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Author: John ONeill

Future Treasures: After Sundown, edited by Mark Morris

Future Treasures: After Sundown, edited by Mark Morris

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After Sundown Mark Morris-smallMark Morris is known primarily as a British horror writer with over 20 novels under his belt, including Toady, The Immaculate, The Deluge, and the Obsidian Heart trilogy. More recently he’s earned a rep as a fine editor with two volumes of the New Fears anthology series from Titan.

His latest effort is After Sundown from Flame Tree Press, containing 20 original horror stories from some of the biggest names in the biz, including Ramsey Campbell, Tim Lebbon, John Langan, Robert Shearman, Alison Littlewood, Michael Marshall Smith, Paul Finch, Angela Slatter, Stephen Volk, and many others. Just as interesting to me are the four tales from brand new writers selected from an open submission window. Reviewer Stephen Bacon feels the same way I do:

This appears to be a great way of ensuring a decent standard whilst at the same time giving voice to emerging talent. It’s testament to the quality of the stories in that there’s no discernible difference between the pros and the lesser-known authors. Mark Morris has done a great job in putting together a fine selection.

There’s a refreshing lack of pretentiousness about these stories. The authors span several continents so there’s a decent array of themes and styles. Each tale had a very distinct voice, with a superb variety that perfectly illustrates what a broad church the genre covers. I had a blast reading this book. It really has reinvigorated my interest in the horror genre. Hopefully this will be the first in an ongoing annual publication from Flame Tree Press. And in that regard After Sundown is a great way to launch the series

After Sundown is in fact the first of what will hopefully be an annual, non-themed horror anthology of original horror. The first installment is already getting good notice from major review sites, including Publishers Weekly:

The strongest tales include “Swanskin” by Alison Littlewood, a breathtaking fairy tale about swans who transform into women, told from the viewpoint of a young boy; “Bokeh” by Thana Niveau, about a single mother who frets over her daughter’s violent and fantastical flights of fancy during playtime; and “A Hotel in Germany” by Catriona Ward, about the parasitic relationship between a movie star and her assistant.

Here’s the complete Table of Contents.

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Support the Kickstarter for Ryan Harvey’s Debut Novel Turn Over the Moon

Support the Kickstarter for Ryan Harvey’s Debut Novel Turn Over the Moon

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Turn Over the Moon Ryan Harvey

Cover by Robert Zoltan

Hot damn, it’s October already. This is an exciting month for the senior Black Gate staff, and one we’ve long awaited. The Kickstarter for the debut novel by one of our own, the illustrious Ryan Harvey, was launched yesterday.

The book is Turn Over the Moon, and it takes place in Ahn-Tarqa, the setting for “The Sorrowless Thief” and “Stand at Dubun-Geb.” Both stories first appeared here, where they quickly became two of the most popular features in our Black Gate Online Fiction line. Ryan was also one of the original bloggers at Black Gate, where he’s published over 300 articles on everything from John Carpenter to Godzilla and Hammer Horror Films. Turn Over the Moon is hotly anticipated in our offices; here’s Ryan with a bit of background on the book.

At the heart of Turn Over the Moon and the other stories set on the otherworldly continent of Ahn-Tarqa is “The Sorrow,” a mental burden almost all people suffer from. When I first hatched the idea of Ahn-Tarqa, it was as a playground where I could mix dinosaurs, ancient civilizations, and weird science. A place where I could write scenes of a Tyrannosaurus fighting a metal automaton made from archaic technology.

But the world was missing something that would make it more than a fun sandbox. I started to think of authors who have influenced me; the tone of melancholy lurking under the works Raymond Chandler, Leigh Brackett, Clark Ashton Smith, and Cornell Woolrich made me wonder what would a world where melancholy was the basis of existence might be like. A world where what we today call “depression” is as regular as breathing. I came up with “The Sorrow,” and then my fictional world was no longer a backdrop but something alive and rich.

In order to reach publication, Turn Over the Moon needs your help. The Kickstarter goal is $1000, and after 24 hours it’s already more than a third of the way there, but it still needs support to put it over the top. If you’re a fan of quality modern fantasy, the kind we cover every day right here, I hope you’ll check it out and make a pledge. Tell ’em Black Gate sent you!

What Would You Exchange at the Rack at the Track?

What Would You Exchange at the Rack at the Track?

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In my Vintage Treasures posts, I like to talk about paperback fantasy that’s been out of print for decades. Books you’re not going to find without a search, but which are worth it all the same. Hopefully I intrigue a few of you lot to search out some of those books every week, and sample authors and titles you might not have discovered otherwise.  The idea is encourage readers to try something that’s given me enormous pleasure for most of my life: tracking down and shelling out a couple bucks for vintage paperbacks.

Of course, when you find them on a giveaway rack at your local train station, you don’t need me to tell you what to do. So today I want to talk about The Water of the Wondrous Isles by William Morris, which I found in the Take One Leave One paperback rack at the Geneva train station last year.

What exactly do you leave in exchange for a nearly 50-year old (and highly collectible) paperback, volume #38 in Lin Carter’s famous (and highly collectible) Ballantine Adult Fantasy line? I have no idea. But I stood in front that rack for a good five minutes, struggling with that question as commuters milled around me. Finally I put the book in my pocket, and returned the next day with half a dozen brand new paperbacks. I quietly tucked them into the racks, knowing I got by far the better deal. But sometimes you just have to accept what the universe has gifted you and not question it.

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D.M. Ritzlin on the Ten Greatest Sword-and-Sorcery Stories by Robert E. Howard

D.M. Ritzlin on the Ten Greatest Sword-and-Sorcery Stories by Robert E. Howard

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Covers by Brian LeBlanc, Sanjulian, and Margaret Brundage

Dave Ritzlin is the mastermind behind DMR books, publishers of the Swords of Steel anthologies, The Infernal Bargain and Other Stories,  the 2020 anthology Renegade Swords, and many other volumes of adventure and weird fantasy. He’s also a fine blogger and Robert E. Howard enthusiast, and this month he produced one of the most interesting articles on REH I’ve read in many years — The Ten Greatest Sword-and-Sorcery Stories by Robert E. Howard.

This lengthy and entertaining piece features all of Howard’s most famous creations, including Kull, Solomon Kane, and of course Conan the Cimmerian. Here’s Dave on “The Gods of Bal-Sagoth.”

The heroes of “The Gods of Bal-Sagoth” are two renegades: Irishman Turlogh O’Brien, outlawed from his clan, and the Saxon Athelstane, who has thrown in with a group of Norse Vikings. The two have a history together, but they meet again when the Vikings attack a ship on which Turlogh is a passenger. The Saxon recognizes Turlogh in the stormy sea battle and takes him alive. Shortly thereafter the Vikings’ ship in blown off course and destroyed by a tempest. Athelstane is knocked unconscious, but Turlogh manages to save him. The two are the only survivors, and they wash up on a mysterious island (a classic sword and sorcery set-up!)…

In addition to being a spectacular sword and sorcery tale, “The Gods of Bal-Sagoth” also inspired the name of one of the most amazing metal bands of all time. Byron A. Roberts, vocalist of Bal-Sagoth, is a talented sword-and-sorcery author as well.

Read the entire thing at The DMR Blog — a fine place to learn about new and classic fantasy of interest to REH fans old and new.

Future Treasures: The Best Science Fiction of the Year: Volume Five edited by Neil Clarke

Future Treasures: The Best Science Fiction of the Year: Volume Five edited by Neil Clarke

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The Best Science Fiction of the Year- Volume Five-smallThe 2020 pandemic has thrown a wrench into publishing schedules this year, and no mistake. Seems like less than half the books I was looking forward to this summer appeared at all. So I’m relieved to see that this year’s class of Year’s Best anthologies — edited by Rich Horton, Jonathan Strahan, Paula Guran, John Joseph Adams, and others — are still in the pipeline. A little delayed maybe, but none the worse for wear.

Jonathan’s volume arrived on Sept 8; next on the docket is Neil Clarke’s The Best Science Fiction of the Year: Volume Five, which will be published by Night Shade Press late next month. It contains fiction by N.K. Jemisin, Cixin Liu, Tobias S. Buckell, Gwyneth Jones, Dominica Phetteplace, Alastair Reynolds, Vandana Singh, Ann Leckie, Annalee Newitz, Alec Nevala-Lee, Aliette de Bodard, Carolyn Ives Gilman, Yoon Ha Lee, Indrapramit Das, A.T. Greenblatt, and many others. Here’s the description.

From Hugo Award-Winning Editor Neil Clarke, the Best Science Fiction Stories of the Year Collected in a Single Paperback Volume

Keeping up-to-date with the most buzzworthy and cutting-edge science fiction requires sifting through countless magazines, e-zines, websites, blogs, original anthologies, single-author collections, and more — a task that can be accomplished by only the most determined and voracious readers. For everyone else, Night Shade Books is proud to present the latest volume of The Best Science Fiction of the Year, a yearly anthology compiled by Hugo and World Fantasy Award–winning editor Neil Clarke, collecting the finest that the genre has to offer, from the biggest names in the field to the most exciting new writers.

The best science fiction scrutinizes our culture and politics, examines the limits of the human condition, and zooms across galaxies at faster-than-light speeds, moving from the very near future to the far-flung worlds of tomorrow in the space of a single sentence. Clarke, publisher and editor-in-chief of the acclaimed and award-winning magazine Clarkesworld, has selected the short science fiction (and only science fiction) best representing the previous year’s writing, showcasing the talent, variety, and awesome “sensawunda” that the genre has to offer.

Here’s the complete Table of Contents.

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Destroying a Vast Empire From Within: The Masquerade Series by Seth Dickinson

Destroying a Vast Empire From Within: The Masquerade Series by Seth Dickinson

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Covers by Sam Weber

Whenever a fantasy trilogy wraps up, we bake at cake at the Black Gate rooftop headquarters. But what if it’s not clear if the series is complete?? In that case, a crack team of literary forensic analysts assesses whether the series is likely to continue, before we fire up the cake mixer. (I’m joking, of course. Like we’d let a tiny detail like that get in the way of cake!)

So we’re here today to celebrate the arrival of the third book in the Baru Cormorant series… pardon me, The Masquerade series by Seth Dickinson. The Tyrant Baru Cormorant arrived from Tor last month, and it wraps up the trilogy (maybe? who knows!) with a bang. At NPR Amal El-Mohtar called the first book “literally breathtaking,” and at Locus Online Paul Di Filippo labeled it “a tasty blend of C.J. Cherryh’s early planetary romances and Samuel Delany’s revisionist Nevèrÿon fantasies.” Tor.com provides a handy refresher on the first two volumes if you’re the kind of person who likes to dive right into the third book in a series (i.e. a weirdo). But my favorite coverage of this series is Publishers Weekly‘s starred review of the third volume; here’s an excerpt.

The dense but brilliant third volume of Dickinson’s The Masquerade series… sees Baru Cormorant, haunted by memories of the woman she loved and lost, pushed even further into her self-destructive, all-consuming quest to save her family. In Baru’s effort to destroy the Imperial Republic of Falcrest from within, she has risen to the position of cryptarch, part of the invisible cabal that controls the Throne from the shadows. But as Baru pretends to serve her master, Cairdine Farrier, in his attempts to conquer the empire of Oriati Mbo, she privately plots against him. Baru has discovered the secrets of the Cancrioth — a cult of cancer worshippers secretly ruling Oriati Mbo — and the plague they’ve weaponized to wipe out their enemies… This staggering installment pushes the series to new heights and expands the fascinating fantasy world.

We covered the first book here, and Unbound Worlds selected The Monster Baru Cormorant as one of the Best Releases of October 2018. The Tyrant Baru Cormorant was published by Tor Books on August 11, 2020. It is 656 pages, priced at $25.95 in hardcover, and $16.99 in digital formats. See all our recent coverage of the best new fantasy series here.

New Treasures: Entanglements edited by Sheila Williams

New Treasures: Entanglements edited by Sheila Williams

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Entantglements-small“Entanglement,” one of the more fascinating concepts underpinning quantum theory, tells us that particles may be inextricably linked — never truly behaving independently, no matter how far apart they are. It’s a powerful idea that, of course, has powerful parallels in the non-quantum world of human relationships, which makes it irresistible to science fiction writers.

Sheila Williams, editor of Asimov’s Science Fiction, has assembled an enticing new anthology that invites ten of the best writers in the field to explore the idea: James Patrick Kelly, Mary Robinette Kowal, Nancy Kress, Rich Larson, Ken Liu, Sam J. Miller, Annalee Newitz, Suzanne Palmer, Cadwell Turnbull, Nick Wolven, and Xia Jia (translated by Ken Liu). Entanglements also includes art by Tatiana Plakhova, and a number of non-fiction pieces. In a starred review, Publishers Weekly says “Readers will be captivated.” Here’s a sample from the Science review by Esha Mathew.

The world-building in this compilation is frequently full and often insidiously terrifying, particularly in those stories that use the familiar as breadcrumbs to lure the reader in. The very first tale, “Invisible People” by Nancy Kress, begins with a mundane morning routine and carefully layers in a story about two parents reeling from an unsanctioned genetic experiment on their child. In “Don’t Mind Me,” Suzanne Palmer uses the shuffle between high school classes as a foundation on which to build a story about how one generation uses technology to enshrine its biases and inflict them on the next…. It is chilling how entirely possible many of the fictional futures seem….

This volume balances darker-themed stories with those in which technology and people collide in uplifting and charming ways. In Mary Robinette Kowal’s “A Little Wisdom,” for example, a museum curator, aided by her robotic therapy dog–cum–medical provider, finds the courage within herself to inspire courage in others and save the day. Meanwhile, in Cadwell Turnbull’s “Mediation,” a scientist reeling from a terrible loss finally accepts her personal AI’s assistance to start the healing process. And in arguably the cheekiest tale in this compilation, “The Monogamy Hormone,” Annalee Newitz tells of a woman who ingests synthetic vole hormones to choose between two lovers, delivering a classic tale of relationship woes with a bioengineered twist…

The 10 very different thought experiments presented in this volume make for a fun ride, revealing that human relationships will continue to be as complicated and affirming in the future as they are today. I would recommend the Netflix approach to this highly readable collection: Binge it in one go, preferably with a friend.

Here’s the complete table of contents.

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The Art of Author Branding: The Pocket Marta Randall

The Art of Author Branding: The Pocket Marta Randall

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Islands (Pocket Books, May 1980). Cover uncredited

Marta Randall is a science fiction pioneer. She was the first woman president of the Science Fiction Writers of America, and took over the groundbreaking New Dimensions anthology series from Robert Silverberg in the early 80s. She also taught SF writing at Clarion (East and West) and other places.

Of course, before all that was a successful writing career. Her first novel A City in the North was published in 1976 by Warner Books. More followed in rapid succession, including Nebula nominee Islands that same year, The Sword of Winter (1983, we talked about that one here), Those Who Favor Fire (1984), and a pair on novels in the Kennerin Saga: Journey (1978) and Dangerous Games (1980).

Islands and Journey are the ones I want to look at today. Here’s John Clute from The Encyclopedia of Science Fiction, putting the first one in context.

Randalls’s first and perhaps most successful novel, Islands (1976; rev 1980), movingly depicts the life of a mortal woman in an age when Immortality is medically achievable for all but a few, including the protagonist. To cope with her world she plunges into the study of archaeology, and makes a discovery which enables her to transcend her corporeal life.

Sharp-eyed readers will note Clute’s reference to a 1980 revision; that edition of Islands was released four years after original publication by Pocket Books in a reworked version that added an additional 21 pages (see above). And not incidentally, it was also packaged with one of the cleaner examples of author branding from the era.

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Future Treasures: Hench by Natalie Zina Walschots

Future Treasures: Hench by Natalie Zina Walschots

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You know what we need in these dark, pandemic filled days? A good superhero tale. Natalie Zina Walschots’s debut novel Hench looks like it could fit the bill. Kirkus says it’s “A fiendishly clever novel that fizzes with moxie and malice,” and in a starred review Publishers Weekly calls it a “hilarious peek behind the scenes of supervillains’ lairs… [with] gripping action and gut-wrenching body horror.” It arrives in hardcover on Tuesday. Here’s the description.

The Boys meets My Year of Rest and Relaxation in this smart, imaginative, and evocative novel of love, betrayal, revenge, and redemption, told with razor-sharp wit and affection, in which a young woman discovers the greatest superpower — for good or ill — is a properly executed spreadsheet.

Anna does boring things for terrible people because even criminals need office help and she needs a job. Working for a monster lurking beneath the surface of the world isn’t glamorous. But is it really worse than working for an oil conglomerate or an insurance company? In this economy?

As a temp, she’s just a cog in the machine. But when she finally gets a promising assignment, everything goes very wrong, and an encounter with the so-called “hero” leaves her badly injured. And, to her horror, compared to the other bodies strewn about, she’s the lucky one.

So, of course, then she gets laid off.

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Vintage Treasures: A Sense of Wonder by John Wyndham, Jack Williamson and Murray Leinster

Vintage Treasures: A Sense of Wonder by John Wyndham, Jack Williamson and Murray Leinster

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A Sense of Wonder (New English Library, 1974). Cover by Bruce Pennington

A Sense of Wonder was originally published in hardcover in the UK by Sidgwick & Jackson in 1967, and reprinted in the US as The Moon Era (which we covered as part of our survey of Sixty Years of Lunar Anthologies back in December.) It’s a short little anthology (175 pages) of early 30s SF by three of the biggest names of the pulp era, assembled and edited by pulp SF afficionado Sam Moskowitz. It contains three novellas:

“Exiles on Asperus” by John Wyndham (Wonder Stories Quarterly, Winter 1933)
“The Mole Pirate” by Murray Leinster (Astounding Stories, November 1934)
“The Moon Era” by Jack Williamson (Wonder Stories, February 1932)

This slender volume was popular enough to enjoy a total of eight editions between 1967-87, mostly paperback reprints from New English Library, who seemed to insist on a new cover every time (see below for a few interesting examples). I covered the last, the 1987 reprint, back in 2017.

The reason I’m showcasing this book again isn’t its enduring popularity, or the notoriety of its three authors. It’s the exquisite Bruce Pennington cover on the 1974 edition (above), which I only recently managed to find. Bruce is one of my favorite SF artists, and he was gracious enough to provide covers for two of the last two print editions of Black Gate, and these days I kinda haunt the virtual shops on the lookout for (mostly British) paperbacks with his colorful and distinctive artwork. His cover for A Sense of Wonder is typical of his work in this period — a mysterious craft looms over a desolate alien landscape, while a small flock of birds introduce a strange sense of normalcy to the eerie tableau. The result is eye catching, and warmly reminiscent of classic science fiction, with its love of superscience, exploration, and the unfathomable mysteries of outer space.

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