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Electric Velocipede Kickstarter Funded! Started First Stretch Goal!

Electric Velocipede Kickstarter Funded! Started First Stretch Goal!

Less than a week ago, we posted here to talk about the Kickstarter campaign we launched to fund next year’s Electric Velocipede issues. We hit our $5,000 goal with two weeks to go.

Wow.

I guess people want to see more Electric Velocipede! Once you hit your goal on Kickstarter, in a lot of ways you’re done. However, since people can cancel their pledge at any time before your campaign ends, you want to keep talking it up so that more people pledge to cover the chance that a few might drop out. Also, with so much time left, it felt wasteful to just do nothing.

A lot of Kickstarter campaigns will run stretch goals once they reach their initial funding request. That way, there’s a reason for people who want to give to keep giving (you’d hate for someone who wanted to donate to feel like they missed their chance).

With that in mind, we’ve started our first stretch goal: we want to digitize all of Electric Velocipede‘s back issues (you can see the glorious cover to issue #1 on the right) and make them available as epubs, mobi files, and PDFs so that people can read them on whatever device they want to. We’ve had a number of people asking about it, often international backers, and we think it’s a good idea. We’ll need about $2,500 to do this, and we’re already more than $1,o00 of the way there!

It will take some doing for this; we need to get electronic rights from the first thirteen/fourteen issues’ worth of authors and then we need to convert the files. Neither of which is terribly complicated, but it is time-consuming. But it will be worth the effort. We’ve got a lot of fans that have come to us recently who have never been able to read copies of older issues since we always really small print runs.

We have a bunch of different things in mind for stretch goals, but this felt the most important, given how much it will benefit our readers. If we achieve this stretch goal, anyone who’s backed at $25 or more will receive electronic copies of all back issues of Electric Velocipede. That’ll be issues #1 – #21/22. That’s almost $1 an issue! Plus, at $25 you’ll get a print copy of a back issue, and a electronic four-issue subscription starting with issue #25. You’ll get almost the entire issue run for your $25 investment. You won’t regret it.

Apex Magazine #40

Apex Magazine #40

apexmagissue40Apex Magazine turns 40 with its September issue, featuring  “During the Pause” by Adam-Troy Castro (who is interviewed by Maggie Slater), “Sexagesimal” by Katherine E. K. Duckett, “Sacrifice” by Jennifer Pelland, and “Sonny Liston Takes the Fall” by Elizabeth Bear (reprinted from The Del Ray Book of Science Fiction and Fantasy, a review of which you can read here) . Cover art by Julia Dillon. Nonfiction by Peter M. Ball and editor Lynne M. Thomas.

Apex is published on the first Tuesday of every month.  While each issue is available free online from the magazine’s website, it can also be downloaded to your e-reader from there for $2.99.  Individual issues are also available at  Amazon, Nook, and Weightless.

Twelve-issue (one year) subscriptions can be ordered at Apex and Weightless for $19.95Kindle subscriptions are available for $1.99 a month.

This Week’s Bargain SF & Fantasy Books at Amazon.com

This Week’s Bargain SF & Fantasy Books at Amazon.com

swords-dark-magic-256I need a better system for tracking these discount books at Amazon. Way I do it now, I just add candidates to my cart whenever I find them. Which means my cart fills up pretty quick, and I have to keep emptying it.

Don’t tell me I should create a wishlist. I already have over a dozen wishlists. Compulsive people shouldn’t be allowed to use Amazon.

Anyway, what do we have in the bag for you this week? Swords & Dark Magic: The New Sword and Sorcery, the excellent anthology edited by Jonathan Strahan and Lou Anders, has been marked down from $15.99 to just $6.40; David Weber’s new standalone SF novel, Out of the Dark, is just $2.98 in hardcover; and Tanya Huff’s latest hardcover, The Truth of Valor, is just $2.54. All that, plus two novels by Charles de Lint, Spirits in the Wires and Spiritwalk, for roughly six bucks; three Hawkmoon novels by Michael Moorcock for six bucks or less: The Mad God’s Amulet, The Jewel in the Skull, and The Sword of the Dawn; The New Space Opera, volumes One and Two, edited by Gardner Dozois for under 7 bucks; Gene Wolfe’s latest novel, Home Fires, in hardcover for $10; and over a dozen more.

Crux – Albert E. Cowdrey$9.98 (was $24.95)

The New Space Opera – Gardner Dozois; Paperback – $6.38 (was $15.95)

The New Space Opera 2 – Gardner Dozois; $6.40, (was $15.99)

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New Treasures: The Scorpions of Zahir by Christine Brodien-Jones

New Treasures: The Scorpions of Zahir by Christine Brodien-Jones

the-scorpions-of-zahirI can’t be the only one out there with a young teen daughter who likes to read.

I thought this would be easy. I’d give her a few books every month — books I treasured when I was her age, and carefully preserved for decades for just this moment — and she would retire in contentment to her reading nook, only popping out from time to time to comment on what a great Dad I am. Piece of cake.

Didn’t exactly work out like that.

For one thing, she’s really not interested in books from 40 years ago. She wants to read the books her friends are reading. And guess what? They’re not reading A Wrinkle in Time or Alfred Hitchcock and the Three Investigators either. They’re reading The Hunger Games and Twilight and the Fallen novels and Vampire Academy and.. and…

And that’s the other thing. These kids read a lot. A few books a month? More like a few books a day. They’re voracious, and by the time I’ve ordered the book her friends are all taking about, they’re forgotten it and moved on. Forget being a great Dad… I’m left scrambling just so I don’t look like a clueless parent who’s perpetually “totally last week.”

Fortunately, I have people. People who work for publishing companies, and send me advance proofs. Of books that aren’t even out yet. Take that, bratty thirteen-year-old mean girls. I can still compete for my daughter’s attention by leaving these lying around.

She pretends not to be interested, but then picks one up. What’s this? she sez. Oh, that? The Scorpions of Zahir — just something some Manhattan publishers sent over. You wouldn’t be interested. Won’t even be on sale for another month or so. It’s about a girl in Morocco trying to keep a sacred city from being buried forever, or something. Your friends probably won’t be talking about it for weeks.

I know. I’m a bad person, but I’m desperate. And it works. Soon she’s curled up in her reading nook. She doesn’t come out to tell me I’m a great father or anything, but once she does ask where “Morocco” is. I show her on the map. We almost make eye contact for a moment, before she goes back to reading.

I get a quick hug the next morning. The book is tucked into her bag as she heads off to school. I’ll need to have a new book by the end of the day, but I’ll worry about that later.

Heaven help me when she turns sixteen. But this morning I’m a cool Dad again. Treasure the small victories.

Blogging Sax Rohmer’s The Mask of Fu Manchu – Part One

Blogging Sax Rohmer’s The Mask of Fu Manchu – Part One

titan-maskoffumanchubenda2Sax Rohmer’s The Mask of Fu Manchu was originally serialized in Collier’s from May 7 to July 23, 1932. It was published in book form later that year by Doubleday in the US and the following year by Cassell in the UK. It became the most successful book in the series, thanks to MGM’s cult classic film version, starring Boris Karloff and Myrna Loy, that made it into theaters later that same year. Paramount’s option on the character had been exhausted after three pictures and one short starring Warner Oland as the Devil Doctor. The Paramount series had been responsible for Rohmer’s decision to revive the character with Daughter of Fu Manchu. The Mask of Fu Manchu served as a direct sequel and was again narrated by Shan Greville.

The novel gets underway with the brash Sir Lionel Barton having recently joined a colleague, Dr. Van Berg, in completing an excavation of the tomb of the notorious heretical Masked Prophet of Islam, El Mokanna, in Persia. Shan Greville, Sir Lionel’s foreman, is awakened in the middle of the night by his fiancée Rima Barton, Sir Lionel’s niece, who was disturbed by a strange wailing. Upon investigating, Dr. Van Berg is found dead in his room, his corpse slung over the jade chest containing the artifacts from the dig. The artifacts, still intact, are El Mokanna’s gold mask that hid his disfigured features, his heretical New Creed of Islam carved on gold tablets, and the bejeweled Sword of God with which the messianic prophet planned to conquer the world.

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Goth Chick News: The Creature Had Good Taste and So Does Tim Burton

Goth Chick News: The Creature Had Good Taste and So Does Tim Burton

image0021As it may have been with you, for me it all started with the original Universal Studios’ monster movies.

By “it,” I mean a lifelong fandom of the black and white, the subliminal scare, the camera angles and the long shadows; the classics created not because they were drenched in buckets of gore and nauseating realism, but because, as Bela Lugosi said in Ed Wood:

They were mythic. They had a poetry to them

Sigh.

Naturally, meeting someone associated with one of these films is the Goth Chick equivalent to winning the lottery; especially as those individuals who still are around to meet often do not venture far from the sunny and warm climates where they have retired.

Last weekend, Christmas came early when two of my all-time favorites from vintage Hollywood horror found their way to Chicago to attend The Hollywood Show.

Ms. Julie Adams, whose very presence and bearing makes you want to call her ma’am, is best known to many for her portrayal of bathing beauty Kay Lawrence in Universal’s 1954 classic The Creature from the Black Lagoon. Admittedly, my knowledge of Ms. Adams’ fifty-seven year career was extremely limited which she teasingly pointed out.

I wasn’t just the bit of cheesecake in the Creature movie you know. I actually worked with Elvis too!

Correct on both counts.

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Steampunk Spotlight: City of Iron Board Game on Kickstarter

Steampunk Spotlight: City of Iron Board Game on Kickstarter

cityofiron-boxLast winter, I saw an excellent game on Kickstarter called Empires of the Void (Amazon). I was fairly new to Kickstarter, however, so didn’t actually back it at the time because I was hesitant about how the whole process worked. When I caught a glimpse of the game at GenCon, however, I was very impressed with the production values and wish I’d gotten it … because the Kickstarter discount turns out to be nearly 50%.

I’m not going to make that mistake again. Empires of the Void‘s creators, Red Raven Games, now has a second Kickstarter going. City of Iron is a steampunk-themed board game, complete with bizarre races, exotic lands (including floating islands), airships, and yes, even bottled demons. That’s right: one of the game’s many resources are bottled demons.

The goal of the game is to build up your civilization’s resource levels to surpass those of your competing civilizations. There are a variety of different ways you can proceed, with each turn allowing for three actions chosen from the following:

  • Build using a Building card
  • Buy Science tokens
  • Play a Citizen or Military card
  • Store a Building
  • Draw a card
  • Tax to gain coins
  • Attack a town

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Dave Sim Announces He’s Ending Glamourpuss And Leaving Comics

Dave Sim Announces He’s Ending Glamourpuss And Leaving Comics

glamourpuss-21Well, this is troubling.

I stumbled on a report at The Comic Reporter this week that Cerebus creator Dave Sim — at one time my favorite comic writer and artist — has announced that he’s ending his latest ongoing title glamourpuss and giving up on the medium entirely.

Part of the reason I find it troubling is that I’ve never even heard of glamourpuss. How could Dave Sim publish 26 issues of a comic without me knowing about it? I’d heard about his successful Kickstarter campaign back in June, which raised nearly $64,000 to create a special audio/visual digital edition of the Cerebus graphic novel High Society. I also knew he had experimented with an anthology titled Cerebus Archive and a web program called Cerebus TV… but how did he slip glamourpuss past me?

According to what I can find online, glamourpuss was both a parody of 60s fashion magazines and a history of photorealism in comics, masquerading as a surreal super-heroine comic. One of its most talked-about features was an ongoing storyline about the day comic artist Alex Raymond died, The Strange Death Of Alex Raymond. The art samples published online looked stunning. You can view page samples and purchase of most of the back issues at the excellent comiXpress site.

But the real news was Sim’s bleak editorial in the latest issue:

Yes: this IS the last issue of glamourpuss… As soon as I saw the sales on the first issue – 16,000 – I knew that the title and my career were doomed. Because of the sheer volume of material published in the direct market, retailers need to order the highest numbers on the first issue and then start cutting drastically – on average: 50% per issue thereafter. 16,000 down to 8,000 down to 4,000 down to 2,000 and… oblivion…

In a final attempt to keep going, I re-jigged glamourpuss with [sister title] zootanapuss, using both the idea of a variant cover as zootanapuss No. 1 and double shipping each issue… It actually worked. Sales did go up on No. 25… but only by 34 copies over No. 24. I had arrived at my career end point…

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Teaching and Fantasy Literature: The Hunger Games and the SAT

Teaching and Fantasy Literature: The Hunger Games and the SAT

The cheap shots are kind of tempting — analogies, or allegories even, about the SAT as a form of gladiatorial combat. Some of my students do experience the test that way. Certainly the SAT has become a fasting ordeal, now that it’s four hours long and still allows only one break long enough for scarfing down an energy bar. But I’m not enlisting the aid of Katniss Everdeen to fight the College Board over its test. Odd as it sounds, there are some admirable, humane aspects to the SAT in its current incarnation. I’ve just started using the Neo-Roman culture of Suzanne Collins’s Panem setting to work to take the fear out of Latin-derived vocabulary words.

One of the pleasures of the Hunger Games trilogy for adult readers is the subtle thread of Roman influence on the world-building. It’s completely lost on the narrator, who has been raised in extreme poverty and educated only far enough to serve a dictatorial state. Since Katniss can’t comment on the classical echoes, and doesn’t need to understand them to navigate her world successfully, teenage readers who haven’t been offered much history earlier than 1776 can get by all right, too. They hang on in the wake of Katniss’s enormous personality and follow her through fire and storm to the end of the last volume. My students do get all the big themes and moods of the story, and all the wild action. The little grace notes that genre readers smile over, well, left to themselves, my students just shrug and treat them as non-specific markers of Panem’s otherness.

Consider the Cornucopia.

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New Treasures: A Book of Horrors, edited by Stephen Jones

New Treasures: A Book of Horrors, edited by Stephen Jones

a-book-of-horrorsI ran into Stephen Jones when he and his wife Mandy Slater swung by the Black Gate booth at Worldcon last week. I’ve known Mandy for nearly 30 years, since we were both involved in Ottawa fandom in the early 80s, but Stephen I first met in the early days of running the SF Site. I was an entrepreneur trying to get a website dedicated to science fiction and fantasy off the ground at the dawn of the World Wide Web (1996), and Stephen was a young editor publishing some of the most exciting anthologies in the field, including The Mammoth Book of Best New Horror, Dark Voices, Fantasy Tales, H.P. Lovecraft’s Book of Horror, The Mammoth Book of Vampires, and many others.

Fifteen years later, I’m a grumpy small press magazine publisher, and Stephen Jones is still publishing some of the most exciting anthologies in the field. The 23rd volume (23rd!!) of The Mammoth Book of Best New Horror will be released on Oct 23, and this week, A Book of Horrors, one of the most anticipated anthologies of the year, goes on sale here in the US. It includes all-new stories from Stephen King, John Ajvide Lindqvist, Ramsey Campbell, and many others:

Many of us grew up on The Pan Book of Horror Stories and its later incarnations, Dark Voices and Dark Terrors (The Gollancz Book of Horror), which won the World Fantasy Award, the Horror Critics’ Guild Award and the British Fantasy Award, but for a decade or more there has been no non-themed anthology of original horror fiction published in the mainstream. Now that horror has returned to the bookshelves, it is time for a regular anthology of brand-new fiction by the best and brightest in the field, both the Big Names and the most talented newcomers.

A Book of Horrors is 429 pages in trade paperback. It is published by St. Martin’s Griffin, priced at $15.99 print and $9.99 for the digital edition. You can see more details, including the complete list of contributors, here.

Read all of our recent New Treasures articles here.