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Author: John ONeill

New Treasures: Cult Magazines: A to Z

New Treasures: Cult Magazines: A to Z

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cult-magazine-atozYou get to meet a lot of great people at science fiction conventions. For some, the draw is the Featured Guests, and it’s certainly cool to meet Neil Gaimen, Pat Rothfuss, John Scalzi, Connie Willis, and other top-selling authors.

For me though, the true delights are in meeting exciting writers and artists I’m not always familiar with. A few years ago, as we were setting up our booth at Dragon*Con, author Rob Thurman, who had the booth next to us, wandered over and introduced herself. She turned out to be extremely cool and delightfully entertaining, and when I finally staggered home, bone weary from five days in Atlanta, I dropped into my big green chair with one of her Cal Leandros novels. If it hadn’t been for lucky booth placement, I might never have discovered what an entertaining writer she was.

The same thing happened at Worldcon in Chicago two weeks ago. During the rare slow moments in the Dealers’ Room, I was able to wander a bit and check out the nearby booths. I discovered to my surprise that we were next to Nonstop Press — publishers of Science Fiction: The 101 Best Novels 1985-2010, The Collected Stories of Carol Emshwiller, and Cult Magazines: A to Z.

Nonstop’s Emshwiller: Infinity x Two: The Art & Life of Ed & Carol Emshwiller, by Luis Ortiz, is one of my favorite art books. The distinguished Mr. Ortiz was in the booth, and I was able to introduce myself. He had several intriguing new titles on display and — keeping a wary eye on the empty Black Gate booth — I was able to peek at them.

My eye was drawn immediately to Outermost: Life + Art of Jack Gaughan, a beautiful 176-page hardcover packed with over 500 images, many familiar from countless Ace and DAW paperback covers of the 60s and 70s. Over lunch, Rich Horton had talked about Robert Silverberg’s captivating memoir of writing SF in the 50s, Other Spaces, Other Times: A Life Spent in the Future, and there it was. I couldn’t resist Damien Broderick & Paul Di Filippo’s entertaining Science Fiction: The 101 Best Novels – 1985-2010 either.

But the most fascinating book on the table, by a considerable margin, was Cult Magazines: A to Z, edited by Earl Kemp and Luis Ortiz, a gorgeous oversized softcover jam packed with articles and full-color pictures of hundreds of pulp, horror, science fiction, fantasy, comic, monster mags and men’s magazines published between 1925 and 1990.

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Try the first Four Issues of Innsmouth Magazine for Just $3.99

Try the first Four Issues of Innsmouth Magazine for Just $3.99

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innsmouth-magazine-collected-1-4I haven’t done as much reading on my Kindle Fire as I thought I would. It’s not that I don’t like it — it’s more that I flat out haven’t done as much reading as I thought I would in the last 10 months.

But buying? That’s a different story. It reminds me of the months after we bought our first DVD player. Excited by our new purchase, we went a little crazy, buying all kinds of weird stuff. Two seasons of the marionette puppetry show Thunderbirds from 1966? Check. Every episode ever made of Space: 1999? Check. First season of Voyage to the Bottom of the Sea? Still in the shrinkwrap. God help me.

It was the same with the Kindle. Give me a new toy, and I immediately want to dress it up. It wasn’t out of the box a month before I crammed forty books into it. I told myself I’d read them, but I didn’t. I think at heart I just loved seeing the little book icons show up on the menu page. It’s like having a library in your pocket.

I’m better now. Mostly I use my Kindle these days to read manuscripts, advance galleys from publishers, and online magazines like Locus. But there’s still the occasional digital title that grabs my attention and won’t let go until I hit the “Buy it Now” button.

The most recent is Innsmouth Magazine: Collected Issues 1-4, edited by Silvia Moreno-Garcia and Paula R. Stiles. Stiles, the author of “Roundelay” in Black Gate 15, is an up-and-coming dark fantasy writer in her own right. Collecting the first four issues of the highly regarded digital Innsmouth Magazine, this omnibus edition is impressive indeed. Individual issues are priced at $1.99, so it’s also a bargain.

It demands to be read, too. So far, I’m quite enjoying it. Nick Mamatas’ cleverly-titled “And Then, And Then, And Then…,” which takes its title from a type of denigrated narrative technique, takes that same narrative technique and uses it to very chilling effect. Most of the tales are very short — David Conyers’s “The Swelling,” the intriguing but rather predictable tale of a woman who’s suffered a devastating loss at sea and then inexplicably finds herself on a cargo vessel bound for Carcosa, is the longest I’ve encountered so far, and it barely qualifies as a novelette.

My only complaint about Innsmouth Magazine: Collected Issues 1-4 is the complete lack of any editorial content — or indeed, a table of contents of any kind. The only way to find out what writers or stories are in each issue is to painstakingly page through it. I expect magazines to have a little more structure, maybe an editorial or house ad, reviews. Something. It’s more like an anthology, in fact. Its starkness in this regard is almost, dare I say it, Lovecraftian.

Innsmouth Magazine: Collected Issues 1-4 was published by Innsmouth Free Press on April 8, 2012. It is available exclusively in digital format for $3.99.

Vintage Treasures: From Off This World, edited by Leo Margulies and Oscar J. Friend

Vintage Treasures: From Off This World, edited by Leo Margulies and Oscar J. Friend

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from-off-this-worldBack in May, at the Windy City Pulp & Paper show here in Chicago, I purchased four boxes of books from the vast collection of Martin H. Greenberg. I’ve been slowly unpacking them ever since. They’ve been a treasure trove of vintage paperbacks and fantastic old anthologies, occasionally with scribbled notes from (presumably) Greenberg in the margins.

I’ve written about a few finds already, including a fabulous anthology edited by Leo Margulies and Oscar J. Friend, The Giant Anthology of Science Fiction, first published in 1954. This week, I want to talk about another Margulies and Friend title, a collection of science fiction culled from Wonder Stories/Thrilling Wonder Stories and published in 1949: From Off This World: Gems of Science Fiction Chosen From “Hall of Fame Classics.”

The first thing to note is the gorgeous cover illustration, by none other than Virgil Finlay (click the image at left for a bigger version).

But equally impressive is the Table of Contents, which includes some of the best pulp SF stories ever published, including “The Man Who Evolved” by Edmond Hamilton; “The City of the Singing Flame” and “Beyond the Singing Flame” by Clark Ashton Smith; “A Martian Odyssey” by Stanley G. Weinbaum; and others by Jack Williamson, Henry Kuttner, Eando Binder, P. Schuyler Miller, and many more.

Editor Leo Margulies, who as editorial chief of Standard Magazines was also editor of pulp magazines Startling Stories and Thrilling Wonder Stories, featured “Hall of Fame Classic” SF reprints in Startling. The 18 stories here are taken from those selections, all originally published between 1929 and 1937, as Margulies and Friend explain in their introduction:

Compiled as they are from ten years of HALL OF FAME reprint selections in Startling Stories magazine, they are in effect, the pick of science fiction stories that have survived both the years and today’s amazingly swift scientific progress. In themselves they compose a history of the growth of science fiction over the vital decades just passed.

Actually science fiction — or scientifiction if you will — is the newest development in contemporary literature. It is far and away the most imaginative.

Their comments become even more interesting when the editors turn to the rapid (and frequently horrifying) advance of science during World War II, ended just a scant four years before these words were written.

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Redrum Horror Unleashes The Thing in the Mist

Redrum Horror Unleashes The Thing in the Mist

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the-thing-in-the-mistI’m a fan of dark fantasy and horror, and pay attention to most of the major writers — especially those of the pulp era (1930 to about 1960). But I’m woefully ignorant of British horror, especially of the same period.

Fortunately, there are publishers working hard to correct that. And it’s always a delight to discover a major retrospective of a British pulp horror writer I’m not familiar with. That’s the case with John S. Glasby, who wrote around 25 SF and fantasy novels for Badger Books, most under pseudonyms such as “A. J Merak” and the Badger house names “Karl Zeigfreid,” “John E. Muller,” and “Victor LaSalle.”

Now Redrum Horror has published The Thing in the Mist: Selected Stories by John S. Glasby, a tantalizing collection of some of his best short fiction from the heyday of British pulp horror:

Between 1954 and 1967, British publisher Badger Books released over one hundred issues of the horror pulp digest Supernatural Stories, nearly half of which were written by one of the most prolific genre writers of his time, John S. Glasby.

Here, collected for the first time, are eleven of Glasby’s finest contributions to Supernatural Stories, tales of otherworldly terror and ancient evil in the Lovecraftian tradition. Guaranteed to chill and delight, The Thing in the Mist is a must-read for any fan of classic pulp horror.

This edition also includes an introduction by the late Glasby’s son, Edmund Glasby, and an informative afterword by longtime colleague, Philip Harbottle.

The Thing in the Mist: Selected Stories by John S. Glasby is Redrum Horror #6, and was published on September 15. It is 380 pages in trade paperback for $13.99, or just $3.99 in digital format. Get more details at the Redrum Horror website.

New Treasures: City Under the Moon by Hugh Sterbakov

New Treasures: City Under the Moon by Hugh Sterbakov

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city-under-the-moonConfession time.

I love a good book. I also love a well-marketed book. As someone who’s been a publisher in this industry for over a decade, it gives me real pleasure to see someone bring a new title to market with genuine energy, enthusiasm, and inventiveness. It’s even better — and frankly, much rarer — to see a small press or self-published book get anything like a real marketing campaign.

Hugh Sterbakov’s City Under the Moon may be the best marketed self-published book I’ve ever seen. Anyone trying to publish a fantasy novel in America could learn from this man.

Now, I’m not 100% certain it’s self-published. But when the publisher (Ben & Derek Ink Inc.) neglects to have a website, publish other books, mention their address, or even put their name on the cover, that’s frequently a big clue.

Admittedly, Mr. Sterbakov has resources most aspiring self-publishers don’t. He’s a writer for Marvel Comics and Seth Green’s Robot Chicken, and in the latter capacity he’s been nominated for two Emmys. His animated comedy script Hell & Back is now in production, staring Mila Kunis and Susan Sarandon.

How does any of this help him? Here are just a sample of the blurbs for his novel:

Bioweapon catastrophes, government conspiracies, military sieges, historical revelations, psychological warfare and werewolves. You want more thrill from a thriller? — Seth Green

Fast-paced, action packed and terrifying. — Mila Kunis

Superpowered teens, angst, action and comedy… I don’t get it. –– Joss Whedon

When you get blurbs from Joss Whedon, Mila Kunis and Seth Green on your self-published novel, you’re doing something right.

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Fall 2012 issue of Subterranean Magazine now Available

Fall 2012 issue of Subterranean Magazine now Available

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subterranean-magazine-fall-2012One of my favorite online magazines, Subterranean, has just released its 24th issue. Before issue 23, it was presented in a rolling format, with new fiction and articles available every week; but they’ve now switched to posting the complete contents all at once. That means you can now enjoy new novellas by Nnedi Okorafor and Kealan Patrick Burke, and novelettes by Maria Dahvana Headley and Brian Lumley.

The fiction this issue runs the gamut from apocalyptic horror to the mysteries of deepest Africa. Here’s the complete table of contents:

  • “African Sunrise,” by Nnedi Okorafor (31,000 word novella)
  • “Game,” by Maria Dahvana Headley (11,000 word novelette)
  • “Two-Stone Tom’s Big T.O.E.,” by Brian Lumley (14,000 word novelette)
  • “When the Shadows are Hungry and Cold (A Milestone Story),” by Kealan Patrick Burke (18,000 word novella)

Nnedi Okorafor’s Who Fears Death won the 2011 World Fantasy Award for Best Novel, and was nominated for the 2010 Nebula Award. Maria Dahvana Headley’s memoir, The Year of Yes, an account of the year she spent saying yes to anyone who asked her out, has been optioned for the screen by Paramount Pictures; her debut novel, Queen of Kings, was published in 2010. Brian Lumley is the author of the Necroscope novels; he received a World Fantasy Award for Lifetime Achievement in 2010. Kealan Patrick Burke’s novel, The Hides, was a Bram Stoker Award nominee, and his novella, “The Turtle Boy,” was a Stoker Award Winner in 2004.

Subterranean has just announced that in the next couple of weeks, they’ll offer an electronic edition of the current issue for just $2.99 for those who prefer to read it on ereaders. Watch the website for availability information.

Subterranean is edited by William Schafer and published quarterly. The Fall 2012 issue is completely free and available here; see their complete back issue catalog here. We last covered Subterranean magazine with their previous issue, Summer 2012.

New Treasures: Tim Waggoner’s The Nekropolis Archives

New Treasures: Tim Waggoner’s The Nekropolis Archives

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the-nekropolis-archivesOn Tuesday I wrote about Dead Mann Running, the second volume of Stefan Petrucha’s zombie detective series. As I mentioned at the time, it wasn’t the only zombie detective novel I was going to cover this week. For those of you I’ve kept in suspense all week, I can finally reveal that Tim Waggoner’s The Nekropolis Archives is the second.

I was pretty busy manning the Black Gate booth at Worldcon two weeks ago, and didn’t have much time to venture forth and explore the rest of the cavernous dealers’ room. But when I learned that Angry Robot had a booth, I left Tina Jens and S. Hutson Blount in charge of my stack of magazines and went in search of it. Angry Robot has published some of the most exciting new SF and fantasy in the past two years, and best of all, they’ve been doing it in attractive and inexpensive paperbacks.

Their booth did not disappoint. Not only did I get to meet North American Sales Manager Michael R. Underwood, whose debut novel Geekomancy was a highlight of my Wiscon reading circuit, but — just as I expected — I discovered a fabulous array of exciting new fantasy titles. I was especially taken with their omnibus editions: fat, 900+page trade paperbacks collecting Andy Remic’s The Clockwork Vampire Chronicles, Aliette de Bodard’s three-volume Aztec Mystery series Obsidian and Blood, and Tim Waggoner’s The Nekropolis Archives.

Priced at just $15.99 each, all three are terrific bargains. But it was Tim Waggoner’s The Nekropolis Archives that drew my eye first:

Meet Matt Richter. Private Eye. Zombie.

His mean streets are the city of the dead, the shadowy realm known as Nekropolis. You’ve got to keep your head in Nekropolis. But when you’re a zombie attempting to battle the vampire lords, that’s not as easy as it seems…

This massive omnibus edition collects all three Matt Richter novels – Nekropolis, Dead Streets and Dark War – plus a swathe of short stories too.

Sounds like exactly what I’ve been looking for to cuddle up with under my blanket on windy autumn nights in Chicago. The Nekropolis Archives is $15.99 for a handsome 907-page trade paperback, or just $6.99 for the Kindle version. It was published by Angry Robot on April 24, 2012.

This Week’s Bargain SF & Fantasy Books at Amazon.com

This Week’s Bargain SF & Fantasy Books at Amazon.com

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swords-dark-magic-256I need a better system for tracking these discount books at Amazon. Way I do it now, I just add candidates to my cart whenever I find them. Which means my cart fills up pretty quick, and I have to keep emptying it.

Don’t tell me I should create a wishlist. I already have over a dozen wishlists. Compulsive people shouldn’t be allowed to use Amazon.

Anyway, what do we have in the bag for you this week? Swords & Dark Magic: The New Sword and Sorcery, the excellent anthology edited by Jonathan Strahan and Lou Anders, has been marked down from $15.99 to just $6.40; David Weber’s new standalone SF novel, Out of the Dark, is just $2.98 in hardcover; and Tanya Huff’s latest hardcover, The Truth of Valor, is just $2.54. All that, plus two novels by Charles de Lint, Spirits in the Wires and Spiritwalk, for roughly six bucks; three Hawkmoon novels by Michael Moorcock for six bucks or less: The Mad God’s Amulet, The Jewel in the Skull, and The Sword of the Dawn; The New Space Opera, volumes One and Two, edited by Gardner Dozois for under 7 bucks; Gene Wolfe’s latest novel, Home Fires, in hardcover for $10; and over a dozen more.

Crux – Albert E. Cowdrey – $9.98 (was $24.95)

The New Space Opera – Gardner Dozois; Paperback – $6.38 (was $15.95)

The New Space Opera 2 – Gardner Dozois; $6.40, (was $15.99)

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New Treasures: The Scorpions of Zahir by Christine Brodien-Jones

New Treasures: The Scorpions of Zahir by Christine Brodien-Jones

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the-scorpions-of-zahirI can’t be the only one out there with a young teen daughter who likes to read.

I thought this would be easy. I’d give her a few books every month — books I treasured when I was her age, and carefully preserved for decades for just this moment — and she would retire in contentment to her reading nook, only popping out from time to time to comment on what a great Dad I am. Piece of cake.

Didn’t exactly work out like that.

For one thing, she’s really not interested in books from 40 years ago. She wants to read the books her friends are reading. And guess what? They’re not reading A Wrinkle in Time or Alfred Hitchcock and the Three Investigators either. They’re reading The Hunger Games and Twilight and the Fallen novels and Vampire Academy and.. and…

And that’s the other thing. These kids read a lot. A few books a month? More like a few books a day. They’re voracious, and by the time I’ve ordered the book her friends are all taking about, they’re forgotten it and moved on. Forget being a great Dad… I’m left scrambling just so I don’t look like a clueless parent who’s perpetually “totally last week.”

Fortunately, I have people. People who work for publishing companies, and send me advance proofs. Of books that aren’t even out yet. Take that, bratty thirteen-year-old mean girls. I can still compete for my daughter’s attention by leaving these lying around.

She pretends not to be interested, but then picks one up. What’s this? she sez. Oh, that? The Scorpions of Zahir — just something some Manhattan publishers sent over. You wouldn’t be interested. Won’t even be on sale for another month or so. It’s about a girl in Morocco trying to keep a sacred city from being buried forever, or something. Your friends probably won’t be talking about it for weeks.

I know. I’m a bad person, but I’m desperate. And it works. Soon she’s curled up in her reading nook. She doesn’t come out to tell me I’m a great father or anything, but once she does ask where “Morocco” is. I show her on the map. We almost make eye contact for a moment, before she goes back to reading.

I get a quick hug the next morning. The book is tucked into her bag as she heads off to school. I’ll need to have a new book by the end of the day, but I’ll worry about that later.

Heaven help me when she turns sixteen. But this morning I’m a cool Dad again. Treasure the small victories.

Dave Sim Announces He’s Ending Glamourpuss And Leaving Comics

Dave Sim Announces He’s Ending Glamourpuss And Leaving Comics

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glamourpuss-21Well, this is troubling.

I stumbled on a report at The Comic Reporter this week that Cerebus creator Dave Sim — at one time my favorite comic writer and artist — has announced that he’s ending his latest ongoing title glamourpuss and giving up on the medium entirely.

Part of the reason I find it troubling is that I’ve never even heard of glamourpuss. How could Dave Sim publish 26 issues of a comic without me knowing about it? I’d heard about his successful Kickstarter campaign back in June, which raised nearly $64,000 to create a special audio/visual digital edition of the Cerebus graphic novel High Society. I also knew he had experimented with an anthology titled Cerebus Archive and a web program called Cerebus TV… but how did he slip glamourpuss past me?

According to what I can find online, glamourpuss was both a parody of 60s fashion magazines and a history of photorealism in comics, masquerading as a surreal super-heroine comic. One of its most talked-about features was an ongoing storyline about the day comic artist Alex Raymond died, The Strange Death Of Alex Raymond. The art samples published online looked stunning. You can view page samples and purchase of most of the back issues at the excellent comiXpress site.

But the real news was Sim’s bleak editorial in the latest issue:

Yes: this IS the last issue of glamourpuss… As soon as I saw the sales on the first issue – 16,000 – I knew that the title and my career were doomed. Because of the sheer volume of material published in the direct market, retailers need to order the highest numbers on the first issue and then start cutting drastically – on average: 50% per issue thereafter. 16,000 down to 8,000 down to 4,000 down to 2,000 and… oblivion…

In a final attempt to keep going, I re-jigged glamourpuss with [sister title] zootanapuss, using both the idea of a variant cover as zootanapuss No. 1 and double shipping each issue… It actually worked. Sales did go up on No. 25… but only by 34 copies over No. 24. I had arrived at my career end point…

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