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Month: July 2020

Future Treasures: Chaos Vector by Megan E. O’Keefe

Future Treasures: Chaos Vector by Megan E. O’Keefe

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Covers by Sparth

Megan E. O’Keefe’s 2019 space opera Velocity Weapon was nominated for the Philip K. Dick Award, and earned a bucket full of great press. The Guardian called it “A brilliantly plotted yarn of survival and far-future political intrigue,” and Booklist described it as “Full of twists, feints, and deception… [in] a visionary world rife with political intrigue and space adventure.” But my favorite review was from Kirkus:

The last thing Sanda Greeve remembers is her ship being attacked by rebel forces. She’s resuscitated from her evacuation pod missing half a leg — and two centuries — as explained to her by the AI of the rebel ship that rescued her. As The Light of Berossus — aka Bero — tells her, she may be the only living human for light-years around, as the war wiped both sides out long ago. Sanda struggles to process her injuries and her grief but finds friendship with the lonely spaceship itself. Sanda’s story is interspersed with flashbacks to the war’s effects on her brother, Biran, as well as scenes from a heist gone terribly wrong for small-time criminal Jules. The three narratives, separated by a vast gulf of time, are more intertwined than is immediately apparent. When Sanda rescues Tomas, another unlikely survivor, from his own evacuation pod, she learns that even time doesn’t end all wars….

Meticulously plotted, edge-of-your-seat space opera with a soul; a highly promising science-fiction debut.

We previously covered Velocity Weapon, and O’Keefe’s Scorched Continent fantasy trilogy.

The sequel to Velocity Weapon is one of the more hotly anticipated books of the year. Chaos Vector arrives from Orbit on July 28. It is 592 pages, priced at $16.99 in trade paperback, and $9.99 in digital formats. The cover is by Sparth. See all our recent coverage of the best upcoming SF and fantasy here.

The Soundtrack to 2020 Was Released 29 Years Ago

The Soundtrack to 2020 Was Released 29 Years Ago

Cyberpunk 2020 cover
Cyberpunk 2020 from R. Talsorian

The year 2020 will always be associated in my mind with the Warrior Soul album Drugs, God and the New Republic. Explaining why requires a little back story, but let me assure you that this is the most relevant album in 2020.

In 1991 when the album came out, I was a senior in high school. While not in school, my friends and I spent many hours throwing dice on the table, role-playing different characters in a variety of different settings. One of the games we played a lot that year was Cyberpunk 2020, a dystopian future game set in the year 2020.

One of the futuristic details of Cyberpunk 2020 is a genre of music called “chrome rock”. As far as I know, chrome rock is never really described in any detail, so I have no idea what Mike Pondsmith and the other writers of the game intended it to sound like. I always imagined it to be lyrically very anti-authoritarian like a lot of punk songs, but musically more like metal and very “shiny” (clean and well-produced, I suppose?) like, well… chrome.

And that’s the perfect description of Drugs, God and the New Republic if you ask me. I heard the album and thought, “Holy f**k. This is chrome rock.” The sound seemed way ahead of its time back then, and I’ve never really heard anything quite like it before or since (except Warrior Soul’s debut album Last Decade Dead Century, but for some reason I didn’t pick that one up until years later). It’s got guitar riffs and drum smashes that would be at home in metal, bass grooves that might not be too out of place in funk, vocals that are more of the gritty hard rock G’n’R style, and lyrics born from a wholehearted punk attitude. Though Warrior Soul was generally considered “metal” at the time, they never neatly fit into that genre. That and the fact that grunge was just becoming huge when the album came out are the main reasons they never received the recognition and praise I think they deserve.

Sadly, I don’t know enough about the specifics of music recording to articulate exactly how their sound was created. Maybe someone more knowledgeable about sound equipment and mixing can tell me what pedals and filters might have been used to make it so unique.

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Vanguard Dream! A Sampling of Bushiroad Media, Part III

Vanguard Dream! A Sampling of Bushiroad Media, Part III

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In Part I and Part II, we looked into the real-life/anime bands Roselia and RAISE A SUILEN, as well as the franchises with which they are most specifically associated — Cardfight!! Vanguard and BanG Dream! Here we round up a number of other media selections, newer and older and variously related, within the Bushiroad universe.

There are many more things coming from Bushiroad than we’ve examined here, or even mentioned in passing, really — so, definitely lots going on! Even in regards to the two main franchises we’ve focused on, there is plenty more to uncover — including a treasure trove of older theme songs for Cardfight!! Vanguard, for instance… and also the other groups from BanG Dream!, beyond the three actual concert-performing bands.

Well, I’m going to toss at least one of those into the fray here, before we’re done. But first, no look at the ‘Bandori’ universe can claim to be even halfway complete without taking a closer look at the number one main band of the entire series — which of course, is the inimitable Poppin’ Party!

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A (Black) Gat in the Hand: Richard Diamond, Private Eye – The Betty Moran Case

A (Black) Gat in the Hand: Richard Diamond, Private Eye – The Betty Moran Case

Diamond_PowellGregg“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era termsp for a gun. Shortened version of Gatling Gun)

The Betty Moran Case (Click here to listen to it before reading the essay) aired on May 26, 1949. It was the fourth episode, and it opened up with the typical PI voice-over, in what is one big info dump. Richard Diamond is in his one-room office on Broadway, explaining that he does just enough work to pay the bills and take his (rich) girlfriend, Helen Asher, out once in awhile. Diamond, who was in the military, and was also a New York City cop, works hard for his clients, but doesn’t want to work too hard, or too often. Quite a few episodes begin with Powell in his office, bored, when a client comes in. Sometimes, it’s a thug with a warning.

In February of 1945, the film Murder My Sweet transformed song and dance man Dick Powell into a hardboiled tough guy. That summer, he starred as a radio detective in Rogue’s Gallery. He stayed in the part for two more runs, though 1946, then left the show, while hardboiled/noir films continued in 1947 and 1948. That second year, he also recorded an audition episode for a new radio series, Yours Truly, Johnny Dollar. It went on to a long run as a show about a free-lance insurance investigator. Bob Bailey became the most successful actor in the role, which Powell passed on. He had something else in mind.

April 24, 1949, Richard Diamond, Private Detective, aired over NBC radio. Powell largely recreated his Richard Rogue character, adding in a song every episode. But the new show dropped the part where he got knocked out and talked to his subconscious, helping solve the case. That (odd) bit was at the heart of Richard Rogue. Powell recorded somewhere around 150 shows as Richard Diamond, and it’s just about my favorite series. He later produced a television version, starring David Jansen. It was sorely lacking the humor of the radio show.

This episode opens with a woman being visited by the guy who is blackmailing her. She’s had enough, and fortified by liquor, blasts him with a gun. Then, she takes a drink, says “Here’s to nothing” and we hear another gunshot. Her name is Betty Moran, and she’s front page news. Literally, as a seedy-sounding character buys a paper on the street and, talking to himself (a lot of that in radio shows), says that her husband is ripe for more blackmailing.

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Knight At The Movies: Ice Cold In Alex (1958)

Knight At The Movies: Ice Cold In Alex (1958)

Ice Cold In Alex poster

Every time I tell Brit friends I’m a big fan of the “stiff upper lip” British war films of the 50s like Sink the Bismark and The Dam Busters they always, *always* want to talk about Ice Cold In Alex. I had to confess that I’d never seen it. For some reason it was simply unavailable over here.

Having rectified that today, thanks to Amazon Prime, I can see why. I was riveted.

It’s the story of a group of UK medical officers assigned to pull out of Tobruk and retreat to Alexandria as Rommel makes his last, fateful drive to history at El Alamein. But for a war film, there isn’t really even a battle, this is more of a “man vs. nature” movie of four people — and one tough ambulance that’s the real star of the film (an Austin K2 ambulance lovingly referred to as “Katy,” who you end up rooting for much like the motorboat in “The African Queen”) — against the desert. If “Katy” didn’t inspire Werner Herzog in Fitzcarraldo I’ll eat both of my dad’s old sun hats, the big ones my mom sent me.

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Ten RPG Moments of Awesome

Ten RPG Moments of Awesome

Ex Machina RPG Vampire the Masquerade-small Heavy Gear RPG

And now for something more positive: ten awesome little moments in RPGs, beginning with a very self-serving one.

1) Ex Machina

Bruce Baugh, Rebecca Borgstrom, Christian Gossett, Bradley Kayl and Michelle Lyons’ 2004 Ex Machina was a cyperpunk roleplaying game, published by Canadian game company Guardians of Order. It got a very favorable review from BoingBoing. It was also my first professional editing credit.

It only took me a quarter century of playing and selling RPGs to get into the design end of things.

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Vintage Treasures: The Stochastic Man by Robert Silverberg

Vintage Treasures: The Stochastic Man by Robert Silverberg

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The Stochastic Man (Warner Books, 1987, cover art by Don Dixon)

Back in May I started a Vintage Treasures post about Robert Silverberg’s 1975 novel The Stochastic Man, and it wasn’t long before I’d unearthed nearly a dozen different editions. Pretty soon I got distracted comparing the art and author branding for each, and that led me down a deep rabbit hole that ended up with a very long article titled The Art of Author Branding: The Paperback Robert Silverberg.

That was fun, and very satisfying. But it never mentioned The Stochastic Man.

So today I grit my teeth, committed myself to a lot more focus, and started in again. Wish me luck.

The Stochastic Man was one of Robert Silverberg’s most popular and successful novels. It was originally serialized in The Magazine of Fantasy and Science Fiction (April to June, 1975), and then published in hardcover by Harper & Row in September 1975. That year it was nominated for the Hugo, Nebula, Locus, and Campbell Memorial Award. After that it was packaged up by many publishers in the 70s and 80s, and enjoyed a long life and fruitful life in reprint editions from Fawcett Gold Medal, The Science Fiction Book Club, Coronet Books, Gollancz, Warner Books, Gateway/Orion, and others. It was reprinted in trade paperback just last year by ReAnimus Press.

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Uncanny X-Men, Part 15: 1974 and 1975 – The Last Tales of the Original X-Men

Uncanny X-Men, Part 15: 1974 and 1975 – The Last Tales of the Original X-Men

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Welcome to post 15 of my re-read of the X-Men, which began in the Silver Age with X-Men #1 in 1963. We’re now well into 1974. We’ve gone through pretty much every appearance and guest appearance of the X-Men and even some X-Men-adjacent characters and we’re only a year away from Len Wein and Dave Cockrum’s new take on the X-Men in Second Genesis.  I’m going to talk about five issues in this post and note a few others for those who want to read in a really completist way.

The first set of issues is a two-part Magneto appearance in The Defenders #15-16. I glossed over Magneto’s Amazing Adventures appearance against the Inhumans in the last post because he was bringing a bit of a tired plot to the table (creating a bunch of mutants from scratch to command and send into battle).

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New Treasures: Shimmer: The Best Of, edited by E. Catherine Tobler

New Treasures: Shimmer: The Best Of, edited by E. Catherine Tobler

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Cover by Sandro Castelli

How did I not know there was a Best of Shimmer anthology? Time to get some better inside contacts in the publishing biz, I think.

Shimmer was one of the best of the small press fantasy magazines. It received a Hugo nomination for Best Semiprozine last year, and editor E. Catherine Tobler was honored with a Best Professional Editor, Short Form nomination. The magazine published science fiction, fantasy, and “a dash of literary horror.” The final issue, #46, appeared in November 2018.

Shimmer was constantly interesting, and we covered over half a dozen issues as part of our magazine coverage over the years. Their greatest skill was spotting talent, and they did plenty of that. Shimmer: The Best Of contains stories by many of the brightest stars of modern fantasy, including Silvia Moreno-Garcia, Amal El-Mohtar, Karin Tidbeck, Mary Robinette Kowal, Carmen Maria Machado, Sunny Moraine, Arkady Martine, Fran Wilde, Sonya Taaffe, A. C. Wise, Sarah Gailey, Vajra Chandrasekera, K.M. Szpara, and many, many others, all packed into a massive 489-page volume.

Here’s the complete Table of Contents.

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Goth Chick News: A New Monster from Harry Potter Creator J. K. Rowling

Goth Chick News: A New Monster from Harry Potter Creator J. K. Rowling

The Ickabog

Shortly following the advent of the zombie apocalypse which caused us all to seek shelter in our homes and increase our body fat to survive potential food shortages, Harry Potter author J. K. Rowling had an idea. Back in 2012 she began writing a new kind of children’s story which she read to her two younger kids, then aged 7 and 9 respectively, a chapter at a time as she created it. However, when it was done, she decided to publish the first of her adult mystery series, The Cuckoo’s Calling instead, and the completed children’s story went into the attic.

However, when the zombies came and we all went into hiding, Rowling understood the situation was particularly difficult for children. She went to the attic and dusted off her story and decided it might be a good way to provide some entertainment for the kids, who would otherwise have been finishing school, then enjoying their summer. She decided she would publish the story online for free, as so many parents were experiencing financial hardship, and new books might be pretty far down the line of priorities.

So, in May of this year, the first two chapters of The Ickabog appeared on its own, brand new website. Rowling then released a chapter or two every few days over the next seven weeks, and a week ago, the final chapter (number 64) was posted. In addition, Rowling provided her young readers with suggestions for illustrating her story. She invited them to send her their artwork, from which would be chosen a series of pictures to be included in the print version of The Ickabog, set to be released in November 2020.

And of course, I read it. No actually I devoured it, like the Ickabog devoured…

Never you mind, no spoilers here.

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