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On Becoming a Full-Time Writer

On Becoming a Full-Time Writer

23121915In five days, on Thursday, June 25th, I’m very happy to be making a life transition. I’m taking a 2-year leave from my job to spend more time with my son. And while he’s in school, I’m going to write. I know more than a few people who have become full-time writers. For some it has worked. So I did a lot of thinking about how to make this work for me, and also why now is the right time.

Stage of Life

I turned 44 a few months ago. My son is 10 years old now. He loves being with me and vice versa. That may not be the case in a few years, so I’ve now got the next three summers to skip rocks with him, go camping yard-saling, bike-riding, tree climbing, fort-building ad exhaustium. During the school year, I’ll pick him up every day after school to go sledding or swimming or play MTG or video games or do homework or go to museums or science centers whatever is right. That’s a good plan for where I am in life.

And there’s the writing. I’ve been dreaming of being a writer since I was ten. When I was twenty-five, I dreamed of being a best-selling author by the time I was twenty-eight. Since that super-realistic dream, I’ve mused about different ways to write full-time, including retiring early. But really my choice is doing this while I’m young or doing this much later.

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Lightspeed 61: Queers Destroy Science Fiction! Special Issue

Lightspeed 61: Queers Destroy Science Fiction! Special Issue

Lightspeed 61-smallJohn Joseph Adams shook this town to its roots with his groundbreaking Women Destroy Science Fiction! issue of Lightspeed, released last June. Funded by an enormously successful Kickstarter campaign, WDSF! spawned a two successful sequels, Women Destroy Fantasy! and Women Destroy Horror!

In January of this year, John invited his readers to take a sledgehammer to the tight strictures of the genre once again, by funding a special Queers Destroy Science Fiction! of Lightspeed. The Kickstarter campaign closed on February 16; with an initial goal of $5,000, the campaign successfully raised $54,523 from 2,250 backers, surpassing even the lofty success of WDSF!

John and his team delivered the issue right on time this month. Lightspeed 61: Queers Destroy Science Fiction! is guest-edited by Seanan McGuire, and the magazine contains the following stories:

Emergency Repair” by Kate M. Galey
勢孤取和 (Influence Isolated, Make Peace)” by John Chu
Bucket List Found in the Locker of Maddie Price, Age 14, Written Two Weeks Before the Great Uplifting of All Mankind” by Erica L. Satifka
Melioration” by E. Saxey
Rubbing is Racing” by Charles Payseur
Helping Hand” by Claudine Griggs
The Lamb Chops” by Stephen Cox

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Do Fantasy Characters Poop in the Woods? Or, Real-Life Things That “Never” Happen in Fantasy

Do Fantasy Characters Poop in the Woods? Or, Real-Life Things That “Never” Happen in Fantasy

Goldman ScreenWilliam Goldman isn’t the first person to comment on this phenomenon, but he’s the first person I ever came across who had an explanation. You know what I’m talking about: The difference between real reality and fictional reality. We all know about the lists of occurrences that happen only in the movies, or on TV – and the real life things that never seem to happen in movies or TV.

Like, the protagonist always finds a parking spot right in front of where she needs to be. She always has the right amount of money for the taxi already in her hand. She can always find a taxi when she needs one. And there’s always cell phone reception.

My personal favourite is how no one ever says “goodbye” on the phone. Not even so much as a “seeya.” Just try that some time in real life. Go ahead, hang up without saying “goodbye.” I dare you. Though the one I really wonder about is that people on TV don’t watch TV.

William Goldman, the screenwriter and novelist, is likely best known to us genre people as the creator of The Princess Bride – both the novel and the screenplay. It shouldn’t surprise us that, as an Oscar-winning screenwriter, he has an explanation for these phenomena. As he sees it, they’re essentially – and essential – short cuts. As those of us who are writers know, there are all kinds of real-life occurrences, that happen all the time, but that don’t advance the plot, or reveal character, and are therefore useless from the point of view of storytelling.

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Ancient Worlds: The Sabine Women, or How Not to Get Married

Ancient Worlds: The Sabine Women, or How Not to Get Married

The Rape of the Sabine Women by Nicholas Poussin
The Rape of the Sabine Women by Nicholas Poussin

As I discussed in my previous two posts, Ovid does some amazing things in writing about sexual assault that I think all authors should take a look at. He often writes about it in a way that is subtle, empathetic, and respectful of rape as a crime with long term impact both on individuals and on larger societal groups.

Notice I said often. Because I want to make it very clear: Ovid was not a feminist. He was not a proto-feminist. He was often times more sensitive to issues that we would consider feminist today, but he was still a product of his time. He advised men when told “no” to keep trying. He advised women being pursued by men that saying “no” was a character defect. And he was willing to, say, turn one of history’s largest abduction scenarios into a punchline.

I refer, of course, to the Rape of the Sabine women, which Ovid covered in the Ars Amatoria. If you have never picked up the Ars, believe me when I say you are missing out. It is at times horrifying for having the sexual politics of, well, a first century wealthy Roman, but it is also an absolutely fascinating glimpse into daily life two thousand years ago. Ovid is advising young men on the art of finding, wooing, and keeping a lover, and he recommends that they take advantage of the close quarters of the theater to meet women. After all, that’s how the first generation of Proper Romans got their wives!

He then launches into the tale of how several dozen young Sabine women were invited with their parents to a performance shortly after the founding of Rome. At a pre-arranged signal, the Romans jumped up, grabbed a girl, and ran for it. The Sabines went back to gather their allies, returned after several months to reclaim their daughters and slaughter Romulus and his skeezy bros, and found that said daughters objected to the Sabines murdering their now-husbands. Peace ensues, and the Romans are left with many years of really awkward family reunions.

Hilarious, right? Not really. Not in the age of Bring Back Our Girls. Not then either, I imagine.

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Parenting Advice from the Wild West

Parenting Advice from the Wild West

Geronimo (right) and some of his warriors at their final surrender in 1886.
Geronimo (right) and some of his warriors at their final surrender in 1886. Photo courtesy Wikimedia Commons.

As a historian, I spend a lot of time researching the Wild West. As a parent, I’m always looking for good advice. So the natural question arises–what can we learn about raising children from America’s frontier?

The truth is, not much. In the early days of the Wild West, there weren’t many kids about, and when settlers came with their families, the little tykes were usually put to work on farms and ranches like they were miniature adults. Yet there are a few nuggets of wisdom handed down from that era.

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The Public Life of Sherlock Holmes: On Screen Before Norwood

The Public Life of Sherlock Holmes: On Screen Before Norwood

PreTwentiesGillette1Screen depictions of the great detective have been a staple topic here at The Public Life of Sherlock Holmes. And because you assuredly read this post (actually, you might have: this has turned out to be my most popular PloSH post. I think it’s an error in the counting macro, but I’ll take it!), you know that in 1921 Eille Norwood and Stoll Films began their very popular series of Holmes silent films.

So today, we’ll look at the pre-Twenties career of Holmes in films.

There had been plays featuring Sherlock Holmes in 1893 and 1894. Then, William Gillette made his lasting debut as Holmes in his own play in 1898. Which you know since you read this post (I’m awfully self-assured people read this column, aren’t I?).

The restored Gillette film was screened in San Francisco the first week of June and will be available on DVD this Fall (I don’t plan on paying $34.95 for a copy, myself. I’ll wait until the price comes down.).

Then, in 1900, we saw the first appearance of Holmes in the fledgling media of film.

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Ancient Explorers Unveils the True Horror of the Rat King

Ancient Explorers Unveils the True Horror of the Rat King

Rat King-smallThe Ancient Explorers Facebook group has explored some fascinating topics recently, including an ancient Chinese cure for obesity, the mysterious Nazca lines of Peru, and the enigmatic Voynich manuscript. But they’ve never posted anything quite like the true story of the Rat King, a near legendary medieval monster.

Several museums around the world contain bizarre once-living artifacts of a pseudo-legendary beast from the Middle Ages called a “rat king.” A rat king is formed when several rats have their tails fused together, whether by knotting or being somehow glued together. The result is a small horde of rats all facing outward from the central knot, presumably forced to act as one composite beast. The more fanciful accounts hold that one leader rat is suspended in the middle and acts as the “head” who directs the rest — a nightmarish notion, especially considering the fears of plague that rats conjure up.

The largest of these disturbing artifacts contains 32 of the little horrors and resides at the Mauritianum Museum in Altenburg, Germany. Some existing rat kings are mummified, while others are preserved in jars. Rat kings have been found in Germany, France, Poland, the Netherlands, Belgium, and Indonesia. In every case except Indonesia, the rats were black: Rattus rattus L. In the case of Indonesia, they were small field rats: R. argentiventer.

As recently as 2005, a farmer named Rein Koiv found a rat king consisting of 16 individuals (nine of which were already dead) underneath the floorboards of his farm in Estonia, their tails glued together by frozen sand.

Read the complete story here.

Raya Golden on Building a Career as a Hugo Nominated Illustrator, Putting Up with Demanding Author Clients, and Her Talent for Gay Pinups

Raya Golden on Building a Career as a Hugo Nominated Illustrator, Putting Up with Demanding Author Clients, and Her Talent for Gay Pinups

RestlessEarthSmallBlessingSkySmallIt is cover reveal day for my two upcoming novels, Restless Earth and Blessing Sky, and so these beautiful covers are being posted all around the internet. What better excuse to interview Raya Golden, the illustrator? Raya lives here in Santa Fe, New Mexico, and has been working as a professional artist for ten years.

Recently, she and I sat down to discuss a wide range of topics (hence the interview has a detailed guide below it that tells you where to click to hear about the topics that interest you.) First we discussed how to build a career as an artist; it isn’t easy. Then we got into the particulars of different kinds of art, from her Hugo Nominated work on George RR Martin’s Meathouse Man comic, to the graphic novel she is working on now. She was kind enough to explain the process of creating a graphic novel or comic step by step.

Then there are book covers, which present a plethora of challenges. She and I talked about everything from the design basics of an effective book cover to the challenges of portraying minority cultures. During this time I also explained the milieu and setting of these novels, which are essentially fantasy steampunk westerns.

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Report from the Field: Three Small Children Tell Us How to Warrior Right

Report from the Field: Three Small Children Tell Us How to Warrior Right

That moment when you realize that the memes spoke truth...
That moment when you realize that the memes spoke truth…

Last week, I was surrounded by three young children that I did not in fact know, for reasons that are slightly unclear to me. I usually try to avoid these situations, much like I avoid being trapped in a snake pit. Anyhow, seeing that I was the adult in charge, I took it upon myself to get them to help me craft a perfect barbarian conqueror. Because kids have insight and their disorganized play terrifies me.

Me: Okay, kids. Let’s talk about barbarian conquerors.
Kid 1 (blonde boy, maybe 5 years old): What’s a barbarian warrior?
Me: Um, someone who comes and takes stuff from you and makes you do what you they want you to do.
Kid 2 (little girl, maybe 4, brown hair): Like my mom?
Me (looking around for adultier adult. No luck): What the he.. hey. Hey. Yes. Like your mom.
Kid 1: My mom likes special grape juice. 

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May Short Story Roundup

May Short Story Roundup

oie_6212435zQMwrmTD (1)I’m sorry that I let April pass without a short story roundup. The outpouring of new heroic fiction continues unabated on the pages of numerous magazines the genre is lucky to have. I’m back on track and here to tell you about last month’s must-reads.

I have never left any doubt in my reviews about which is my favorite fantasy magazine, so let me start by singing the praises of Adrian Simmons and his cohorts at Heroic Fantasy Quarterly. Each issue has terrific cover art, two or three stories and a number of poems, and in the three years I’ve been reading and reviewing the magazine it has always been at least satisfactory and usually splendid. What makes HFQ so strong is the editors’ love for and knowledge of the genre, which is obvious by their singular ability to select and edit stories. Always true to the traditions of heroic fiction, they yet manage to publish tales that push the genre in new directions.

Issue 24 is maybe their best yet. This quarter’s artwork is a dark, brooding piece titled “Wizard With Army” by Vuk Kostic. Click this link to see the painting in its full glory.

The issue opens with Cullen Groves’ first published story, “The Madness of the Mansa,” a tale of a capricious monarch with a peculiar penchant for poetry.

Following a night in which “a great storm arose over the western ocean, and many citizens and sailors in the port of Asongai told how they had seen the demons of madness walking the black winds in the darkness.”, the ruler, the Mansa, is struck by a curious madness. From that point on he allows people to address him only poetically, using “the old meters” of songs and legends.

In the wake of the Mansa’s madness, the merchants of Asongai find themselves unable to successfully compete for his attention against the skilled singers of his tribal subjects. When a merchant named Bukra overhears the ex-gladiator, Draba, singing in a tavern, he hires him to petition the Mansa on his behalf.

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