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Goth Chick News: Featuring Tabitha, Goth Girl in Training

Goth Chick News: Featuring Tabitha, Goth Girl in Training

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lovely-bad-ones2During Goth Chick’s absence she’s asked our resident Goth Chick in training, eleven year-old Tabitha, author of our recent review of The House of Dead Maids, to fill in.

Tabitha: What exactly are we supposed to be doing?

Black Gate: Your friend Goth Chick is on vacation this week. She’s asked you to be her replacement on the Black Gate blog.

Tabitha: Goth Chick? The one we go to scary movies with?

Black Gate: Yes.

Um… okay. So what am I supposed to do?

Black Gate: How about you pick some of the scariest books you’ve ever read, and tell me about them.

I’m more of a scary movie person.

BG: But… you’ve told me about a bunch of scary books you’ve read recently.

They weren’t very scary. And there’s only one that jumps to mind: All The Lovely Bad Ones.

BG: I’m scared already. Tell me about it.

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I’ve Been Podcasted!

I’ve Been Podcasted!

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Wow! I just listened to the wonderfully done podcast version of “The Taste of Starlight” at www.lightspeedmagazine.com

This is the first time I’ve had a short story of mine read aloud and podcasted. It’s one of the coolest things about LIGHTSPEED–they do podcast readings every month. And let me tell you, Kristoffer Tabori does an AMAZING job of bringing this story of Dr. Pelops and his dilemma to life.

This guy has a voice you could listen to for hours. However, the story podcast is only 64 minutes long. WARNING: Do  not eat anything while listening to the story, and if you don’t have a strong stomach, skip it altogether.

Tabori’s voice brings all the gravity of an OUTER LIMITS announcer to the story, and his lively, chilling tones are worthy of an Edgar Allan Poe tale. I feel that the story has been elevated to a whole new level by Tabori’s bravura performance.

Even if you’ve read the story, I recommend paying another visit to LIGHTSPEED and listening to it through Tabori’s immense talent.

Here’s the direct link to the podcast.

Fantastic!

John R. Fultz

Art Evolution 7: Jeff Easley

Art Evolution 7: Jeff Easley

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Six artists were now represented in my Art Evolution project, beginning here, and the feelings of dread that I couldn’t get this accomplished were turning into the problematic emotion what will I do if this success continues? I needed to push forward with the concepts involving Art Evolution, and the Eras of Art that I’d put into play.

mmii-254My newest contribution, ‘Planescape Lyssa’, gave me a great snapshot of the twilight of TSR. This time-period was something I called The CCG Era [Collectible Card Game], and with the artists I’d already collected I had wonderful representations of The OGL Era of the two-thousands, The Independents Era of the late eighties, and The Groovy Era of the late seventies. A fine collection, but I was missing one glaring contribution, something from The Masters of Oil Era of the early eighties.

To fill this slot, I was going to have to go after at least one of the Big Four, Larry Elmore, Jeff Easley, Keith Parkinson, or Clyde Caldwell. I’d studied the names and their art, and for the first time began putting my research down in a written format. Research became paramount as I started piecing together my feelings on the subject matter.

Styles came out, mediums used in different time periods, and what the industry was leaning toward from year to year. It was a revelation, and I used whatever knowledge I could to push the project forward.

Of the Master of Oil, Easley was certainly the most prolific in gaming terms of the remaining artists but he had no website or available email. I managed to get some contact information from Jeff Laubenstein, who had met Easley during his time at FASA and at several renaissance fairs around the Chicago area. Connections inside the industry were starting to come together, and the more I talked to artists, the more entwined I became in their world.

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Supernatural Spotlight – Episode 6.5 “Live Free or Twi-hard”

Supernatural Spotlight – Episode 6.5 “Live Free or Twi-hard”

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SUPERNATURALThe episode opens with a young man (Robert), dressed all in black and wearing too much product in his hair, romances a girl (Kristen) in a bar. He is enigmatic and tentative, recoiling at the sight of blood from a papercut. “We can’t be together,” he says. “You think you know me, but you don’t. I’ve done bad things. You should run. Now.”

“I can make my own decisions,” Krsten replies. “I’m 17.”

No, they haven’t called in Stephanie Meyer to guest write this week’s episode of Supernatural. Instead, they’re taking a turn at dark parody, pulling the cliches from the Twilight saga into their more nitty-gritty vampire mythos. In Supernatural, vampires are flat-out monsters, not dark romantic leads.

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The Book Fair

The Book Fair

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Book Fair flyerThe McGill book fair is the largest English-language used book sale in Montreal. It’s been held for decades, every October, on the second Wednesday and Thursday after Thanksgiving (which in Canada is on the second Monday in October). Every year an eclectic mix of thousands of books are sold, helping to raise money for scholarships.

I’ve been coming to the sale for about a dozen years. I’ve found novels by Lord Dunsany, a biography of C.S. Lewis, a book about Hypatia of Alexandria, a Dennis Wheatley omnibus, Fighting Fantasy Gamebooks, Paul Park’s Celestis, a volume combining Bede’s Ecclesiastical History with The Anglo Saxon Chronicle, collections of poetry by John Clare and Francois Villon and Elizabeth Barrett Browning and Robert Southey and Don Marquis, a graphic novel by Posy Simmonds — and all of these (along with books by Neal Stephenson, Tad Williams, and T.H. White) in just one year, 2008, when I bought a total of 65 books for $161.

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JOHN CARTER OF MARS (or: Barsoom, Anyone?)

JOHN CARTER OF MARS (or: Barsoom, Anyone?)

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A great painting by Joe Jusko featuring a convergence of Barsoom's most memorable elements. That's John Carter and Dejah Thoris in the midst of all the savage beasties. The setting is one of Mars' ancient ruined cities, home to the savage green Tharks.

It’s a sublimely gorgeous rainy day here in Napa. I’m listening to the ancient, pattering rhythm of the rainsong and thinking about Mars.

No, not the red dustball of our modern age, where tiny robots scour the dunes for microscopic life. I’m thinking of BARSOOM, the title the red planet bore a long, long time ago.

I’m thinking of ancient cities crumbling across dead sea-bottoms, tusked green warriors standing ten feet tall, snake-haired plant-men, four-armed white apes, ten-legged lions, flashing swords, and blasting radium pistols. I’m thinking of Edgar Rice Burroughs and his most original creation John Carter of Mars.

In 1912, Edgar Rice Burroughs published A Princess of Mars, his first novel. John Carter, his rugged hero, was a Civil War veteran who stumbled into a mystical cave and was transported through space and time to an ancient version of Mars (Barsoom) where various races of Martians (some obviously descended from Native American stock, some wholly alien in design) battled constantly for survival among the remains of a fallen civilization.

Here was swordplay, swashbuckling, and adventure in the grandest style. From 1912 to 1964, Burroughs wrote a total of 11 novels set on Barsoom (most of which featured John Carter).

These books, not to mention the author’s Tarzan, Venus, Pellucidar, Westerns, and various other works, make ERB one of pulp fiction’s towering giants.

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My Agent Hunt

My Agent Hunt

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childoffireI should start by introducing myself: my name is Harry Connolly and I’m a Del Rey author. My second novel came out on the last day of August and I’m pretty proud of it. I’m also proud that my first fiction sale was to Black Gate: “The Whoremaster of Pald” headed the table of contents of the second issue (and can be read for free on this website). Happily, there have been a couple of other sales here, too. I also spoke about the details of my first novel sale last Saturday, and my interview with Howard Andrew Jones appeared here Monday.

Anyway, per John’s request, I’d like to describe the method I used to find my agent. I’m a cheap bastard, so I didn’t spend any money but the search did take a while. I’ll also detail the mistakes I made, which may be instructive for others.

First, I don’t need to say I spent a long time revising my query letter, right? You guys all know that the letter has to be specific, intriguing and on-point, I’m sure. So let’s skip the part where I recommend you revise it several times and ask smart friends for feedback.

But where to send it? Being cheap, I went to the internet. Specifically, I went to agentquery.com and used their “Full Search” to compile a long list of agents that represent fantasy, science fiction, and horror. Thank you, copy and paste.

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Northwest Travels

Northwest Travels

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powellsbooks_logo1Last week I was in Seattle and Portland, where I made pilgrimages to venues possible interest to readers here.  One was Powell’s Books, which claims to be the largest independent bookstore of both used and new books in the nation.  It’s an amazing place, with floors of books in a range of almost every conceivable category that would put any Barnes and Noble “superbookstore” to shame even in its heyday.  Needless to say, the science fiction and fantasy aisle alone is something you could easily browse for an hour or two.

Though I could easily have gone nuts in stuffing a shopping basket, I managed to restrict my purchases to a single used copy of Inherent Vice by Thomas Pynchon (I resisted the urge to also get the mammoth Against the Day because, well, as much as I’m interested, I don’t have the time to commit to 1104 pages of one-stop reading; the audio version comprises 42 CDs for 54 hours of listening) and a gift vegan cookbook for my daughter.  One thing that helped keep my book jones in check was that Powell’s isn’t inexpensive. As much as I’d like to contribute to the physical presence of the bookstore, even one that I’m not likely to visit frequently, the fact is that other than maybe some featured bestsellers, I could get just about anything new or used less expensively at that other big bookstore you may have heard of that exists only virtually.  And when you buy a lot of books like I do (and probably you do), many of which spend extended periods on the “to read” shelf, keeping cost of acquisition down becomes an important buying decision.

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Excerpt from Star Soldier by Vaughn Heppner, Book 1 of the Doom Star Series

Excerpt from Star Soldier by Vaughn Heppner, Book 1 of the Doom Star Series

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star-soldier1Last month we reported that Black Gate author Vaughn Heppner had cracked the bestseller list at Amazon with Star Soldier, Book #1 of the Doom Star Series.

Star Soldier and its sequels, Bio-Weapon and Battle Pod, now occupy the top three spots at Amazon’s bestseller list for Series Science Fiction in Kindle ebooks, — outselling Dune, Foundation, and many others.

In the general Science Fiction Bestsellers list for Kindle editions, Star Soldier remains solidly at #2, where it’s been for nearly two months.

Star Soldier is a full 82,000 word novel, available for download at Amazon.com for just 99 cents.

We’re very proud to offer you an exclusive preview of the first 5,000 words of Star Soldier, an action-packed space opera of the invasion of Earth in 2350, Doom Star pirates, and genetically designed super soldiers caught in a brutal war of extinction.

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Marvel’s The Monster of Frankenstein, Part Two

Marvel’s The Monster of Frankenstein, Part Two

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frankie1Read Part One of this article here. Click on images for larger versions.

The 19th Century adventures of Mary Shelley’s famous monster following Gary Friedrich and Mike Ploog’s adaptation of the classic novel continued in Issue 5 of Marvel’s The Monster of Frankenstein with another standalone filler story. This time out it is a more serviceable horror yarn that sees the Monster bravely rescuing a beautiful girl from being burned at the stake. She claims that her town is under the spell of a demon dressed in black that only she could resist. The Monster confronts and subdues her abusive father in his quest to end her persecution.

Along the way, there are hints that the girl is not as virtuous as she initially appeared. The Monster learns at the climax that the girl is actually a werewolf. The demon in black is revealed to be the village priest. The story is a familiar yarn having been utilized in numerous other comics and short stories for several prior decades. Gary Friedrich’s script puts the tested story to good use, but this is one of Mike Ploog’s less-inspired issues as artist.

Ploog’s swan song with the series was Issue 6. The title was modified slightly to The Frankenstein Monster starting with this issue. Ploog’s artwork here is simply stunning recalling at times Barry Windsor-Smith’s run on Marvel’s Conan the Barbarian. His Frankenstein Monster also strongly resembles Herb Trimpe’s interpretation of The Incredible Hulk and yet, there is much that is undeniably Ploog’s own brilliant style throughout. This final issue for the artist is his best for the series and does much to underline what made his artwork so beloved by comics fans.

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