The lights are dim at the Black Gate rooftop headquarters, and there’s a light dusting of snow on all the desks. I dropped by to pick up the leftover egg nog from the Christmas party and discovered a rare thing: a deserted office. Even Goth Chick’s minions seem to have slipped their chains.
The only noise I hear comes from deep in the comic archives, where the tireless Mike Penkas is scribbling a Christmas Red Sonja post, muttering “For the love of God, there’s a giant spider right on the cover.” Not sure what that’s about, but I tiptoe away before I break his concentration.
It’s nice to see the place when it’s not bustling with activity. Everywhere I look there’s evidence of this year’s accomplishments. There’s the stack of scrolls Howard Andrew Jones used while researching The Bones of the Old Ones (Seriously, where did he find actual scrolls? That’s just showing off). There’s the whiteboard where Scott Taylor sketched out his Art of the Genre ideas, before accepting a big job and vanishing out to the west coast. Sarah Avery sits in that corner now, writing constantly and giving Skype interviews for Broad Universe. And there’s the scratching post Ryan Harvey built for his cat Cassie, in a vain attempt to get her to stop playing with the office Christmas ornaments.
And here’s the table where all the freelancers sit. They always seem to be having a lot more fun than the rest of us. They’re certainly louder, anyway. Here’s Emily Mah’s recording equipment, and Josh Reynolds’ occult detective collection. Beth Dawkins has only been here a few months, but she fit in quickly, clearing away a section of William Patrick Maynard’s vast pulp collection to make room for her paranormal romance paperbacks. Mark Rigney has made excellent use of John Fultz’s battered old writing desk, composing his own sword-and-sorcery epics, and David Soyka has vanished inside a fortress built of thousands of science fiction digests. Andrew Zimmerman Jones’ desk is clean, probably because he’s never there — he’s always on assignment at a convention these days.
The only staff member who doesn’t have a desk is the mysterious Matthew David Surridge — which I suppose is fitting. He’s been part of the team for years, but no one is 100% sure what he looks like. He’s a riot at office parties, though.
It’s been an incredible year for Black Gate. The traffic to our humble website has very nearly doubled in the last 12 months, and interest has never been higher. While we’re very proud of what we’ve done, there’s no doubt in our mind that we owe it all to you, our loyal readers. You’ve never been more supportive than you have in 2012 — with your comments, letters, and your continued interest in our endeavors large and small.
Thank you, from the bottom of our hearts. On behalf of the vast and unruly collective that is Black Gate, I would like to wish you all Merry Christmas and Happy Holidays. Continue being excellent — it’s what you’re good at.
We’ve had a great fall here at Black Gate: more folks visited us than at any time in our history, and we’ve had steady increases in readership every month since June. We’ve nearly doubled our traffic since this time last year — which would be terrific, if we could just get all you folks to wipe your feet before stepping on the carpet. In any event, thanks for the support, and here’s to an even better 2013.
‘Tis the season for great book deals. 
We’re slowly capturing all the online fiction we’ve published here over the past 12 years as part of our Black Gate Online Fiction series. This week we present the complete text of Alex Kreis’s “The Renunciation of the Crimes of Gharad the Undying,” one of the shortest tales to ever appear in Black Gate.
First, I want to point everyone