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Blogging Sax Rohmer’s The Yellow Claw – Part Two

Blogging Sax Rohmer’s The Yellow Claw – Part Two

yellow-claw-jackettantor1Sax Rohmer’s The Yellow Claw was originally serialized in five installments in Lippincott’s from February through June 1915. The serial was subsequently published in book form later that same year by Methuen Press in the UK and McBride & Nast in the US. The novel chooses to divide the story into four sections. This week, we examine the second part.

Rohmer shifts gears unexpectedly by focusing Part Two of the novel on Soames, the Leroux butler who skipped out when Inspector Dunbar arrived at his employer’s home to investigate a murder. We learn Luke Soames fled because of his chequered past (he was dismissed by his previous employer for theft) that led him to falling prey to the sinister Mr. Gianapolis who arranged for Soames’ employment in the Leroux household. Soames is aware that Mr. Gianapolis works for a mysterious Mr. King who has some secret connection to Mrs. Leroux, but for awhile Soames is content to question little and perform the few curious extra duties that Gianapolis requests of him.

When Soames learns of a dead woman in his employer’s home and the arrival of Inspector Dunbar, he panics and flees fearing his criminal past will be uncovered by the detective. Coming to his senses, he contacts Gianapolis. The Greek takes him into Mr. King’s household and tells him he will find other employment for him, but warns him that if he fails them again, he will be handed over as an accessory to murder. Soames recognizes the fact that Gianapolis has complete control over him for without Gianapolis and the mysterious Mr. King who employs him, he would be a ruined man.

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Amazon.com Announces Pre-Orders for J.K. Rowling’s The Casual Vacancy

Amazon.com Announces Pre-Orders for J.K. Rowling’s The Casual Vacancy

rowling1Amazon.com has announced that J.K. Rowling’s next novel, The Casual Vacancy, will be available September 27.

From the description it’s not immediately clear if the book has an fantastic elements at all, and in fact it may be a straight-up literary thriller:

When Barry Fairweather dies unexpectedly in his early forties, the little town of Pagford is left in shock. Pagford is, seemingly, an English idyll, with a cobbled market square and an ancient abbey, but what lies behind the pretty façade is a town at war. Rich at war with poor, teenagers at war with their parents, wives at war with their husbands, teachers at war with their pupils…. Pagford is not what it first seems. And the empty seat left by Barry on the town’s council soon becomes the catalyst for the biggest war the town has yet seen. Who will triumph in an election fraught with passion, duplicity and unexpected revelations? Blackly comic, thought-provoking and constantly surprising, The Casual Vacancy is J.K. Rowling’s first novel for adults.

The Casual Vacancy will be published in hardcover for $35 by Little, Brown and Company on September 27, 2012. No details on page length are available, and the publisher has not yet released the cover art.

Complete details on Amazon.com here.

Goth Chick News: Vampire Novel of the Century? I’ll Be the Judge of That

Goth Chick News: Vampire Novel of the Century? I’ll Be the Judge of That

interview-with-vampireLast week, beloved editor and big cheese John O’Neill told you about the 2011 Bram Stoker Award winners which included what I consider a travesty of justice perpetuated on the vampire-genre-loving community by the Horror Writers Association (HWA).

In January the HWA, an international association of writers, publishing professionals, and supporters of horror literature, in conjunction with the Bram Stoker Family Estate and the Rosenbach Museum & Library, announced the nominees for the one-time-only, Bram Stoker Vampire Novel of the Century Award.  The Award was to mark the centenary of the death in 1912 of Abraham (Bram) Stoker, the author of Dracula.

A jury composed of writers and scholars selected, from a field of more than 35 preliminary nominees, the six vampire novels that they believe had the greatest impact on the horror genre since publication of Dracula in 1897.

Eligible works must have been first published between 1912 and 2011, and published in or translated into English.

Beyond this, the criteria for consideration seem a tad vague, but from the descriptions of the six finalists described by the HWA, here are the other points considered.

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Art of the Genre: House Davion and the Federated Suns

Art of the Genre: House Davion and the Federated Suns

House Davion, everything you could want from a gaming history text
House Davion, everything you could want from a gaming history text
You hear strange things sometimes in this business, rumblings, rumors, and empty promises, but I have to say one of the best of the past year was a possible FASA reunion for what would have been the company’s 30th Anniversary at GenCon this August.

I mean, can you imagine it? Bradstreet, Deitrick, Laubenstein, Nelson [all three of them], Aulisio, Berry, Marsh, Harris, MacDougall, Holloway, Elmore, and countless others all sitting around a booth with countless Shadowrun, Earthdawn, Star Trek, and Battletech memorabilia and artwork? I mean, even Jordan Weisman would probably show up so someone could write him a check for something.

It would have been a lofty enterprise, and I can’t imagine the line waiting for signatures at that station, or the books that would be held in the hands of the throngs of fans. I run the fan page on Facebook for both Laubenstein and Deitrick, so I know they were into the idea, but unfortunately it fell flat after initial interest in the idea came forward back in September 2011.

Still, thinking about all the incredible artwork these artists put out in their tenure made me grab down one of my absolute favorite FASA supplements, House Davion and the Federated Suns, for the Battletech RPG.

I did a post last year about John Wick and his creation of the ‘Way of’ books for 1st Edition L5R and stated that there was only one other collection of gaming supplements that could match them for incredible written content. Those, of course, were FASA’s House books, and as a historian I still get giddy about reading a thousand and eleven year alternate future.

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The 2012 Hugo Award Nominations

The 2012 Hugo Award Nominations

among-othersThe nominations for the 2012 Hugo Awards have been announced by Chicon 7, the 70th World Science Fiction Convention. Chicon 7 will be held over Labor Day weekend right here in Chicago. The nominations are:

Best Novel

  • Among Others by Jo Walton (Tor)
  • A Dance With Dragons by George R. R. Martin (Bantam Spectra)
  • Deadline by Mira Grant (Orbit)
  • Embassytown by China Miéville (Macmillan / Del Rey)
  • Leviathan Wakes by James S. A. Corey (Orbit)

Best Novella

  • Countdown by Mira Grant (Orbit Short Fiction)
  • “The Ice Owl” by Carolyn Ives Gilman (The Magazine of Fantasy & Science Fiction, November/December 2011)
  • “Kiss Me Twice” by Mary Robinette Kowal (Asimov’s, June 2011)
  • “The Man Who Bridged the Mist” by Kij Johnson (Asimov’s, September/October 2011)
  • “The Man Who Ended History: A Documentary” by Ken Liu (Panverse 3)
  • Silently and Very Fast by Catherynne M. Valente (Clarkesworld / WSFA)

Complete list after the jump.

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Zero Fantasy

Zero Fantasy

Ten thousand gallons of virtual ink have already been spent on the subject of cliché elves’n’dwarves’n’rogues’n’rangers fantasy.  But here’s a few droplets that I think are worth noting.

A photo of Yahtzee taken at his Swedish manorhouse
A photo of Yahtzee taken at his Swedish manorhouse

Ben “Yahtzee” Croshaw, for those not fully assimilated into the etherium of the web, is a popular reviewer of games and maker of funny videos.  He’s also the author of Mogworld, which I haven’t read.  Anyway, in his recent video review of the fantasy RPG Kingdoms of Amalur, he introduces a point which he expands on in the first few paragraphs of this essay.  Why does fantasy, theoretically the genre of limitless possibilities, so often fall back on the same stock elements (elves, dwarves, pseudo-Europe, fireballs, etc.)?

Now, here’s the thing: I think Yahtzee is largely arguing against a historical problem, at least when it comes to books.  Gaming may be different, with Dragon Age, Skyrim, and World of Warcraft riding high on a post-Tolkien wave of their own.  But when it comes to books, I’m honestly not seeing much of the cliché elf and dwarf pie being produced.

There are certainly shared universes, whether they be roleplaying settings like Pathfinder or Eberron, or the enormous line of Black Library titles for Warhammer and Warhammer 40K, but they don’t make any claims to originality of setting or trapping.  Many of those books tell great stories with memorable characters, but they do so with familiar elements and surroundings, and pretend to do more.  There’s something comforting about that, actually, and I rather enjoyed the only Pathfinder novel I read.

But in the wider world of fantasy, I’m just not seeing a glut of elves and dwarves or anything that’s recognizably derived from D&D.  I’m seeing Brandon Sanderson, Jim Butcher, Brent Weeks, and  Harry Conolly, James Enge and John C. Wright and Scott Lynch.  Well, okay, Enge has dragons and dwarves, but no one would mistake Morlock’s world for Forgotten Realms.

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Apex Magazine #35

Apex Magazine #35

apexmag0412_mediumThis month’s Apex Magazine is a special international themed issue, featuring ”Love is a Parasite Meme” by Lavie Tidhar  (who is interviewed by Stephanie Jacob) and  ”The Second Card of the Major Arcana” by Thoraiya Dyer; the classic reprint is “Alternate Girl’s Expatriate Life”  by Rochita Loenen-Ruuize.

Raul Cruz provides the cover art. Nonfiction by Charles Tan and editor Lynne M. Thomas round out the issue.

While each issue is available free on-line from the magazine’s website, it can also be downloaded to your e-reader from there for $2.99.  Individual issues are also available at  Amazon and Weightless. A version for the Nook will also be available in the near future.  Twelve issue (one year) subscription can be ordered at Apex and Weightless for $19.95Kindle subscriptions are available for $1.99 a month.


Blogging Sax Rohmer’s The Yellow Claw – Part One

Blogging Sax Rohmer’s The Yellow Claw – Part One

lippincott1detective-storySax Rohmer’s The Yellow Claw was originally serialized in five installments in Lippincott’s from February through June 1915. The serial was subsequently published in book form later that same year by Methuen Press in the UK and McBride & Nast in the US. The novel chooses to divide the story into four sections which is how we shall examine the title over the next four weeks.

Rohmer’s first Yellow Peril thriller outside the Fu Manchu series is chiefly remembered today for having introduced the character of his dapper French detective, Gaston Max of the Surete. Max went on to feature in three other novels [The Golden Scorpion (1918), The Day the World Ended (1929), and Seven Sins (1943)] as well as the BBC radio series, Myself and Gaston Max adapted from a series of short stories about an entirely different Rohmer character, The Crime Magnet.

Gaston Max was highly influenced by Edgar Allan Poe’s Auguste Dupin, the series detective who did much to direct the development of the mystery genre and was a primary source of inspiration for both Sir Arthur Conan Doyle’s Sherlock Holmes and Agatha Christie’s Hercule Poirot. Max was not Rohmer’s first attempt at fashioning his own French detective after Dupin’s example. His very first novel, The Sins of Severac Bablon (1912) featured Gaston Max’s prototype, Victor Lemage. The interesting feature is that while elements of Yellow Peril thrillers will surface in the book, Rohmer was trying hard to write a more conventional and realistic detective story in a direct break from the thrillers that made his name.

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In Defense of Elves

In Defense of Elves

hornsofruin1I’m in the middle of another book, this one my fourth, and the first in a series of four. But writers are always in the middle of a book, always writing the next book, always revising the current one. And, worst of all, always reviewing and revising and dwelling endlessly on the books of the past.

One of the great things about the Arts is that you create specific works that are pretty much a time capsule of who you were and what you were capable of doing at one discrete point in your life. Each book is a little piece of you that you leave behind in the time stream, and every time you open it you get to re-live and remember what it was like to write that book. It’s a little bit like having a conversation with a younger self.

I don’t mean to sound pretentious when I say things like that. I think too much about what it means to be a writer, how we go about coming up with worlds and gods and believable characters, and then translate those ideas into words in such a way that a reader can experience them as well. Let’s be honest, words are probably the crudest, clumsiest, most difficult to wield of all the creative arts. We depend so much on the imagination of the reader. A writer doesn’t even get to read the book to the writer, and instead has to depend on the reader’s ability to pace the sentences correctly, read the dialogue with the right tonality… everything. It’s troublesome, when you really think about it. This is why I encourage you to go to readings when you get a chance, if only to hear the words in the writer’s voice.

Anyway. One of the books I’ve written is The Horns of Ruin, which was published by the fine folks at Pyr Books in 2010. I’ve been thinking about it a lot recently because what I was trying to do when I started that book is similar to what I’m trying to do with the current work. But at some point I changed my plan and went in a different direction.

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Goth Chick News: Welcome to the Hotel Transylvania

Goth Chick News: Welcome to the Hotel Transylvania

ht-bannerNothing sends me straight to my happy place faster than a cartoon; unless it’s a cartoon about monsters.

This probably started before I could walk with the Saturday-morning Bugs Bunny episodes; specifically Hair-Raising Hare featuring the first appearance of the sneaker-wearing creature “Gossamer.” As an adult I was still so enamored with Gossamer that I very nearly had him tattooed on my…

Well thankfully I decided against it.

But maybe its comic books or Captain Crunch cereal or anything related to Star Wars which does the same thing for you. You know you held onto those Dark Lord of Sith footie PJ’s and don’t try to say it was for the collectable value either.

Nowadays, what I love most about cartoons (or animated features as we now call them) is their multiple layers of humor. Just try watching those Warner Brothers shorts today and see what I mean. There was a whole different level of funny which was aimed at our parents, thus flying straight over our heads.

And happily this tradition has carried forward to features like The Incredibles and Despicable Me. I own both and even though I’ve watched them dozens of times, I still kill myself laughing over something new I hadn’t noticed before.

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