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Robert E. Howard: Peering Behind the Veil of Life

Robert E. Howard: Peering Behind the Veil of Life

NOTE: The following article was first published on May 9, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 250 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

delrey-kullsubterranean-kull-limited“The Mirrors of Tuzun Thune” is Robert E. Howard at his most poetic.

His writing had taken a quantum leap forward in quality compared with his earlier Kull stories as he transitioned from working in familiar genres to blazing a trail none had attempted before him. More than his gift for well-turned phrases and evoking imagery so powerful, it literally sears itself in the reader’s mind; Howard reaches for a depth of character and achieves a work that is both psychologically and philosophically rewarding.

Sadly, as the author would later tell his friend, Clyde Smith he was disappointed in the result and resolved to never attempt anything so deep again.

The tale starts off with Kull, plagued with ennui and yearning for something more substantive than riches, power, and transient beauty. The brooding king rejects the company of loyal Brule, the Pict who won his respect and friendship in “The Shadow Kingdom,” but foolishly takes the advice of an alluring Eastern female.

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The Great Savage Sword Re-Read: Vol 3

The Great Savage Sword Re-Read: Vol 3

This series explores the Savage Sword of Conan collections from Dark Horse reprinting Marvel Comics’ premiere black-and-white fantasy mag from the 1970s. Click to read previous installments: Volume 1 / Volume 2

Vol3The third collected volume of Savage Sword of Conan includes issues #25 – 36 but begins with a short Barry Windsor-Smith piece that first ran in Savage Tales #2 a few years earlier. BWS adapts a Robert E. Howard poem called “Cimmeria” in a gorgeous 5-page feature. His black-and-white work is every bit as lush as his color work on the Conan the Barbarian comic (for which he is most well-known). The artists who did the black-and-white comic magazines of the 60s and 70s knew that drawing for a colorless publication demanded more from both pencilers and inkers. Especially inkers.

Savage Sword #25 was the last issue of 1977, hitting the stands while the original Star Wars movie mania was reaching its peak, and spiking sales of the Marvel Comics Star Wars title brought the company a new influx of capital. Roy Thomas had built an excellent Sword and Sorcery magazine during the turblent mid-70s, when publishers had to cut the number of pages in their comics and constantly raise their prices. This issue is another super job by Thomas, who faithfully adapts Howard’s “The Jewels of Gwahlur.” DC legend Dick Giordano steps in to illustrate this issue — seemingly from out of nowhere — and it’s obvious that Giordano is reaching for a Neal Adams-style Conan tale.

Adams had drawn a couple of landmark Conan tales by this time (in Savage Tales #4 and Savage Sword #14), and he left his unique imprint behind as usual — setting standards for other artists to follow. Giordano does a solid job on SS#25, but unless you’re an old-school fan of his work it comes off as Neal-Adams-Lite: a stiffer, less consistent version of the Neal Adams Conan from “Shadows in Zamboula.” Maybe if Giordano had stuck around he would have time to find his mojo on this book, but this feels like a filler issue. It has moments of greatness — certain panels and effects — but the consistency that marks John Buscema’s ongoing Savage Sword work is noticeably absent. The next issue solved this problem and started a new era of Conan greatness, thanks to the arrival of inker extraordinaire Tony DeZuniga.

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SyFy’s The Expanse Exclusive! An Interview with Actor Elias Toufexis

SyFy’s The Expanse Exclusive! An Interview with Actor Elias Toufexis

394e3f_4525ea3eb84a46d083f3453fe1be86bfSo, yes, I was a lucky dog and got to visit the set of The Expanse while they were shooting Season One, and I recently attended the cast and crew premiere of the show here in Santa Fe.

Given my good fortune, it seemed only right that I find some exclusive content to share with readers of Black Gate, so here it is.

Elias Toufexis plays Kenzo, a character that has a lot of fans concerned because he’s not in the books. In the interview we discuss how this character was developed especially for Elias by James SA Corey.

We also say as much as we can say about the show, which is mostly stories and anecdotes of what was going on behind the scenes. This is content you won’t get anywhere else!

While I had him on Skype, we also discussed his career as a video game actor in franchises such as Deus Ex and FarCry. To finish off the interview, I asked him all sorts of basic questions about how one builds a career as an actor, and he gives some excellent advice.

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Celebrating the 220th Anniversary of the Wold Newton Event

Celebrating the 220th Anniversary of the Wold Newton Event

Tarzan_bigdshal_cvr_finalI have never disguised the fact that my fiction as well as much of my reading selections have been influenced by Wold Newton scholars. Whether one enjoys delving into the deeper world of holistic literary theories or not, there is so much information to be mined and speculation to consider that one could spend a lifetime devouring all of it. One of the foremost Wold Newton scholars active today, Win Scott Eckert today launches a new website on this, the 220th anniversary of the Wold Newton Event. woldnewtonfamily.com was created to provide “accurate and factual information on the canonical works by Philip José Farmer and on deuterocanonical works authorized by Mr. Farmer or his Literary Estate.” The following article defining what exactly is a Wold Newton tale was co-authored by Mr. Eckert with his fellow distinguished scholar and continuation author, Christopher Paul Carey. Thank you to John O’Neill for kindly allowing me to reprint their work here in commemoration of this important day for Wold Newtonians.

A Wold Newton tale must involve a character whom Philip José Farmer identified as a member of the Wold Newton Family, and/or it must add to our knowledge of the secret history that Farmer uncovered, which has come to be known as the “Wold Newton Universe.” It can also be a crossover story, but that is not required.

In recent years, generic crossover stories have come to be mistakenly referred to as “Wold Newton” tales. A mere crossover is not enough. With this in mind, a primer on Farmer’s discoveries regarding the Wold Newton Family is in order.

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Goth Chick News: Ohio vs Zombie Nativity – Yes, We’re Going There…

Goth Chick News: Ohio vs Zombie Nativity – Yes, We’re Going There…

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File this one under “reasons to avoid the outside world” or maybe just “reasons to avoid Ohio.”

A citation for a zoning violation is expected to be issued to a local homeowner, for a zombie nativity scene in Sycamore Township, OH, in an attempt to force its removal.

According to Cincinnati.com, Jasen Dixon is facing citations upwards of $500 per day as city leaders are labeling Dixon’s nativity scene an “accessory building” per Sycamore Zoning Administrator Harry Holbert.

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The Medieval Medina of Tetouan, Morocco

The Medieval Medina of Tetouan, Morocco

The narrow streets hide some lovely bits of old Islamic architecture. This is the door to the Saqia al-Fouqia Mosque, built 1608. The plastic sheeting got in the way of a lot of my photos, but it helped keep me dry.
The narrow streets hide some lovely bits of old Islamic architecture. This is the door to the Saqia al-Fouqia Mosque, built 1608. The plastic sheeting got in the way of a lot of my photos, but it helped keep me dry.

I’ve blogged previously here on Black Gate about spending some time living in Tangier, Morocco. The city is a good jumping off point to see northern Morocco, a region many visitors skip as they head down to Fez, the Atlas Mountains, and the southern casbahs. If they do that, they miss one of North Africa’s best preserved medinas, the 15th century marketplace of Tetouan, now a UNESCO World Heritage Site.

Tetouan is located in the saddle of two clusters of hills. Home to about half a million people, it doesn’t attract many foreign tourists and offers a look at an traditional medina and its market that have not felt the hand of international shoppers.

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The Riddle-Master of Hed by Patricia McKillip

The Riddle-Master of Hed by Patricia McKillip

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“Who is the Star-Bearer, and what will he loose that is bound?”

                                             from the Riddle-Master of Hed

This week’s work of epic high fantasy, Patricia McKillip’s The Riddle-Master of Hed (1976), the first volume in her Riddle-Master trilogy, is more restrained than those I’ve reviewed the past few weeks. In his book Modern Fantasy, David Pringle calls the series “romantic fantasies of a delicate kind” and in the Encyclopedia of Fantasy John Clute describes McKillip’s development of the series’ lead characters as “handled with scrupulous delicacy.” While I detect a slightly dismissive tone in those comments, neither is completely inaccurate. If The Chronicles of Thomas Covenant are a great big Romantic symphony, then McKillip’s book is more like a piano sonata. There’s a lightness of touch, though not of tone, here, as well as a focus on the small details. So, though an ancient war is reignited, mysterious shapeshifting enemies appear out of nowhere, and the fate of the world is at stake, at the center of the story is a young hero and his struggle to refuse to submit to prophecies of which he wants no part.

My mother took these books out from the YA section in the St. George Library on Staten Island way back in 1979 for my dad. She thought he’d like them and she was right. He must have read them every other year or so between then and his death in 2001. Because he liked them so much I gave them a try and I was as enthralled as he clearly was. Like him, I was drawn into McKillip’s world of riddles, strange magics, and hidden and lost identities. I’ve probably read the trilogy four or five times myself, but this is the first time I’ve picked it up in over a decade. Having finished the first, I’m looking forward to the next two volumes, Heir of Sea and Fire and Harpist in the Wind, with great anticipation.

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An Adventurer’s Guide to the Middle Ages: What if There’s No Room at the Inn (or No Inn Whatsoever?)

An Adventurer’s Guide to the Middle Ages: What if There’s No Room at the Inn (or No Inn Whatsoever?)

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…you are automatically interesting. You have stories to tell that people will repeat for years to come…

So, by definition, adventurers travel. Where do you stay?

With the elves is good.

Seriously, Tolkien got it right. His two parties of adventurers travel across Middle Earth (which has an empty Early Dark Age/Early Middle Ages feel) and how many times do they stay in inns?

It’s pretty much camping and hospitality all the way. In Middle Earth, this means craving the hospitality of elves, shape-shifters, and humans of various social ranks.

In the real Middle Ages, you’re stuck with just humans.

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The Public Life of Sherlock Holmes: Was Holmes Fooled in “Thor Bridge”?

The Public Life of Sherlock Holmes: Was Holmes Fooled in “Thor Bridge”?

Thor_GlassPart of the fun of being a Sherlockian (I use the term to mean someone who has read the stories and delves into them, studying and possibly writing about them: not having watched the BBC television show Sherlock and expounding the wonders of Benedict Cumberbatch) is speculating on the stories. In a post last November, I posed that perhaps Holmes was actually fooled by Lady Brackenstall in “The Adventure of The Abbey Grange.”

I don’t think that actually happened, but in Playing the Game, I laid out what I thought was at least a plausible scenario for it. Similarly, I pondered the possibility that Holmes set himself up in the blackmailing business after matters were concluded in “The Adventure of Charles Augustus Milverton.” Now, I don’t believe what I wrote in that one at all, but it was fun and it’s not impossible (just preposterous).

So, I ask you, is it possible that Holmes had a blind spot regarding the fairer sex and that he once again was duped by a pretty woman?

SPOILERS – SPOILERS – SPOILERS

Though frankly, if you’re reading this post and you haven’t read “The Problem of Thor Bridge,” I’m a little perplexed. But click on this link and read it. It won’t take long.

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Thinking About What Makes The Shining and The Exorcist Work

Thinking About What Makes The Shining and The Exorcist Work

Linda-Blair-in-The-Exorcist-1973
Aw, man. This just ain’t right.

Sometimes in the course of growing as a writer, you fluke into a success before you grow the skills to consistently hit that success. My second-ever fiction sale was to Asimov’s Science Fiction in 2008 and over the following two-and-a-half years, I collected nothing but rejections from them.

My 2008 story had accidentally included enough good elements that it made it into the magazine, but I didn’t understand what those science fictional elements were or how to use them properly until about 2011.

I think the same thing happened to me with a story called “Dog’s Paw.” I thought I’d been writing a lit story when in fact, I had included horror elements that eventually got it published in a horror anthology, Ellen Datlow’s Best Horror of the Year, and a superb audio version at Pseudopod.org (British people make everything sound extra-good). After my experience with my 2008 Asimov’s story, I was under no illusions that I was a competent horror writer, just a lucky one.

This spring, I decided to try to write a horror story. Knowing my weakness, I deliberately tried to figure out what goes into a good horror story. And when I want to analyze story structure, I go first to movies, because I find it easier to see the moving parts.

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