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The Golden Age of Science Fiction: Australian Gnomes, by Robert Ingpen

The Golden Age of Science Fiction: Australian Gnomes, by Robert Ingpen

Cover by Robert Ingpen
Cover by Robert Ingpen

The Ditmar Awards are named for Australian fan Martin James Ditmar Jenssen. Founded in 1969 as an award to be given by the Australian National Convention, during a discussion about the name for the award, Jenssen offered to pay for the award if it were named the Ditmar. His name was accepted and he wound up paying for the award for more years than he had planned. Ditmar would eventually win the Ditmar Award for best fan artist twice, once in 2002 and again in 2010. The Ditmar Award for Best Australian Long Fiction (alternatively, Best Australian Novel) has been presented each year the Ditmar Awards have existed. The 1979 award was won by Robert Ingpen for his artbook, Australian Gnomes at Swancon 5, held in Perth.

In 1979, in his Ditmar Award winning book Australian Gnomes, Australian author/artist Robert Ingpen created a version of Australia in which gnomes lived, mostly unseen, amongst humans, much as Brian Froud would do with the subsequent Lady Cottington’s Pressed Fairy Book (1984). Since Australia is a land of immigrants, Ingpen’s gnomes also came from different places around the world, each group retaining ties to its specific culture of origin and based on the human society from whence they came. His gnomes come from Ireland, Northern and Southern Europe, Mongolia, and Argentina. Just as with the humans who have settled Australia, they have built a combination culture even while retaining their ties to their homelands.

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Slugs, Slime Trails, and the Muse: Can You Separate the Art from the Artist?

Slugs, Slime Trails, and the Muse: Can You Separate the Art from the Artist?

BG John CarterMost of our participation in the Great Conversation these days is taking place, not in the halls of academia or in fireside clubrooms, but on social media virtual spaces like Facebook. One conversation that many people have been engaging in lately is prompted by the question “Can you separate the art from the artist?”

Another fact of our present moment is that the most sordid and intimate details of public figures are dragged into the light, subjected to intense scrutiny and immediate judgment. Some of our most beloved actors, our most cherished writers, our most celebrated musicians are suddenly being exposed as pariahs, shameful corrupted beings who must be exiled from the spotlight – and, possibly, from our bookshelves and our stereos and our movie streams.

It is not just entertainers currently in the spotlight who are subjected to this new scrutiny. We hear about how certain renowned science fiction writers of the past might have behaved like some of the characters on the TV show Mad Men. Do we jettison the touchstones they left us in disgusted protest? Reaching further back, can we still curl up for some chills with H.P. Lovecraft when we know he was a racist? Can we unabashedly thrill to the adventures of John Carter and Tarzan when we know Edgar Rice Burroughs reinforced some colonialist “great White savior” views?

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Cual Es Su Direcho – Scenes In The Life Of A Fantasy Writer

Cual Es Su Direcho – Scenes In The Life Of A Fantasy Writer

Alicante castlePeople, I could not make this stuff up.

Many of you know that my family is Spanish, and even though I was born in Canada I identify culturally as Spanish.

What you may not know is that recently my husband and I have been planning to move to Spain. Paul has wanted to move since our first visit there together, but to be honest, I wasn’t that keen – mainly because of the complexity of the Spanish infrastructure. Spain pretty much invented bureaucracy in the 1500’s figuring out how to deal with all that gold from the new world. I well remember the time I had to stand in 3 lines to buy stamps.

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Book of Space Adventures

Book of Space Adventures

Book-of-Space-Adventures-1963-small

British kids thrilled to real-world rockets and space travel as did American kids. Sputnik conquered space in 1957. By 1963 both the Russians and the U.S. boasted about astronauts circling the Earth. Canada launched the Alouette 1, Valentina Tereshkova became the first woman to enter space, signals had been bounced off communications satellites, probes flew by the Moon and Venus. The Dyna-Soar project promised a reusable space craft that looked like the coolest rocket plane ever.

Publishers around the world jumped on the trend. A UK firm called Atlas Publishing & Distributing Ltd. wanted a piece. It released Book of Space Adventures, called on the inside the “Boys’ Book of Space : With factual features on the World’s space programme AND fictional adventures of SPACE ACE – intrepid Commander of the Galactic patrol”.

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The Golden Age of Science Fiction: Fantasy Newsletter

The Golden Age of Science Fiction: Fantasy Newsletter

Fantasy Newsletter January 1979
Fantasy Newsletter January 1979

Fantasy Newsletter March-April 1979
Fantasy Newsletter March-April 1979

Fantasy Newsletter June 1979
Fantasy Newsletter June 1979

The Balrog Award, often referred to as the coveted Balrog Award, was created by Jonathan Bacon and first conceived in issue 10/11 of his Fantasy Crossroads fanzine in 1977 and actually announced in the final issue, where he also proposed the Smitty Awards for fantasy poetry. The awards were presented for the first time at Fool-Con II at the Johnson County Community College in Overland Park, Kansas on April 1, 1979. The awards were never taken particularly seriously, even by those who won the award. The final awards were presented in 1985. Both categories in which Allen was nominated, Amateur Achievement and Amateur Publication, lasted the entire run of the Balrog Awards. Allen had won the Achievement award the first year the awards were presented.

The World Fantasy Awards are presented during the World Fantasy Convention and are selected by a mix of nominations from members of the convention and a panel of judges. The awards were established in 1975 and presented at the 1st World Fantasy Convention in Providence, Rhode Island. Traditionally, the awards took the form of a bust of H.P. Lovecraft sculpted by Gahan Wilson, however in recent years the trophy became controversial in light of Lovecraft’s more problematic beliefs. The Non-Professional Special Award has been part of the award since its founding. In 1980, the year Allen received the award for his work on Fantasy Newsletter, the convention was held in Baltimore, Maryland.

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Gaming on the High Seas

Gaming on the High Seas

My wife on Labadee with... uh... not a board game

My wife on Labadee with… uh… not a board game

Gaming on the high seas! Or at least medium seas. My wife and I went on the 2019 Dice Tower Cruise, a sold-out floating board-gaming convention of 600 adults plus 200 children. Five days aboard the Independence of the Seas, with stops in Jamaica and Haiti and access to the Dice Tower library of games.

Some of those 600 adults and most of the children didn’t participate in the gaming action, and some only dabbled. It’s a cruise, with usual huge array of activities available. This makes it an excellent vacation getaway for gamers whose families are less than enthused about the hobby.

Independence of the Seas holds about 4,400 passengers, so the DTC was a sizeable group, warranting its own dining room. We had the conference center for round-the-clock gaming, and additional table space was available in various restaurants at certain times of day. We also had the big theater for recording a live episode of the Dice Tower podcast, and a smaller venue for a few other Dice Tower gatherings/shows.

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Wordsmiths: An Interview with Waubgeshig Rice

Wordsmiths: An Interview with Waubgeshig Rice

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A while back at Can*Con 2017, I had the pleasure of meeting author and journalist Waubgeshig Rice for a panel discussion on post-apocalyptic fiction and First Nations perspectives in Canada. The panel came together partly because Waub was beginning to promote his then-forthcoming novel Moon of the Crusted Snow, which released in 2018 from ECW Press (and I reviewed a little while ago here). Despite being incredibly busy with different projects, Waub was game for a one-on-one interview to discuss Moon and some of his other work, which I’ve included in full below. Before that, here’s a little more information about Waub, courtesy of his website:

Waubgeshig Rice is an author and journalist originally from Wasauksing First Nation. His first short story collection, Midnight Sweatlodge, was inspired by his experiences growing up in an Anishinaabe community, and won an Independent Publishers Book Award in 2012. His debut novel, Legacy, followed in 2014. A French translation was published in 2017.

He got his first taste of journalism in 1996 as an exchange student in Germany, writing articles about being an Anishinaabe teen in a foreign country for newspapers back in Canada. He graduated from Ryerson University’s journalism program in 2002. He currently works as a multi-platform journalist for CBC News in Sudbury, where he lives with his wife and son. In 2014, he received the Anishinabek Nation’s Debwewin Citation for excellence in First Nation Storytelling.

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The Golden Age of Science Fiction: Marilyn Pride

The Golden Age of Science Fiction: Marilyn Pride

Lewis Morley & Marilyn Pride, photo by Cat Sparks
Lewis Morley & Marilyn Pride, photo by Cat Sparks

The Ditmar Awards are named for Australian fan Martin James Ditmar Jenssen. Founded in 1969 as an award to be given by the Australian National Convention, during a discussion about the name for the award, Jenssen offered to pay for the award if it were named the Ditmar. His name was accepted and he wound up paying for the award for more years than he had planned.

The Best Australian Fantasy/SF Artist category was not one of the original Ditmar Award categories in 1969, and the award had several names after it was introduced. The first art awards given by the Ditmar Awards occurred in 1980 when the category was called Best Australian Fantasy/SF Artist and was won by Marilyn Pride. Over the years, the category has changed titles and direction several times, sometimes being for “Best Australian SF or Fantasy Artist,” sometimes being for Best SF or Fantasy Artist, without concern about origin, sometimes being specifically for Best Fan Artist, and once being for Best Australian SF or Fantasy Artist, Cartoonist, or Illustrator. There have also been times that the award has disappeared or replaced by an away for Best Artwork (or given in addition to a Best Artwork Award. The most recent Best Fan Artist Award was presented in 2016, with Best Artwork being awarded as recently as 2018.

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The Golden Age of Science Fiction: Watchtower, by Elizabeth A. Lynn

The Golden Age of Science Fiction: Watchtower, by Elizabeth A. Lynn

Cover by William Giese
Cover by William Giese

Cover by Eric Ladd
Cover by Eric Ladd

Watchtower
Watchtower

The World Fantasy Award was established in 1975 as part of the World Fantasy Convention. Seen as a fantasy version of the Hugo and the Nebula Awards (neither of which are strictly for science fiction), the nominees and winners are selected by a panel of judges, although currently, two positions on the ballot are opened up to nominations from members of the World Fantasy Convention. The Novel Award has been presented since the first year, when it was won by Patricia A. McKillip for her novel The Forgotten Beasts of Eld. There have been six years in which the award resulted in a tie, most recently in 2018, when Fonda Lee and Victor LaValle both received the award. Originally, the trophy was a Gahan Wilson created grotesque bust of H.P. Lovecraft. In recent years as more and more authors, fans, and winners of the award spoke out against Lovecraft’s misogyny and racism, the trophy was replaced by a sculpture of a tree created by Vincent Villafranca. In 1980, the award was won by Elizabeth A. Lynn for her novel Watchtower.

Watchtower is the first volume of Elizabeth Lynn’s Chronicles of Tornor series, the second volume of which, The Dancers of Arun, was not only released in the same year, but also appeared on the World Fantasy Award ballot opposite this volume. The series was completed the following year with the publication of Northern Girl.

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Today with Mr. Rivets

Today with Mr. Rivets

Mr. Rivets promo card c1954

It was front page news in the Pocono Record, serving Stroudsberg, PA, on August 8, 1955. The headline read: “‘Mr. Rivets’ Show Filmed for Television/At Waterfront Farm Near Marshalls Creek.” Intrepid Record reporter Leonard Randolph drove his ancient station wagon the seven miles from town to check out the famous Philadelphia television star for the locals.

Look, I says to an intelligent-looking young boy of about seven standing near a tree, what’s this Mr. Rivets like?

In the manner children reserve for their plodding elders, the boy turned and said, he’s funny.

He turned back to the tree. Another man, standing nearby, spoke up, rather ill-advisedly it turned out. Well, he says, what makes him funny?

The boy fixed this innocent bystander with a gaze you might imagine someone giving to a soggy pork chop left over from lunch three days before. What makes anything funny? he asked.

That answer is so perfect that I’m tempted to end this article here, even before the Read More jump. What can I say that would top such wisdom? Nevertheless, join me after the jump and I’ll fill in the backstory of “Television’s original mechanical man.”

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