Uncanny X-Men, Part 15: 1974 and 1975 – The Last Tales of the Original X-Men

Uncanny X-Men, Part 15: 1974 and 1975 – The Last Tales of the Original X-Men


Welcome to post 15 of my re-read of the X-Men, which began in the Silver Age with X-Men #1 in 1963. We’re now well into 1974. We’ve gone through pretty much every appearance and guest appearance of the X-Men and even some X-Men-adjacent characters and we’re only a year away from Len Wein and Dave Cockrum’s new take on the X-Men in Second Genesis.  I’m going to talk about five issues in this post and note a few others for those who want to read in a really completist way.

The first set of issues is a two-part Magneto appearance in The Defenders #15-16. I glossed over Magneto’s Amazing Adventures appearance against the Inhumans in the last post because he was bringing a bit of a tired plot to the table (creating a bunch of mutants from scratch to command and send into battle).


That’s the plan here, too, as it was in the Thomas-Adams X-Men run in the Savage Land, but this Defenders appearance is worth bringing up for a few reasons. Firstly, Klaus Jansen’s inking in issue #15 is superb (image below). He classes up every penciller he touches, as we saw him later do with Miller’s Daredevil. Unfortunately, Mike Esposito inks Sal Buscema in issue #16. Buscema sometimes feels… unmoderated and Esposito doesn’t moderate some of the Buscema flourishes I enjoy less.


Secondly, Professor X makes a substantive guest appearance, as do  Blob, Mastermind and Unus of the Brotherhood of Evil Mutants. They’re always a hoot. Lorelei is there too and Magneto admits to kind of digging her company which made me wonder if there’s more to their relationship than is shown. Maybe I’m reading too much subtext into normal pre-fight villainous bragging.


Gil Kane seemed to be doing every second Marvel cover in this part of the Bronze Age (above) and Mike Esposito inks over Sal Buscema pencils (below).


Most importantly though, by the end of issue #16, the mutant Magneto created and called Alpha has evolved so far that he develops a set of ethics and as punishment for the evil things Magneto made him do, de-ages the powerful X-villain to the toddler stage (below). During the Phoenix saga, Magneto is returned to adulthood, but younger than before, and more powerful. This is a relevant plot point for the Uncanny X-Men series that Claremont, Byrne and Cockrum will use to bring Magneto to his full greatness as a foil to Professor X and a deadly enemy to the X-Men.


On some visits to Toronto as a young teen, I looked up these back issues in comic book shops and added them to my collection. If you want more of a look at The Defenders, I covered the first half of their series in a 2019 post.


Most consequential and momentous for The Uncanny X-Men era are Incredible Hulk #180-182. The publisher copy reads:

While in Canada, Hulk is lured into an occult ritual conducted by Marie Cartier. Will Marie use Hulk’s body as the host for an evil spirit?

Indeed, Hulk is drawn to Québec because a woman with magical powers wants to remove the Wendigo curse from her brother, who got it by eating human flesh. Hulk does arrive there, but since his last visit (just a year earlier in Incredible Hulk #161), the Canadian Government has gotten ready, with Weapon X. Here’s the first panel with Wolverine:


When I was a tween and teen comic collector in the early 80s, I obviously couldn’t afford a genuine first-appearance of Wolverine Hulk back issue, but I got to read this story in a black and white French reprint I found on a school trip to Québec city. I have to say the colored English version is better.


It’s surprising how many elements of the Wolverine who know were there in the Wein-Trimpe co-creation. He’s five foot five inches tall, has adamantium claws, is really fast, with a ton of stamina and can take remarkable amounts of damage. Personality-wise he’s angry, fearless, as violent as they could make him under the 1970s comic code, and he’s got something to prove.


The only thing that I notice isn’t there is the cadences of speech that Len Wein established in Giant-Size X-Men #1 and that Claremont refined over his seventeen year run as writer.


The last substantive piece of X-Men history in this post is Marvel Team-Up #38, where Beast and Spider-Man fight the Griffin, much like Angel and Beast did in Amazing Adventures #15. The Griffin is more powerful and Beast isn’t an outlaw anymore – he’s a recognizable, card-carrying Avenger and it’s fun to see him in the personality and look he’ll have for the next 10-15 years (until X-Factor I believe).


The issue doesn’t do anything special with either character – Bill Mantlo delivers a wise-cracking, issue-long fight that ends with the Griffin face first on the pavement, but if you enjoy X-Men nostalgia it’s a nice glimpse into one of the founding members.



And other than Giant-Sized Fantastic Four #4, which guest-stars Professor X and introduces Madrox the Multiple Man, and X-Men – First Class Finals, a 4-issue limited series from 2009, neither of which I’m going to cover here, we’ve kind of reached the end of the old X-Men.

We’ve now seen basically every appearance of the X-Men from issue #1 in the Silver Age in 1963 all the way to early 1975, including some series that were inserted into the chronology long after the fact. The X-Men had some great, even landmark, stories and character moments, as well as some middling and forgettable adventures.

They introduced some of the most charismatic and iconic villains like Magneto, the Sentinels, Sauron, and the Juggernaut. They introduced villains who went on to become heroes, like Scarlet Witch, Quicksilver, and Banshee. And they set up some of the central conflicts of the Marvel Universe that would pay off enormously in the 1980s, 1990s and the 21st century.

They suffered from relatively uninspired sales though, and in the Silver Age, they never had the bursts of creativity of the Kirby-Lee Fantastic Four or the Ditko-Lee Dr. Strange, nor the line-up of powerhouse characters like the Avengers, nor the engaging narrative voice of The Amazing Spider-Man. Arguably, the potential of the title didn’t come into focus until the end of the Silver Age with the Thomas-Adams run.

The years of unrealized potential is now done, starting with my next blog post in two weeks, when Len Wein, Chris Claremont and Dave Cockrum express a new, sophisticated, modern vision of the X-Men, one that will put them into cartoons, the silver screen and lunch box and t-shirt superstardom.

If you want to catch up on any of my other posts about the X-Men, they’re below:

  • Part I: Introducing The Strangest Super-Team of All: Uncanny X-Men #1 (Nov 1963) to #20 (May 1966)
  • Part II: Early Guest Appearances (1964-65), Uncanny X-Men #21-23 (1966), and X-Men: First Class Volume I (2006)
  • Part IIIX-Men: First Class, Volume II (2007) and First Class Finals
  • Part IVUncanny X-Men #24-39: The Middle Years of the Original Team
  • Part VUncanny X-Men #40-48: Death and Separation
  • Part VIUncanny X-Men #49-53: Reunion and Family and Steranko
  • Part VIIUncanny X-Men #54-58 — Havok and Neal Adams
  • Part VIIIUncanny X-Men #59-66: The Savage Land and the End of the Silver Age X-Men 
  • Part IX: Filling in the Corners of the Original X-Men with Savage Hulk #1-4
  • Part X: John Byrne’s The Hidden Years #1-4
  • Part XI: Storm, the FF and Phoenix in John Byrne’s The Hidden Years
  • Part XII: X-Men Guest Appearances in 1971-1972 and Hank gets Furry!
  • Part XIII: Englehart’s Bronze Age Monster Horror – The Beast
  • Part XIV: 1973 and 1974 – Magneto, the Hulk, Banshee and post-Watergate Captain America
  • Part XV: 1974 and 1975 – The Last Tales of the Original X-Men
  • Part XVI: Enter Wein, Claremont and Cockrum in 1975
  • Part XVII: 1976 — Sentinels in Space and the Rise of Phoenix
  • Part XVIII: Juggernaut and Magneto — For the Very First Time
  • Part XIX: Phoenix, Firelord and the Imperial Guard
  • Part XX: Iron Fist, Blame Canada and Some Strike-Outs
  • Part XXI: Epic Magneto Triumph and more X-Men Death!
  • Part XXII: 1978 — The Savage Land, Japan and Psionic Throwback Thursday!
  • Part XXIII: 1979 — Chaos in Canada with Alpha Flight!
  • Part XXIV: Arcade, Murderworld and their First King-Sized Annual

Derek Künsken writes science fiction in Gatineau, Québec. His first novel, The Quantum Magiciana space opera heist, was a finalist for the Locus, Aurora and Chinese Nebula awards. Its sequel, The Quantum Garden is on sale now. His third novel, The House of Styx, got a starred review in Publishers’ Weekly and is finishing its run in Analog Science Fiction and Fact right now. Solaris Books will be releasing the audio and ebook editions in August, 2020 (pre-order link), and the hardcover release in April, 2021. He also has a novella in the Jul/Aug, 2020 issue of Asimov’s Science Fiction called “Tool Use by the Humans of Danzhai County.” 

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