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Out of the Mouth of Madness

Out of the Mouth of Madness

Derleth MythosI spent the past year in the frozen tundra on a quest not for gold or oil, but rather that elusive will o’ the wisp men call Ha of Saskatoon. I barely escaped with my life, a sad and broken man. Over the course of many months, I poured through John D. Haefele’s exhaustive tome, A Look Behind the Derleth Mythos which the redoubtable Don Herron bequeathed to me in an effort to restore my shattered mind. Having recently closed the book for the final time, I come forth with this my 250th article. A mere trifle for the more prolific blogger, but a milestone for this shadow of a man who once was.

Now in absolute fairness I should disclose a few facts before continuing. First off, I am not an H. P. Lovecraft cultist. I like aspects of the Mythos more than I do his actual fiction. This will be heretical to many, but I did not come upon his prose until later in life – long after Roy Thomas introduced me to his work in various comics he authored for Marvel in the 1970s and well after the time I had absorbed bits and pieces of the Mythos unknowingly while devouring Robert E. Howard’s stories in the pages of the Lancer or Ace Conan paperbacks with their stunning Frazetta cover art which, like that of Boris Vallejo and Neal Adams, frequently displayed brazen muscular buttocks in a fashion that touched something primal and possibly even impolite in my already warped adolescent brain.

I must also refrain from joshing my readers that a particular Lovecraftian scholar earned my enmity like no one since S. J. Perelman when I purchased a pricey, but beautifully bound and illustrated Sax Rohmer collection that was published in recent years only to find said literary critic’s introduction to the same was dismissive, condescending, and pompous in the extreme. It took much restraint not to craft an analogue for this bloated windbag in my third Fu Manchu book and allow the Devil Doctor to feed this bleating goat’s delicate parts to starving centipedes. Despite the appeal of such a notion, I chose instead to let karma find him and that it may have done with Haefele’s scholarly work.

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Art of the Genre: Kickstarter, Why I Hate Stretch Goals and You Should Too

Art of the Genre: Kickstarter, Why I Hate Stretch Goals and You Should Too

11708033_10154052455508976_1237746949710068474_oOver the past three years I’ve written a lot about Kickstarter. In fact, I went back and looked at the Art of the Genre archives and found a rather impressive eight articles dedicated to the subject:

The Art of Kickstarter,
The Art of Kickstarter #2
The Pillaging Of Kickstarter
Why and How I Build a Kickstarter
The Pillaging of Kickstarter #2
Front Loading a Kickstarter
The Joy and Pain of Kickstarter (and how backed projects still fail)
Kickstater, It Really Shouldn’t Be About the Stuff We All Get

In those you can find all kinds of advice, statistics, opinions, and introspection, (or as my non-fans like to say, my sour grapes). But if I’ve learned anything over the course of my time on the platform, it is that it is constantly changing.

Sure, there are some static rules, but even those have some latitude if a developer happens to get lucky. And let me tell you, there is a lot of luck involved out there, as well as blind devotion.

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For Gonji Lovers: A Hungering of Wolves by T.C. Rypel

For Gonji Lovers: A Hungering of Wolves by T.C. Rypel

oie_6235149uAZhq0luI’ve finally read A Hungering of Wolves, the last published volume of T.C. Rypel’s dimension-spanning swords & sorcery epic series about Gonji, the half Japanese, half Norwegian samurai, fighting his way across Renaissance Europe in hopes of discovering his destiny. It shouldn’t be the last book, but as of now, sadly, it is. While there is a collection of shorter tales scheduled for the near future, the sequel to this book is not.

It was orginally published as Knights of Wonder by Zebra Books way back in 1986. Rypel and his books fell victim to the whims of the publishing industry and an agent who wasn’t a big heroic fantasy fan. My earlier review of the first three Gonji books, collectively called the The Deathwind Trilogy, contains a more detailed account of Gonji’s publishing history.

I tend to avoid series that haven’t been finished because I fear they never will be. My dad went to his grave never seeing the end of Roland Green’s Wandor series. I dread the screams that will pierce the heavens if A Song of Ice and Fire doesn’t reach its end. So when I tell you that I read A Hungering of Wolves knowing it sets up a story that remains unfinished, that should tell you something about how much I like Rypel’s books.

If you have any love for swords & sorcery then you should read the Gonji books. Though thirty years old, Rypel’s books don’t feel dated and avoid the cliches that infect the worst heroic fantasy. Gonji, his associates, and opponents react like real humans, not puppet characters moved about in service to some pre-ordained plot.

While the books have more blood and thunder than even I can handle at times, they also have detailed and nuanced character development contemporary readers expect. For every loud and explosive scene the books have calmer moments that create atmosphere and a believable world. Just enough time is spent with secondary characters to make you care when something happens to them or buy their motives when they act.

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SeptOberFright 2: What Greater Fear? Jersey Devil, Dinosaur Dracula, and Other Flashy Recommendations

SeptOberFright 2: What Greater Fear? Jersey Devil, Dinosaur Dracula, and Other Flashy Recommendations

Dinosaur Dracula. Read more about Dino Drac's Halloween Countdown after the "Read More" jump.
Dinosaur Dracula. Read more about Dino Drac’s Halloween Countdown after the “Read More” jump.

Master horror director Wes Craven, who died last week of brain cancer, once said that horror entertainment provides “an inoculation against a deeper and darker and more frightening reality.”

…Like the reality of fighting brain cancer, or losing a child: realities much more horrifying than Freddy Krueger or Pennywise the Clown. Those boogeymen dress up the “deeper and darker” horrors in fright masks and scare us in a way that leaves no scars. Freddy has access to your brain that you can’t control. Pennywise steals away little children. But it’s all just a story. When you close the book or walk out of the movie theater, all is well. As long as you aren’t harboring nascent cancer cells, or about to get a telephone call from the police.

Our friends over at Every Day Fiction recently published a flash-fiction story that directly touches on this theme of horror story as inoculation. I offer “What Greater Fear” by J.C. Towler as my first recommended reading for the SeptOberFright 2015 season. It provides as good an introduction as any to the perennial question of why we enjoy telling and hearing horrible tales of murderous monsters like the Mothman and the Wendigo and the Jersey Devil (all of whom are name-dropped in the first paragraph of Towler’s tale: another reason I’m recommending it. That’s a roll-call of three of my favorite fortean monsters). Being flash, it isn’t longer than 1,000 words — a quick read to get you in the mood for spooky tales by a fireplace or around a campfire.

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The Public Life of Sherlock Holmes: Solar Pons – Who Needs a Hard Boiled Detective?

The Public Life of Sherlock Holmes: Solar Pons – Who Needs a Hard Boiled Detective?

PonsWolfe_NarcissusSolar Pons has already made several appearances here in The Public Life of Sherlock Holmes. And previously, I wrote that Rex Stout’s Nero Wolfe is my favorite detective series of them all. So naturally, I found a way to link them together into one post. Barely.

Now, August Derleth was a born-and-raised Wisconsin boy, enamored with Sir Arthur Conan Doyle’s tales of the great Sherlock Holmes. He wasn’t much different than an awful lot of American youths in the nineteen twenties.

Except, the enterprising Derleth wrote to the author and asked if there would be any more stories. Doyle, not the friendliest person in regards to his meal ticket, did have the courtesy to send back a reply in the Fall of 1928,  saying that he was finished with Holmes.

Not discouraged at all, the nineteen year-old University of Wisconsin student made a note on his calendar, ‘In re: Sherlock Holmes’, as a reminder to write a story in imitation of Doyle’s creation. The date is lost in the mists of time, but August Derleth did in fact sit down and produce “The Adventure of the Black Narcissus” in one afternoon, starring Solar Pons and Dr. Lyndon Parker.

It appeared in the February, 1929 edition of Dragnet and Derleth would produce over seventy more tales before passing away in 1973. British author Basil Copper added over two-dozen more Pons stories with the blessing of Derleth’s Estate.

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Things Your Writing Teacher Never Told You: No TV for You

Things Your Writing Teacher Never Told You: No TV for You

TV News cartoonSo you’ve got a new book out, and despite all attempts at humility, you secretly believe it is the coolest thing invented since smart phones. The whole world would love to read it – if you could only get those jaded, cynical, world-weary, keepers-of-the-gate to give you a little television air time. Forget it.

I briefly worked as a newspaper reporter, and I married a television news producer. I made a side trip through the land of promotion, working as a publicist for a couple of authors, for a few years.

So, believe me when I tell you, forget what the perky little “You can do it!” how-to promotion articles tell you – unless you are Stephen King, Anne Rice or a celebrity already – you are NOT going to get television coverage for your magnum opus of fiction.

Let me explain why you aren’t going to get television coverage, and so, should not waste your valuable and probably-limited personal publicity funds on it.

Look at the word Tele-vision. The Vision part is key – there must be something to see. No matter how pretty your cover art; there’s no movement, no action to it. And there’s no way to change that fact. Therefore, your book is of no interest to the television reporter – or to the television station’s viewers. Even if those viewers read ten books a month, when they turn on the television, they expect to see something visually entertaining.

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Discovering Robert E. Howard: Rob Roehm – Tragic Things

Discovering Robert E. Howard: Rob Roehm – Tragic Things

REHTragic_HowardPlaqueWe’ve had over a dozen posts in our ‘Discovering Robert E. Howard’ series here at Black Gate, but we haven’t had a single post yet about Howard himself. Oops. Rob Roehm, Featured Attendee at the 2014 REH Days and Director of Publications for the REH Foundation, fixes that hole for us. As you can see from the first paragraph, the story of Robert E. Howard’s aunts and uncles is a sad one. Take it away, Rob!


In his February 27, 1944 letter to E. Hoffmann Price, Dr. Isaac M. Howard briefly describes the state of the Howard family: “Mr. Price, the most tragic things have come to me: 2 bros., 3 sisters all dead, one sister was burned to death, one bro. killed, his body mangled beyond description by a railroad train. My wife died after a terrible lingering sickness, my only child going at the same time, leaving me alone of my father’s family.”

While fans of the doctor’s son, Robert E. Howard, are aware of the June 1936 events that deprived Dr. Howard of his immediate family, the fate of his brothers and sisters is also interesting, and is indeed full of “tragic things.”

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The Growing Pains of Renner & Quist

The Growing Pains of Renner & Quist

BonesyCheck Out TimeSamhain Publishing has just unearthed Bonesy, their fourth Renner and Quist occult mystery from one of my very favorite authors (and a regular contributor at Black Gate) magazine, Mark Rigney.

The idea of returning from a ten-month hiatus has me a bit nervous, but longtime readers may recall my heaping praise on Rigney’s earlier titles in the series: The Skates, Sleeping Bear, and Check-Out Time. Renner and Quist are an oddball double act in the classic tradition. Renner is a persnickety Unitarian minister, while Quist is a boorish ex-linebacker. Together, this unlikely duo team to solve occult mysteries.

This latest addition to the quirky and delightful series picks up where the last episode left off with Renner and Quist dramatically changed by their experiences. This time out, Renner’s mentor, Iris Buckhalter turns up needing his help.

She has developed an obsession with a brass rubbing of a strangely sexless 16th Century human skeleton she calls “Bonesy.” Her unhealthy obsession seems to have triggered premonitions of her death and she wants Renner, with his obvious occult abilities, to become Bonesy’s caretaker.

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Like Osprey But Corsets and Khaki with a Whiff of Steampunk: Great War Fashion by Lucy Adlington

Like Osprey But Corsets and Khaki with a Whiff of Steampunk: Great War Fashion by Lucy Adlington

Great_War_Fashion
In a warzone and yet she’s smiling. Why?

First, take a look at the young woman on the cover, “A despatch rider in the Women’s Royal Airforce enjoying a tea break while seated on her motorcycle, 1918.”

She’s most likely in a warzone. She’s probably not had a bath for a while. Might have lice. Any men in her life have a good chance of not making it to Christmas with all their body parts, or at all. She’s living under military discipline. And, as she rides around, she might herself get blown up or strafed.

And yet, she’s smiling.

You really have to read expert fashion historian Lucy Adlington’s Great War Fashion: Tales from the History Wardrobe to truly understand why she’s smiling.

And fashion in the book’s title is an understatement. This is more the kind of thing Osprey would publish — kit, context, consequences and case study. It’s certainly less about the minutiae of stitching and fabric, and more about the clothes women wore, why, how, and what the experience was.

As promised by the subtitle, “Tales from the History Wardrobe,” it’s packed with stories from women’s original letters, diaries and reminiscences, so it takes us beyond fashion and into the evolving role of women from about 1910 through to 1920.

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Behind the Microphones: How the Uncanny Magazine Podcast Gets Made

Behind the Microphones: How the Uncanny Magazine Podcast Gets Made

Uncanny Issue 2-smallWe’re currently in the middle of running the Uncanny Magazine Year Two Kickstarter. Uncanny Magazine is dedicated to bringing readers stunning cover art, passionate science fiction and fantasy fiction and poetry, gorgeous prose, and provocative nonfiction by writers from every conceivable diverse background.

Not to mention a fantastic podcast featuring exclusive content. We’ve already funded and are currently working toward our stretch goals of extra stories for our readers.

Since Black Gate favorite C. S. E. Cooney was one of our Uncanny Magazine Podcast readers in Year One, we thought Black Gate’s readers might enjoy hearing how our amazing podcasting team puts together the Parsec Award-finalist Uncanny Magazine Podcast, which, every month, features a story and a poem from Uncanny along with an exclusive interview. While Lynne and Michael introduce each podcast, choose the content, and provide linking segments, the real work gets done by the rest of our awesome team, who spend a lot of time and energy making us sound great.

Having a great podcast was extremely important to us when we planned Uncanny Magazine. As many of you might know, Lynne and Michael are no strangers to podcasting. Lynne is the moderator of the two-time Hugo Award-winning SF Squeecast (with Elizabeth Bear, Paul Cornell, Seanan McGuire, Catherynne M. Valente, and David McHone-Chase), a member of the Hugo and Parsec-finalist Verity! podcast (with Deborah Stanish, Erika Ensign, Tansy Rayner Roberts, Katrina Griffiths, and L.M. Myles), and launched the Apex Magazine Podcast with Michael, Erika Ensign, and Publisher Jason Sizemore. Michael is also a member of the SF Squeecast and the Down and Safe podcast (with Amal El-Mohtar, L.M. Myles, and Scott Lynch).

So to create a world-class podcast, Lynne and Michael Thomas brought together the world-class team of Erika Ensign and Steven Schapansky as producers, Deborah Stanish as interviewer, and Amal El-Mohtar and C. S. E. Cooney as readers. We’ll let some of them tell you more about their roles at Uncanny.

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