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Vintage Treasures: The Dunwich Horror and Others by H.P. Lovecraft

Vintage Treasures: The Dunwich Horror and Others by H.P. Lovecraft

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The Dunwich Horror Rowena-smallBack in December, in the comments section of my post on “H.P. Lovecraft, A. Merritt, and Appendix N: Advanced Readings in D&D,” Joe. H. noted:

My first encounter with Lovecraft was the… paperback of Colour Out of Space. I was probably too young and had no idea what I was in for — the title story scared the bejeebers out of me (and to this day still creeps me out)… it was actually the Jove edition; the one with the Rowena painting of a Great Old One from “Shadow Out of Time” on the cover. Needless to say, it was the cover that drew me.

(Hmmm … Rowena also pulled me to Clark Ashton Smith with her City of the Singing Flame cover.)

Naturally, I went searching for evidence of a Jove edition of The Colour Out of Space, and it didn’t take long to find. In the process I also discovered the companion volume, The Dunwich Horror. Both were published by Jove in 1978; see them side-by-side here.

This is why I love collecting paperbacks. I have the Arkham House three-volume set of Lovecraft’s collected fiction in hardcover, but I still find different editions delightful — particularly the compact and inexpensive paperbacks, and especially when they’re as eye-catching as these two. Rowena is a very gifted artist and her interpretations of a Great Old One (on The Colour Out of Space) and Wilbur Whateley (for The Dunwich Horror and Others) are wholly unique and vibrantly real.

Of course, the other reason I love collecting paperbacks is the joy of the hunt, and by late December I was on a hunt for both volumes.

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His Name is Vengeance: Kellory the Warlock by Lin Carter

His Name is Vengeance: Kellory the Warlock by Lin Carter

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BKTG22855Poor Lin Carter: perhaps the greatest champion heroic fantasy ever had, an editor with few equals, one of the most knowledgeable fan boys in the world, but a poor writer. I think he would have liked his stories and novels to be remembered more fondly than they are. I believe Kellory the Warlock proves he had the potential to have been a better writer.

Carter remains despised among the Robert E. Howard scholars for his involvement in Sprague de Camp’s Conan projects. As recently as 2008, Morgan Holmes over at the Robert E. Howard United Press Association was giving him grief for his sins against good prose in general and REH in particular.

It’s easy to be rough on Lin Carter’s writing. For my very first review on Swords & Sorcery: A Blog, I really lit into Carter’s debut novel, Thongor and the Wizard of Lemuria. It’s derived entirely from Robert E. Howard and Edgar Rice Burroughs, which should mean good, pulpy fun, but instead it’s awful with no redeeming qualities. The plot isn’t built well enough to merit being called ramshackle, the characters are thin and bloodless because they’re cut out of cardboard, and the writing is lumpy and turgid. Even the cover stinks.

But his bad prose is overshadowed by the importance of his editing. His most prestigious work was the creation of the Ballantine Adult Fantasy Series (being reviewed one volume at a time here on Black Gate by Keith West). It resurrected many of the forebears of genre fantasy fiction (e.g. James Branch Cabell, H. Rider Hagard) and introduced several new authors to the public (Katherine Kurtz, Joy Chant).

The series also included several books, one being Imaginary Worlds, about the history and evolution of fantasy (though it’s been pointed out by no less a literary figure than Peter Beagle that Carter’s research was poor and his attributions incorrect). Nevertheless, these works represent one of the earliest efforts to provide a critical study of the genre.

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Review of Pathfinder Tales: Stalking the Beast by Howard Andrew Jones

Review of Pathfinder Tales: Stalking the Beast by Howard Andrew Jones

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Pathfinder Tales Stalking the Beast-smallLike many fantasy fans of my generation and the generation before (Gen X and Baby Boom respectively), I was ushered into the genre by Edgar Rice Burroughs, Robert E. Howard, and C.S. Lewis. There were others, of course, but those were the big three. Narnia gave me my first taste of a secondary world populated by mythical creatures, witches and wizards, and talking beasts. Burroughs inched me toward a more Americanized “sword and sorcery” via the “sword-and-planet” Barsoom novels. Howard’s gritty, fabled world of a certain barbaric Cimmerian delivered the full-on S&S.

Branching out from Narnia, I found my way to the towering, epic high fantasy of J.R.R. Tolkien’s Middle-Earth. And moving on from Howard I stumbled into the dangerous alleyways of Lankhmar in Fritz Leiber’s world of Nehwon.

Not surprisingly, when I got wind of a game that allowed you to invent your own characters and take them on adventures in such worlds via some cool dice, maps, rulebooks, and a little bit of imagination, I was all over it. By the sixth grade I was a devout Dungeons & Dragons player, and Tolkien was my favorite author. Both statements remain true.

So perhaps it’s a bit surprising, given this profile, that I never delved into any of the D&D novelizations — the Dragonlance Chronicles and their ilk. (I did read some of the D&D Endless Quest books, which were in the style of Choose Your Own Adventure, lured by their solo-gaming appeal — a craving that was better met by the Lone Wolf and Fighting Fantasy game books.)

My reading of Howard Andrew Jones’s new novel Pathfinder Tales: Stalking the Beast may be a test case on whether it stands on its own merits because, first, I’ve just never been much into tie-in novels. (Somewhere along the line I read a Star Wars novel, and in junior high I went on a Doctor Who kick. There were also a couple movie novelizations in the mix — inevitably written by Alan Dean Foster. But when it comes to full disclosure on that point, there’s just not much to disclose.)

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The Novels of Michael Shea: The A’rak

The Novels of Michael Shea: The A’rak

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The A'rak-smallMichael Shea’s classic Nifft the Lean was published in 1982 and won the World Fantasy Award, a rare honor for a  sword and sorcery collection. Nfift returned in a three-part novel serialized in Algis Budrys’ Tomorrow Speculative Fiction magazine (June – November, 1996), eventually collected by Baen Books in paperback as The Mines of Behemoth.

Nifft made one last appearance in the year 2000, in his third and final book: The A’rak.

Prosperous Hagia’s vaults brimmed with gold. Her warehouse bulged with the goods of the Southern Seas. She had the Spider-God to thank for her prosperity.

But beneath Hagia’s ancient bargain with the A’Rak lay the direst danger. That mercenary kingdom had mortgaged its soul in its pact with the giant arachnoid. When the note fell due, death of the most hideous kind awaited the multitudes of that affluent and bustling nation.

As Hagia’s debt falls due, two foreigners arrive in Big Quay, her capital: Lagademe and her team, foremost among the world’s Nuncios — deliverers of anything to anywhere — and Nifft the Lean, thief and rogue extraordinaire.

Nifft and Lagademe, strangers to one another at the outset, will soon be struggling side by side for their lives — and a nation’s survival — against the most hideous foe in the annals of Sword and Sorcery fiction.

The A’rak was published by Baen in October 2000. It is 320 pages, originally priced at $6.99 in paperback. The cover was by Gary Ruddell. It was never reprinted, and there is no digital edition, so copies are in some demand.

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The Gargoyles of St. Wulfram’s

The Gargoyles of St. Wulfram’s

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DSC00165_2Of all the freakish critters in the original hardback Monster Manual, the one that always made the most intuitive sense to me was the gargoyle. Having seen perhaps more than my share of gargoyles by the time I entered the role-playing realms, I already knew them to be fierce, frightening, toothy, amply clawed, and sometimes winged. It stood to reason that they’d be crafty, pernicious opponents.

What made no sense was why the D&D variety weren’t made of stone, as nearly all true (read: real) gargoyles surely are. To this day, I still have no explanation for that decision on the part of the Monster Manual’s creators, Mssrs. Gygax, et al. They certainly had no intrinsic objection to stone beasties: consider the stone golem or that durable tri-form oddity, the xorn.

In order to better address this incongruity, I have abandoned my regular offices deep in Black Gate’s vast Indiana Compound and taken up residence at Harlaxton Manor, an out-of-the-way 1830s edifice set in the rolling hills of England’s Lincolnshire. Is it haunted? Probably. Not only did one of its previous owners conduct regular séances in the cozier of the two libraries, but the manor has been used in several eccentric movies, including The Ruling Class (1972) and the truly execrable remake of The Haunting (1999).

Are there gargoyles? Yes. But only two.

Luckily, just down the road, in the struggling industrial town of Grantham, an astonishment of gargoyles awaits on the walls of St. Wulfram’s, a mid-sized Anglican church that dates back to the 1200s at least.

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Tom Reamy, the Iron Throne, and George R.R. Martin’s Plan to Stay Ahead of HBO: The Game of Thrones Issue of Vanity Fair

Tom Reamy, the Iron Throne, and George R.R. Martin’s Plan to Stay Ahead of HBO: The Game of Thrones Issue of Vanity Fair

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Vanity Fair Game of Tthrones-smallYou know your HBO fantasy series has hit it big when it makes the cover of culture and fashion magazine Vanity Fair.

The April issue, on sale now, features a cast photoshoot by star photographer Annie Leibovitz and a feature on the making of the show written by Jim Windolf. But more interesting is a wide-ranging interview with author George R.R. Martin which covers, among other things, the true scale of the Iron Throne and Martin’s plan to stay ahead of the rapidly-progressing show.

The season that’s about to debut covers the second half of the third book… But there are two more books beyond that… A Dance with Dragons is itself a book that’s as big as A Storm of Swords. So there’s potentially three more seasons there, between [A Feast for Crows] and Dance, if they split into two the way they did [with Storms]. Now, Feast and Dance take place simultaneously… You can combine them and do it chronologically. And it’s my hope that they’ll do it that way and then, long before they catch up with me, I’ll have published The Winds of Winter, which’ll give me another couple years. It might be tight on the last book, A Dream of Spring, as they juggernaut forward.

I was also fascinated by his comments on the death of the brilliant Tom Reamy, whom we profiled in Black Gate 15:

Tom died of a heart attack just a few months after winning the award for best new writer in his field. He was found slumped over his typewriter, seven pages into a new story. Instant. Boom. Killed him… Tom’s death had a profound effect on me, because I was in my early thirties then. I’d been thinking, as I taught, well, I have all these stories that I want to write… and I have all the time in the world… and then Tom’s death happened, and I said, Boy. Maybe I don’t…

After Tom’s death, I said, “You know, I gotta try this. I don’t know if I can make a living as a full-time writer or not, but who knows how much time I have left?…” So I decided I would sell my house in Iowa and move to New Mexico. And I’ve never looked back.

Read the complete interview here.

New Treasures: The Barrow by Mark Smylie

New Treasures: The Barrow by Mark Smylie

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The Barrow-smallThere are few publishers as dedicated to true sword & sorcery as Pyr Books. I still remember how delighted I was at the 2010 Pyr Books panel at Dragon*con, when publisher Lou Anders announced “Sword & Sorcery is Alive and Well at Pyr” and unveiled a host of exciting titles to prove it.

It’s been a few years since then, but Pyr’s dedication to the genre has not flagged. The latest example arrived earlier this month: The Barrow, Mark Smylie’s dark fantasy of the grim search for a powerful sword in a very dangerous place.

To find the Sword, unearth the Barrow. To unearth the Barrow, follow the Map.

When a small crew of scoundrels, would-be heroes, deviants, and ruffians discover a map that they believe will lead them to a fabled sword buried in the barrow of a long-dead wizard, they think they’ve struck it rich. But their hopes are dashed when the map turns out to be cursed and then is destroyed in a magical ritual. The loss of the map leaves them dreaming of what might have been, until they rediscover the map in a most unusual and unexpected place.

Stjepan Black-Heart, suspected murderer and renegade royal cartographer; Erim, a young woman masquerading as a man; Gilgwyr, brothel owner extraordinaire; Leigh, an exiled magus under an ignominious cloud; Godewyn Red-Hand, mercenary and troublemaker; Arduin Orwain, scion of a noble family brought low by scandal; and Arduin’s sister Annwyn, the beautiful cause of that scandal: together they form a cross section of the Middle Kingdoms of the Known World, united by accident and dark design, on a quest that will either get them all in the history books… or get them all killed.

Mark Smylie is a true renaissance man. His graphic novel series Artesia was nominated for an Eisner Award in 2001, and his role-playing game based on the comic won an Origins Award in 2006. He founded Archaia Studios on 2002, publishers of Mouse Guard, The Killer, and many other acclaimed comics. This is his first novel.

The Barrow was published March 4 by Pyr Books. It is 607 pages, priced at $18 in trade paperback and $11.99 for the digital edition. Check out the excellent website with elaborate pics of the main characters.

The Public Life of Sherlock Holmes: Lord of Misrule

The Public Life of Sherlock Holmes: Lord of Misrule

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LeeQuestion – What do Dracula, Frankenstein, the Mummy, James Bond, Fu Manchu, Star Wars, The Lord of the Rings, John Belushi and Sherlock Holmes all have in common?

Answer – Lee. Christopher Lee (one of his autobiographies was titled Lord of Misrule)

In May, talented British actor Christopher Lee turns 92 years old. Thanks to his performance as Saruman in the Lord of the Rings trilogy, he is as popular today as he ever has been. And proving he knows how to get in on a winning franchise, he was Count Dooku in the second Star Wars trilogy. Which chronologically was the… oh, never mind.

But Lee first made his name in the horror flicks produced by Hammer Films in Great Britain in the late fifties and sixties. Lee played the monster (Dracula, Frankenstein, the Mummy), while friend Peter Cushing was the protagonist.

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March/April Magazine of Fantasy & Science Fiction now on Sale

March/April Magazine of Fantasy & Science Fiction now on Sale

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F&SF March April 2014-smallI’m so far behind reading Fantasy & Science Fiction. Seriously. I need to take a long vacation just so I can catch up.

Now, I know reading F&SF is ultimately a time-saver. When I did have time to keep up, it always pointed me towards the hottest new fantasy writers on the market. Believe me, considering all the bad fantasy novels I’ve read (or tried to read) in the last few years, if I’d just spent half that time reading F&SF, I would have known which writers to try instead.

Well, I suppose I’ll have a nice stack of magazines to read when I’m retired.

Jamie Lackey at Tangent Online is more disciplined than I am… not only has she read the latest issue, she had time to write a lengthy review. Here’s her thoughts on Sarah Pinsker’s contribution:

“A Stretch of Highway Two Lanes Wide” by Sarah Pinsker opens when Andy wakes after a farming accident to find that his arm has been replaced by a prosthetic. As he works at getting used to his new appendage, he realizes that the arm thinks that it’s a stretch of road in Colorado. It’s a unique concept, and the prose is beautiful. As Andy deals with his new arm’s sense of self, he also gains more understanding and acceptance of his own place in the world.

This issue contains stories by Gordon Eklund, Ron Goulart, Albert E. Cowdrey, Ted White, and many others.

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Caught Between Rebels and the Empire’s Blackest Magic: Beyond the Veil: The Revised and Expanded Author’s Cut by Janet Morris

Caught Between Rebels and the Empire’s Blackest Magic: Beyond the Veil: The Revised and Expanded Author’s Cut by Janet Morris

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Beyond the Veil Janet Morris-smallI continue with my review of the 5-star, Author’s Cut editions of Janet Morris’s classic of Homeric Heroic Fantasy, the Beyond Sanctuary Trilogy, of which Beyond the Veil is the second book. Once again, she does not disappoint in this stirring novel of political and religious intrigue, dark magic, gods and men, witches and mages, and the price of love and war.

This is a pivotal book in the trilogy, where foreshadowing and story threads begin to weave in and out to form a tapestry, telling a tale of friends who become foes, enemies who become allies, and what fate lies in store for certain demigods and mortals.

Now, after the battle to win Wizardwall that took place in book one, Beyond Sanctuary, Tempus, Niko, and the Sacred Band are caught between the local rebels and the empire of Mygdonia’s blackest magic. Once again, “War is coming, sending ahead its customary harbingers: fear and falsity and fools.”

It begins with the murder of a courier on his way to meet with Tempus, and the arrival of a young woman named Kama, of the 3rd Commandoes, (a unit of special rangers originally formed by Tempus) who seeks audience with Tempus, who is also known as Riddler. Her mission is to take 11-year old Shamshi, the young wizard-boy, back home to Mygdonia.

Shamshi, once a pawn in the game played by the late sorcerer Datan in the previous novel, is still under the spell of Roxane the witch, but is now being held as a guest-hostage by Tempus and the Sacred Band. Though he may be a child in the eyes of men, Shamshi is already plotting against Tempus and Niko.

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