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Into the Night: She Is the Darkness by Glen Cook Part 2

Into the Night: She Is the Darkness by Glen Cook Part 2

0812555333.01.LZZZZZZZI think this reread of She Is the Darkness (1997) took me so long because I subconsciously remembered how disappointing it is. The first half (reviewed last week), despite a bunch of problems, is all right because of Cook’s usual talent at creating cool characters and sticking them into tough situations. It also had some epic battle scenes. As the Black Company inched its way toward the Shadowmaster’s fortress, the good managed to outweigh the bad. This was not the case for the book’s second half, despite some crowning moments of awesome. Not at all.

We left off last week’s post with the siege of Overlook about to begin. The Taglian legions raised and trained by Croaker and Lady invest the fortress. The great castle eventually falls not to starvation or the walls being thrown down, but to a coup de main. Overlook is so vast and so undermanned that Lady and her most loyal troops were able to secretly bore their way into its foundations and operate from within. After much planning (and magical scouting by Murgen), Lady is able to capture Longshadow.

Back in Taglios the Prince’s sister, the Radisha Drah, starts hunting down the Black Company’s allies. She has always feared the Company; now that Longshadow is defeated the time is ripe for its destruction. Having assumed a betrayal would come (as it always does for them), Croaker has readied the Company for the for the final trek to Khatovar.

The road to Khatovar lies to the south of Overlook, through something called the Shadowgate. From the gate come the shadows — deadly spectral things Longshadow and the Shadowmasters could control to a certain extent. Beyond the gate lies a great barren circular plain. From the gates (turns out there are more than one) are roads leading to the plain’s center, like the spokes of a wheel. And there stands a ruined fortress even greater than Overlook. Its inner courtyard measures nearly a mile across.

Certain the answer to where or what Khatovar is lies within, Croaker leads the core of the Black Company, along with its most important prisoners, — Longshadow, Howler, and Soulcatcher — into the ruins. But instead of answers, what lies behind the broken walls is a devastating trap. The book ends with the most important military commanders and veterans of the Black Company in stasis, and Soulcatcher racing back to Taglios in order to unveil some yet-undescribed scheme.

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Birthday Reviews: Kim Newman’s “Richard Riddle, Boy Detective in ‘The Case of the French Spy'”

Birthday Reviews: Kim Newman’s “Richard Riddle, Boy Detective in ‘The Case of the French Spy'”

Cover by John Picacio
Cover by John Picacio

Kim Newman was born on July 31, 1959.

Newman won the Bram Stoker Award for his books Horror: 100 Best Books and Horror: Another 100 Best Books, both written with Stephen Jones. He won the British Fantasy Award for his collection Where the Bodies Are Buried and the British SF Association Award for his short story “The Original Mr. Shade.” His novel Anno Dracula won the Prix Ozone, the Lord Ruthven Award, and the International Horror Guild Award, with its sequel, The Blood Red Baron also winning the Prix Ozone and the short story “Coppola’s Dracula” winning the IHG Award. He has been nominated for the Sidewise Award five times, twice for works in his Anno Dracula series, twice for works co-written with Eugene Byrne in their Back in the U.S.S.R. series of stories, and once, with Paul McAuley, for their script for the Prix Victor Hugo, given at Intersection, the 53rd World Science Fiction Convention held in Glasgow.

“Richard Riddle, Boy Detective in ‘The Case of the French Spy’” was originally published in volume one of the anthology Adventure, edited by Chris Roberson in 2005 (there was no volume 2). Stephen Jones reprinted it in Summer Chills: Tales of Vacation Horror. Newman included it in his collection The Secret Files of the Diogenes Club, a series to which the story is loosely connected. Jones reprinted the story a second time in the anthology Weirder Shadows Over Innsmouth.

Dick, Violet, and Ernest are three kids growing up in Victorian England. To keep themselves occupied, Dick has formed the Richard Riddle Detective Agency, in which he solves minor crimes using Violet’s inquisitiveness and education and Ernest’s muscle. How real the crimes are is a matter of conjecture, and the kids admit that the majority of the “crimes” they solve were committed by their nemesis, Tarquin “Tiger” Bristow. The story is a tribute to the sort of boys adventure stories which flourished from the late nineteenth into the twentieth century.

The Case of the French Spy focuses on a fundamentalist minister, Daniel Sellwood, who comes to the kids’ attention when he destroys a large ammonite that Violet has found. Violet’s current interest is paleontology, but the anti-Darwinian Sellwood views fossils as being planted by the Devil to lead people astray, and therefore only fit for destruction. The members of the Detective Agency soon decide that Sellwood is either a smuggler or a spy and break into a tower that belongs to him, only to discover that his villainy goes much deeper than they had suspected.

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Future Treasures: Relic by Alan Dean Foster

Future Treasures: Relic by Alan Dean Foster

Relic Alan Dean Foster-smallIf it seems like it’s been a while since Alan Dean Foster released a standalone SF book from a mainstream publisher, that’s because it has. Over a decade now, since Pyr published his novel Sagramanda: A Novel of Near-Future India way back in 2006. And the one before that was Interlopers (Ace, 2001).

It’s not like he hasn’t been busy. Foster is in great demand as a media tie-in writer, and his recent books include top-selling titles like Star Wars: The Force Awakens (2015) and Alien: Covenant (2017). But his many fans who remember his fine early novels like Icerigger (1974), For Love of Mother-Not (1983) and the other Pip & Flinx books, and the tales of the Humanx Commonwealth Universe, are impatient to see something new from him.

It looks like we will finally be rewarded. Foster’s latest book Relic has been called “Stunning… A true first contact novel on many different levels” by Library Journal. It arrives in hardcover from Del Rey in two weeks.

The last known human searches the galaxy for companionship in a brilliant standalone novel from the legendary author of the Pip & Flinx series.

Once Homo sapiens reigned supreme, spreading from star system to star system in an empire that encountered no alien life and thus knew no enemy… save itself. As had happened many times before, the basest, most primal human instincts rose up, only this time armed with the advanced scientific knowledge to create a genetically engineered smart virus that quickly wiped out humanity to the last man.

That man is Ruslan, the sole known surviving human being in the universe. Rescued from the charnel house of his home planet by the Myssari — an intelligent alien race — Ruslan spends his days as something of a cross between a research subject and a zoo attraction. Though the Myssari are determined to resurrect the human race, using Ruslan’s genetic material, all he wants for himself and his species is oblivion. But then the Myssari make Ruslan an extraordinary offer: In exchange for his cooperation, they will do everything in their considerable power to find the lost home world of his species — an all-but-mythical place called Earth — and, perhaps, another living human.

Thus begins an epic journey of adventure, danger, heartbreak, and hope, as Ruslan sets out in search of a place that may no longer exist — drawn by the slimmest yet most enduring hope.

Relic will be published by Del Rey on August 14, 2018. It is 320 pages, priced at $27 in hardcover and $13.99 for the digital edition.

The Barnes & Noble Sci-Fi & Fantasy Blog on the Best Science Fiction & Fantasy of July 2018

The Barnes & Noble Sci-Fi & Fantasy Blog on the Best Science Fiction & Fantasy of July 2018

Kill the Farm Boy Kevin Hearne and Delilah S. Dawson-small City of Lies Sam Hawke-small Redemption’s Blade Adrian Tchaikovsky-small

July has been a terrific month for fantasy readers, with several exciting debuts, more than a few big names, and a handful of highly anticipated installments in popular series. As usual, Jeff Somers at the Barnes & Noble Sci-Fi & Fantasy Blog handily summarizes the most interesting titles of the month. Here’s a half-dozen of his best selections.

Kill the Farm Boy by Kevin Hearne and Delilah S. Dawson (Del Rey, 384 pages, $27 in hardcover/ $13.99 digital, July 17)

Hearne and Dawson set out to undermine the white male patriarchy in a hilarious and surprisingly deep fantasy in the Pratchett mold. The titular, clichéd farm boy destined to save the world is killed more or less immediately after being anointed the Chosen One, but his death doesn’t end the threat to the world. A colorful band of unlikely heroes must assemble to do the job for him, including a half-rabbit bard, an aspiring evil wizard whose main skill is conjuring bread, a rogue lacking any sort of coordination, and, naturally, a talking goat. Their quest to take on the Dark Lord infesting their world with evil curses and evil-er magic is filled with plenty of jokes, songs, and riffs on the fundamental importance of cheese — but also delves into the inner lives of these crazy characters, making them real, interesting people. (Which is more than can be said of many super-serious epic fantasy stories.)

If Kill the Farm Boy is half as much fun as I’ve been hearing, it deserves to be the breakout title for the month. It’s book 1 of The Tales of Pell; no news yet on the next release.

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Birthday Reviews: Forrest Aguirre’s “Matriarch”

Birthday Reviews: Forrest Aguirre’s “Matriarch”

Cover by Lara Wells
Cover by Lara Wells

Forrest Aguirre was born on July 29, 1969.

Aguirre’s career began around the turn of the millennium with several short stories appearing in various magazines and several Wheatland Press projects. He co-edited Leviathan, Volume Three with Jeff VanderMeer, which earned them a nomination for the Philip K. Dick Award and won them a World Fantasy Award. He also edited Leviathan 4: Cities and Polyphony 7, the latter with Deborah Layne.

Aguirre wrote “Matriarch” for inclusion in the David Moles and Jay Lake edited All-Star Zeppelin Adventure Stories. The next year, Aguirre included the story in his collection Fugue XXIX.

“Matriarch” is a very short story, almost a vignette, which does not provide any real context for the story itself. It is set aboard a zeppelin which appears to have a crew of three: the titular pilot and her two crewmembers, LeFevre and LeBlanc. More important than setting or context is the story’s imagery. Aguirre describes the zeppelin in short terms, but they are evocative. The airship has clearly recently been in a battle and the losing forces, officials from the city below it, are dangling from ropes lowered from the zeppelin, skirting the heads of children in the city who have turned cannibal.

Even in their moment of triumph and riding above the ravenous throngs, the Matriarch and her crew don’t feel completely safe. LeFevre finds himself falling into the crowd below the zeppelin, and is killed and stripped clean by the children, almost as if he had fallen into a river swarming with piranhas. Losing LeFevre and the dangling officials to the cannibals allows the zeppelin to flee the scene of its victory and the carnage below, however, LeBlanc misreads the situation, much to his dismay.

There is little story and little setting in “Matriarch,” but Aguirre is fully able to describe the scenes through which the Matriarch zeppelin is flying. The imagery is almost cinematic in nature even if he doesn’t give too many specifics on what his characters, the city, or the airship look like. When he does deploy his expressive powers, Aguirre gets fully value.

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New Treasures: Redder Than Blood by Tanith Lee

New Treasures: Redder Than Blood by Tanith Lee

Redder Than Blood Tanith Lee-small Redder Than Blood Tanith Lee-back-small Red-as-Blood-or-Tales-from-the-Sisters-Grimmer-medium

Tanith Lee passed away in 2015, and at the time I worried that meant her work would quickly vanish from bookstores.

That hasn’t happened, and it’s mostly due to the efforts of her long-time publisher DAW Books, who over the last three years has gradually been returning some of her most popular work to print in gorgeous new paperback editions, including all five Flat Earth novels, the Wars of Vis trilogy, the Birthgrave trilogy, and the just-released novella collection Companions on the Road. Most have covers by French artist Bastien Lecouffe Deharme (website here).

I’m especially appreciative that DAW also saw fit to release a brand new short story collection of dark fairy tales, Redder Than Blood, last year. It’s a companion volume to Red as Blood, or Tales from the Sisters Grimmer (1983), a paperback original published by DAW with a Michael Whelan cover no less than twenty-five years ago (above right).

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Vintage Treasures: Take Back Plenty by Colin Greenland

Vintage Treasures: Take Back Plenty by Colin Greenland

Take Back Plenty-small Seasons of Plenty-small Mother of Plenty-small

I’ve been buying up back issues of Science Fiction Eye, one of the better SF review zines of the 90s. SF Eye had a marvelous stable of hot young writers, including Bruce Sterling, Richard Kadrey, Paul Di Filippo, Pat Murphy, Gary Westfahl, Tony Daniel, Charles Platt, John Shirley, Jack Womack, Elizabeth Hand, Mark Laidlaw, and many others. I thought I’d enjoy revisiting the cutting edge genre journalism I found so thought provoking two decades ago, but what I really find entertaining this time around is the high quality reviews. Especially coverage of now-forgotten books like Colin Greenland”s Take Back Plenty (1990) the opening novel of his gonzo space opera trilogy featuring Tabitha Jute. Here’s a snippet of Sherry Coldsmith’s excellent review, from the Winter ’91 issue, which I bought on eBay last month for $7.50.

Take Back Plenty is a raid on the traditional space opera, a coup at the galactic palace. Its author has poked through the rubble of pulp SF, looking for the genre’s mermaids and Marie Celestes. Greenland’s pickings include a fecund Venus that chokes with unconquerable jungles, and an arid Mars scarred by canals. More modern tropes are also put to use: cyberjacks, talking corpses, titanic tin-can inhabitants that circle the Earth. Greenland has chucked away anything that requires scientific veracity and kept anything that possess mythic dazzle.

The protagonists are as fascinating as the background. Tabitha Jute is the owner-operator of a space vehicle, the sentient and personable Alice Liddell. These two soul sisters of the Sol system get into love and trouble in a world that Is a surreally logical as the one the bedeviled Lewis Carroll’s Alice.

Take Back Plenty won both the British Science Fiction and Clarke awards for Best Novel; it was followed by two sequels, Seasons of Plenty (1995) and Mother of Plenty (1998). Greenland’s last two books, Spiritfeather (2000) and Finding Helen (2003) appeared only in the UK. You can read Coldsmith’s complete review of Take Back Plenty (and the tail end of the enthusiastic notice of Crichton’s Jurassic Park) here — page 1 and page 2. See all our recent Vintage Treasures here.

In 500 Words or Less: An Ancient Peace by Tanya Huff

In 500 Words or Less: An Ancient Peace by Tanya Huff

An Ancient Peace Tanya Huff-small A Peace Divided-small The Privilege of Peace-small

An Ancient Peace (Peacekeeper #1)
By Tanya Huff
DAW Books (432 pages, $7.99 paperback, $1.99 eBook, October 2016)

I love seeing characters in new contexts. An author creating a character who’s rounded and nuanced and thrilling to read about is something really special – characters like Harry Dresden, Millie Roper, Sira di’Sarc, or Logen Ninefingers. When an author can take that character, spin the world around them and let them thrive in an entirely changed environment – that’s something else entirely, and it’s phenomenal to see done well. Like moving Morgan to Fear the Walking Dead or Worf to Deep Space Nine.

And that’s exactly what Tanya Huff has done with Torin Kerr, formerly the star of the Confederation novels and now one of the central characters to the recently-concluded Peacekeeper trilogy. I’m a little behind the game in that I’ve only just read the first novel, An Ancient Peace, but damn if it wasn’t even more exciting and compelling than the previous Torin adventures I’ve read. In any long-running series, there are bound to be books that stand out and others that comparatively don’t measure up (much as I love The Dresden Files, not all fifteen are actual magic) but so far Huff consistently makes each novel even better than the last.

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Future Treasures: Before She Sleeps by Bina Shah

Future Treasures: Before She Sleeps by Bina Shah

Before She Sleeps-smallThe hit Hulu series The Handmaid’s Tale has brought a whole new generation of readers to Margaret Atwood’s 1985 dystopian novel — and spawned a growing subgenre.

One of the more interesting to me is Pakistani author Bina Shah’s upcoming Before She Sleeps, which Kirkus Reviews calls “a novel that is in explicit conversation with The Handmaid’s Tale… an overdue enlargement of the cultural conversation that Atwood’s novel continues to provoke.” The book has received considerable pre-publication buzz, and Publishers Weekly calls it “A haunting dystopian thriller.” Here’s the description.

In modern, beautiful Green City, the capital of South West Asia, gender selection, war and disease have brought the ratio of men to women to alarmingly low levels. The government uses terror and technology to control its people, and women must take multiple husbands to have children as quickly as possible.

Yet there are women who resist, women who live in an underground collective and refuse to be part of the system. Secretly protected by the highest echelons of power, they emerge only at night, to provide to the rich and elite of Green City a type of commodity that nobody can buy: intimacy without sex. As it turns out, not even the most influential men can shield them from discovery and the dangers of ruthless punishment.

This dystopian novel from one of Pakistan’s most talented writers is a modern-day parable, The Handmaid’s Tale about women’s lives in repressive Muslim countries everywhere. It takes the patriarchal practices of female seclusion and veiling, gender selection, and control over women’s bodies, amplifies and distorts them in a truly terrifying way to imagine a world of post-religious authoritarianism.

Bina Shah has written two collections and three previous novels, including A Season for Martyrs and the international bestseller Slum Child.

Before She Sleeps will be published by Delphinium on August 7, 2018. It is 256 pages, priced at $25 in hardcover and $17.99 for the digital version.

The 2018 World Fantasy Awards Ballot

The 2018 World Fantasy Awards Ballot

Changeling Victor LaValle-small Mapping the Interior Stephen Graham Jones-small Tender Sofia Samatar-small

The 2018 World Fantasy Awards Ballot, containing a whole bunch of books I haven’t read yet, has just been announced. The ballot is compiled by the voting attendees of the World Fantasy Convention, all of whom clearly read a lot more than I do. Where do they find the time? Don’t they have blog posts to write, like normal people?

At least I have my membership for the convention, so I’ll be there to watch all the excitement unfold. It’s still a few months away, so I a little time to get caught up. Wish we luck.

As has been tradition since 1998, the coveted Life Achievement Award is being given to two recipients. This year they are Canadian author Charles de Lint and DAW Editor-in-Chief Elizabeth (Betsy) Wollheim. Both are fine selections, richly deserving of this recognition.

The winners in every other category will be selected by a panel of judges. Here’s the complete list of nominees, with links to our previous coverage.

Life Achievement

  • Charles de Lint
  • Elizabeth Wollheim

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