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Lay Down Your Weary Year

Lay Down Your Weary Year

time-enough-at-last-350x263“It… is… later… than… you… think.” — Arch Oboler, Lights Out radio program

10…

There’s that classic Twilight Zone episode about the bookwormish little gentleman who has a list long as his arm of books he’s always wanted to read, but who is constantly thwarted by the day-to-day demands of society and pressures of life. He happens to be down in the basement library stacks when a nuclear war breaks out. He emerges to find every other human being gone. After this revelation sinks in, he heads back to the library. Cut to hours or days later: he has amassed piles of books in the order he plans to — finally — read them all.

And then…the unexpected happens. The ol’ TZ twist. In this case, his glasses fall off, and he accidentally steps on them. In the closing shot, he stands there, blind as a bat without his reading glasses, with a look of utter despair on his face that dwarfs any emotions he may have felt on realizing that the rest of his fellow creatures were gone. With the books, even authors long dead were still with him. Now even they have been wrested away, leaving him truly alone.

Rod Serling provides his usual wry commentary in the coda of the closing narration, but everyone who’s seen that episode (“Time Enough at Last”, 1959, starring Burgess Meredith) remembers that final scene — within the context of the story’s simple little narrative, that pair of broken glasses is somehow, improbably, more devastating than the destruction of the human race.

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New Treasures: Night of Demons by Tony Richards

New Treasures: Night of Demons by Tony Richards

Night of Demons Tony Richards-smallI don’t tend to report much on horror in my New Treasures column. Not that I haven’t anything against horror, but I have enough trouble just keeping up with all the intriguing new fantasy crossing my desk.

But there’s a lot of interesting stuff going on in modern horror, and you deserve to know about it. So I try to sneak one in from time to time. Like Tony Richards’s intriguing Night of Demons, his latest novel set in a Massachusetts town that can’t be located on any map… and which people forget as soon as they leave.

Centuries ago, the Salem witches founded the village of Raine’s Landing, then cloaked it in magic to hide it from sight. Many of their descendants still practice the supernatural arts — and no one who lives here can ever leave. Now evil has breached its boundaries once again…

A serial killer with a corrupt and twisted soul, Cornelius Hanlon has freely entered Raine’s Landing, undeterred by the ancient magical safeguards. And when he chooses the town’s oldest adept as his first victim, the maniac inadvertently gains possession of a powerful “gift” more terrible than anything he could have sadistically dreamed.

Ex-town cop Ross Devries and his Harley-riding sometime-partner, Cassandra Mallory, have no supernatural abilities. But they are the last line of defense in this village of secrets and shadows — facing a psychopath who now wields the power to bend the living and the dead to his will.

Night of Demons is the sequel to Dark Rain, published in 2008. A third Raine’s Landing novel, Speak of the Devil, was just released this month. Richards is also the author of Our Lady of The Shadows (2011) and the collection Shadows And Other Tales (2010).

Night of Demons was published by Avon EOS in October, 2009. It is 390 pages, priced at $7.99 for both the print and digital editions. I bought my paperback on Amazon, on sale for just $3.20 — copies are still available at the discount price.

See all of our recent New Treasures articles here.

Lord Dunsany, Philip José Farmer, and Appendix N: Advanced Readings in D&D

Lord Dunsany, Philip José Farmer, and Appendix N: Advanced Readings in D&D

Over the Hills and Far Away-smallI’m still enjoying the Appendix N surveys by Tim Callahan and Mordicai Knode at Tor.com, as they read through every author Gary Gygax cited as an influence on Dungeons and Dragons, even though I’ve found lots to disagree with in their recent columns.

So I’m happy to continue with these re-caps here. Especially since I don’t have a lot emotionally invested in their next two subjects: Lord Dunsany and Philip José Farmer.

I have a lot of respect for Lord Dunsany, but that chiefly stems from the many fine writers who have cited him as an influence. I’ve read only a handful of his shorter works and, while I’ve enjoyed what I’ve read, he’s mostly an untapped natural resource for me.

It’s much the opposite with Philip José Farmer. I was a huge fan of his Riverworld books when I first read them decades ago. But they didn’t really hold up on re-reading 15 years later, for me.

So Farmer is a writer I largely lost interest in years ago, although I have to admit I haven’t really given fair attention to his many fantasy novels. I know his work is highly regarded, and in fact both Cynthia Ward and Christopher Paul Carey made excellent cases here for why I should pay a lot more attention to his Gods of Opar and Tales of the Wold Newton Universe series, for example.

So let’s say I have more of an open mind with both Lord Dunsany and Philip José Farmer, and I’m willing to be influenced.

With that out of the way, let’s see what Tim and Mordicai have to say.

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The Top 50 Black Gate Posts in November

The Top 50 Black Gate Posts in November

The Best of Fredric Brown-smallThe top article on the Black Gate blog last month was the 13th installment in our ongoing examination of Lester Del Rey’s Classics of Science Fiction line, a look at the 1977 paperback The Best of Fredric Brown. (Brown also showed up a little further down the list, in our take on the Brown and Weinbaum chapters of the Appendix N: Advanced Readings in D&D series over at Tor.com).

Second on the list was Alex Bledsoe’s appreciation of one of my favorite films of the summer, Pacific Rim, and his thoughts on where it fit on the sliding scale between rip-off and homage.

Third was our review of a surprisingly effective, 81-year-old pulp tale by Clark Ashton Smith, “The Vaults of Yoh Vombis.” Fourth was M Harold Page’s report on his trip to the Gemmell Award ceremonies at the World Fantasy Convention. Rounding out the Top Five was Keith West’s opening chapter in his ambitious attempt to review the Ballantine Adult Fantasy Series.

The complete Top 50 Black Gate posts in November were:

  1. Vintage Treasures: The Best of Fredric Brown
  2. Pacific Rim and the Culture of Rip-off vs Homage
  3. Clark Ashton Smith’s “The Vaults of Yoh Vombis”
  4. The Sword Folk are Coming
  5. Lin Carter and the Ballantine Adult Fantasy Series
  6. Goodbye, Blockbuster
  7. Revisiting the Scene of the Crash: John Carpenters Ghosts of Mars
  8. Magic: Let’s Ditch Clarke’s 3rd law
  9. Thank Politically Correct Parents for Sword and Sorcery
  10. Nobody Gets Out Alive: Writing Advice from the Cheap Seats
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Space 1999: The Fantasy in Your Mirror May Be Closer Than It Appears

Space 1999: The Fantasy in Your Mirror May Be Closer Than It Appears

Space 1999When I was a kid, hurling rocks at dinosaurs and running away, there were not many otherworldly shows on TV. Battlestar Galactica ran for two years and then Buck Rogers for about the same, with some incomprehensible Land of the Lost or Dr. Who thrown in at seeming random. Saturday mornings were a rich source of imagination, with Tarzan, Space Academy, Jason of Star Command and Flash Gordon, but unfortunately, in my day, Saturday mornings were only on Saturdays.

Every so often though, I’d find Space 1999 in the TV Guide; it was pretty cool. The sets and ships were pretty different from the sleek models in every other scifi show, and the space suits and the Moon seemed so alien. Twenty-five years later, armed with a couple of science degrees, I ordered a season for nostalgia’s sake.

O. M. G.

It was awful. Aside from the terrible writing and passive characters, and the apparent scattering of Caucasian British humans throughout the cosmos, I could do nothing but choke on the science and toss this drivel into a corner (actually, I think I left the boxed set in Havana, but that’s a story for another time…).

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New Treasures: Weird Fiction Review 3

New Treasures: Weird Fiction Review 3

Weird Fiction Review 3-smallTwo years ago I reported on the first issue of S. T. Joshi’s new magazine devoted to the study of weird and supernatural fiction, Weird Fiction Review (not to be confused with Ann and Jeff VanderMeer’s new online journal, also called Weird Fiction Review. Go figure.)

I recently stumbled across a pic of the third issue of Joshi’s WFR (at left), and it made me laugh out loud. I had to order a copy, and it arrived this week.

There’s lots to enjoy with the massive, 232-page issue. The front and back covers (see both here) are tributes to Mad magazine and the timeless artwork of Don Martin. Inside there are seven original stories from Michael Cisco, Joseph S. Pulver, Sr, and others.

There’s also a host of intriguing articles. Darrell Schweitzer looks at Lovecraft’s influence on one of the most important pulp SF stories ever written, “Who Goes There?”, in “John W. Campbell’s Lovecraftian Tale,” and Bradley H. Sinor presents a previously-unpublished interview from 1994, in “Excellence Demanded, Whiners Piss Off: The Last Interview of Karl Edward Wagner” (which picks up several of the themes in Wagner’s letter to editor Robert A. Collins published in Fantasy 55.)

There’s also a 16-page gallery of art by Jason Zerrillo, the latest installment of John Pelan’s column Forgotten Masters of the Weird Tale, a survey of the year in horror and gothic novels from Daniel Olson, a look at the classic 1966 kaiju film War of the Gargantuas (which author Stuart Galbraith IV calls “kind of a monster movie Nirvana, a film that delivers on the promise of its ingenious title in an orgy of gargantua vs gargantua action” — pic here), and lots more.

Weird Fiction Review 3 was edited by S.T. Joshi and published by Centipede Press on March 19, 2013. The issue contains fiction, poetry, and reviews on high quality paper with lots of color. It is 232 pages, priced at $25 for the sewn trade paperback. It’s a high quality package throughout. It’s limited to 500 copies, and is currently on sale for $20 from the publisher. Get more detail and order copies at Centipede Press.

Spotlight on Fantasy Webcomics: Lora Innes’s Dreamer Comic Captures 1776

Spotlight on Fantasy Webcomics: Lora Innes’s Dreamer Comic Captures 1776

Lora Innes's Alan and Beatrice -- starcrossed lovers?
Lora Innes’s Alan and Beatrice — starcrossed lovers?

It starts with a kiss.

That’s the first thing that modern teen Beatrice really remembers about the strange dreams that start plaguing her life. But the theater student with very little knowledge of history starts getting a crash course in the history of the American Revolution when she finds herself thrust into the middle of the Revolutionary War herself. In her dreams, she is still Beatrice Whaley, but she’s the daughter of a Tory from Boston, in love with an apple farmer patriot who’s given up rank and position in the army all for the chance of rescuing her from the Redcoats.

Portal fantasy — the subgenre where modern people (usually children) travel to a fantasy world — is supposedly not en vogue right now. Dream fantasy seems to me to be a subset of that. But Lora Innes’s comic The Dreamer is one of those stories that makes me wonder why more people don’t love this format. It is in many ways a perfect gateway into history. As a kid, I remember reading The Devil’s Arithmetic by Jane Yolen, in which a modern teen is transported into the middle of the Holocaust, and feeling that it was the book about the Holocaust (and there were many) that best made me understand what it was like to be in the middle of those horrific events. The Freedom Maze by Delia Sherman, which won the Mythopoeic Fantasy Award in Best Children’s Literature in 2012, transports a girl from 1960 to 1860, and — even as an adult — gave me greater insight into both time periods. Having a Hannah or a Sophie, that modern voice I can identify with, introduce me to history makes it more real. And even though I’ve read a great deal about the American Revolution, watching Bea learn about it, both as she sleeps and — as her friends are threatened by the perils of the war — through the research she begins during her waking hours, brings that period to life in a fresh new way.

The romance angle, of course, doesn’t hurt.

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When One Window Closes . . .

When One Window Closes . . .

Princess BrideA friend of mine has stated – many times – that he won’t date anyone who doesn’t love The Princess Bride, or Rioja wine. It’s the former that’s important to me at the moment, even though I love a good Rioja myself. Actually, my friend thinks that Princess Bride is the best movie of all time, and I think he’s absolutely right. Except that he’s also absolutely wrong.

We’ve all had the experience of sharing some beloved book, or film, or piece of music with someone, and being disappointed by their tepid reaction. You know. They’re like, polite. What’s more, we’ve all disappointed others in the same way. Like it or not, when this occurs, we do feel differently about each other. And neither side is wrong, but neither side is right, either.

Welcome to my Window Theory of Emotional Response. Otherwise known as the Princess Bride Paradox, the Star Wars Syndrome, the Heinlein Hypothesis, or – dare I say it? – the Frodo Phenomenon. In a nutshell, here it is: for you to have a deep emotional response to something cultural, your exposure to it has to have come at the right time for you.

My theory builds from the phrase many of us have used in other contexts, “that window’s closed.” AKA “that ship has sailed.” Both phrases imply that there was a period of time when something was possible, that the window was “open,” and then, it wasn’t. The opportunity is lost. For a piece of culture to move you, to change the way you think about yourself and the world around you, you have to encounter it at precisely the right age, or the right level of emotional maturity or development or – call it what you will.

Or you haven’t, and that window’s closed for you.

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Blogging Dan Barry’s Flash Gordon, Part Eight

Blogging Dan Barry’s Flash Gordon, Part Eight

1157a55_d__0_FlashGordon1950sTVStarringStev2“Peril Park” by Dan Barry was serialized by King Features Syndicate from August 31 to November 13, 1954. I’ve begun to develop a fondness for Barry’s rather unique take on the character. He is a far cry from Alex Raymond, but his version is not without charm and these early 1950s strips did much to influence the Flash Gordon television series of the fifties.

“Peril Park” opens with a tranquil scene of Flash and Dale enjoying a summer day boating on the lake when Flash discovers a message in a bottle. The twist is that the message was written 600 years in the future by a woman called Elda who claims to be held captive on an island in the very lake where Flash and Dale are relaxing.

Dale is eager to let the matter lie, but Flash cannot and, with Dr. Zarkov’s help, he whisks forward six centuries via the time-space projector in Zarkov’s lab. The time travel scenes are rendered in a highly inventive fashion that suggests an influence on the trippy astral projection art pioneered by Steve Ditko on Marvel’s Doctor Strange a decade later.

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Goth Chick News: When Visiting Hemlock Grove, Better “Late” Than Never

Goth Chick News: When Visiting Hemlock Grove, Better “Late” Than Never

Hemlock Grove-smallDid someone give you a Netflix subscription for the holidays? Then I have two words for you and your shiny new queue.

Hemlock Grove.

Never heard of it? Neither have a lot of people. If you are anything like me, then you have never even seen Hemlock Grove pop up in your Netflix recommendations. Heck, chances are, you may have never heard about Hemlock Grove before reading this post.

But that’s OK; because Netflix didn’t make the show for us.

Unlike its other two pet projects which Netflix has spent a lot of effort promoting, Arrested Development and House of Cards, they purposely made very little fuss about Hemlock Grove when it launched back in April. It’s aimed at an audience of teenage horror fans and Netflix had the numbers to know that this audience is engaged enough on the streaming service to make a title like Hemlock Grove succeed.

So, why do the rest of us care?

Hemlock Grove is an American horror/thriller series from executive producer Eli Roth (Grindhouse and Hostel) and developed by Brian McGreevy and Lee Shipman. It is based on McGreevy’s 2012 novel Hemlock Grove.

The show examines the strange happenings in a fictional town in Pennsylvania where a teenage girl is brutally murdered, sparking a hunt for her killer.

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