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But What’s at Stake? Hal Clement’s Needle

But What’s at Stake? Hal Clement’s Needle

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Needle (Doubleday, 1950, cover artist unknown)

Needle
by Hal Clement
(Astounding Science Fiction, May-June 1949; expanded to book form: Doubleday, 222 pages, $2.50 in hardcover, 1950)

Hal Clement (legal name Harry Stubbs) was one of the stable of science fiction writers developed by John W. Campbell in the pages of Astounding magazine in the 1940s. His first story was “Proof” in the June 1942 issue and his next 10 stories appeared in the magazine throughout the ‘40s. He’s most famous for the 1954 novel Mission of Gravity and his reputation rests on its sort of hard science fiction: alien environments rigorously extrapolated from known physical principles. (Others in this vein were Iceworld, 1953, and Cycle of Fire, 1957.)

His first novel is a little different. This is Needle, serialized in Astounding and expanded to book form the following year for Doubleday. And published, incidentally, as a juvenile, in the “Doubleday Young Moderns” series, despite, as SFE notes, certain themes. (The edition I’m reading, and using pagination from, is a 1974 trade paperback reprint in Avon/Equinox’s SF Rediscovery series, with an odd cover illustration depicting two Greek-like gods fighting in the clouds. Photo below.)

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Future Treasures: Twilight of the Gods by Scott Oden

Future Treasures: Twilight of the Gods by Scott Oden

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Cover designs by Jimmy Iacobelli

It’s enormously satisfying to see Scott Oden, who’s been a critical darling for his intelligent historical fantasies like Men of Bronze (which Bob Byrne discussed here) and The Lion of Cairo (which Brian Murphy summed up as “Pulse-pounding sword play, leagues of warring assassins, political intrigue, a hint of evil sorcery, and the clash of armies on a grand stage”) finally have a bonafide hit with his new Grimnir Series, an epic Viking fantasy. In his review of the first volume Fletcher Vredenburgh wrote:

Oden’s novel knocked the heck out of any prejudices I had. New or old, this book kicks ass, and is one of the best swords & sorcery novels I’ve read in a while…. A Gathering of Ravens belongs on the same shelf as the best modern swords & sorcery novels, and on the shelf of any serious swords & sorcery reader.

A Gathering of Ravens also garnered a starred review at Publishers Weekly — not something you see every day. Here’s a snippet.

In this lovingly crafted tale of high adventure, Oden creates an alternate early medieval Europe in which mortal men have defeated entire races of vicious magical creatures. Some nightmares have faded from memory as magic and ancient beliefs are supplanted by a new religion, Christianity. Grimnir, last of the giants called kaunar, is on a mission for vengeance several centuries in the making… This fast-paced thrill ride might have been bleak or unsettling, but it’s rendered so lovingly that it reveals new layers of familiar territory. The fresh viewpoint is steeped in an appreciation for the terrifying and powerful characters of high fantasy, and Oden does them justice.

After a gap of nearly three years, Oden finally delivers the long-awaited second volume in the series, Twilight of the Gods. It arrives in hardcover from St. Martin’s Press in two weeks. Here’s all the details.

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Neverwhens, Where History and Fantasy Collide

Neverwhens, Where History and Fantasy Collide

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Fantasy and Science Fiction are often viewed as two distinctive, though related, forms of speculative fiction, but in reality, the genre is a continuum in which the dreamscapes of a Lord Dunsany or Robert Holdstock can lead us through twisting turns of possibility until we arrive at Andy Weir and Ian Banks, or a Neal Stephenson story of “digital resurrection” can turn into a story of gods, goddesses and quests.

The central theme, the true “Call of Cthulhu” behind good speculative fiction is not “swords, sorcerers or blasters,” but the author’s ability to take the reader out of the comfort of our mundane world, and by introducing varying degrees of what-ifs, neverwhens or neverwheres to take us on inward journey that stimulates our imagination, our sense of wonder, our ability to consider this spinning rock we live on today. Of course, what I am talking about is “world-building.” The world building may be subtle, introducing only the smallest tweaks to reality, or it may be the all-encompassing sweep of foreign lands, peoples and languages, most famously represented by Tolkien’s The Lord of the Rings.

There are a lot of ways to tackle world-building, but this column is going to focus on one: historicity in fantasy fiction. Full disclosure: I have a background in medieval history and have spent most of my adult life meticulous reconstructing medieval martial arts from primary source material. So, I’m a nerd. For the average fantasy reader, an obvious pushback is “it’s fantasy, Greg, what does it matter?” I am glad I asked for you!

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New Treasures: Warhammer 40,000: Lord of the Dark Millennium: The Dan Abnett Collection

New Treasures: Warhammer 40,000: Lord of the Dark Millennium: The Dan Abnett Collection

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Cover by Ignacio Bazan-Lazcano

Recently I’ve been listening to a host of audiobooks on Amazon’s Audible service. I’ve enjoyed Craig Davidson’s The Saturday Night Ghost Club, Martha Wells’ All Systems Red, Richard Kadrey’s Sandman Slim, and the first two volumes of S.K. Dunstall’s terrific Linesman trilogy. But the best one so far, an audio drama that kept me absolutely riveted for four days, was Dan Abnett’s Warhammer 40,000 novel The Magos, narrated by the great Toby Longworth. Half story collection, half novel, that damn thing absolutely transported me to into a future of superstition, terror, and dark sorcery.

Naturally, it also spurred my interest in the career of Dan Abnett. He’s written dozens of Warhammer 40,000 books, including 16 novels in the Gaunt’s Ghost military adventure series, the Eisenhorn and Ravenor Inquisitor trilogies, several novels in the bestselling Horus Heresy series, and others.

During that time he’s produced numerous short stories set in the war-torn galaxy of the 41st millenium. And now Black Library has issued Lord of the Dark Millennium: The Dan Abnett Collection, a massive 668-page hardcover containing all of his Warhammer 40K short fiction. It’s a gorgeous feast of a book, continuing 37 stories and a brand new introduction. Some of them, including “Regia Occulta,” “The Curiosity,” and “Thorn Wishes Talon,” are some of my favorite science fiction stories of the past two decades.

Lord of the Dark Millennium: The Dan Abnett Collection was published by Black Library on January 21, 2020. It is 668 pages, priced at $27 in hardcover and $16.99 in digital formats. The cover is by Ignacio Bazan-Lazcano. Get the complete details — and download free digital samples — at the Black Library website.

The Ash-Tree Anthologies, edited by Barbara Roden and Christopher Roden

The Ash-Tree Anthologies, edited by Barbara Roden and Christopher Roden

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Covers by Jason Van Hollander

Ash-Tree Press was a highly respected small press publisher of ghostly fiction. It was founded in Ashcroft, British Columbia, in 1994 by Christopher and Barbara Roden, and over the next 20 years produced 160+ collections, anthologies and novels of supernatural fiction, mostly reprints. They published volumes by M. R. James, H. R. Wakefield, A. M. Burrage, David G. Rowlands, Richard Marsh, Robert W. Chambers, E. F. Benson, Margery Lawrence, Marjorie Bowen, Alice Askew and Claude Askew, Jonathan Aycliffe, Frederick Cowles, and many, many others. Their handsome books, produced in very small print runs (anywhere from 5-500 copies, but typically  200-300), were usually outside my price range, but I certainly coveted them. The last one appeared in 2013.

In addition to premium reprints aimed at the collectors market, the Rodens had a keen interest in modern ghost fiction, and they published a lot of it. They took over the reins of All Hallows, the Journal Of The Ghost Story Society, with issue #6 in June 1994, and turned it into a thick regular anthology (the last issue, #43, was a whopping 304 pages) published every four months. And they produced five original anthologies between 1997 – 2008, including three nicely affordable paperback editions: Acquainted with the Night, At Ease with the Dead, and Shades of Darkness. All three had delightful covers by Jason Van Hollander.

Van Hollander’s intricate cover paintings are both modern and traditional in the best sense. They’re strangely detailed portraits of overcrowded medieval towns, with houses that huddle together in fear (or maybe just to gossip). The townsfolk remind me of Tim Burton’s The Nightmare Before Christmas — garrulous small town characters with colorful personalities, hurrying through the streets on mundane tasks, and who for the most part are dead. Ghosts drift through eaves, long tendrils of mist coil out of the river, brightly adorned skeletons wave to neighbours, and inhuman watchmen shuffle through the night streets, clutching lanterns.

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Future Treasures: The Light Years by R.W.W. Greene

Future Treasures: The Light Years by R.W.W. Greene

The Light Years R.W.W. Greene-smallWelcome to February, a month absolutely packed with new releases. There’s lots to keep your eyeballs busy but, no big surprise, I find my eyes are drawn to the debuts.

R.W.W. Greene, whose fiction has appeared at Stupefying Stories and Daily Science Fiction, releases his first novel The Light Years next week, and in a cover reveal/interview at SciFiNow, he talked about how he was inspired to write book after attending Boskone (and the story story it grew from, “Love in the Time of Light Speed,” originally published at NewMyths.com).

This book is an unusual blend of ideas — relativity, refugees, devolution, folk music, and arranged marriages. Where did they all come from?

R. W. W. Greene: The Light Years revealed itself as a short story first (‘Love In The Time Of Light Speed’). We’d just gotten home from the 2014 Boskone (an annual sci-fi convention in Boston), and I was buzzing from all the panels and conversations and thinking about the week of classes ahead. At the time I was teaching at a really diverse high school and I had all these kids – Indian kids, Hispanic kids, gay kids, trans kids, kids from the Middle East – and their lives stomping around in my brain… The story downloaded into my head while I showered off the convention. As soon as I turned the water off, I grabbed a towel and hit the writing room. About a year after that I started expanding the thing into a novel.

The Light Years is already accumulating good notices, including this great review at Publishers Weekly.

The toll difficult moral choices take on families is the core conflict of this clever far-future debut from Greene. In the 33rd century, wealthy Traders travel space while the poor struggle to survive planetside. Trader Adem Sadiq enters an arranged marriage with faster than light worm-drive technology expert Hisako Saski at the urging of his mother, Maneera. Hisako’s parents agree to the marriage contract that gives Hisako money in exchange for studying supposedly obsolete worm-drive technology… Sophisticated worldbuilding and diverse, emotionally-resonant characters make Greene an author to watch.

Here’s the publisher’s blurb.

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Vintage Treasures: The Timescape Robert Holdstock

Vintage Treasures: The Timescape Robert Holdstock

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Cover art by Carl Lundgren

Robert Holdstock, who died in 2009, was one of the most important fantasists of the 20th Century. While he wrote over a dozen novels, he’s chiefly remembered for his breakout novel Mythago Wood and its sequels. In his review right here last year, James Van Pelt wrote:

I really can’t recommend Mythago Wood enough. In a time when everyone else was echoing Tolkien, Holdstock created a completely different take on fantasy (rural fantasy — if that’s a genre). I loved this story of two brothers, their estranged and absent father, and a patch of wood that was only three miles around but infinitely deep… Of all the books I’ve read, none has impacted me as strongly at the end as this novel. Endings are hard, so when I read a perfect one, I take notice…

Mythago Wood appeared in 1984. Holdstock published a number of novels prior to the huge success of Mythago Wood, including a pair edited by David G. Hartwell for his legendary Timescape imprint: Earthwind and Where Time Winds Blow, both published in 1982. The combination of Holdstock’s later fame, the Timescape logo, and the fact that neither was ever reprinted in the US has made both of these paperbacks of interest to collectors.

In his 2018 article Why Editors Matter: David Hartwell’s Extraordinary Timescape Books at Tor.com, James Davis Nicoll highlighted why so many collectors today cherish Timescape.

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Future Treasures: Straight Outta Dodge City, edited by David Boop

Future Treasures: Straight Outta Dodge City, edited by David Boop

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Cover art by Dominic Harman

On February 4th, David Boop’s Straight Outta weird western anthology series becomes a trilogy with the arrival of Straight Outta Dodge City, the third (but hopefully not final) volume. It follows Straight Outta Tombstone and Straight Outta Deadwood, and it looks like a strong addition to the series. Here’s a peek at the Publishers Weekly review.

This dark, diverting anthology of 14 original tales, the third in a series edited by Boop (after Straight Outta Deadwood), continues to explore “the weird Wild West.” By tossing weird fiction concepts into western settings, these tales give rise to unusual what-ifs. What if the unquiet ghost of Doc Holiday haunted his six shooter, as in “The Dead Can’t Die Twice” by Sam Stone? What would happen if, as in “The Adventures of Rabbi Shlomo Jones and the Half-Baked Kid” by Eytan Kollin, Jewish magic created a golem to confront a mob of anti-Semitic bad guys?… the ever-enjoyable Joe R. Lansdale is on hand with “The Hoodoo Man and the Midnight Train,” an energetic tale of a mystical gunfighter, and Harry Turtledove presents the delightful “Junior & Me,” set in an alternate world in which evolution favored reptiles rather than mammals, and the ornery galoot narrating the yarn is actually a highly evolved dinosaur.

Here’s the publisher’s description.

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Street Battles and God-like Machines: The Robots of Gotham by Todd McAulty

Street Battles and God-like Machines: The Robots of Gotham by Todd McAulty

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Cover design by Mark R. Robinson

The Robots of Gotham has nothing to do with Batman (much to the chagrin of one, 1-star reviewer on Goodreads) and everything to do with A.I. dominance on a global scale, with this particular story set in an embattled Chicago. The year is 2083, and the world is dominated by Venezuelan ‘peace-keeping’ forces and vast, God-like super robots. Uprisings have been hastily and ruthlessly quashed, and humans now go about their lives in an uneasy alliance with the machines they inadvertently created.

The story is told from the point of view of Barry Simcoe, a 30-something I.T. specialist and CEO of a Canadian company, who is visiting Mud Town to secure some deals. From the outset of the novel, Barry is caught up in a violent street battle involving Venezuelan forces and giant, murderous mechs. He barely squeaks out alive, and holes up in a hotel, which becomes the focal point for the rest of the book. As the story unfolds, Barry discovers an insidious plot to do away with a vast swathe of humanity to pave the way for fascist robo-leaders, and he must ally himself with a collection of well-drawn characters in order to reveal the truth and, most importantly, survive.

The Robots of Gotham is a solid debut novel, coming in at 688 pages in the chunky hardback edition, and it takes commitment to heft it, even with the dust jacket off. I didn’t have to strain for long though, as reading it was a breeze. McAulty’s writing skips along lickety-split and was intriguing enough to keep me engrossed, even during the ‘technical’ bits which needed a second read, as the first time all I heard was Charlie Brown’s teacher.

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New Treasures: The Ember Blade by Chris Wooding

New Treasures: The Ember Blade by Chris Wooding

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Cover by Blacksheep-UK

Chris Wooding is the author of the 4-volume steampunk adventure series Tales of the Ketty Jay, the Braided Path trilogy, The Fade, and a healthy number of young adult novels from Scholastic, including Malice and Poison. His latest, The Ember Blade, is the opening novel in The Darkwater Legacy, a new epic fantasy series. It’s been well received, but my favorite review was a grumpy article by Mark Yon at SFF World, who points out that the book treads a lot of familiar territory before taking an unexpected shift about halfway through:

Though undeniably well-written, the initial set up felt like typically Tolkien-esque fare. So much of it was similar to things I’ve read many, many times before… Like many other plots, there’s a quest, but this time for a legendary sword, the Ember Blade, not a ring, where the heroes and heroines of our story have to get the sword. As the story develops we meet others that seem familiar – rebel leader Garrick could be Aragorn, a fighter with a secret past, and there’s a degree of mystical flim-flam with Vika-Who-Walks-the Barrows, a druidess with connections to ‘the old ways’…. a female Gandalf, albeit with a loveable and faithful canine companion….

Once the reader is pretty much resigned into expecting the expected, about half-way through the book – remember, this is after about 400 pages – there’s an abrupt left-turn. Where Tolkien’s story moved from the bucolic rural environment of The Shire to etherial Lothlorien and then the extremes in the mountains of Mordor, here Aren, Cade and the rest of our heroes and heroines have escaped to the Ossian city of Morgenholme, where… we’re into an urban environment, with dark, dirty streets, poverty, disease and original inventions…

The last part of the book is a heist story, with the eclectic group attempting to get The Ember Blade from the hands of the Krodans and generate a revolution amongst the oppressed Ossians.

The Embler Blade was published by Gollancz on July 30, 2019. It is 824 pages, priced at $26.99 in hardcover, $15.99 in trade paperback, and just $2.99 in digital formats. The cover is by Blacksheep-UK. See all of our coverage of the best new Science Fiction and Fantasy here.