equally fantastical My Life in the Bush of Ghosts in 1954, and went on to a long writing career before his death in 1997.

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Future Treasures: Lexicon by Max Barry

Future Treasures: Lexicon by Max Barry

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Lexicon Max Barry-smallAt first I thought Max Barry’s latest novel was just another high-tech thriller. But a closer look revealed that Lexicon is a lot more than that: a glimpse at a secret war between rival factions of poets, where the weapons are words; the most feared agents have names like Bronte, Eliot, and Lowell; whole towns have been annihilated; and the most dangerous thing you can do is fall in love.

Lexicon was released in hardcover last June and Time called it “Unquestionably the year’s smartest thriller” and listed it as one of the Top 10 Fiction Books of 2013. Over at Tor.com, Niall Alexander called it “Simply gripping from the get-go… Lexicon twists and turns like a lost language, creating tension and expectations… awesome,” and at Boing Boing, Cory Doctorow said it was “Gripping… a pitch-perfect thriller, a jetpack of a plot that rocketed me from page one to page 400 in a single afternoon.”

At an exclusive school somewhere outside of Arlington, Virginia, students aren’t taught history, geography, or mathematics — at least not in the usual ways. Instead, they are taught to persuade. Here the art of coercion has been raised to a science. Students learn that every person can be classified by an extremely specific personality type, his mind segmented and ultimately controlled by the skillful and sometimes magical application of words. The very best will become part of a secretive organization of “poets” — elite manipulators of language who can wield words as weapons and bend others to their will.

Whip-smart orphan Emily Ruff is running a three-card Monte game on the streets of San Francisco when she attracts the attention of the organization’s recruiters. She is flown across the country for the school’s rigorous and mysterious entrance exams. Once admitted, she learns the fundamentals of persuasion by Bronte, Eliot, and Lowell — master teachers who have adopted the names of famous poets to conceal their true identities. Emily becomes the school’s most talented prodigy until she makes a catastrophic mistake: She falls in love.

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Fiction Review: Francesca Forrest’s Pen Pal

Fiction Review: Francesca Forrest’s Pen Pal

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Francesca Forrest's Pen Pal
Francesca Forrest’s Pen Pal

This past month, I’ve not been playing much in the way of interactive fiction and my webcomics have fallen behind schedule–in part because I’ve been reading some great prose books. One of the most recent is the novel Pen Pal by Francesca Forrest, a self-published novel that began its life on livejournal and grew up into a full-fledged, completely remarkable fantasy. For those who have been looking for something different than fantasyland fare, this is definitely a novel you should check out.

As the story opens, young Em, a girl from the floating community of Mermaid’s Hands just off the Gulf Coast of the United States, is reaching for the larger world. She loves her community and trusts in the Seafather, the god worshipped by her small village of intertwined boats on the mudflats, but she wants to see more of the world. With the help of a friend, she tosses a message in a bottle into the sea, willing the Seafather to take it somewhere interesting, to someone who will write her back.

Whether through fate or the intervention of two very different gods, the letter ends up in the hands of Kaya, a political prisoner in the country of W–, near Indonesia, whose prison is a faux-temple suspended over Ruby Lake, a lava lake in the center of a volcano. Kaya is from the mountains, making her a minority in her own small country, and her people’s traditional religion, worship of the Lady of Ruby Lake, has been forbidden. Through writing to Em, she begins to examine how she became a political prisoner–she who had once embraced the lowland culture, attended college in America, and sought to advance in life. But her plan to hold a festival for the Lady, just as a cultural celebration, nothing to offend the government, crashes around her ears and sends her hanging perilously above the lava, in solitary confinement, but for letters from her mother and Em and a strangely intelligent crow companion.

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The Novels of Michael Shea: The Mines of Behemoth

The Novels of Michael Shea: The Mines of Behemoth

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The Mines of Behemoth-smallThe last two Michael Shea novels we discussed, The Extra and Attack on Sunrise, took his career in an intriguing and very different direction. But I still admit a greater fascination with his Nifft the Lean novels, Nifft the Lean (1982), The Mines of Behemoth (1997), and The A’rak (2000). Baen Books published the last two in attractive paperback editions, with covers by Gary Ruddell, and I’ve always thought they were some of the most eye-catching sword-and-sorcery on the market.

We lost Michael last month, but very fortunately for us, he left a fine body of work behind to remember him by, including The Color Out Of Time (1984), In Yana, the Touch of Undying (1985); and his highly acclaimed collections Polyphemus (1987), The Autopsy and Other Tales (2008), and Copping Squid and Other Mythos Tales (2010).

Nifft the Lean, and his companion-at-arms, Barnar Hammer-Hand, were often lucky. Enroute to working Costard’s sap mine — very dangerous, and sometimes nauseating work far below ground — they were shipwrecked. But this proved fortuitous, when they met Bunt, who had been seeking just such as they. If they would work the sap mine, but also bring back twenty gills of fluid, he would make them exceedingly wealthy. So it was settled. They would suck the sap from the servants of the monstrous insectile queen — and they would bring back some of the ichor that she alone exuded — and they would be rich. It seemed relatively easy. They wouldn’t have to go to hell at all, for instance.

Of course, the best laid plans sometimes do go a little astray.

The Mines of Behemoth was published in 1997 by Baen Books. It is 256 pages, with an original price of $5.99 in paperback. It is out of print and there is no digital edition.

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