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We Have Always Lived in the Castle by Shirley Jackson

We Have Always Lived in the Castle by Shirley Jackson

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My name is Mary Katherine Blackwood. I am eighteen years old, and I live with my sister Constance. I have often thought that with any luck at all I could have been born a werewolf, because the two middle fingers on both my hands are of the same length, but I have to be content with what I had. I dislike washing myself, and dogs, and noise. I like my sister Constance, and Richard Plantagenet, and Amanita phalloides, the death-cap mushroom. Everyone else in my family is dead.

So opens Shirley Jackson’s final novel, We Have Always Lived in the Castle (1962). Published three years before her death, this introduction to the book’s narrator, better known as Merricat, seems to promise readers they are in for the story of a quirky young woman. It is indeed beguiling but bears only the slightest hint of what’s to come in this short novel. It is a book built of dark and deep shadows, pierced at times by shimmering passages, before becoming darker and more claustrophobic.

Merricat lives with her sister and their crippled and addle-minded Uncle Julian in the great mansion that the Blackwoods have always lived in. Six years ago something terrible happened for which all the townsfolk hate, and perhaps even fear, the Blackwoods. One evening, arsenic found its way into the sugar bowl and the sisters’ parents, younger brother, and aunt died. Their uncle took less sugar and survived, though irreparably broken. Constance, who cooked, who never took sugar — and who cleaned the sugar bowl before the police arrived — was accused and tried. No motive could be found and she was acquitted, but she has never since left the property. Only Merricat braves the village — twice a week — to buy food, take out books from the library, and suffer the staring and unpleasant treatment of the villagers.

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New Treasures: Dragon Coast by Greg van Eekhout

New Treasures: Dragon Coast by Greg van Eekhout

Dragon Coast-smallIn California Bones, Greg van Eekhout introduced us to Daniel Blackland, a con artist attempting the biggest con of his career… who ends up crossing the terrifyingly powerful Hierarch, the tyrant ruling the Kingdom of Southern California. With the mysterious and powerful Sam, the Hierarch’s golem, Daniel ended up on the run. In the second novel, Pacific Fire, set a decade later, the pair return to L.A. to confront a brand new horror: the terrifying weapon of mass destruction called a Pacific Firedrake. In the concluding volume in the trilogy, the stakes are even higher, as Daniel Blackland must pull off his most improbable theft yet, by returning to the Kingdom of Northern California and stealing the bones of the great dragon at the center of the Earth.

Daniel’s adopted son Sam, made from the magical essence of the tyrannical Hierarch of Southern California whom Daniel overthrew and killed, is lost — consumed by the great Pacific firedrake secretly assembled by Daniel’s half-brother, Paul.

But Sam is still alive and aware, in magical form, trapped inside the dragon as it rampages around Los Angeles, periodically torching a neighborhood or two.

Daniel has a plan to rescue Sam. It will involve the rarest of substances, axis mundi, pieces of the bones of the great dragon at the center of the Earth. Daniel will have to go to the kingdom of Northern California, boldly posing as his half-brother, come to claim his place in the competition to be appointed Lord High Osteomancer of the Northern Kingdom. Only when the Northern Hierarch, in her throne room at Golden Gate Park, raises her scepter to confirm Daniel in his position will he have an opportunity to steal the axis mundi — under the gaze of the Hierarch herself.

And that’s just the first obstacle.

We covered the first two novels in the trilogy here. Dragon Coast will be published by Tor Books September 15, 2015. It is 320 pages, priced at $24.99 in hardcover and $11.99 for the digital edition. The cover is by Cliff Nielsen.

Future Treasures: Gestapo Mars by Victor Gischler

Future Treasures: Gestapo Mars by Victor Gischler

Gestapo Mars-smallVictor Gischler is the author of Deadpool: Merc With A Mouth, one of the better Deadpool graphic novels out there. He’s also written the novels Gun Monkeys, Ink Mage, and Go-Go Girls of the Apocalypse, among many others.

His latest novel, Gestapo Mars, combines science fiction, Nazis, assassins, and disgusting gelatinous aliens in a fast-paced, rollicking adventure, on sale next week from Titan Books.

Carter Sloan is a trained assassin — the best there is, pulled out of cryogenic sleep whenever an assignment demands his skills. So when he’s kept in the deep freeze for 258 years, he’s seriously pissed off.

Yet his government needs him, to hunt down the enemy known as the Daughter of the Brass Dragon. The future of the galaxy-spanning Reich depends on it, so Sloan is off — screwing, swearing, and shooting his way across interstellar space.

It’s action, adventure, and disgusting gelatinous aliens as only Victor Gischler can create them.

Gestapo Mars will be published by Titan Books on September 22, 2015. It is 277 pages, priced at $14.95 in trade paperback and $7.99 for the digital version.

See all of our coverage of the best in upcoming fantasy here.

The Public Life of Sherlock Holmes: Tolkien’s Necklace of the Dwarves

The Public Life of Sherlock Holmes: Tolkien’s Necklace of the Dwarves

The-Book-of-Lost-Tales-2-smallI was a voracious reader of fantasy in my teens and early twenties. Moorcock, Tolkien, Lieber, Kurtz, Feist, Eddings, Brooks, Donaldson, Dragonlance and Forgotten Realms, Thieves World, Heroes in Hell; I devoured series fantasy. And later I would delve into McKiernan, Cook, Howard, Jordan and others.

Now, in the past decade, I’ve made a couple of attempts to re-read The Hobbit and The Lord of the Rings, but given up each time (I can say the same thing about Fritz Lieber’s Fafhrd and Grey Mouser series). I like the stories and the events, but parts of them just read so sloooow. I’ve not run into that problem with Michael Moorcock’s Eternal Champion series, or Katherine Kurtz’s Deryni books. But I’m still a huge Tolkien fan, even though I don’t sit down and read through him any more.

I’m in a rather small minority that prefers The Silmarillion to his two better-known works. And that’s because I’m completely sold on Tolkien as a world builder and storyteller. That’s why he’s still a favorite.

From the story of the Silmarils up to the start of the Third Age, Tolkien set the standard for world building and epic history. I enjoy the vast creations of Robert Jordan, Steven Erickson, Stephen R. Donaldson, David Eddings and many more, but Tolkien was unsurpassed.

One of my first Dungeons and Dragons characters was an elf named Gil Galad, wielding his spear, Aeglos. Fingolfin, the Sons of Feanor, Hurin, Turin, Melkor, Ancalagon, and Glaurung: The Silmarillion is just chock full of heroes, villains, lands, kingdoms and events.

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The Perfect Prescription for Perdition: Doctors in Hell, edited by Janet Morris and Chris Morris

The Perfect Prescription for Perdition: Doctors in Hell, edited by Janet Morris and Chris Morris

Doctors in Hell-smallDoctors in Hell
Heroes in Hell, Volume 18
Edited by Janet Morris and Chris Morris
Perseid Press (336 pages, $19.98 in trade paperback, $7.92 digital, June 23, 2015)
Cover: Pandemonium, John Martin (1789-1854), circa 1841, oil on canvas, from private collection. Cover design by Sonja Aghabekian

Be careful to preserve your health. It is a trick of the devil, which he employs to deceive good souls, to incite them to do more than they are able, in order that they may no longer be able to do anything.
— St. Vincent De Paul

By now, many of you no doubt know of my association with Janet Morris and Perseid Press. Maybe you’ve read the reviews of her novels that I wrote for Black Gate, including my reviews of Lawyers in Hell, Rogues in Hell, and Dreamers in Hell. In 2014 Janet and I collaborated on an article for Black Gate, in which we discussed Poets in Hell, how I came to be involved with Hell, and how she put that volume together.

Now, for 2015, Perseid Press offers you Doctors in Hell, the 18th volume in the popular and long-running Heroes in Hell saga, created by Janet Morris back in 1986 .This year I’m going to do something similar to what Janet and I did last year: presenting a brief synopsis of each story/chapter, with the diabolical assistance of my twelve fellow Hellions — the damnedest writers in perdition, to paraphrase the text on the book’s front cover. That makes 13 of us… a nice number, don’t you think?

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New Treasures: The Art of Mad Max: Fury Road by Abbie Bernstein

New Treasures: The Art of Mad Max: Fury Road by Abbie Bernstein

The Art of Mad Max Fury Road cover

Mad Max: Fury Road was a highlight of the summer for me. It was easily one of the best movies of the year, and the long-awaited return to one of the great cinematic settings of my youth, the post-apocalyptic hell of The Road Warrior. It turned both of my teenage sons into Mad Max fans. No small feat, since in general they don’t show much patience with films from the 80s.

Titan Books released a gorgeous art book to accompany the release of the film, The Art of Mad Max: Fury Road, and it’s jam-packed with behind-the-scenes photos, concept art, production stills, interviews with the cast and crew, and an insightful foreword by director George Miller. I received a copy last month, and finally had a chance to sit down with it this week. The timing is actually pretty good, as the Blu-ray was released on September 1, and we re-watched the film at home last Friday.

Below are a dozen photos and art samples from the book.

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Vintage Treasures: The Durdane Trilogy by Jack Vance

Vintage Treasures: The Durdane Trilogy by Jack Vance

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Jack Vance was an amazingly prolific writer, and he wrote for over six decades. That’s two decades shy of Jack Williamson’s astonishing eight-decade run as an SF writer, but still pretty darned impressive. Vance made his fiction debut in the Summer 1945 issue of Thrilling Wonder Stories with “The World-Thinker,” and his last short story, “Phalild’s Fate,” appeared in the ebook collection Chateau d’If and Other Stories in April 2012, a year before he died at the age of 96. No one is entirely sure how many books he produced in all that time, and estimates range from 60 to as high as 90.

Not too surprisingly, one of the marvelous things about Jack Vance is that I’m still discovering his work. I’ve never read his Durdane trilogy from the 1970s, for example — and in fact, I acquired a complete set for the first time last April at the Windy City Pulp & Paper show here in Chicago. Before I settled in to read it, I had a look back at its publishing history (doesn’t everyone do that?), and discovered just how many editions there have been over the years. Here’s a quick survey of a few of the more interesting incarnations of one of Vance’s more overlooked fantasies.

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Future Treasures: Loosed upon the World: The Saga Anthology of Climate Fiction edited by John Joseph Adams

Future Treasures: Loosed upon the World: The Saga Anthology of Climate Fiction edited by John Joseph Adams

Loosed Upon the World-smallThere have been few aspects of our planet’s future as hotly debated as climate change. And regardless of your opinion on the matter, you have to admit: it’s a fascinating topic, and one ideally suited for exploration in fiction. Editor John Joseph Adams, who just took home his second Hugo award for Lightspeed magazine, has assembled a stellar line-up of writers — including Kim Stanley Robinson, Paolo Bacigalupi, Tobias S. Buckell, Alan Dean Foster, Margaret Atwood, Seanan McGuire, and Jean-Louis Trudel — with a massive, 565-page anthology that looks at our changing planet through the unique lens of science fiction.

This is the definitive collection of climate fiction from John Joseph Adams, the acclaimed editor of The Best American Science Fiction and Fantasy and Wastelands. These provocative stories explore our present and speculate about all of our tomorrows through terrifying struggle, and hope.

Join the bestselling authors Margaret Atwood, Paolo Bacigalupi, Nancy Kress, Kim Stanley Robinson, Jim Shepard, and over twenty others as they presciently explore the greatest threat to our future.

This is a collection that will challenge readers to look at the world they live in as if for the first time.

See the complete table of contents here.

Loosed upon the World: The Saga Anthology of Climate Fiction will be published by Saga Press on September 15, 2015. It is 565 pages, priced at $16.99 in trade paperback and $11.99 for the digital edition.

Politics: Slightly Less Important Than Breathing?

Politics: Slightly Less Important Than Breathing?

The Gate to Women's Country-smallThere’s been a lot of election talk in the air lately (here in Canada we’ll have our federal election on the 19th of October) and that’s led me to thinking about politics in general, and politics in genre fiction in particular. Without having gathered any statistics, just on a gut feeling, it seems to me that politics plays a stronger or more obvious role in genre writing than it does in non-genre writing.

Unless we’re writing thrillers or mysteries, when we create our worlds, we can’t just take the background of the real world for granted, as non-genre writers can. Even if our focus is family drama or interspecies romance, we have to create the socio-political framework for our novels along with everything else – this is part of the “world building” that so many panels at so many conventions address.

I know this to my cost, as my editor at DAW, Sheila Gilbert, is always asking me for details that I just take for granted. I always thought that when I say “king” everyone else just fills in the socio-political blanks, and I can get on with my story without having to figure out where the food and the saddled horses came from.

That turns out not to be the case.

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New Treasures: Crucible Zero by Devon Monk

New Treasures: Crucible Zero by Devon Monk

Crucible Zero-smallOne of the great joys of buying original fiction is seeing the talented writers you found in the slush pile finally get wider recognition. The very first story I ever purchased for Black Gate, a delightful piece called “Stitchery’ by Devon Monk, gradually evolved into the House Immortal fantasy trilogy, as Devon explained on her blog last year…

[House Immortal] isn’t a “standard” urban fantasy, but more like a science-fiction-y urban fantasy. But even though it’s set in the future a bit, it still (I hope) reads like urban fantasy, with a strong female lead character, some butt kicking, some humor, some trouble that could spell out the end of a world or two, and a host of interesting people and places.

Publisher and Editor John O’Neill at Black Gate noted here, that it reminded him of “Stitchery” the first short story he bought from me for Black Gate. I’m so happy he noticed! The series is based off of that short story, (albeit loosely) and Matilda, Neds, and Grandma were all first introduced in that short.

The first novel in the series was House Immortal, followed by Infinity Bell. Now Devon completes the trilogy with the final novel, Crucible Zero, on sale this month from Roc. The truce between the ruling Houses has shattered and chaos now reigns. Only one woman has the power to save the world — but she could also destroy it…

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