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Rogue One: I Am One With the Force and the Force Is With Me

Rogue One: I Am One With the Force and the Force Is With Me

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A most excellent hero for this movie

When I was eight years old, some friends of the family gave me The Star Wars Storybook. Back in 1979, there was just one movie (and a confusing, once-seen Christmas special), and the action figures.

Everything I could learn of the larger universe of the movie that had changed my life was in that book. I wanted to know about the rebels, the past of Darth Vader and Kenobi, and who were these alliance pilots and Grand Moff Tarkin?

Some questions were answered in Empire, and Return of the Jedi, and others I got through comic books (I really enjoyed the Marvel Star Wars comic series started in 1977). And of course, we have the Jar-Jar infected prequels, which, with just enough denial, can be watchable for the light saber fights, or shown to children, who love them.

But it was only yesterday, when I saw Rogue One, that I saw the world I’d glimpsed when pressing my face against the glass as an eight-year old. I watched Rogue One with my brother, his eleven-year old son, and my own eleven-year old. And I really enjoyed it, in a complex way.

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Modular: Using Norse-Themed Roleplaying Games and Supplements to Expand the World of Yggdrasill — Vidar Solaas’s Vikings RPG

Modular: Using Norse-Themed Roleplaying Games and Supplements to Expand the World of Yggdrasill — Vidar Solaas’s Vikings RPG

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vikingsrpgSome time ago I celebrated the new Modular series of Black Gate posts by contributing my own enthusiastic review of the four English-language volumes in the current Yggdrasill roleplaying game line. I’m grateful for the many responses to that post and for the reader recommendations of other Norse-related rpg material. I would collect all roleplaying game materials, regardless of game ethos or genre, but my budget won’t allow it. So I’ve narrowed my collection to Norse and Viking-themed materials. Hey, I tell myself, I’m actually running a Viking-themed game right now, using Yggdrasill, and I can justify this expense by believing, truthfully or not, that I’ll find some practical gaming use for it.

As I collect these materials, I notice that they sort into three or four categories:

  • Actual “full” roleplaying games; what I mean here is that the product comes complete with rules and setting designed to emulate, in particular, the kinds of experiences one expects from a Norse-themed roleplaying game
  • Sourcebooks and campaign settings, using the real world “Viking Age” as inspiration but designed to be used with an existing “Core Rules Set” (like D20 or GURPS, Fate Core, etc.)
  • Campaign settings, adventure paths, or standalone modules that detail a particular region of a fantasy world that is designed to emulate, within that secondary world, a “Viking Age” roleplaying experience

That’s right: I said three “or four” categories. The fourth category constitutes an “Appendix Y” — Appendix Yggdrasill — if you will, the reading I have been doing for most of my life that informs the kind of Viking Age adventure that I want to evoke in my roleplaying game. I might find occasion to comment on these works, as well, for they’re just as relevant as actual gaming material.

I intend to use these rough categories to frame the reviews of my developing collection. And I begin today with an item from the first category — well, I’m placing it in this category, even though Vidar Solaas’s Vikings RPG (2008) has been built using the D20 system. Attempting to use D20 to emulate a more or less “authentic” Viking Age experience has required Solaas to modify, rebuild, or “hack” the D20 rules set so drastically that Vikings RPG does indeed qualify as a game in its own right.

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The Public Life of Sherlock Holmes: A Holmes Christmas Carol

The Public Life of Sherlock Holmes: A Holmes Christmas Carol

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A Holmes Christmas Carol – By Bob Byrne

christmastree_victorianIt is with a certain sense of misgiving that I relate the following tale, which took place during the Christmas season of 1902. I had moved out of our Baker Street lodgings earlier that year, having married only a few months before that most festive of holidays. I now had rooms in Queen Anne Street and was quite busy with my flourishing medical practice. A newly married man, I once again found myself as head of a household, with all of the duties thereof. I saw Holmes infrequently, but had found the time to visit him the day before Christmas. Certain that he would have no plans of any kind, I extended to him an invitation to join my wife and I for Christmas day.

Holmes rebuffed my attempts to have him share in the holiday spirit with us. “Watson, I have no use for the Christmas season. Is it rational to believe a man rose from the dead? And even if it were, do you not see the hypocrisy of it all? For one day, a man will give a beggar a farthing, because it is Christmas. He would pass by that beggar 364 other days and pay him no mind. That is Christmas?”

I could not recall Holmes being so churlish. When we had roomed together, he had not been an avid celebrator of Christmas, but he did accommodate my warm feelings towards the season. Now, left to his own devices, it seemed that his natural contrariness was shining through. I made one last effort to have him spend a pleasant dinner at the Watson household. It was to no avail.

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Five Reasons Why a Writer Should Stay On Social Media!

Five Reasons Why a Writer Should Stay On Social Media!

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...you have to avoid falling into the rabbit hole of long debates where you can't let something stand
…you have to avoid falling into the rabbit hole of long debates where you can’t let something stand

Me: I’m stuck. What kind of sentries would the bad guys set up?

DS Baker (a former soldier): Hang on…

Two minutes later we’re talking face-to-face across the Atlantic. I love the 21st century!

Yes, there are good reasons for a writer to stay on social media.

Well not all the time — and yes you have to avoid falling into the rabbit hole of long debates where you can’t let something stand. However, if you are a writer, then my experience is that properly curated social media is your friend.

I’m not talking about marketing, though it does help to have a wide circle of friendly people who are on your wavelength so might — not that you are entitled to this in any way — give your books a try.

No, I’m talking about more basic stuff.

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Last of a Series… For Now: The Sea of Time by P.C. Hodgell

Last of a Series… For Now: The Sea of Time by P.C. Hodgell

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Baen finally does right by Jame and Hodgell

Earlier this year I promised myself I would finally finish all the volumes in P.C. Hodgell’s Kencyrath series so far. I did that yesterday, with my completion of The Sea of Time (2014). I’m really enjoying the series and book 7 is a blast. Regular readers will be shocked to read my one complaint: it’s too short. Before I explain that, let me fill you in on the book and tell you all about its good points.

First, one more time, the setup:

Thirty thousand years ago, Perimal Darkling began to devour the series of parallel universes called the Chain of Creation. To fight against it, the Three-Faced God forged three separate races into one: feline-like Arrin-Ken to serve as judges; heavily-muscled Kendar to serve as soldiers and craftsmen; fine-featured humanoid Highborn to rule them. For 27,000 years, the Kencyrath fought a losing battle, one universe after another falling to the darkness. Three thousand years ago, the High Lord Gerridon, fearful of death, betrayed his people to Perimal Darkling in exchange for immortality. Fleeing yet again, the Kencyrath landed on the world of Rathilien. Since then, they haven’t heard from their god and Perimal Darkling has seemed satisfied to lurk at the edges of their new home. Monotheists trapped on an alien world with many gods, the Kencyrath have had to struggle to make a life on Rathilien.

Now, the power of the Three-Faced God seems to be reappearing. The Kencyrath believe that only the Tyr-ridan, three Highborn reflecting the three aspects of their god — destroyer, preserver, and creator — will be able to defeat Perimal Darkling. Jame, raised in the heart of Perimal Darkling, is fated to be the Regonereth: That-Which-Destroys.

At the end of the previous book, Honor’s Paradox, series heroine, Jame, had survived all the tests and trials thrown at her by the curriculum and her enemies at the Kencyrath military academy, and was promoted to second year cadet.  The Sea of Time opens with Jame arriving at the Southern Host. The Host is the main force of Kencyrath soldiers, hired out to the wealthy city of Kothifir.

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The Public Life of Sherlock Holmes: The Field Bazaar

The Public Life of Sherlock Holmes: The Field Bazaar

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field_doyleIn December of 1893, Sir Arthur Conan Doyle rather unceremoniously tossed Sherlock Holmes off of a ledge at the Reichenbach Falls, stunning (and angering) the great detective’s legion of fans. Doyle, who famously said that Holmes “kept him from better things” (meaning, the more important, much less popular works that Doyle really wanted to write), insisted that he was done with Holmes and that was that.

Of course, from August 1901 through September of 1902, The Strand Magazine serialized the most famous of all the Holmes tales, The Hound of the Baskervilles. But Doyle let fans know that this was a tale from before Reichenbach and the great detective was still D-E-A-D dead.

However, the temptation of big and easy money was too much for the author to resist and he was lured into writing the short stories that made up The Return of Sherlock Holmes.

However, most casual fans do not know that Doyle actually gave Holmes a return appearance in 1896: yes, five years before Watson travelled to Dartmoor with Sir Henry. Read on…

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No Adaptations?

No Adaptations?

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bondLately I’ve been looking at adaptations, both novel-to-movie, and novel or movie to TV series. I been talking about them in terms of what I thought was successfully done, and occasionally pointed at my favourites. In their comments people observed that while they agreed, for the most part, with my suggestions, they had suggestions of their own. All of us had to admit, however, that we were sometimes unfamiliar with either the source work, or the adaptation, or even both.

Have a look for yourself, here, and here.

One of the things I didn’t look at was movies or TV series adapted from story cycles, or from book series. The most successful of the latter has to be the Bond franchise, from the novels by Ian Fleming. How many movies have been made? 26? 27? Edgar Rice Burroughs’ character Tarzan has appeared in both movies and TV series. It seems there’s a new Tarzan film every 20 years or so, but none have been as successful as the Johnny Weismuller/Margaret O’Sullivan films of the 1930’s and 40’s. Do we need to mention Perry Mason?

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Truth in Historical Fiction

Truth in Historical Fiction

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Writerly boots on the ground in 12th century France (this illustration is a test, by the way).

Anet, Northern France, AD 1176
The summer breeze rustled the oaks where the tournament company of King Henry the Younger waited in ambush. It carried with it the sound of hooves, jingling harness and men chatting.
Sir William Marshal suppressed a grin. “Here they come, messers.” (*)

I was frankly terrified when I first put my writerly boots on the ground in 12th century France and perched on the shoulder of a 30-something William the Marshal as he lay in ambush with his lord, the bratty Henry the Younger.

In a sense, everything in my life had prepared me for this moment. I’d always been obsessed by Medieval History, spent my childhood dragging family around castles, read Malory at 11, Froissart at 12, and could recite the deeds of the Marshal when I was younger than that. I studied the subject to postgraduate level. I even have a sword scar and can teach you how to use a longsword.

Despite all this, writing that first line was terrifying.

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Why Swords & Sorcery?

Why Swords & Sorcery?

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oie_521202xl2lgoypAbout twenty years ago, I bought John Clute and John Grant’s The Encylopedia of Fantasy. I wasn’t reading much standard fantasy at the time, having abandoned it for science fiction and crime stories. As I pored over the Encyclopedia’s entries, several authors I’d never read caught my attention, enough so that I went out and bought books by them. That was I how I came to read Guy Gavriel Kay’s Fionavar Tapestry and Tad Williams’ Memory, Sorrow, and Thorn trilogy. While I liked parts of them, they struck me as long-winded and overwrought for much of their length. I also realized I was done with stories of willowy elfs, doughty dwarfs, and emo heroes — the seemingly standard players in most of what I was reading. If that was the current state of fantasy, I was all right without it.

I was drawn back to the genre a few years later, though, when I became aware of Night Shade Books publishing hardcover omnibuses of Karl Edward Wagner’s Kane stories and novels. As a monster fan of Wagner, I jumped at the chance to replace my battered paperbacks. As soon as I got them I found myself compelled to read them. I hadn’t read Wagner’s fantasy in several years, and had almost forgotten how visceral a punch it packs (click for my reviews of Death Angel’s Shadow and Night Winds). His stories grabbed me and shook me in a way none of the writers like Kay or Williams had. Battle scenes in epic novels seemed bloated in the light of Wagner’s taut action sequences. The Kane stories were both darker and more vivid than most of the epics I had read. And whatever else about the character of Kane, he never mopes or whines, as I found too many modern epic heroes prone to doing.

When I finished rereading all the Kane stories, I practically ran to my shelves looking for anything else that might affect me the same way. The obvious choices were Robert E. Howard and Michael Moorcock. I had read both authors’ works several times previously, but not for nearly twenty years in both cases.

Howard met my needs, Moorcock less so. Howard remained the ur-swords & sorcery writer, a teller of ripping yarns of the first caliber. This time around Moorcock struck me as too intent on holding the material at a distance, as if part of him was slumming, or maybe just putting on a show to make some shopworn points about heroism, politics, and religion.

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Modular: Boldly Go … with Star Trek Adventures RPG Playtest

Modular: Boldly Go … with Star Trek Adventures RPG Playtest

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A Starfleet away team encounters some complications in Star Trek Adventures RPG.

A Starfleet Away Team encounters some complications in the Star Trek Adventures RPG

Though Star Trek is one of the most popular franchises in science fiction and fantasy, it’s been over a decade since there has been a tabletop roleplaying game in production set in the Star Trek universe. That’s about to change in 2017 with the release of Star Trek Adventures from Modiphius Games.

The game is currently in development, but if you’re interested in checking it out, you don’t have to wait until 2017. Modiphius has just begun an open alpha playtest, allowing people across the world to begin playing games set in the world, test out the rules system, and provide feedback in time for the final design of the game.

Last Friday, I was able to get together a group to do a trial run of the first open playtest adventure. Though there’s no telling exactly which mechanics will stay the same through the playtest process, what is clear at this very early stage is that Modiphius is putting together a game that captures the feel of Star Trek in a tabletop roleplaying game.

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