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Year: 2020

Corum and Me:  The Redemption of the Scarlet Robes

Corum and Me:  The Redemption of the Scarlet Robes

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The-Chronicles-of-Corum-Berkley 2-small The-Chronicles-of-Corum UK-small

The Chronicles of Corum, Berkley Medallion (1983, artist uncredited) and Grafton (1987, Mark Salwowski)

In late 2017 I published an article at Black Gate called Elric and Me, in which I discussed revisiting Michael Moorcock’s most famous creation. Three years later, I’ve decided to revisit another of his creations, Corum Jhaelen Irsei, the Prince of the Scarlet Robe. Recently I published the first half of the essay, Corum and Me: The Disappointment of the Swords, which discussed my reaction to the first trilogy of Corum novels, frequently called The Swords Trilogy and comprised of The Knight of the Swords, The Queen of the Swords, and The King of the Swords. I came away from the trilogy disappointed and not looking forward to the follow-up trilogy, for my fond memories of Corum were rooted in the first trilogy. (Greg Mele presented a thoughtful counter argument here, in In Defense of Corum, Elric’s Brother-from-a-Vadhagh-Mother.)

The second trilogy, The Chronicles of Corum, including the novels The Bull and the Spear, The Oak and the Ram, and The Sword and the Stallion, is set centuries after the first. It opens several decades after The King of the Swords. Corum’s love, the Margravine Rhalina, has died and he is living an empty existence, occasionally kept company by his companion Jhary-a-Conal.

Suffering from dreams in which people are calling him, he discusses the situation with Jhary-a-Conal, who has a greater than typical understanding of the way the multiverse works. Jhary-a-Conal explains that Corum is being summoned by Rhalina’s distant descendants who are in need of a hero. Their calls are getting weaker as Corum continues to ignore them but if he chooses to go to their aid, it is not too late. Being a hero and an aspect of the Champion Eternal, Corum allows himself to be dragged into his future.

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Uncanny X-Men, Part 22: 1978 – The Savage Land, Japan and Psionic Throwback Thursday!

Uncanny X-Men, Part 22: 1978 – The Savage Land, Japan and Psionic Throwback Thursday!

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Welcome to my increasingly Quixotic reread of the Uncanny X-Men. I started in 1963 and am now in 1978, and in my favorite period, the legendary Claremont/Byrne/Austin run. In this installment, I’m covering Uncanny X-Men #115 – 119. It’s a special run for me. As a kid, issues #116 and #118 were among the earliest great trades I’d made, but as with all filling of back issues, I didn’t get the in-between stories until years later. But in those days, I suppose we just lived with the chapters we had and filled in the gaps with our imaginations.

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On a Mission to Disable a Gigantic Robot: Tangent Online on “The Ambient Intelligence” by Todd McAulty

On a Mission to Disable a Gigantic Robot: Tangent Online on “The Ambient Intelligence” by Todd McAulty

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Lightspeed Magazine Issue 125 October 2020-smallIt’s been a while since I’ve been reviewed at Tangent Online, so it was a delight to find a review of my Lightspeed story “The Ambient Intelligence,” written by Tara Grimravn.

Due to a mysterious government program called the Deep Temple Project, the water in Lake Michigan has been steadily boiling away. Its shoreline is now little more than a series of mudflats and interconnected stagnant pools that go on for at least a mile before one reaches the water. Barry Simcoe is on a mission by AGRT, an international peacekeeping organization, to disable a gigantic robot destroying large portions of Chicago and killing its citizens. According to his friend Zircon Border, it was spotted coming and going from the exposed remains of an old shipwreck. In order to do this, Simcoe must navigate the treacherous bog that is now the lakebed and try to disable his opponent before it can kill him.

McAulty’s SF story is a great read. It takes a little while to get to the more exciting bits, but that’s necessary to give the reader enough background to understand what’s happening and why. The ending doesn’t disappoint either. The characters are quite well-done, and I especially liked the interactions between Simcoe and True Pacific. Give this one a read!

“The Ambient Intelligence” appeared last month in Lightspeed magazine, and it’s free to read online. It’s published under the name Todd McAulty, the name all my stories appeared under in Black Gate magazine all those years ago. It’s the story of Canadian Barry Simcoe and his robot friend Zircon Border, who face off against a mysterious 60-ton killer robot hiding in a shipwreck on the shores of Lake Michigan… one that’s hiding a very big secret. It shares a setting (and two characters) with my debut novel The Robots of Gotham, but it’s not otherwise related to that book, and stands completely on its own.

Read “The Ambient Intelligence” in its entirety here. And if you enjoy it, why not help support Lightspeed with a subscription? Six-months subs will run you just $17.94, for more than 50 stories — a whopping 350,000 words of fiction. It’s one of the true bargains in the field.

New Treasures: Agent of the Imperium by Marc Miller

New Treasures: Agent of the Imperium by Marc Miller

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Agent of the Imperium Marc Miller-smallMarc Miller created Traveller back in 1977, and over the last forty years it’s become pretty much the de facto science fiction role playing game. It’s certainly the one to beat, anyway.

A few years back Marc Miller launched a Kickstarter to fund the publication of the Traveller novel Agent of the Imperium. It was a huge success. raising $35,113 from 970 backers, and the book appeared in 2015. Like most Kickstarter-funded book projects however, it’s early success didn’t immediately translate into a lot of readers.

Baen Books is hoping to rectify that with a 2020 reissue, which arrived this week in a handsome new trade paperback edition. Here’s an excerpt from Shannon Appelcline’s thoughtful review at RPG.Net.

Jonathan Bland is a dead man, but he lives on in a technological wafer that allows him to exist again for 30 days at a time as an Agent of the Imperium. When called upon, he continues the work of the Imperial Quarantine Agency — which as often as not requires the scrubbing of dangerous planets. Jonathan Bland is a dead man, but that doesn’t mean he’s stopped learning… The threats of Agent of the Imperium include rogue robots, virulent diseases, and psionic infections, but at its core it’s a journey into the heart of a man who lives the most unusual life imaginable….

Agent of the Imperium is a troubleshooter novel, much like the Retief series (1967+) that Miller has listed as an influence on Traveller. Here, you can see the connection; where Keith Laumer wrote silly tales of a diplomatic troubleshooter, Miller instead offers the serious and sometimes grim tales of a quarantine troubleshooter in the Official Traveller Universe….

It is surprising that Marc Miller is able to incorporate so many elements of the Traveller universe in such an effortless, organic way. Vilani, psionics, newts, stasis globes, Geonee, naval officers, Threep, and amber zones. They’re all here, and they never feel gratuitous. Somehow, Miller is able both to fill Agent of the Imperium with the wonders of the Third Imperium and to convince us that he had to include those many and varied elements to give us the complete story…. Agent of the Imperium also does a great job of depicting Traveller‘s history. Because his book is set so far before the Golden Age, Miller is able to easily introduce historic elements such as the Frontier Wars and the Emperors of the Flag that could be backstory for any Traveller game… At the same time, Miller also foreshadows some of the future problems of the Imperium — great mysteries from the final days of the classic game. It’s an impressive (and surprising) trick.

Agent of the Imperium was published by Baen Books on November 3, 2020. It is 368 pages, priced at $16 in trade paperback and $8.99 in digital formats. The cover is by Alan Pollack. Read a generous sample at the Baen website.

See all our recent New Treasures here.

Goth Chick News: Prior Parasites, a Look Back at Invasion of the Body Snatchers 1956

Goth Chick News: Prior Parasites, a Look Back at Invasion of the Body Snatchers 1956

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Invasion of the Body Snatchers poster-small

It’s probably an analogy that falls firmly under the category of “graveyard humor,” but all the recent Covid headlines keeps reminding me of the tag line for the original Invasion of the Body Snatchers film from 1956:

“You’re next!”

Well, let’s certainly hope not. But the sci-fi movie we are currently all living in seems to beg for a lookback at the iconic film. These days, something about a black and white thriller seems more comforting and nostalgic than ever, and the 1956 Invasion, the very first in the list of several screen adaptations of Jack Finney’s 1954 science fiction novel The Body Snatchers, has a whole lot of backstory to explore.

First, a quick refresher on the plot.

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Vintage Treasures: The Calling of Bara by Sheila Sullivan

Vintage Treasures: The Calling of Bara by Sheila Sullivan

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The Calling of Bara-back-small The Calling of Bara-small

The Calling of Bara (Avon, 1981, cover uncredited)

I like to use my Vintage Treasures columns to highlight overlooked classics of SF and fantasy, or books that mean something special to me. But every once in a while I’ll stumble on a complete mystery, a book I’ve never previously come across in over four decades of collecting. Are these titles worth showcasing? Of course they are! You even have to ask?

Which brings us to The Calling of Bara, a 1981 Avon paperback I found in a collection I bought on eBay over the summer. Never seen it before, and never heard of the author, Sheila Sullivan, either. But it’s clearly dressed up as a mainstream fantasy — and it even has an enthusiastic blurb on the cover by the great Peter Beagle (“”A haunting, scary, highly original book.”) Plus, it’s got a post apocalyptic, ruined-Earth vibe, and that’s a plus. That was enough to send me on the hunt for online mentions, and eventually I found this 40-year-old Kirkus Review in the faded memory banks of an old Univac machine at the U. of I:

When Con, the child Bara bears in 2044 — after all 20th century western civilization had crumbled away — is five years old, Bara hears voices within her demanding she bring Con to Ireland. They are pursued by Con’s father, the savage White Michael, travel through wild lands and tribes, until, after being joined by Bara’s man Tam, they are welcomed in Ireland by the ruling class of telepaths which had called them. Con, with his unique powers, will one day head this elite who are debating whether or not to restore 20th century civilization, while the evil principle, White Michael, waits in the wings. Atmospheric and moderately involving if you haven’t been there before.

Atmospheric and involving… evil principle… crumbling ruins. What the hell, my needs are simple. I’ll try it.

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Ellsworth’s Cinema of Swords: Beyond Captain Blood: Three by Sabatini

Ellsworth’s Cinema of Swords: Beyond Captain Blood: Three by Sabatini

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The Sea Hawk-poster

The Sea Hawk (Warner Bros, 1940)

We’ve already covered Errol Flynn’s breakthrough swashbuckler Captain Blood (1935) in this series, and you’ve probably seen and savored it, but you might not be familiar with Rafael Sabatini, the author who wrote the novel it was so memorably adapted from. In the Nineteenth Century Alexandre Dumas père was the king of historical adventure, but in the Twentieth Century that crown passed to Rafael Sabatini (1875-1950). Born in Italy, Sabatini was raised and schooled in Britain, Italy, and Switzerland, and was fluent in at least five languages. He settled in England in the early 1890s and in 1902 published The Suitors of Yvonne, the first of thirty-one historical novels, pretty much all of which can be classified as swashbucklers. In fact, in the early twentieth century the name Sabatini practically defined the genre. (He’s the only author who’s included twice in my Big Book of Swashbuckling Adventure anthology.)

Sabatini’s novels were perfect film fodder; a half-dozen of them made it to the screen in the silent era, and after the success of Flynn’s Captain Blood Hollywood revisited Sabatini’s backlist for another round in the forties and fifties. The three covered below are the best of the lot — and two of them are as good as it gets!

The Sea Hawk

Rating: ***** (Essential)
Origin: USA, 1940
Director: Michael Curtiz
Source: Warner Bros. DVD

Shortly after the success of Captain Blood (1935), Warner Bros. optioned Blood author Rafael Sabatini’s The Sea Hawk as a follow-up vehicle for Errol Flynn; but production was postponed, partly because the plot of Hawk was too similar to that of Blood. Several years passed, war between Britain and Germany began to appear inevitable, and the British production of Fire Over England (1937) provided a model for an American approach to the same historical events.

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Samuel R. Delany on The Shores Beneath, edited by James Sallis

Samuel R. Delany on The Shores Beneath, edited by James Sallis

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The Shores Beneath (Avon, August 1971). Cover by Ron Walotsky

It’s been a good few weeks for obscure SF anthologies. Sunday I talked about the 50-year old Swords & Sorcery anthology Swords Against Tomorrow, which Alan Brown at Tor.com unexpectedly reviewed recently. And two weeks ago the great Samuel R. Delany posted this on Facebook, about James Sallis’ long-forgotten 1971 anthology The Shores Beneath, which collected four tales by Delany, Thomas M. Disch, John Sladek, and Roger Zelazny.

This 1971 collection of four long stories is a collection that made me very happy to be in — though all the stories have been reprinted, it never got the introduction that the editor had promised when he first sold the idea of the book to Avon. I wonder if that has anything to do with why the book was never reprinted.

“The Asian Shore” [by Disch] is an upsetting tale about racism again Muslims. [Zelazny’s] “The Graveyard Heart” is an SF vampire tale. To flip through [John Sladek’s] “Masterson and the Clerks” is to encounter a text that looks just like Aeolus chapter in Ulysses — and to read it is to realize it presents the same theme. The extra information about my own story is actually on the back — it won a Hugo Award (and a Nebula) which is probably why it also got the wonderful Walotsky cover. But might it have [helped] to add that it was a fairly early tale about same-sex desire…? Might even that much extra information have kept the collection itself in print for more than the year it was widely available?

The book dates from the time when Zelazny and I had the same agent — and when Avon was doing some of the most literary books in English. (I assume the in-house editor on the book was George Ernsberger, if not Peter Mayer himself.)

The saddest words of tongue or pen
Are the words “it might have been.”

The Shores Beneath was published by Avon Books in August 1971. It is 192 pages, priced at $0.75. The cover is by Ron Walotsky. It has never been reprinted, and there is no digital edition. See all our recent Vintage Treasures here.

Return to the World of The Three Musketeers in Blood Royal by Alexandre Dumas

Return to the World of The Three Musketeers in Blood Royal by Alexandre Dumas

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Blood Royal Alexandre Dumas-smallNeed a break from obsessively following US election results tonight? I have just the thing: Blood Royal, the latest entry in the acclaimed series of new translations of the Musketeer novels by our very own Lawrence Ellsworth, is on sale today.

I’ve really been enjoying Lawrence’s Cinema of Swords series here at Black Gate. But his day job is even cooler: he’s been bringing Alexandre Dumas’s classic novels of swashbuckling intrigue back into print in exciting and handsome new editions, complete with modern translations.

The latest, Blood Royal, continues the adventures of the valiant d’Artagnan and his three loyal friends. It follows The Red Sphinx and the newly translated The Three Musketeers; here’s what Lawrence told us about it last week.

Blood Royal is the second volume of Dumas’s Twenty Years After; there hadn’t been a significant new English translation of this novel in over a century, which was reason enough to take on the challenge, but the truth is I did it because it was so much fun.

Here’s the publisher’s description.

The latest translation in Lawrence Ellsworth’s acclaimed new series of Alexandre Dumas’s greatest adventures is Blood Royal, the second half of what Dumas originally published as Twenty Years After. In this volume all the plots and schemes set up in the previous novel come to dramatic fruition in the kind of exciting thrill-ride Dumas is famous for — while at the same time introducing the characters and themes that form the foundation of the rest of the series, leading to its great climax in The Man in the Iron Mask.

In Blood Royal, the Four Musketeers all venture to England on parallel missions to save King Charles I, pursued by the murderous and vengeful Mordaunt, the son of Milady de Winter, the great villain of The Three Musketeers. Despite all his experience, d’Artagnan is repeatedly foiled by the much-younger Mordaunt, who erupts out of the past to embody the strengths of audacity and cunning that were once d’Artagnan’s hallmarks. Mordaunt has corrupted those youthful strengths, and the older d’Artagnan is no match for him until he is able to pull his former team together again. To do this d’Artagnan will have to become a true leader of men, leading not just by example but also by foresight, persuasion, and compromise. Only then can the team of Athos, Porthos, and Aramis be re-formed in all its might to defeat the specter of their past. Blood Royal is unmatched in Dumas’s oeuvre in its depictions of his most famous and beloved characters, and an unforgettable saga of swordplay, suspense, revenge, and ultimate triumph.

Blood Royal was published today by Pegasus Books. It is 496 pages, priced at $26.95 in hardcover and $17.99 in digital formats.

See all our recent coverage of the best new releases here.

In Defense of Corum, Elric’s Brother-from-a-Vadhagh-Mother

In Defense of Corum, Elric’s Brother-from-a-Vadhagh-Mother

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The Swords Trilogy by Michael Moorcock (Berkley, 1971). Covers by David McCall Johnston.

Wow, I don’t think I could agree less with a column.

Michael Moorcock is one of the tower giants of sword & sorcery and New Wave SciFi; a member of early Conan fandom who by 16 was a published author and editor, and has spent 64 years writing a vast body of work. Most of this work chronicles snapshots of his Multiverse, and the struggles of the Eternal Champion, the tortured, ever-reincarnating hero of the Cosmic Balance in the struggle between Law and Chaos. And, of course, no aspect of that hero is more famous than Elric, Doomed Prince of Melnibone, wielder of the demonic, soul-stealing rune-sword, Stormbringer. No character has perhaps come to symbolize Sword & Sorcery more, other than Conan himself (*maybe* Fafhrd and the Grey Mouser) than Elric.

Only, as Lin Carter wrote in Flashing Swords! #2:

In 1965 followed an Elric novel called Stormbringer, wherein Moorcock made the tactical error of killing off his hero and terminating the series by the simple method of blowing up the universe. Since then Mike has created many another fantasy hero, but he has recently confessed to me that he is tired of making up carbon copies of Elric: hence this story, and the good news that he is back at work, fitting new Elric tales in among the ones written almost a decade earlier…

And so, Moorcock began writing about other incarnations of the Eternal Champion (and retconning some of his earlier characters to become such). It’s quite a pantheon, but some characters are far better known than others. After our Albino Prince, the most famous must be Dorian Hawkmoon, Jerry/Jhary/jeremiah Cornelius, and Erekosë, who alone of the various incarnations, recalls his past lives, and his dark fate. It’s a mixed pantheon to be sure, with a wildly varying quality of work — I find The Jewel in the Skull, first of the Hawkmoon novels, to be one of the best novels Moorcock wrote, but still can’t get through the Jerry Cornelius tales.

But for me, none of the other incarnations quite work the way Corum Jhaelen Irsei, the Prince in the Scarlet Robe does.

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