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Rogue Blades Author: How Robert E. Howard (and Glenn Lord) Changed My Life

Rogue Blades Author: How Robert E. Howard (and Glenn Lord) Changed My Life

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The following is an an excerpt from Roy Thomas’ essay for the upcoming book from the Rogue Blades Foundation, Robert E. Howard Changed My Life.

I’ve told this story so many time by now that I figure everybody who would want to know it is tired of it already, but I can’t make up new facts just because I have to write a new article, can I? Well, maybe there’ll be a few twists in my tale this time, because I want to tell it a little bit more from the angle of Robert E. Howard (1906-1936) and Glenn Lord (1931-2011).

Robert E. Howard came first, but just barely.

I had, to the best of my memory, never heard of Robert E. Howard — or of Conan or any of the other Howard characters — when the Lancer Books paperback Conan the Adventurer appeared on the racks in 1966, some months after I started working for Stan Lee at Marvel Comics. Well, truth to tell, he was mentioned in a couple of paragraphs in my fan/friend Richard A. Lupoff’s 1965 book Edgar Rice Burroughs: Master of Adventures as one of the literary heroes inspired, at least in part, by Tarzan of the Apes… but that part of Dick’s study slipped right past me, leaving no imprint on my mind. When I saw the first Conan paperback, my eyes were drawn — as they were meant to be — by Frank Frazetta’s stunningly savage cover. I bought that book as I’d been buying others of an ERB ilk, pastiches of Burroughs by Otis Adelbert Kline, Gardner Fox, Lin Carter, whomever. I didn’t always actually read those pastiches, but I kept a little collection of them on a shelf in my apartment. One day I might get around to them.

castle of blood brunner the bounty hunter Rage of the Behemoth

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Nero Wolfe’s Brownstone: 2020 Stay at Home – Days 11, 12, and 13

Nero Wolfe’s Brownstone: 2020 Stay at Home – Days 11, 12, and 13

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Hopefully by now, you know what this series is all about. Over at The Wolfe Pack Facebook Group page, I am doing daily entries from Archie’s notebooks, as he endures Stay at Home with Nero Wolfe in these pandemic days. Over the weekend, I hit forty-three straight days, and over 41,000 words. You can check out the group for all of the posts. And there are links to to the first ten days down at the bottom of this post – plus all my other Nero Wolfe writings here at Black Gate.

DAY ELEVEN – 2020 Stay at Home (SaH)

Saul Panzer called today. Del Bascom was always scrambling to make payroll and turn a profit, and he was still finding jobs related to essential services. Saul had agreed to help him track down some money that had gone missing from a bank. He said that seemed healthier than trying to track down some masks taken from a hospital. I was surprised he was doing any work at all out in the danger zone. He didn’t need the money. Maybe he was tired of practicing the piano.

“Bascom told me that Bill Gore is in the hospital. It looks bad.”

Oh. “Covid 19?”

“Yeah. He was working for Bascom and called off sick one morning. Then, a couple days later, he called him from the hospital.”

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Son of 19 Movies: The Good, the Bad, and the Weird Edition

Son of 19 Movies: The Good, the Bad, and the Weird Edition

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Six-String Samurai (Palm Pictures, 1998)

Check out Nineteen 1950’s SF Movies To Help Get You Through the Next Few Weeks, posted at Black Gate in April.

A mix of genres this time around, not all sf/fan. The thing these films all have in common is that they’re weird. Off the beaten track. Cock-eyed and sideways. The “weird factor” is rather unmeasurable by scientific means, but then what isn’t when you’re dealing with the arts? You’ll note that all these films have a dual rating, 10+ to 1, best to worst. Since this list (by any measure) does include some bad movies, the first number refers to entertainment value rather than quality, since some (I stress, some) bad movies can be very entertaining. The second number refers to weirdness factor, my best effort at evaluating this vague, but important component. YMMV.

19. Six-String Samurai (1998: 8/8) A good example of Indie film-making which spoofs Mad Max movies, after the apocalypse films in general, Lone Wolf and Cub, and The Wizard of Oz. Decent martial arts action set on a bizarre alternate world where Russia attacked the U.S. in 1957 and wiped out every city except Vegas, where Elvis had ruled for forty years as king. Well, Vegas needs a new king, baby.

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A (Black) Gat in the Hand: It’s a Hardboiled May on TCM

A (Black) Gat in the Hand: It’s a Hardboiled May on TCM

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EdwardRobinsonSo, Edward G. Robinson is the May Star of the Month on TCM. Every Thursday there is a batch of Robinson movies, as well as some other movies featuring hardboiled stars, like Humphrey Bogart. Things kicked off May 7th with eight Robinson flicks, including two excellent Bogie movies, Key Largo, and Bullets or Ballots. But the past is prologue.

Let’s take a look at some of the films coming up this month, all EST. A note: any movie shown on TCM, which they don’t sell the DVD for, can be viewed on WatchTCM for a week after it airs. So, for example, Bullets or Ballots can be seen right now, but Key Largo can’t.

May 14th

8:15 AM – All Through the Night

This is one of my Top Ten Bogart films – might even be Top Five. Bogart is Gloves Donahue, a NYC gangster. It opened up in January of 1942, in the early stages of the war. Hollywood was shifting from making gangster movies to war films, and this is both! Conrad Veidt (Major Strasser in Casablanca) leads a Nazi spy ring that runs afoul of Bogart’s gang. It’s a comedy-gangster-spy movie, and I think it’s a great watch. There’s a superb supporting cast, including Peter Lorre, William Demarest, Frank McHugh, Jackie Gleason, Phil Silvers, and Barton MacLane! I highly recommend this one.

In Casablanca, when Rick is advising Major Strasser about invading certain parts of New York, that’s an in-joke back to this movie.

4:15 PM – The Return of Doctor X

This is a bad, science fiction/horror movie. It’s a little campy; but mostly just bad. I’ll let Bogie tell you himself how bad it was:

“This is one of those pictures that made me march in to (Warner Brothers boss Jack L. Warner) and ask for more money again. You can’t believe what this one was like. I had a part that somebody like Bela Lugosi or Boris Karloff should have played. I was this doctor, brought back to life, and the only thing that nourished this poor bastard was blood. If it’d been Jack Warner’s or Harry (Warner’s) blood, I wouldn’t have minded as much. The trouble was, they were drinking mine and I was making this stinking movie.”

That’s from an essay I wrote about it here at Black Gate. Watch the movie, read my essay. You’ll thank me later.

9:45 PM – A Slight Case of Murder

I’m not crazy about Robinson’s gangster comedies, of which this is one. A gangster goes straight. Much hilarity ensues. Sort of. It does have the always reliable Alan Jenkins, who appeared in lots of Warners crime films.

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Neverwhens: Where History and Fantasy (Careers) Collide — an Interview with Christian (and Miles) Cameron

Neverwhens: Where History and Fantasy (Careers) Collide — an Interview with Christian (and Miles) Cameron

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C Cameron as Hoplite -- Alternate-small

Christian Cameron as a Hoplite

Christian Cameron, a well-known historical fiction author who writes espionage novels under the pen name Gordon Kent and fantasy under Miles Cameron, is a Canadian novelist who was educated and trained as both an historian and a former career officer in the US Navy. His best-known work is the ongoing historical fiction series Tyrant, set in Classical Greece, which by 2009 had sold over 100,000 copies. But in recent years he’s not only chronicled ancient Greece, but 14th-century European history — military, chivalric, and literary — in England, France, Italy, and Greece and roughly in parallel with the career of Chaucer’s knight (the Chivalry series). And, as Miles Cameron, he also writes fantasy with the Traitor Son tetralogy and Masters & Mages trilogy.

Cameron is a passionate reenactor, and uses the experiences of reenacting, including knowledge of the material culture and the skill sets required to recreate any portion of life in the past as essential tools in writing his novels. Cameron helps organize and direct military and non-military reenactments in the United States, Canada, and Europe. In addition to recreating the life of an early 5th-century BCE Plataean Hoplite, Cameron also runs a group dedicated to the role of rangers and Native Americans in the American Revolution, and participates in tournaments as a knight of the late 14th century. One such tournament is the Deed of Alms, an annual HEMA (Historical European Martial Arts) charity tournament hosted in Toronto to combat homelessness.

GDM: So you’ve had a long and very successful run as an historical fiction writer before adding fantasy to your repertoire. Which genre was your first love?

CC: Fantasy all the way.  Except Dumas’ Three Musketeers, which is to me the greatest adventure novel ever written. I had a friend who was seriously in to ‘Old School’ fantasy; Lord Dunsany, Tolkien, E.R. Eddison, Robert E Howard… etc.  Amazing stuff.

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The Stories We Tell: Bias in Research and Its Effects on Fiction

The Stories We Tell: Bias in Research and Its Effects on Fiction

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Hadrian’s Wall, from the ruins of a Milecastle. Image from publicdomainpictures.net.

Good morning, Readers!

Last week, I was watching a lecture on Hadrian’s Wall, as you do, hoping to learn something new about the situation in Britain during the Roman occupation. I did not, incidentally, learn anything I had not already known (if money was no object, I would have a doctorate in archaeology, specializing in the British Isles, and probably a few extra degrees in archaeogenetics and archaeolinguistics. I am fascinated by these things). The lecture did, however, serve as a stark reminder of the frustrating presence of bias that permeates even intellectual pursuits. This lecture, in particular, veered hard towards a Roman bias, something that has been so prevalent in the field I am so interested in, that I’ve often shut books and thrown journals across the room.

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Heroika II: Skirmishers – Heroism on the History: Fantasy Battlefront

Heroika II: Skirmishers – Heroism on the History: Fantasy Battlefront

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The Heroika anthology series is created by author and editor Janet Morris (known for her Heroes in Hell, Sacred Band of Stepsons, Kerrion Empire, and Silistra Quartet series). The first volume Heroika I: Dragon Eaters featured seventeen stories from across the globe, from ancient to modern times arranged chronologically. Black Gate reviewer Fletcher Vredenburgh reported:

Too many anthologies pick a tone and then it doesn’t vary from story to story. Heroika avoids that. Connected by the themes of heroism and dragon-fighting, it allows room for varying styles of mythic tales and heroic fantasy as well as all-out pulp craziness.

Heroika II: Skirmishers follows suit, this time with twelve heroic tales spanning ancient history to modern times, arranged chronologically again.

Most authors have a historical fiction bent, so Skirmishers really is 50% historical fiction and 50% fantasy. Brief forwards provide context to each story. This post offers a brochure-like tour guide of these battlegrounds.

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Rogue Blades Presents: What Would Your Hero Say to You?

Rogue Blades Presents: What Would Your Hero Say to You?

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weird talesWhen I started out as a writer of fiction in the late 1980s, one of my favorite magazines was Weird Tales. Over the next decade or so, I submitted a half dozen stories to Weird Tales, none of which were ever accepted for publication. Still, even though none of my tales ever landed there, I learned a lot from the letters I received from one of the editors, George H. Scithers.

Perhaps you’ve heard of Mr. Scithers. If not, surely you’ve heard of some of his work. He was the first editor for Isaac Asimov’s Science Fiction Magazine, for which he won two Hugo awards. He was also editor at Amazing Stories, and of numerous anthologies. At Weird Tales, he won a World Fantasy Award along with Darrell Schweitzer. He was known among writers and readers and editors.

Unfortunately we lost Mr. Scithers a decade ago, but his legacy lives on in the work he produced and in fandom. Many of today’s readers probably don’t even realize how much they owe to this gentleman.

And “gentleman” is not a word I use lightly. I never knew Mr. Scithers personally. He and I never met. I can’t speak to his everyday attitudes and demeanor. Yet he was always kind and supportive in the reply letters he wrote back to me as a budding writer. He always had good things to say while not being afraid to point out where I needed to polish. He could be critical without being overbearing and negative, a trait that seems lost in today’s world. Also, I’ve met with or had correspondence with other people who actually did know or had at least met Mr. Scithers, and every single one of those individuals has had good things to say about George. So I feel my calling him a “gentleman” is most apt, especially as every correspondence I had with him was most friendly and congenial.

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Brazzaville — The Sequel to Casablanca That Was Never Made

Brazzaville — The Sequel to Casablanca That Was Never Made

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CasablancaPoster1Now, I think that Casablanca is the greatest movie ever. I’ve seen it far more times than any other movie, and I rarely pass up a chance to sit down and watch it again when TCM runs it. I had never seen a Humphrey Bogart movie until my early twenties. Then, I went to the Ohio Theater, an amazing place on the National  Register of Historic Places, to see Casablanca on a HUGE screen. There was even organ music during the intermission. I was hooked for life and I now own almost every movie Bogart appeared in. I’m a virtual Cliff Claven of Casablanca trivia, and I’ve even written two short stories centered around the movie.

Frederick Stephani was a screenwriter who had penned the first Flash Gordon movie that Buster Crabbe starred in. He also did the screenplay for Johnny Holiday, a hardboiled movie starring William Bendix. After the success of Casablanca, Warners had him write a treatment for a sequel, working title Brazzaville – after the Free French garrison that Renault suggests he and Rick visit as they walk away from the airport at the close of the film.

BRAZZAVILLE – CASABLANCA SEQUEL

Rick and Renault drive to Rick’s Cafe to find some unhappy Germans waiting for them. The Germans demand that Renault either arrest Rick, or turn him over to them. Rick says he’d rather be arrested. I can see Bogart wryly saying that. Renault smiles and looks at his watch; it’s 6:00.

He asks his aide, presumably Lt. Casselle, how long it takes to get a cable to, and a response from, Vichy. He is told, ‘six hours.’ He asks the Germans what charge is to be made against Rick. That’s reminiscent of him telling Strasser he has no reason to shut down the cafe in Casablanca. The Germans tell him some trumped up charges. Unlike the incident with Strasser, he stands up to them. He explains that Casablanca is still a free territory and they need to substantiate their charges. He adds that anyone can prefer charges, but if they can’t be proven, it will cause trouble for Renault.

The Germans, knowing that Renault is with Vichy, are confident, but don’t see the wink that he gives Rick. Rick then levels some made up charges against them! Rains decides he likes Rick’s charges better and arrests the Germans. They are furious and threaten vengeance. Renault offers to let them use the cables to contact Vichy to complain (Nobody plays cool and urbane like Claude Rains). Bogart is bemused.

Later, in Rains’ office, Bogart tries to find out what Louis is up to, but Renault puts him off and tells him to concentrate on their chess games. Renault is unconcerned by his very unhappy German prisoners.

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Uncanny X-Men, Part 10: John Byrne’s The Hidden Years #1-4

Uncanny X-Men, Part 10: John Byrne’s The Hidden Years #1-4

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Holy cow! We’re into double digits of my reread of the X-Men story that began in 1963. I include a full set of links to the post series at the bottom of this post. As we saw last time, some later creators have had some fun in writing stories that fit into those empty years between 1970 and 1975 when X-Men was just a reprint title. One of the most famous is John Byrne’s 1999-2001 series X-Men: The Hidden Years. 

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