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A World without Tolkien

A World without Tolkien

NPG x88898; John Ronald Reuel Tolkien by Pamela ChandlerI like to commemorate the birthdays of authors whose works I’ve enjoyed or that have exercised an influence over me in some way. Unfortunately, I only write one day a week here at Black Gate. Consequently, the odds that an anniversary of one of the handful of writers I hold in high esteem should fall on a Tuesday aren’t high enough that I can consistently write commemoration posts on the day in question. Sometimes, like last week’s post about Fritz Leiber (which proved surprisingly popular, if the comments it generated are any indication – thank you), the calendar cooperates somewhat and my post can appear a day before or a day after the intended date. It’s a bit of a cheat, but not one so egregious that my over-developed sense of propriety feels it’s “wrong.”

January is the birth month of multiple writers I esteem highly. As fate would have it, the birthdays of two of them happen to fall on Tuesdays in 2015, which makes my job a lot easier next month. In a couple of other cases, though, the birthdays fall on days of the week far enough away from my regular slot that I really do feel as if I’d be acting out of turn by devoting a post to them. Yet, in both of these cases, the author is such a colossal figure in the field of fantasy – never mind in my own personal pantheon of fantasists – that it would seem wrong to let his birthday pass without comment.

This long-winded preface is my way of saying that, while J.R.R. Tolkien’s 123rd birthday isn’t until this coming Saturday (January 3), this post is nevertheless about him and the incredibly long shadow he has cast over the field of fantasy fiction. Indeed, it is not an exaggeration to say that, for good or for ill, the contemporary popular understanding of what fantasy is derives almost entirely from his novels The Hobbit and The Lord of the Rings. I can scarcely think of another author whose idiosyncratic vision has so transformed the commonplace conception of the genre in which he wrote that it is now seen as not merely normative but exhaustive.

Which is why I’m now going to spend a few hundred words considering just a few of the things fantasy (and fantasy gaming) owe largely, if not necessarily exclusively, to Tolkien.

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The Series Series: American Craftsmen by Tom Doyle

The Series Series: American Craftsmen by Tom Doyle

American Craftsmen Tom Doyle-smallOh, best and most delicious of conspiracy-theory secret histories! From the first moment I heard the premise of American Craftsmen, I knew I would love this book. I am glad to report that it was even better than I imagined — smarter, funnier, more multi-layered and suspenseful, with even more kickass action.

Tom Doyle’s craftsmen are mages whose lineages have served in defense of our nation since George Washington bound them in a secret Compact. As the novel opens, with a craft op gone wrong in Iraq, old feuds between the Fighting Families and classic turf wars among occult branches of government bureaucracies threaten the United States from within.

Our hero Dale Morton gets hit with the triple-whammy of a dying foe’s curse, a case of straight-up PTSD, and subtle undermining by a mole who has infiltrated America’s supernatural defense forces. Whoever wants Morton out of the way is up to no good, so Morton leaves the Army to save it. His inner life is painstakingly honorable, but his environment is so full of intrigue that he has needed to cultivate his own devious tendencies and sufficient gallows humor to get himself through the day. He cunningly gives every appearance of going home to lick his wounds. Meanwhile, he works out how he’ll get a crack at the traitor hiding among his former comrades-at-arms.

The House of Morton itself is a House divided. Dale is the only living member of the household, and his numerous resident ghosts form rival camps around the sorcerous styles of Hawthorne and Poe. He knows how to recognize the cruel magics of the Left-Hand Path, because he grew up literally haunted by its most famous practitioners. Like every virtuous member of the Morton family for a century and a half, Dale has dedicated himself to the line of protective ancestors and pitted himself against the wicked ancestors his peers in the service will never let him live down.

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New Treasures: Fearsome Magics: The New Solaris Book of Fantasy, edited by Jonathan Strahan

New Treasures: Fearsome Magics: The New Solaris Book of Fantasy, edited by Jonathan Strahan

Fearsome Magics-smallBack in September, I told you about Jonathan Strahan’s newest fantasy collection Fearsome Magics: The New Solaris Book of Fantasy, the follow-up to his acclaimed Fearsome Journeys. Fearsome Magics has a stellar list of contributors, including Ellen Klages, Robert Shearman, Nina Kiriki Hoffman, Tony Ballantyne, and many more. I’m too lazy to copy over the complete list and the back copy text from my prior post, but you can read them here.

Here’s what James McGlothlin said in his review of the first volume:

Many of Fearsome Journeys’ stories fit squarely within the tradition of fantasy — which I love! For instance, many contain typical tropes such as magic, dragons, wizards, fighters, thieves, etc., as well as familiar plot angles like quests to recover treasure or kill some monster or dragon. However, as one would expect from this lineup, many are fairly experimental attempts to push the boundaries of what is, or should be, considered fantasy…

I can say — without any reservation — all of stories contained within Fearsome Journeys are extremely well-crafted… There’s no doubt that these are some of the best writers in the field today.

Solaris Books continues to single-handedly fuel a renaissance in paperback anthologies, including two top notch science fiction anthology series: Ian Whates’s Solaris Rising and Jonathan Strahan’s Reach for Infinity. I’m very pleased to see a fantasy series join that august list. They’ve shown no signs of resting, either — their newest anthology is Dangerous Games, edited by Jonathan Oliver.

Fearsome Magics is edited by Jonathan Strahan and published by Solaris Books. It was published on October 7, 2014. It is 352 pages, priced at $7.99. The cover is by Tomasz Jedruszek. Our last report on Solaris was Tor.com Salutes Solaris Books on September 30.

Clashing Blades, Hairbreadth Escapes, and Daring Rescues: The Big Book of Swashbuckling Adventure, edited by Lawrence Ellsworth

Clashing Blades, Hairbreadth Escapes, and Daring Rescues: The Big Book of Swashbuckling Adventure, edited by Lawrence Ellsworth

The Big Book of Swashbuckling Adventure-smallBack in May, BG blogger Lawrence Schick (who also writes as Lawrence Ellsworth) told us about his huge upcoming anthology The Big Book of Swashbuckling Adventure: Classic Tales of Dashing Heroes, Dastardly Villains, and Daring Escapes. Now the book has arrived, and it looks very appetizing indeed. If you enjoy tales of adventure, this one looks like it would make a splendid late Christmas present to yourself.

The word “swashbuckler” conjures up an indelible image: a hero who’s a bit of a rogue but has his own code of honor, an adventurer with laughter on his lips and a flashing sword in his hand. This larger-than-life figure is regularly declared passé, but the swashbuckler is too appealing to ever really die. Who wouldn’t want to face deadly danger with confidence and élan? Who can deny the thrill of clashing blades, hairbreadth escapes, and daring rescues, of facing vile treachery with dauntless courage and passionate devotion?

The swashbuckler tradition was born out of legends like those of the Knights of the Round Table and of Robin Hood, revived in the early 19th century by Romantic movement authors such as Sir Walter Scott. The genre caught hold with the publication of Alexandre Dumas’ The Three Musketeers in 1844, and for the next century it was arguably the world’s leading form of adventure fiction.

Featuring selections by twenty hugely popular writers from the last century including Rafael Sabatini; Johnston Mcculley (creator of the Zorro character); Alexandre Dumas: Arthur Conan Doyle; and Pierce Egan (author of Robin Hood), this anthology is dedicated to the swashbuckler’s roots: historical adventures by the masters of the genre. Most of these stories have been out of print for decades; some have never before been collected in book form. All are top-notch entertainment.

The Big Book of Swashbuckling Adventure was published by Pegasus on December 15, 2014. It is 604 pages, priced at $24.95 in paperback or $20.08 for the digital edition.

Doc Savage Meets… The Grinch Who Stole Christmas

Doc Savage Meets… The Grinch Who Stole Christmas

Doc Savage Grinch-small

Kez Wilson has been publishing Doc Savage fantasy covers at his website for years, and they get more and more creative as the months go by. His December entry this year (#252) sees Doc Savage face off against a diabolical agent of Christmas evil. Here’s his Doctor Seuss-inspired back cover copy:

Every Who down in Whoville liked Christmas a lot. But the Grinch, who lived just north of Whoville, did not. Then he got a wonderful idea! An awful idea! THE GRINCH GOT A WONDERFUL, AWFUL IDEA! Word of his plan to steal Christmas did leak, and the holiday began to look rather bleak. Then Cindy Lou Who took matters in her own tiny hands and got word to the one man who could foil those evil plans. Now when Grinchy Claus slips down the chimney with intent to burglarize, he’ll be face to face with a new holiday protector with glistening bronze skin and golden eyes.

Wilson’s pastiche covers are based on the brilliant work of James Bama and Bob Larkin, who illustrated the original Doc Savage paperbacks from Bantam. Check out his marvelous Doc Savage Fantasy Cover Gallery to see the Man of Bronze face off against Buffy, Ming the Merciless, Cthulhu, 007, The Thing, the Terminator, Sharknado, the Hardy Boys, Barbarella, Doctor Who, Kirk and Spock, and many others.

Vintage Treasures: Unknown and Unknown Worlds, edited by Stanley Schmidt

Vintage Treasures: Unknown and Unknown Worlds, edited by Stanley Schmidt

Unknown edited by Stanley Schmidt Baen-smallI intended to post a brief article on Echoes of Valor II today, continuing the series as promised after I covered the first volume last week.

But the first comment on that article, from BG blogger Thomas Parker, was:

Isn’t it time for someone to do some anthologies from Unknown? (Have there been any since the old Pyramid paperbacks?)

Thomas is talking about two paperback anthologies edited by western author D.R. Bensen, The Unknown (1963) and its sequel The Unknown 5 (1964), which collected stories from Unknown magazine. I covered the 1978 Jove reprints of both books in a lengthy Vintage Treasures post last December.

I was pretty sure the answer was no — there haven’t been any other paperback anthologies collecting tales from Unknown. But before I could open my mouth, Keith West posted the following comment:

Baen published a collection of stories from Unknown entitled Unknown in 1988. It was edited by Stanley Schmidt with a Thomas Kidd cover and contained 9 stories…

Galahad Books, which is a British publisher IIRC, published a substantial hardback, also in 1988, entitled Unknown Worlds Tales from Beyond. It had a blah cover but contained 25 stories. I think I picked my copy up in either a Waldenbooks or a B. Dalton’s in the remainder bin…

Keith is exactly right. I put my notes on Echoes of Valor II aside for now, and went on a hunt to find out what I could about these two Unknown anthologies.

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Future Treasures: Aickman’s Heirs, edited by Simon Strantzas

Future Treasures: Aickman’s Heirs, edited by Simon Strantzas

Aickman's Heirs-smallI admit that I’d never heard of Undertow books before March of this year, when they announced they’d be publishing the first volume of a new Year’s Best collection, Year’s Best Weird Fiction, edited by Laird Barron.

I’ve heard about them a great deal in the last few months, however. While I was at the World Fantasy Convention in November, I heard a lot of good things about their annual journal of the fantastic, Shadows & Tall Trees, edited by Michael Kelly; the sixth volume, Shadows & Tall Trees 2014, was released in trade paperback in June. And back in October, Undertow made the following announcement on their website:

Coming Spring of 2015, Aickman’s Heirs, edited by Simon Strantzas, an anthology of strange, weird tales by modern masters of weird fiction, in the milieu of Robert Aickman, the master of strange and ambiguous stories. Editor and author Strantzas, an important figure in Weird fiction, has been hailed as the heir to Aickman’s oeuvre, and is ideally suited to edit this exciting volume. Cover art by Yaroslav Gerzhedovich. Cover design by Vince Haig.

This is great news. Robert Aickman is one of the most revered ghost story writers of the past 50 years. In October I reported on the beautiful new Faber & Faber editions of his classic ghost story collections, Dark Entries, The Unsettled Dust, The Wine Dark Sea, and Cold Hand in MineAickman’s Heirs’s will contain stories by Nina Allan, Michael Cisco, Brian Evenson, John Langan, Helen Marshall, David Nickle, Lisa Tuttle, and many others.

Undertow is an imprint of the highly regarded ChiZine Publications (whom we examined in detail just last week.) We discussed Simon Strantzas’s fourth collection, Burnt Black Suns, in November.

See all our recent coverage of upcoming books here.

The Ballantine Adult Fantasy Series: Lud-in-the-Mist by Hope Mirrlees

The Ballantine Adult Fantasy Series: Lud-in-the-Mist by Hope Mirrlees

Lud in the Mist front coverLud-in-the-Mist
Hope Mirrlees
Ballantine Books (273 pages, March 1970, $0.95)
Cover art by Gervasio Gallardo

One of Lin Carter’s greatest achievements as editor of the Ballantine Adult Fantasy series, in my opinion, was rescuing Lud-in-the-Mist from obscurity. The third and final novel by Hope Mirrlees, Lud-in-the-Mist was her only fantasy. After this book was published, she stopped writing. More on that later.

Carter tells the story in his introduction that he had never heard of the book when a friend recommended it to him. The friend had a copy, which he loaned to Carter. Carter was immediately impressed and wanted to include Lud-in-the-Mist in the BAF series. At the time, Carter says, he didn’t know if Ms. Mirrlees was even still alive. (She died in 1978.) It’s questionable how much effort he put into locating her, since by that time the book was in the public domain.

The story takes place in a country based on both England and the Low Countries. Lud-in-the-Mist is the capital of the small country of Dorimare. It is situated at the confluence of two rivers, the Dapple and the Dawl. The Dawl is the largest river in Dorimare. The Dapple, on the other hand, has its source beyond the Debatable Hills in the land of Fairy.

Until 200 hundred years ago, relations between Dorimare and Fairy were good. Then, during the reign of Duke Aubrey, the merchants rose up and overthrew him. Aubrey wasn’t the best of people. He had a bet going with another man that they could drive the court jester to suicide. (They were successful.) But he wasn’t all bad, either. He was also known for acts of extreme generosity.

Since the time of the revolution, all traffic with the inhabitants of Fairy is forbidden. Indeed, even mentioning fairy fruit is illegal. According to the Law, it doesn’t exist, despite the fact that it was consumed with regularity before Duke Aubrey’s overthrow.

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Fearie Tales Has the Best Cover Art of the Year

Fearie Tales Has the Best Cover Art of the Year

Fearie Tales 2-smallOne thing I miss about the lack of a print edition of Black Gate is that I no longer shop for cover art.

I still do, sort of, by keeping an eye on the best pieces of art every year. And as we close out 2014, I think I can say that my favorite cover this year was for the deluxe limited edition of PS Publishing’s Fearie Tales, painted by Alan Lee (click on the image at left for a bigger version.) What can I say? I’m a sucker for castles and crows.

Fearie Tales was edited by Stephen Jones and takes inspiration from the original versions of Grimm’s Fairy Tales. Jones invited some of today’s top fantasy and horror writers to create new Grimm Fairy Tales, with a decidedly darker twist. It contains retellings of Cinderella, Rapunzel, Hansel and Gretel, Rumpelstiltskin, The Robber Bridegroom, and more from Ramsey Campbell, Neil Gaiman, Tanith Lee, Garth Nix, Robert Shearman, Michael Marshall Smith, Christopher Fowler, Angela Slatter, Brian Hodge, Joanne Harris, John Ajvide Lindqvist, and many others. Check out Goth Chick’s review of the US edition here.

Cover artist Alan Lee was, along with John Howe, the lead concept artist for Peter Jackson’s The Lord of the Rings films. He has illustrated dozens of fantasy novels, including the covers of the 1983 Penguin edition of Mervyn Peake’s Gormenghast trilogy, and several works by J.R.R. Tolkien, including the centenary edition of The Lord of the Rings (1995), a 1999 edition of The Hobbit, and The Children of Húrin (2007).

Fearie Tales was published PS Publishing in a deluxe signed traycase edition limited to 200 copies on July 1, 2014, priced at £249.00. It is also available in a trade edition (with a different cover), published by Jo Fletcher Books on September 23, 2014, priced at $24.99.

Vintage Treasures: Dancer’s Rise by Jo Clayton

Vintage Treasures: Dancer’s Rise by Jo Clayton

Dancer's Rise Jo Clayton-smallJo Clayton was an amazingly prolific American fantasy writer. Her first novel, Diadem from the Stars, was published by DAW in 1977. Over the next 20 years, she published no less than 35 fantasy novels, and nearly as many short stories.

In 1996, at the age of 57, she was diagnosed with cancer of the bone marrow; while in the hospital she completed the second novel in the Drums of Chaos trilogy, and most of the final book, Drum Into Silence. It was eventually completed by Kevin Andrew Murphy and published in 2002 by Tor. Jo Clayton passed away on February 13, 1998.

Sixteen years after her death, every single one of her 35 books is out of print — fairly typical for a midlist fantasy author, sad to say — and none are currently available in a digital edition. I found a copy of Dancer’s Rise, the sequel to the Duel of Sorcery trilogy and the first book in the Dancer series, in a collection I acquired a few months ago.

I’ve never read a Jo Clayton novel, and in fact we’ve never covered any of her books here at Black Gate, a pretty serious oversight on both counts. I decided it was time to correct that deficiency.

There’s some confusion surrounding the cover of Dancer’s Rise. It is credited to Jody A. Lee in the book and the ISFDB lists Lee at the verified artist. But that sure looks to me like Richard Hescox’s signature in the bottom right (click the image at right for a bigger version), and Hescox currently has the painting for sale for $6,000.

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